Good morning you voracious and gracious camera geeks! A little cheap camera porn just because I haven’t posted here in a while. Here’s a camera I gave away to a friend…but I have a photo of it 😍👍
It’s the Canon EOS Rebel 2000 aka EOS 300 aka EOS Kiss III. It is a 35mm film slr introduced by Canon in the year 2000. Now here’s a great example of what happens when you’ve become “camera spoiled” as I call it 😂 Ok so it’s a decent camera and my friend is getting great results with it! I’m glad it’s in good hands 😍😎👍
Me personally, I never used it and never intended to. I got it in a box with other cameras and stuff. It’s a perfectly capable camera, but I’d be worried using heavy lenses on it due to the plastic lens mount. Besides that, to me it just looks real cheesy and it just wouldn’t inspire me to shoot. Somehow though it looks pretty nice now when I look at this pic 😂
At the start of my photographic journey, I’d probably drool to have a camera like this. Today, no. Even though the camera is technologically more advanced than my EOS 10s that I started shooting Canon with, the 10s would inspire me more with its better build quality.
I’d put up with the 10s’ three point AF over the Rebel 2000’s seven point AF just because the former would inspire me more, despite the fact that the latter would probably make getting good shots easier.
As I said, the experience of using “better” or better built cameras can spoil you! But it’s not just better build quality. It’s cameras I find “interesting.” They could be old or quirky. Or it could be a new camera. Just has to be interesting. I don’t find the Rebel 2000 all that interesting 😢 I’m sure many of you can relate. Don’t be like me folks, be content with what you’ve got whatever it is! 😎📸👍
That’s it for tonight! Hope to start posting more soon! Have yourselves an incredible week guys! 😎📸❤️👍
Good morning you awesome camera geeks! A couple of years ago I posted a video on YouTube called “Benefits Of A Cheap Camera.”
Now in that light hearted and cringe worthy video, which was filmed very badly on an old iPad, I went on to jokingly point out why using a cheap camera could be beneficial.
Before YouTube began hiding dislikes, I recalled that video get quite a fair number of dislikes although there were, fortunately, more likes than dislikes.
I chalked it up to people not “getting” my light hearted, comedic style of camera reviews. I truly think some of my best ad lib camera jokes are on that video! 😍😂
This video was one of the reasons why, for a long time, I viewed the audience on YouTube as “stiffs.” Meaning, I felt they couldn’t take a joke, they couldn’t read between the lines because if they did, they would see that I was actually offering some solid advice!
Seriously, in that review, I mentioned that the Vivitar V3800n (which was the featured camera), was a very affordable, all manual film camera that uses the very popular and iconic Pentax K mount which opened the doors to an abundance of great and affordable lenses.
All this started because a friend had asked about getting into film photography and was asking if he should get a Leica, Contax, or Nikon? Which led me to the thought…why does a film beginner need to spend a lot of bucks?!
Now I’m not here to tell anyone how to spend their money but having been down this path before I felt it wouldn’t hurt to try and help someone save some money!
Another factor is the real likelihood of someone like my friend, who has been shooting digital exclusively, will end up giving up on film and be stuck with a bunch of expensive gear that he’d have to try to eventually sell. And guess who he’d come to, to help him sell it? 😂
THE CHEAP CAMERA CHALLENGE
I’ve seen a bunch of “cheap camera challenges” and although entertaining, I never thought of doing a video on it until now.
Part of the reason is that, as someone who has admittedly been spoiled by using Leica, Contax, Nikon, etc, it was very hard for me to contemplate “wasting” a roll of film on a cheap camera. Now I know that sounds elitist but honestly with the rising prices of film these days, I really only want to use this precious commodity on something I’m interested in.
So with that kind of thinking, I realized I had lost my roots. I started photography with a Minolta X-700 and a cheap Vivitar point and shoot in the 1980s. I have documented this fact many times here.
So considering that I had only used the Vivitar V3800n once or twice in all the years that I’ve had it, I figured this would be a good time to use it again and document the results with you guys here and on YouTube!
