January 2020 Camera Talk: The Number One Thing That Happened To The Camera Industry Since The Last Decade

Good January morn you happy war torn camera loving people and a belated Happy New Year! The New Year is always a good time for reflection but it’s also a time for moving forward.

Well, I was getting a little misty about the end of 2019 and the end of that decade but this year I resolve to be less nostalgic (if that’s possible!) so let’s dive right in…

THE NUMBER ONE MOST SIGNIFICANT THING TO HAPPEN TO THE CAMERA WORLD IN THE LAST DECADE

Perhaps the most significant thing I have seen in the photography world as we end the years from 2010-2019 and enter the new decade of the 2020’s is this:

Smartphone and the cameras in them have taken over as the most popular means of taking pictures. It seems that Steve Jobs vision of doing everything with our phones has more wide ranging implications than anyone ever thought possible! From shopping to dating to photography, we can do it all on our phones.

It’s something you probably already know but perhaps had not thought deeply about its implications and effects. Here’s the first effect:

“REAL CAMERAS” ARE BECOMING PASSE!

Now some might even say that “real cameras” are not just becoming but are passe! And what do I mean by “real cameras?”

I saw a report on a major NYC  television station about this a few months ago. The reporter spoke of how “traditional cameras” as they called it, are disappearing in light of the capable smartphone cameras. First thing I thought of when I saw the report was, oh this must be a slow news day 🙂

But secondly, I thought the reporter was just stating the obvious. Even when walking around a big city like New York, I see less and less of what I call “real cameras.”

Well, first off I’m not even talking about film cameras at this point. To the vast majority of the general public, film photography and film cameras truly are a thing of the past and so far out of their train of thought that it’s not even a consideration. It’s really only relevant to us hardcore camera geeks and their importance to us shows that we just live in our own little world.

Cameras like the Sony A7 series or Canon 5D series are awesome but to the general public, “real cameras” such as these are becoming passe as smartphone cameras get more capable.

When I speak of “real cameras” I mean anything that could be perceived as a real camera vs a cell phone camera. It could be a DSLR, a mirrorless, a digital point and shoot. Basically anything that can be viewed as a real camera is becoming passe.

“Snap Shooter” 2005. Canon EOS-20D, EF-S 18-55mm. In 2005 I posted this photo to one of the photo sharing sites and joked that one day the cell phone camera may take over the world of photography. Fifteen years later, it’s not a joke any more! 🙂

This is not just my observation, I think anyone can see that the cell phone cameras have taken over the world. They are the reason for the decline in camera sales worldwide. They just keep getting better and better and to a large majority of the world the best cell phone cameras have gotten to the point where it’s “good enough.”

THE “GOOD ENOUGH” ERA

Friends we are living in the “Good Enough” era. Just like someone told me how much better the vinyl record is versus the compact disc and I told the next person how much better the cd is from their mp3 and it went in one ear and out the other, a large majority can get by on “good enough” because of one factor: Convenience.

Just like streaming music and movies have become so popular because of their convenience so too has mobile photography. And I’m not trying to sell the people short. People are smart. They still want quality but unlike true camera fanatics the general public can stop obsessing at a certain point. Camera fanatics cannot.

The fact is, just like streaming movies and music, the quality is “good enough” for most consumers. The convenience tradeoffs between having to physically put a vinyl record on the turntable and having to sit down and listen to it, versus just downloading it and listening to your music anywhere is too great for a large majority. However I firmly believe, if the quality of the downloads really sucked it wouldn’t be as popular. But to the contrary, the quality of the downloaded movies or music are extremely good. Certainly better than anything we had in the VHS days 🙂

In 2005 or 2007 or even 2012, cell phone cameras were nowhere near good enough. That’s why cameras like the Canon EOS 7D or Nikon D7000 we’re so popular and seen often on the streets and everywhere in the real world. But today, for many people, they don’t feel the need for “big ass” (excuse my language!) cameras. The best of the cell phone cameras have gotten good enough.

***BREAKING NEWS***

January 7 2020: Oh you say you like “Big Ass” DSLR cameras? Well today Canon has announced the EOS-1DX Mark III, perhaps the greatest DSLR ever! Check out the specs and pre-order from our trusted affiliates below!

