Sunday Shooter: Sony A7r & 35mm f/2.8 Carl Zeiss Biogon Samples

Somebody asked me the other day if I still shoot digital and I said of course Daddy! I always take both a film camera and a digital camera with me almost everywhere I go!

If you’ll note most reviewers in my age bracket who grew up on film and were young enough to appreciate digital when it came out, we have no problem shooting both. It’s mostly the hipster kids who shoot film exclusively even though they were not around during the film era. Kinda funny I think! 😊

Below are some examples from the original Sony A7r 36mp and the Carl Zeiss 35mm f/2.8 Biogon in Contax RF mount. Please forgive the funky colors in some of these shots I just posted them as is for you to check out. The only ones I processed were the black and whites.

“Cold Cold World” 2018. Sony A7r, 35mm f/2.8 Carl Zeiss Biogon for Contax RF.

The Sony A7r was my last major digital purchase. I use it to test vintage lenses. For the past couple of months it’s been the Carl Zeiss 35mm f/2.8 Biogon.

All I can say is what I’ve told you guys before…the 35mm f/2.8 of any make is such a boring lens that I’d never consider buying one, except for the Zeiss Biogon of course!

Besides It’s the only decent normal/wide angle I can get for the Contax RF and fairly cheap. But optically, I’m not sure it’s any more exciting than any other 35mm f/2.8 lens 🙂

“JuJu 13” 2018. Sony A7r, 35mm f/2.8 Carl Zeiss Biogon for Contax RF. Some of you who remember me from the photo forums might remember this kid. It’s my nephew JuJu! And he’s no longer a baby, he’s 13! 🙂

“Wheels Up” 2018. Sony A7r, 35mm f/2.8 Carl Zeiss Biogon for Contax RF. A good dude raises a toast 🙂

“Brave Bull” 2018. Sony A7r, 35mm f/2.8 Carl Zeiss Biogon for Contax RF. Something about alcohol knocked “Brave Bull” out 🙂

“Razor’s Edge” 2018. Sony A7r, 35mm f/2.8 Carl Zeiss Biogon for Contax RF. You need to get pretty close to induce some bokeh out of the Biogon but the bokeh is fairly neutral and though not full of character, it’s not distracting either at least to my eyes.

“Funky Town” 2018. Sony A7r with Carl Zeiss 35mm f/2.8 Biogon Contax RF mount. The kids said “Papa, take me to Funky Town!” 🙂

This is not my final verdict on the lens by any means. I still need to see how it does on film. This is an old lens that was made for film.

As for the A7r I don’t see myself upgrading to any of the latest and greatest. They can try to sell me all the #bs about why the newer models are better but honestly my only complaint about the old A7r is poor performance with ultra wide lenses which I don’t use much on this camera. And I’ve yet to get a native AF lens for the camera.

Otherwise this camera gets the job done! What’s your Sunday shooter? Happy Sunday good peeps! 😎📷😘✌🏻

Recent Items

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“Patriots” 2015. Canon EOS-1D Mark III and Yongnuo 50mm f/1.8 EF lens clone. The Yongnuo deserves a review in its own right! 🙂

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“The Razor’s Edge” 2016. Canon EOS-1D Mark III, EF 85mm f/1.8

Hello my friends, I hope you are enjoying your Fourth Of July weekend! Just quickly a couple of items.

About ten years ago, 2006, Canon released perhaps their most controversial 1D body and that body is the 1D Mark III. Many of you will remember the whole AF “controversy” which involved the camera not focusing correctly, sometimes even on easy shots. This was a no-no for a pro sports/journalism market that had come to rely on Canon’s renowned autofocus.

Anyway, people sent in their cameras for a fix, sometimes multiple trips to Canon repair. It was a mess. Although Canon apparently fixed the issue, many are convinced even today that the camera was never “right.”

Well, you know I’m probably the king of doing the unexpected, so I got one about a year ago as the prices have come down to a price one could afford. I plan to do my own review of this camera shortly after having ample experience with it.