So I put in a roll in early January and just finished the roll near the end of last month and here are the results.
All photos in this set were taken with the Vivitar V3800n, 50mm f/1.7 Vivitar lens and shot on Ilford HP5 Plus and developed in Xtol.
PRICE & AVAILABILITY
The Vivitar V3800n is cheap and still easily found on the used market. Prices can range anywhere from $10-40 USD for the body only and same for the Vivitar 50mm f/1.7 MC lens. Sometimes you might even be able to find them for free! 😍
If you can’t find the V3800n, any of the V series bodies will do for basic shooting.
The V3800n was made by Cosina and uses a Pentax K mount so lenses are plentiful and can be very cheap. You don’t need to use a Vivitar branded lens if you do not want to.
The Vivitar V3800n and 50mm f/1.7 Vivitar lens were the most fun I’ve had with a film slr in a while!
It’s not perfect, I’m not going to lie. It feels cheap and there are some issues that might be detrimental to beginners. I explain all that in the video.
But once you learn how to use the camera you will see that it’s capable of taking good pictures. And there’s just a “cheap thrill” (pun intended) to getting satisfying results on cheap equipment, like you got more than your money’s worth!
I’ll even go out of my way to say that it’s perfectly capable of taking pictures as good as any equivalent combo. By that I mean, for example, a Pentax K1000 with 50mm f/1.8 or Canon AE-1 with 50mm f/1.8 FD lens or Minolta X-700 with 50mm f/1.7 MD lens. These are just some examples but you could add your own and as long as you’re being fair, I can say the Vivitar will match up to it! No it will not beat a $5000 Leica or Zeiss 😀
In conclusion, my main point of doing this cheap camera challenge is to show, especially beginners, intermediates, or anyone wanting to get into film photography that it doesn’t have to be expensive. You can have a lot of fun with film photography without paying a lot!
Good morning you awesome war torn camera geeks! For your Flashback Friday here is a camera I was surprised to find out recently that some people consider “one of the most important cameras in film camera history.” It’s the Lomo LCA from 1984.
I’ve had this camera for about five years and you guys know I do my research before buying any camera. I’ve never heard anyone call it one of the “most important cameras” until recently when I came across this in Dpreview and from reading the forums there, it seems that other people were surprised too!
Now it’s a cool, funky little Soviet era camera that takes decent pics, at best, but one of the most important cameras? Am I missing something guys? I respect the people who wrote the original article and as I’ve said, I don’t claim to know everything so I’m looking to you guys to fill in the blanks! 🙏🙏
This camera is based off the Cosina CX-1 which I don’t think is considered one of the most important cameras in history. I’m guessing maybe it’s because the LCA might have started the Lomography thing? This is really a curiosity for me! You tell me guys!! I’d be very grateful to learn what made this camera so important! Thanks! 😎🙏🏻👍🏻
PS: For you hardcore camera geeks, I got the wide angle adapter on it! 😍👍🏻
For Flashback Friday, Travis is back! And today he gives you the dish on government cheese and GE digital cameras! 😂👍🏻
Over the past few months, and indeed over the years some of you have reached out to me here, on Facebook, Instagram, and YouTube asking me basically something that sounds like this:
“Sam I really want a Contax T2, or a Konica Hexar, or a Nikon 35ti, or a Ricoh GR1 but the prices on those cameras are insanely high. Can you recommend a low cost alternative that delivers the goods?”
Now if you’re one of those people who asked, or if you echo those same sentiments then I would ask you…why do you want those cameras?
For some, it’s most likely because those premium cameras are among the most wanted on the YouTube playlist. In fact, the YouTube reviews by young millennials might be the driving force to why these cameras have skyrocketed in price. Kendall Jenner was just a catalyst with the T2 but the YouTube reviews thereafter took the prices into the atmosphere!
Now for you guys who are really into photography, you may have wanted one of those premium cameras for street photography. By and large, the premiums like the T2, Hexar, 35ti and of course the Ricoh GR1 have a deservedly good reputation as street cameras.