Pre-Order The NEW Canon EOS-1DX MK III Now!!

The rest of us mere mortals could probably get by on the hot new and way more affordable Canon EOS 6D MKII!

In 2016, I wrote an article on how good the cell phone cameras have become. I mentioned that I have already recommended to anyone who asked to just keep their point and shoot digital home because I felt the cell phone cameras even then could get the job done. I said it was “getting close.”

With last year’s release of phones such as the iPhone 11 and Google’s Pixel 4, it’s gotten even closer. You can now shoot low light with these phones the way a few years before people would be looking at an APS-C point and shoot like the Ricoh GR series. Plus you can now do even more with these phones, 4k video, slow motion, time lapse, etc, etc. Plus you can with some simple steps process the images or even make whole movies on the phone then upload them very quickly to your favorite social media platform. The “real cameras” are still quite clumsy in this way.

“Pine” 2020. Take a look at this night exposure from an “old” 2015 model iPhone 6s Plus. It used to be that you had to use big “serious” cameras to get this! Sure the faces are dark, but it was dark outside. I could have easily lifted it post process but that would take away from the night mood.

Now I’m not saying these phones will beat the best from Canon, Nikon, Sony, etc. Of course, if you blow up the photos, print them large or pixel peep you are going to see a difference. But a large majority of the world are not doing that.

They like what they see from their phones. They are not printing. Or if they do, it’s primarily 4×6 greeting cards. They don’t care if the bokeh is fake, they just like that they can now (in the latest phones) blur the background using some clever processing that the phones can do automatically. They like that they can use a myriad of filters on their phones to give the images are different look and feel. And they love that they can share this within minutes or seconds.

“Fire & Brimstone” 2019. Apple iPhone 6s Plus and some in camera processing made for an easy and dramatic photo.

I’m not just saying all this stuff from a generalized view of things. I see this in the real world with friends, family, coworkers etc. People I know who used to be big time DSLR shooters. You are probably seeing the same things.

And in all honesty, the phones have gotten good enough where in small prints you will not see a lot of differences. A good example, recently a friend showed me an 8×10 print from a Nikon D3300 with the 18-55mm Nikkor kit lens vs an 8×10 from an iPhone 11 of the same subject. It was really hard to spot the difference. Now if  it was one of Nikon’s better lenses, maybe the differences would be more obvious but as it is I can see why to a lot of people out there, the phones have gotten “good enough.” The scary thing is that this is just beginning. The smartphone cameras will get even better!

Of course, the phone cameras still cannot compete for wildlife or sports but these are specialty segments. For a broad range of shooting, ie, street, portraits, parties, even product shots, a modern cell phone camera in the hands of a skilled photographer can get the job done.

So this explains why we see less and less people carrying around big camera gear or even little mirrorless camera gear. Especially with a big DSLR and big lens, you will look like a fossil from 2005! 🙂

I admit that I myself am guilty of not bringing out my serious gear as often these days. I’m more selective on where and when to bring them. If I’m going to a wedding or important event, I’ll bring it. For a house party with friends, I keep it home.

And the second and sad byproduct of the rise of the cell phone camera is something most other bloggers won’t tell you.

Shhh…Can you keep a secret? If yes, ok then, come closer. Let me whisper in your ear:

CAMERA REVIEWING IS PASSE!

Ok, I said it, now let’s keep it a secret ok?! Alright, in all seriousness, I’m being serious. I mean, it’s hard for me to say such a thing because this is a camera review site after all and yes from time to time I do review cameras and even more so, I’m just a camera and lens fanatic.

Even if I’m not posting as often, cameras and lenses are my passion, other than my family or music. And I’m an old school camera guy to boot.

That said, I’m realistic and I’m on with the times. I see what’s going on. The camera review thing is just getting outdated. It’s overdone, over saturated, and just too much these days.

Every day a new kid on the block is reviewing cameras and lenses. I’ve lost track and everyone begins to look and sound the same. Talking about the same cameras, same lenses. I should know. Five years ago I was the new kid on the block! A new old kid I should say 🙂

When I first showed up on YouTube in 2018 I’m sure people felt the same way about me. Like, who is this guy? Who is this jerk? 🙂

The “Night Stalker?” The “Midnight Rider?” Who is this jerk? 🙂

Funny thing is this is actually not new to me. In the mid 90s I was leaving comments which were basically like “mini reviews” on sites like photo.net because in those early days of the internet, it was something new and I found it really engaging to interact with people who had the same interests.