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“Say Cheese” Sony A7R and Vivitar 35-105mm f/3.5 low budget lens.

I’ve also been trying out a lot of oddball lenses such as the Vivitar 35-105mm f/3.5 on my A7R. I got this lens for $5 dollars and was attracted by the constant f/3.5 aperture and of course, the low price 🙂

I have to say that I’ve been pleasantly surprised by it! It may not be the sharpest knife in the drawer, but it is sharp and has a surprisingly useful “macro” or “close range” mode which I used for the portrait above. The lens flares like crazy outdoors however and not necessarily the prettiest flare.

The lens was apparently built by Tokina, which may explain its hefty build. It’s the current “in” lens on my A7R so I hope to post more pics from it soon.

Anyway, please enjoy the rest of your holiday weekend and don’t let it pass too fast! 🙂

 

Autumn Surprise 2015

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“Autumn Surprise” 2015. Sony A7R, CV 35mm f/1.2 Nokton Aspherical. I used to love using 90-105mm lenses for shots like this. Now I like using wide and getting in close. For a larger and better view, please click on the photo.

Every year since 2008, I’ve been photographing my elder daughter in a personal series of fall portraits that I like to call “Autumn Surprise.”

I’ve used the photos to document her growth with the yearly change of seasons. It’s quite heart-warming to see how quickly she has grown. Time flies too fast for me 🙂

Today, that seven year record was broken with the introduction of her baby sister into this series.

Just as fun for me is to see the gear I was using then and what I am using now. I plan to post the whole series in another post.

If you live in an area of the world that has fall foliage and you have children, this is a good weekend to pull out your Camera Legend cameras and catch those kids in the Autumn Leaves!




 

The Sony A7R: Is It The Ultimate?

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“The Dream” 2015. The Sony A7R, when introduced in 2013, represented the pinnacle in digital camera technology. Seen here with the Canon 50mm f/0.95, it is a “Dream” combo for me. I played around with some “Pop Art” type settings for this shot 🙂

The Sony A7R is a 36.4 megapixel mirrorless digital camera introduced (along with the 24mp A7) by Sony in 2013.

Now think about it…a mirrorless camera with a whopping 36.4 megapixels on a full-frame sensor. You might call the A7R an instant Camera Legend!

Note: With the exception of the first two photos, I have included some larger than usual photos especially for this camera. You may have to double click on the photos to see them at their intended sizes.

FIRST IMPRESSIONS

While the camera looks like a miniature DSLR, it is indeed NOT a single lens reflex. Instead, it is a mirrorless camera that does not rely on a reflex mirror as in traditional SLR cameras.

You have the option of using the back LCD, as in all digital cameras, or the built-in electronic viewfinder (EVF). The EVF has a resolution of 2.4 megapixels and is one of the best I’ve ever seen.

The camera is small, but feels good in the hand. Solid, light but with a nice heft to it. The right hand grip feels comfy and secure to me, but might not for someone with larger hands.

When I first handled the camera at the PhotoPlus show in NYC in 2013, my impression was that the camera looked and felt a lot like my Olympus OM-D EM-5, only stronger and not as light as the OM-D. I would say it is like the EM-5 ‘grown up’ 🙂

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“Pucker Up” 2014. Sony A7R, Voightlander 35mm f/1.2 Nokton Aspherical, first version. Lipstick, ear-rings, kids jewelry…growing up way too fast! 🙂

It is not the prettiest camera in the world, but not the ugliest either. It feels like a ‘machine’ or a computer with a camera that Sony put together, in essence that’s what it is, but I kinda like that. And this machine is made for image making. It is not here to win any beauty contests, it is here to work. And it is an excellent worker.

CONTROLS AND FEATURES

The controls are well laid out with the mode dial, on/off dial, and exposure compensation wheel at the top. The inclusion of the “Fn” or function button on the back makes it easier to access key features such as ISO, drive mode, flash, focus, etc, etc. This is certainly a lot better than some of the lower end NEX cameras I have used where you have to use the scrolling virtual menu to access these features.