But the insanity of the high prices on those cameras keeps the thinking man from jumping in. Can you really get comparable quality from cheaper cameras?
Today I have an alternative for you that I believe is an excellent choice, and at perhaps at 1/10th the price of most premiums.
And that camera is the Yashica 35CC. It is a camera I believe to be Yashica’s hidden gem.
The Yashica 35CC/CCN is a compact, 35mm rangefinder with a 35mm f/1.8 Color-Yashinon fixed lens.
The camera has a shutter speed range of 8 seconds to 1/250 and a flash synch of 1/30th of a second. The camera runs on one 6 volt 544 or equivalent battery.
For those who are interested in this camera, this video review may have the answers to your questions. It’s a pretty deep dive into this camera!
IMPRESSIONS OF THE ELECTRO 35CC AND IN USE
While I’ve used several Yashica Electro models over the years, the 35CC was a late addition to my collection and I got it around 2018-2019.
My first impression is that the camera is much smaller than more well known models like the Yashica Electro GS/GSN.
According to the Camera-Wiki, the Yashica Electro 35CC is “wrongly” thought by some to be part of the Yashica Electro family. However as I show on my YouTube video, you can’t blame people for “wrongly” thinking that when it actually says “Electro 35CC” on the top of the camera! 😀
But the thing that stands out right away and the thing that is indeed the star feature of the Electro 35CC/CCN. It is that bright 35mm f/1.8 lens!
Traditionally, rangefinders from this era have fixed lenses in the 40-45mm range. Think the Olympus SP, the Canonets, or even the aforementioned Yashica Electro GSN.
And even premium compacts like the Contax T2 has a 38mm f/2.8 lens. So the lens on the Electro 35CC at f/1.8 is a stop faster than the 2.8 on the Contax T2, Nikon 35ti, Leica Minilux, and marginally faster than the Konica Hexar’s 35mm f/2.
What does that extra speed buy you? The ability to shoot in lower light conditions and hopefully getting a good shot. And even though the 35mm focal length has never been known as a bokeh monster, the extra fast f/1.8 might help coax out that extra bit of bokeh.
What doesn’t it have that the premium compacts mentioned above does? It doesn’t have autofocus for one thing. It doesn’t have a Carl Zeiss lens or a Ricoh GR lens but without those brand labels, the prices can be kept low. That’s a positive thing!
The Yashica Electro 35CC is small and compact and feels good in the hand. It’s a little on the thick side so it’s not exactly pocketable for the usual pant pockets.
The rangefinder patch on my copy is nice and contrasty making it easy to focus. There are dual focus tabs on the lens which is a nice touch.
The controls are sparse. The camera is basically aperture priority. You select the aperture via the markings on the lens and the camera selects the shutter speed. The shutter speed range is a whopping 8 seconds to 1/250th for the top speed.
The camera gives no indication of what speed it chooses. The only indication is a + or – for over or underexposure.
On my particular camera that indicator no longer works. I can’t see anything indicating over or underexposure. The battery check on my camera is also not working. However, that did not stop the camera from producing mostly well exposed images.
If you run out of batteries there is a default mechanical speed. Some sites say it’s 1/250th but others say it’s 1/30th. In my opinion, based on usage, it seems the default shutter speed without a battery is 1/30th.
All images below were taken with the Yashica Electro 35CC and Kentmere 400 film developed in Xtol.
Based on my own tests, I believe the 35mm f/1.8 Color-Yashinon DX lens to be excellent.
In the above images, I can see that the lens is really only held back by the film (Kentmere 400) and/or my developer Xtol.
At f/1.8 there is a touch of softness (as are most lenses wide open) but it’s actually sharper at f/1.8 than I expected so I’m perfectly fine with its performance.
From f/4 to f/11 you can expect excellent sharpness and good contrast, assuming the camera chooses a fast enough shutter speed.
PRICES, AVAILABILITY & WHERE TO BUY
The prices for the Yashica Electro 35CC are trending from $80-130 USD.