Photo.net was one of the original “Granddaddy” photography sites and some great reviewers like Thom Hogan come out of that site. I remember when he was just posting his opinions there! I then started sharing pictures and reviewing cameras and lenses on sites like Pbase in the early 2000s where I remember guys like Steve Huff and Sylvain Halgand starting what would eventually lead them to their current blogs or websites right now, so I’ve been around. I just haven’t gotten as famous or successful as those guys 🙂

But that’s ok. I’ve never been driven by the need to make money out of this. But in 2020, camera reviews to me seem passe. I’m not saying it’s over. I’m not saying you shouldn’t do it. I’m just saying I don’t see it as something all that interesting any more in its current state. I mean, how many reviews of the Canon R or Nikon Z do we need? Similarly, how many times can we read or look at a review of the Canon AE-1? Leica M6? Contax T2? It’s all been done folks!

The truth of the matter is the majority of the world shoots with their phone cameras or mobile devices. And if I review a relatively uncommon camera, say a Polaroid 110B or Speed Graphic who is going to be reading or watching? Two, maybe three people max? Needless to say, it doesn’t give me a lot of motivation to put the work into it, especially when I have family and other businesses to tend to.

GOING FORWARD

So if camera reviews are passé what will I do going forward. Well, for one I’m always going to try and give you guys a different perspective on things. I mean, it’s not going to be any better than any one else, but I want to use my experiences to give you a somewhat different take on things. For example, the one time I spoke of the Canon AE-1, I didn’t dwell on what a great camera it is. Everyone it’s a good (if not great) camera. Instead, I spoke of how the prices were going up because as I said…You guys are buying them up! 🙂

Same for the Contax T2. I didn’t review it in the traditional sense. I spoke of five reasons why you don’t need it. And I’m going to keep on doing it like this whenever applicable! I don’t need to repeat what all the other great reviewers have already said.

In the same token, I’d love to learn from YOU. I read a lot of blogs but don’t necessarily comment on them. I should really comment more than I do but despite looking like a guy with the gift of gab, I’m painfully shy. The great Lou Mendes, the famous NYC street photographer with the trademark Speed Graphic, once gave me his phone number and said call him and we can go out shooting. I never called. Not because I didn’t want to, of course I do! But what would I do in the presence of a true Camera Legend? I still bump into Lou every now and then so we’re good 🙂

This year I plan on going back to the roots of this blog, going back to the Camera Legends that this blog is built upon. More Contax, more Rolleis, more Leicas, more Olympus more Nikons, more Pentax, etc, etc. Plus more oddball cameras that you never knew!

Cameras and lenses like the Olympus Pen-F and the 42mm f/1.2 Zuiko are still high on my review list.

And more rare cameras. In the early days, this site was built upon cameras not many have reviewed such as the Contax N Digital and the Minolta XK Motor for example. There’s not many rarities left in my stash but there might be one or two 😊

I also plan on reviewing or spotlighting more digital cameras too. I have been neglecting them as I concentrated on film cameras, but I’ve never been a digital hater. I grew up on film but was young enough to appreciate digital when it came around. I also plan to do more lens reviews.

And speaking of YouTube, I hope to continue growing the channel. Hopefully, better production, more content. But honestly, while I love watching YouTube, I don’t necessarily enjoy producing content for it.

And lastly, above anything else, I plan on doing more personal shooting. I enjoy photography, I love photography! But I have learned over the past few years that the thought of producing content for this blog and for YouTube gets in the way sometimes. If I’m out shooting, I’m now always thinking…maybe I should write an article about this. Or maybe I can turn this into a video. With that frame of mind, I find that some of the joy of photography gets lost and that is a sad thing.

My main goal for 2020 is back to roots shooting, and maybe get more sleep 🙂

What do you think? What are your plans for 2020? I would love to hear from you! Leave a comment if you wish. Many thanks for your support and I wish every one of you a Happy Healthy and Prosperous New Year!