The menus are typical Sony and any NEX user will be familiar with most of it. You can customize this camera to do a lot of things, but I suggest you read the manual to have it do what you want.

As mentioned earlier, the EVF is wonderful, amazing really. I was always an old-school optical viewfinder guy, but the EVF on the A7R has won me over. Combined with the focus peaking, I have been able to get sharp shots in situations where it would almost be impossible. It’s that good.

There’s a lot more features to this camera than I care to write about. All I can say is that you can do almost anything you want with it 🙂

AUTOFOCUS

I can’t say much about the AF because I have mainly used manual legacy glass, i.e., Leica M, Olympus OM, Nikkors, etc, with this camera.

I did use a kit lens from the cheap Sony A3000 on the A7R and it focused fast and sure. Note that if using AF lenses from the APS-C NEX series, the A7R automatically switches to its 1.5x crop mode at a still respectable 15.4 megapixel resolution.

The two AF primes most users rave about when using the A7R/A7 series are the Sony made Zeiss 35mm f/2.8 FE and the Zeiss 55mm f/1.8 FE Sonnar lenses. I have yet to really desire these, due to the lack of funds, and my simply having no problems getting sharp shots with my legacy glass. One day I hope to get around to one of these fine AF Zeiss lenses, and the 55mm f/1.8 is the one I’d get first.

MANUAL FOCUS

As mentioned, I have been using the A7R almost exclusively with legacy glass. This is the best camera I have used for this purpose.

I set the focus peaking to red, mid level, and just focus away. Focus peaking allows for the camera to highlight (in red, yellow, or white) the edges of your subject when the camera determines that you’re in the focus zone. Sometimes, you may have situations where you can’t really get a good ‘peaking’ but the EVF is clear enough where I can make the focus most of the time.

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“Twilight” 2014. Sony A7R, Canon 50mm f/0.95 “Dream Lens” at wide open, ISO 800. Please click on the photo for a much larger and better view.

Focus peaking is easy to use and a very effective tool for using manual focus lenses on your camera. As mentioned earlier, the implementation on the A7R is one of the best I have used. It makes you wonder how we took all those nice photos on film SLR’s all those years without it 🙂

Don’t get me wrong. You’d probably still get a better hit rate with the autofocus 55mm f/1.5 FE, for example, but I’ll be darned if don’t tell you how pleasantly surprised I was to see how well I could focus my old lenses.

DO I NEED 36 MEGAPIXELS?

This is probably one of the main questions people have when deciding whether or not to buy the A7R. For some, it is the reason to stay away. For others, it’s reason enough to sway them to give in to their G.A.S. “Gear Acquisition Syndrome” 🙂

I’ve been using this camera for almost a year, got it last May, 2014. Here’s my take on this…

Probably 99% of the time, 99% of us won’t need 36 megapixels. We get the A7R because we WANT it. There I said it 🙂

Back in 2004 and 2005, when we had 5 megapixel and 8 megapixel cameras ruling the digital camera world, I obsessively printed up 13×19 and 20×30 prints from cameras like the Nikon D1X and Canon EOS 20D and the results looked great. Even a 13×19 from a 4mp D2H looked pretty awesome.

It may seem silly now, but you have to remember in 2004 and 2005, this digital stuff was still a relatively new game. With each increase in megapixels, we were ‘oohing’ and ‘ahhing’ and going bonkers with the latest and greatest. Today, 20+ megapixels don’t even make eyes blink anymore. Maybe some realized that after 10 megapixels, it was “good enough.”

So since printing billboards with an A7R is no problem, anything printed smaller will be a piece of cake for this camera.

Initially I did not intend to get the A7R, partially due to its price and partially because I didn’t need 36 megapixels for what I do. I do mostly street and portraits. I’ve done weddings and had a few shots published in a magazine, but professional photography is not my thing. Like many of you, photography is my passion and I prefer to keep it that way.