I’ve read that this camera is hard to find but I don’t think it’s that hard to find. I got mine from KEH in 2018 or 2019 for around $100.
In fact, while working on this article I saw one last week, again at KEH for $133 in EX condition.
It is true that you don’t see them too often from USA dealers. However they are plentiful on eBay, from sellers in Japan.
As mentioned before, I have bought many times from Japan without issues. However, you must do your research on the seller, as always, no matter what country it comes from.
The Yashica Electro 35CC is a hidden gem! It may not be as well known or as desirable as say a Contax T2 or Nikon 35ti, but especially for street photography I find the images it produces just as satisfying.
And the fact that you can find these cameras for about $100 USD on average, well, that adds incredible value and enjoyment to using this camera!
The Yashica Electro 35CC/CCN may never go down on its own as a true Camera Legend (but it might!), but there is no doubt that the Yashica Electro series as a whole are Camera Legends that have made memories for people for decades.
In my opinion, the Yashica Electro 35CC is one of the best that you can get from this series, even if Camera-Wiki doesn’t consider it part of the Electro family 😀
If you see one at the prices I mentioned, buy it! And tell ‘em Sam sent you 😎📸👍🏻
Good morning everybody. It seems as if I closed my eyes only for a short time and we’re back here in yet another October once again! Man, I can’t shake off this feeling of getting older! And I have to remind myself that I’m not THAT old yet!
Well anyway, I just went through three rolls of new images to review and some were good and some not so good. Hmm, kinda like the good old film days! 🙂
In this set, only the bottom image “What A Rush!” is from the Contax T3. The B&W set is from another “mystery” camera 🙂
The Contax T3 was, in its time considered “The Best Point & Shoot Camera In The World” and it’s got a tremendous, and yes, even legendary cult following even today.
Does it still deliver the goods? It sure does! It always delivered the goods, but it’s not without its faults as I’ll explain in future postings. Can it still hold on to its “top dog” title? I’m not so sure just yet!
Please do not think I’m jumping on the T3 bandwagon! I certainly could NOT get one at today’s prices. However, I’ve had mine since 2006 when they were MUCH more affordable. Though I may not like getting older, there are some perks to be a “veteran” camera freak I guess 🙂
Had it all these years, somehow I never rushed to do a review on it. So you see friends, I’m not in this for any kind of blogging glory 🙂
I just want to get out good information for you. Sorry if it takes a little longer than most bloggers. I’m just SLOW haha 🙂
I got my images back from the Darkroom out in California and they did a mighty fine job. There’s a reason why people recommend them!
Though I wished their prices would be lower, I will say they can be recommended for film developing yes.
Anyway, it looks to be a busy month with lots to look at. Let’s hope I don’t burn out by the end of the first new review lol. Have a great week folks!
Ah friends, nothing quite as thrilling as working through another dusty, blurry roll of film ain’t it? 🙂
“The Fountain” 2013. Hasselblad X-Pan, 45mm f/4 Hasselblad lens. Film was probably Fuji Superia but will update for accuracy if I can find the information.
Hello folks! Still here, still standing, better than I ever did, looking like a true survivor feeling like a little kid!
Ah, is that me or is it Elton John? 😀
Here’s the honest truth about my inactivity as I hate to say sorry all the time! I run about four or five different streams other than this blog so I’m spreading myself way too thin! Not just photography but music, etc. This is my baby of course and I really should just be completely on it! My apologies for not being able to give you my best at all times!
So today’s posting is really a test. I’m working on a review of the Hasselblad X-Pan, the panoramic Camera Legend. I am wanting to see if these images appear good on your screen. I feel X-Pan images are best viewed on a computer and not a phone. X-Pan images are large and long and they simply don’t have the same impact when viewed small.
I don’t mind telling you about doing an X-Pan review before it’s published because there are some very fine reviews out on this camera already as it’s been around for some time. I don’t see myself bettering any of these reviews, just adding to them.
At the same time, I would like to make a complementary YouTube video for it. But in all honesty, making a few cents if I make it to thousands of views is not inspiring so I’m not making it for that reason. I’m going to make it for you, my fellow camera lovers!