Flashback Friday: My Very First EOS Camera the EOS-10s 1995

Continuing on my “cheap cameras” theme for this week…

If some of your best photographic memories come from the 80s, 90s and early 2000s, then you’ve probably followed the same photographic path that I have.

This is the story of the days when your host and author here used nothing more than one camera and two lenses. I know it’s hard to believe after all the cameras profiled here, but yes there was a time when that was all I needed 🙂

Perhaps you too have gone through that period. Do you ever wish you could go back to a simpler set of gear and just focus on photography?

THE CANON EOS-10s

My original Canon EOS-10s in black with my consumer grade Sigma 28-70mm f/3.5-4.5 zoom lens. On the left is my most recent “60th Anniversary” EOS-10QD which I got for $17 dollars!

The camera for today’s subject is the Canon EOS-10s.

The EOS-10s is a 35mm autofocus SLR film camera introduced by Canon in 1990. It is also known as the EOS-10 or 10QD elsewhere around the world.

Quick specs include your standard P/S/A/M modes, flash synch at 1/125 and a shutter speed range from 1/30 to 1/4000 which puts it in the amateur/enthusiast category. It also had a unique and gimmicky bar code reader thing. Not worth mentioning, just Google it if you’re interested in that!

This story is NOT about the Canon 10D digital camera! If you came here by accident because of the 10D, I’m telling you now so you won’t waste your time. And yes, I’ve used the 10D too but it’s a topic for another day 🙂

While a humble looking camera, the EOS-10s included a major innovation at that time which Canon called Multi-Basis AF which was a fancy way of saying that the camera had more than just one AF point 😊

It had three in fact! Apparently the three AF points could “pass off” the subject it tracked from one AF point to another. This was major back in 1990! And just one of the many things that made Canon so respected as an innovator in the camera world.

CANON EOS-10s IMPRESSIONS

I got this camera in 1994. I was a poor student and while waiting for friends at a college library, I spent an afternoon reading almost all  of the library’s Popular Photography magazine! Big mistake because that’s how the second wave of my camera obsession came about 🙂

I had just about given up on my Minolta X-700 which I had used since 1985. It had developed a battery drain problem and even though I sent it in for Minolta to repair, the problem came back within a few months.

I was basically without a camera, except for my crappy Vivitar PS-20 point and shoot. I came across a review about the Canon EOS-10s and was fascinated by the (then) new Multi-Basis AF.

My friends showed up hours later, but I was quite content to read all that photography stuff! I was also several hundred dollars poorer because I knew I had to have that EOS-10s that I did not yet have the money for 🙂

Anyway, a few months and several paychecks later, the EOS-10s arrived and I held in my hands my very first Canon EOS camera. What a feeling it was back then!

Obviously a camera is useless without a lens, so I went around to several local camera shops (and there were more local shops around back then) and I came back with what today may be seen as a very cheap lens: the Sigma 28-70mm f/3.5-4.5 UC. I think I spent around $70 for it. I also eventually got a telephoto, and I settled for a cheap Canon 75-300mm f/4-5.6 USM first version.

As you can see folks, I started out with a humble two lens kit like everyone else! I cut my teeth learning the craft on cheap lenses. I should’ve just learned from my X-700 days and gotten a 50mm f/1.8 lens from the start but I wanted something different.

The EOS-10s felt good in my hands. I knew nothing of pro bodies at the time. I mean I read about them but didn’t think of getting one, nor could I afford one till much later.

While this is not a full out review, I can tell you that I never had a problem with the autofocus. It almost always delivered the goods. The fact that they AF points lit up in RED was a revelation at that time! Exposures were almost always spot on.

Below are some photos from circa 1995. Most of the photos are from a trip to Thailand in 1995. It is a beautiful and fascinating place to photograph! If you have the opportunity, do so. You will never run out of photo ops! I was quite content with my cheap camera and two lenses. All I wanted to do then was to take photos!

PHOTOS

Here are some photos from the Canon EOS-10s and my two “cheap” lenses. Where ever possible, I will state in the captions what I observed and what I may have done differently now that I can look back 24 years later.

“Working Monkeys” 1995. Canon EOS-10s, EF 75-300mm f/4-5.6 lens, film unrecorded. I’m an advocate for developing your eye for interesting sites, but this one was easy! I caught these working moneys riding the back of a Toyota in Thailand. The monkeys are used to climb coconut trees and have been taught to get the best picks.