Anyway, I ended up with the A7R about half a year into its introduction because I was able to get one brand new through a friend for $500 less than the store prices. I can’t resist a bargain, so the savings were enough to push me over. Of course, I had to get rid of some cherished items to come up with the cash 🙂

Besides saving $500, I thought the A7R would be the ultimate solution for my legacy lenses. And indeed, the A7R has really turned out to be that camera.

Here’s the best excuse you need for wanting those 36.4 megapixels: If you come across that once in a lifetime shot, and assuming you actually get the shot, you will have the peace of mind in knowing you took it with your best camera. Simple as that. If in that dream world, MOMA wanted an exhibition print of your shot, they can have it with the A7R, again assuming you got the shot. Worst case (and more likely for me) scenario, you have some beautiful large prints in your home 🙂

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“Quadpods” 2014. Sony A7R, Canon FD 55mm f/1.2 Aspherical, ISO 100. Check the image below for a 100% crop of this image.

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A 100% crop of the image above. The A7R provided excellent resolution with the classic Canon FD 55mm f/1.2 Aspherical lens, but also reveals some chromatic aberration from this classic aspherical lens as well. You’d probably never spot it on prints up to 13×19 and even if you did, would it be a problem? 🙂

PERFORMANCE

The A7R has really impressed me with its results. When the Nikon D800/D800E came out in 2012, I read so many things about how 36 megapixels would require “super” photo techniques, tripods, the best lenses or otherwise you’d end up with blurry useless shots. Ten years ago, they said the same thing about ten megapixels so I took that with a grain of salt.

While it is true that if you used those “super” photo techniques, you could get the best out of the A7R, it is NOT necessary to get consistent sharp results out of the A7R. They may not always be “tack” sharp, but unless you’re shooting landscape exhibits or advertising campaigns, it should be sharp enough.

I do a lot of night and low light shots. I’ve always kept the camera in Auto ISO and it’s one of the few cameras that really does the job at this setting. I only adjust manual ISO if I specifically want ISO 100-400 or anything above ISO 800. With fast lenses and in low light, the A7R tended to choose the lowest ISO values it could get away with, thus providing better quality images with these lenses.

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“STOMP” 2015. Sony A7R, Voigtlander 35mm f/1.2 Nokton Aspherical, first version at ISO 320. I actually shot this out of a moving car, pre-focused and a little off on the focus plus car movement, but I still like it. Driving by shooting can yield interesting results, but I do not endorse it 🙂

I generally turn off the noise reduction on my cameras, but with the A7R I keep the noise reduction at its “Normal” default and it does a nice job with ISO’s as high as 6400 providing a good balance between detail and noise. I only use RAW on this camera if there is difficult lighting or if I have the camera on a tripod. Otherwise, the “Fine” or “Extra Fine” jpegs are good enough for me.

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“Lobster Box” 2015. Sony A7R, Canon 50mm f/0.95, ISO 100. As mentioned in the article, the Sony A7R in Auto ISO mode chooses the lowest ISO values possible with fast lenses in low light to provide better image quality.

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“Flying High” 2015. Sony A7R, Voigtlander 35mm f/1.2 Nokton Aspherical, first version at ISO 100. First day out in the park and swinging higher than I’d ever seen 🙂

Many of my legacy lenses cannot out resolve the A7R sensor. Even many modern lenses cannot out resolve the 36mp sensor. However, don’t let that dissuade you. Even my vintage Canon “Dream Lens” 50mm f/0.95, a lens known for its soft ‘dreamy’ quality wide open, is surprisingly nearly as sharp as a modern 50mm when stopped down to f/5.6 or so.

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“Bundle Up” 2014. Sony A7R, Canon 50mm f/0.95 “Dream Lens” at ISO 1000. Shot at around f/1.4 and processed to minimize the well known aberrations that have endeared this lens to its owners. Please click on the photo for a much larger and better view.