To have used a Camera Legend like the X-Pan is a blessing that should be shared, don’t you think? Have a great day camera freaks and see you soon! 😎📷✌🏻
UPDATE: I have checked it out myself and to me the image is way too small on the computer! Have to find a work around to show you larger images!
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“Sunday” 2017. Baby basking in the Sunday morning light with her YouTube nursery rhymes on her iPad. Rolleiflex 3.5F Planar, Kodak T-Max 400 developed in T-Max RS Developer.
Many of you who read these pages would probably know that I’ve always been a huge fan of Rollei and in particular the Rolleiflex TLR cameras. My favorite of course is the glorious Rolleiflex 2.8C with the Schneider Xenotar lens which I wrote about here.
Even though I’ve shot my many various Rolleiflexes and Rolleicords which were f/3.5 models, I admit I have a peculiar fondness for the 2.8 models.
It may even be some kind of unconscious snobbery, but I (as I’m sure many of you) have a thing for fast lenses and in the world of Rollei TLRs, f/2.8 is IT.
Now this is not something exclusive to the Rolleiflexes or TLRs, it’s everything! I mean, think of how many of you will perceive a 70-200mm f/3.5 zoom lens versus a 70-200mm f/2.8 zoom? Of course, many will gravitate towards the f/2.8 version. That half stop means alot!! At least in the mind 🙂
But the fondness for fast lenses is not just something we want for no reason. For me at least, I prefer shooting in natural or available light, sometimes in less than ideal conditions. A faster lens would allow me to choose a faster shutter speed, minimizing the chances of blurry images. When you’re shooting at f/2.8 and ISO 400 film in dim or available room light, believe me, you’re going to want all the light you can get. There is a method to our madness, a reason after all!
With that in mind, and being that I already have the 2.8C model, I’ve always kept the 3.5F Rolleiflexes out of my mind. The 3.5F just like the 2.8F is also a top-tier model. Both also offer the option of either the Planar or Xenotar lenses.
However the problem for me was that these cameras are also nearly as expensive as the 2.8 models and if I were going to pay that price, I’d just get the 2.8! Now I got the 2.8 fairly cheaply back in 2008. I wouldn’t be able to get one these days with my current finances 😦
So how did I come across the 3.5F? Maybe a little luck and like I said many times before, the cameras come to me! I was looking for something else entirely when I came across an ad for a Rolleiflex 3.5F in what was described as “user” condition. The party said he was selling for his uncle. I asked for detailed pictures and negotiated a price of $200 which was all I could afford at that time.
When I got the camera, I got the sinking feeling that this might be a piece of junk! It looked a little shabby, but I felt I could clean it up. The main thing that troubled me was the shutter didn’t have a reassuring sound. It seemed all the speeds sounded almost the same, and very weak at that. TLR’s generally have soft, quiet shutters anyway, but this one somehow felt different. On top of that the camera didn’t feel as robust as I’ve been used to from my other Rolleiflexes.
“Brother Fro” 2017. Gotta love the hair on Brother Fro! Rolleiflex 3.5F Planar, Kodak T-Max 400 developed in T-Max RS Developer.
I came to the conclusion that the shutter speeds were not accurate, but I decided to pop some film in it and give it a try. Not expecting much, I just shot randomly around the house using my usual “kid test” that I’ve mentioned before. I didn’t think I’d have anything worthy of posting for you good peeps! I said might as well try some film in it before I put it on the shelf while saving up for a CLA.
When I developed the roll, I said…WOW! This lens is SHARP!! It may even be better than my beloved 2.8C.
“Sunday” 100 percent crop of the top image. Unaltered, sorry for the dust! But note the detail on the baby’s shirt and the fabric. It’s probably better seen on a computer versus your smartphone.
It’s not all positive though. I believe I was right about the shutter speeds not being accurate. They all appear to be a little slower than their rated speed. How much I can’t determine. Many of the images that should’ve been good were underexposed.
