Wow, what can I say about this one?
The Contax 645 is a Medium Format autofocus film camera introduced by Kyocera in 1999. It was part of their 645 system, an ambitious foray in the (then) professional portrait and wedding world where medium format was king.
I got the Contax 645 in 2008 and had the pleasure of using it for a few years, but eventually had to sell it. I’d always say that I would only sell this camera if I had to pay the rent. Guess what? I had to pay the rent 🙂
I had actually gotten the camera initially because I had done a couple of weddings, was thinking of going down the weekend weddings path, and was thinking of adding something different and unique to my wedding portraits. Looking back now, it was just another excuse for G.A.S. but man, if you have to have an excuse for another camera, the Contax 645 is IT!!
I apologize for not having more photos of the camera. When I sold it years back, I never thought I’d be writing about it one day on a blog 🙂
This is by no means a complete review of the Contax 645, just my memory and experience with it. I do have photos made with this camera and will be updating this article, once I can rescan and put them together. I couldn’t write enough to do the camera justice.
THE CONTAX 645 BODY
The Contax 645 is a modular system with removable backs, prisms, and lenses. You can even add a nice (but expensive) accessory battery holder/vertical grip (the MP-1).
The body when fitted with AE prism and film back feels very solid and is as beautiful to look at, as it is to shoot. The viewfinder is beautifully bright and contrasty. I believe there was actually a waist-level finder for this camera.
From the shooter’s perspective, the top right of the camera contains the shutter speed (32-1/4000 in AV mode) and exposure compensation dials. The mode (B/X/M/TV/AV) dial and AE lock is also located on the top right.
The left side does not have a top “plate” so to speak, but it contains the dial for drive (single or continuous at 1.6 fps). The camera runs on one 2CR5 battery, but can run on four AA batteries with the optional MP-1 grip.
The Contax 645 is still popular with wedding and portrait photographers today due to its ability to use compatible digital backs and if you’ve got this setup, this would be the ultimate digital portrait system in my view.
Ergonomically, I had no complaints. It’s a Contax and all the controls are well laid out. It’s one of those cameras I could use without a manual and that to me is always a sign of a good camera.
The Contax 645 is an autofocus camera and unlike the Contax AX 35mm camera I wrote about, the AF on the 645 is quite good and definitely usable.
While there were quite a few lenses for the 645 system, I only used the 80mm f/2 Zeiss Planar so I speak only to my experience with the camera and this lens. I do not know how it performed with any other Contax lenses.
It was not an EOS or Nikon speed demon, but I did not remember having issues with it, except in very low light conditions. I think you’d be fine with this for those wonderful outdoor wedding portraits.
The 80mm f/2 Zeiss Planar is one of the fastest lenses available in the 645 format. I believe only the manual focus Mamiya 80mm f/1.9 was faster.
The lens, as expected, made for wonderful portraits. The lens was beautiful wide open for portraits with bokeh that seemed much smoother than other Zeiss lenses I have used. Perhaps it was the extra shallow DOF that you can get with medium format, but the bokeh on this lens was not quite as “nervous” as the Zeiss lenses I have used in the 35mm format.
If you’ve ever read any of my articles on Contax, you will know that while I love Contax cameras, I’ve always blasted their electronics as brittle and unreliable.
I’m happy to report that in the three or four years that I had the Contax 645, I never had that problem. Oh, there was one time when the camera started focusing erratically, but it turned out that it just needed a new battery.
It seemed to me that Kyocera put everything they could into making the Contax 645 the best camera that they could make.
The Contax 645 is a highly desirable camera. With its usable AF system, and an arsenal of superlative Carl Zeiss lenses, it is an incredibly capable image maker. To this day, it is considered one of the premier systems in all of medium format photography. It is a camera that can take film or modern digital backs making it versatile enough for the old school film die-hard or the modern digital artist.
The Contax 645 is without a doubt a Camera Legend and perhaps one of the greatest cameras ever made.
WHERE TO BUY?
If you’re thinking about a Contax 645, I have to burst your bubble a little bit and say that with Kyocera out of the camera business, buying a Contax 645 is a bit of a risky gamble.
The reason for this is that if something goes wrong with the camera, Kyocera’s contact in the USA, Tocad, will no longer repair them. I’m not sure who does.
The good (or somewhat good) news is that there are not many reports of these cameras needing repair, just do a search. However, as these cameras approach twenty years on the market, they are getting older and as with any camera, there’s bound to be many ready for retirement or in need of repair.
I would imagine that since the camera is incredibly popular with pros, there should be someone or some place out there repairing these cameras. But in my research, I haven’t found any. I believe they still repair them in Japan, but I will have to do more research.
When I got the Contax 645 in 2008, I paid $1200 for the whole outfit with 80mm f/2 lens, film back, and AE prism. A complete outfit in the same excellent condition today runs for $3000 or more. I’m glad I sold it when I did and made a little profit from the sale 🙂
A Mamiya 645 AF or AFD system is probably a better alternative if you are looking for a similar medium format system that will still be supported.
Now, if you still have your heart set on the Contax 645 Kit (body, 80mm lens, AE prism, back) is trending at $3000-3500. I have seen the kit on eBay with the 45mm f/2.8 Zeiss lens going for around $2300.