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“Autumn Leaves” 2014. Sony A7R, Canon 50mm f/0.95. Please click on the photo to see the details of the 100% crop inset. The crop is from the zipper of the jacket on Baby Z’s left side. At first it might seem ‘standard’ fare for a 50mm lens until you realize this is the Canon “Dream Lens” often thought of as soft. As you can see, it kept up amazing well with the A7R’s 36.4 megapixel sensor, better than I thought!

Just because you’re not using all those 36.4 megapixels doesn’t mean its wasted. You still get the benefit of being able to crop small sections of the files and still get usable pictures. And of course, you can print larger.

Wide lenses, such as my Voigtlander 15mm f/4.5 Heliar, do not work well on the A7R resulting in vignetting and color cast around the edges and blotchy spots. You could probably use correction software to fix these issues, although I haven’t tried.

The A7R sensor (same Sony sensor as in the Nikon D800/D800e) is also well known for its superb dynamic range. I can pull out great shadow detail in underexposed images and rarely ever get blown highlights with this camera.

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“Lifehouse” 2014. Sony A7R, Voigtlander 15mm f/4.5 Heliar M mount, ISO 100. Note the vignetting and color cast around the edges. Please click on the photo for a much larger and better view. Not pretty (except the couple, of course!), but it can be corrected to some degree with software. Or you can be happy and look at those issues as a “Natural Instagram” 🙂

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“Baby Beach” 2014. Sony A7R, Canon 50mm f/0.95 at wide open, ISO 100.

For the A7R, I generally stay in the 28mm range for wide angle where it works just fine.

The camera also does 1080P Full HD video though as mentioned in other articles, I’m not a video guy. My home videos from the A7R look nice though 🙂

BOTTOM LINE

I love this camera! It’s as simple as that. It has become my go to camera if I think I’m going to be shooting something worthwhile. It’s fantastic at low ISO’s and excellent at high ISO settings.

If I were doing it all over again today, for the same money, I’d probably get the A7II with its 5 axis stabilizer, but I haven’t really needed image stabilization because I equalize the A7R’s lack of IS by using fast lenses.

If shopping for the A7R, the price for new as of today (B&H) is $1898, and I’ve seen them sell used for as low as $1200 which is a screamin’ deal.

The A7R is a wonderful and very versatile camera, capable of opening up a whole new world of photographic fun and exploration for you. As mentioned earlier, the Sony A7R became an instant Camera Legend the moment it was introduced.

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“A New Zay” 2015. Sony A7R, Canon 50mm f/0.95 “Dream Lens.” It is indeed a new day with Baby Zay and the Sony A7R in the house! 🙂

Is it the “Ultimate?” Well, let’s say it didn’t stop me from wanting other cameras. It did however fill me with the thought that I didn’t need other cameras, I just want them because I love cameras! Anyway, this is not a camera I would use for events where fast AF and rapid fire is needed. It is kind of overkill for street work, which is what I love. However, at its best you can’t deny the image quality of the Sony A7R. It is among the best, and it is a Camera Legend standing high above its mirrorless peers.

Sony A7R

PROS: 36.4 Megapixels (you want it!); Possible Medium Format look in 35mm digital package; Superb EVF; Superb dynamic range; Excellent focus peaking for manual lenses; No AA filter for potentially sharper images; Lightweight, but sturdy; Great colors; Usable high ISO performance; Makes fantastic large prints

CONS: 36.4 Megapixels (you don’t really need it); The need for bigger memory cards, more processing power from your computer; Color cast and other issues with wide angle manual focus lenses; No AA filter, potential moire; Limited AF lens lineup; Battery life; Feels like it might be a bit fragile for long term durability, only time will tell I guess.

My first choice if buying an A7R today would be to check the competitive prices at Amazon through their affiliates. You can find some very competitive prices from the link below. I’d also recommend Adorama and B&H, never had a problem with either of these camera super stores. Buying from these dealers through these links helps to support this blog and helps me add to its content. It will cost you nothing and you’d be buying from the very best dealers. Thanks for your time reading this article and thanks for your support.

Amazon’s list of competitive stores selling the Sony A7R.