“Kodak” 2017. Rolleiflex 3.5F Planar, Kodak T-Max 400 developed in T-Max RS Developer. An example shot showing the typical underexposure I experienced testing this camera. Admittedly, this is a bit of a tough lighting scheme and I’m probably to blame for my “guesstimation” exposure. But note the studio light to the right and the spoon on the table to the left. They are sharp. Oh, as a result of my imperfect development, somehow the word “Kodak” from the film strip is etched into this image, and seemingly in the right place for it! 🙂
But the ones that came out sharp, man they were sharp! And contrasty too. This lens made a better impression on me than the 2.8F Planar I tried back in 2004.
I’m going to try another roll in it. Maybe shoot some street with it. I think this lens would be great for that. Will keep you all posted. Till then, Happy Sunday! 🙂
***BLACK FRIDAY AND CYBER MONDAY DEAL ALERTS*** Cell phone cameras have gotten incredibly powerful these days. If I were in the market for a phone right now, it would have to be the Huawei Mate 9, seen below. In addition to the beautifully huge 5.9″ screen and all the other goodies you would expect in a modern smartphone, the crowning glory is the unique Leica dual cameras built in, one of which is a 20mp MONOCHROME sensor!! If you know how much a Leica Monochrom rangefinder camera cost with its unique monochome sensor, then you know what a bargain this is. And this weekend, the phone is only $399 ($100 off) through our affiliated link. Check it out if you’re a b&w or Leica fan!
As much as I love the Huawei Mate, I would have to think the Apple iPhone X is this year’s hottest phone gift. It’s probably the hottest smartphone of 2017! Check the link below and seek out the best prices. Hope you score a deal on the ultimate Apple gadget!
For you traditional photographers, and I know you’re still out there, the hottest camera of 2017 has got to be the Nikon D850. If there’s one camera that can do everything, this is it! Check the link below and compare prices today to score a deal on this year’s Ultimate Camera gift. Your loving photographer will love you for it!
The Fuji Instax Square might be this year’s “got to have it” photography gift! It combines a digital camera with analog prints. The printer is built into the camera! And at $229.95 and up, it’s affordable! I’m tempted to get this one myself!
If you really love your significant other, and I mean REALLY love them, this would be that “above and beyond” gift! It’s the Fuji GFX 50S Mirrorless Medium Format camera. It offers image quality beyond reproach. Your loving photographer should not be asking for anything else after this one, and if they do send them to me and I’ll set them straight! 🙂
I don’t mean to make light of the nation’s opioid epidemic which is very serious indeed. I just couldn’t think of a better title 😊
This image was shot with a vintage Agfa Ambiflex and the mythical 55mm f/2 Solagon. The film was Kentmere 400 and developed in T-Max RS. I can’t say much about this outfit now, consider this what I call a “future flash” because I will have a write up on this camera and lens soon. It’s one of those outfits that has a cult following but it seems there’s not a heck of a lot out there about it. We’re going to change that for you! Have a nice day camera lovers 😊✌🏻
Happy Father’s Day to all you great fathers out there! While Father’s Day is generally a celebration of you, Daddy, any photographer/dad out there knows the best aspect of being a father is to be able to take photos of your greatest accomplishment life which are your kids. They are what makes you a Father in the first place 🙂
In celebration of this, here’s some photos of my beloved. While I have tried to shift to other subjects in recent postings in order to not “bore” folks who may not like kiddie photos, it’s the photos of my babies that inspire me most so please allow me today to indulge a little. In fact, it’s my tribute to these hard working kids because they are the ones who allow me to create reviews for you by being the main subjects for my camera testing 🙂
Thank you and once again, Happy Father’s Day to all you happy Papas out there and I hope you get some nice cameras and/or lenses today!!
Any Father’s Day tribute should start with Dad! This is a shot of my late Dad with Baby Zoe from 2008. Pentax K10D, Pentax SMCP-FA 35mm f/2 AL lens.
“Munchkin In The Tree” 2015. Canon EOS-1D Mark III, EF 135mm f/2L.