“Ten Buddhas” 1995. Canon EOS-10s, Sigma 28-70mm f/3.5-4.5 UC lens, film unrecorded. Here’s an example of how I might have shot this different today. Looking back I probably should have used a large aperture lens, angle it differently and get one Buddha in focus while the rest are out of focus. Hmm, or is that perhaps too trite, to cliched a shot? 🙂

“Sleeping Beauty” 1995. Canon EOS-10s, Sigma 28-70mm UC lens. Not sure who this “Pretty Boy” is but he sure loved a good nap 🙂

“Float On” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Fujichrome Velvia. The joy of floral photography in upstate New York, and yes I do shoot flowers sometimes 🙂

“Big Mouth” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektar 25. The hippo opens his big mouth at the Bangkok Zoo. At that time the now long discontinued Kodak Ektar 25 was touted as the “sharpest print film in the world” and my 13×19 prints confirmed this. What I learned is that even consumer grade lenses can be very sharp when stopped down, something we all know but kind of downplay today so we can keep buying expensive lenses right?  🙂 Of course, the the Ektar 25 no doubt film helped the sharpness!

 

“Wat Phra Keo” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektachrome. One of the many magnificent structures at Wat Phra Keo in Bangkok, the most famous of Thailand’s many temples.

“Bangkok Traffic” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektar 25. The traffic in Bangkok was famous for being ridiculous and based on what I saw the last time I was there in 2016, it still is! But maybe not as bad as this:-)

“Koh Samui” 1995. Canon EOS-10s, EF 75-300mm f/4-5.6, film unrecorded. Just one of many beautiful views on the island of Koh Samui, Thailand. The trees and the hill may give a sense of scale. I used a telephoto because this was actually farther out than it looks.

It’s the 1990s again with my old Canon EOS-10s from 1994 and the “Fubu” shirt! 🙂

BOTTOM LINE

The Canon EOS-10s doesn’t get a lot of love in today’s world. It seems to be viewed as an evolutionary camera, as far as Canon’s camera order goes, but it could and should also be considered revolutionary considering the advanced technology that was implemented into the camera.

The three MULTI-BASIS autofocus points that light up in red may seem like nothing today, but it was an amazing and useful feature that pushed forward the complexity and accuracy of autofocus cameras.

In today’s world of cameras with hundreds of tiny and precise AF points, using a camera like the EOS-10s with its three “large” AF points, right in the middle of the viewfinder , is a refreshing experience.

In fact, to this day, I’m so old school I still prefer using the center point AF in every autofocus camera I own!

The Canon EOS-10s may never be considered a true Camera Legend as it is overshadowed by so many other cameras, Canon and non Canon. However, when you consider how it helped push autofocus cameras forward, you can’t help but have a little respect for its place in camera history. That plus the fact that it was my first EOS camera! 🙂

PRICE & AVAILABILITY

The Canon EOS-10s is dirt cheap and under-appreciated in today’s used camera market making it a great buy for the budding film photographer, or a seasoned pro wanting a cheap entry back into film.

Main problem or weak point might be the mode dial. They may wear out over time, but mine never did and I used it a lot back in the 1990s. The A2E that I also used later on has the same problem and I can attest that the dial on mine broke after a few years.

If seeking one of these, prices are trending at $10-40 USD. I wouldn’t pay more than $15-25 dollars. If it’s working you have a nice, if unassuming camera, that will deliver the goods!

The lenses, ah, probably not worth mentioning but you can find both of them anywhere from $5 to $35 or even better, FREE! Just keep looking! But any similar budget lenses will do, don’t knock yourself out over these lenses!

Happy shooting folks!

 

Camera Legend Camera Style :-)

On Instagram, “Camera Style” postings are seemingly very popular. In case you’re unfamiliar with what that is, it’s just shots of people with their cameras around town in cities and countries around the world. I’m not sure who started this trend, but I think it started with Tokyo Camera Style.

It’s a great idea actually, a win-win especially for views I guess. It’s basically “Camera Porn” and “Lens Porn” or  “Eye Candy” for a more softcore word! And what camera gear lover wouldn’t want to look at more cameras and lenses? 🙂

So in the spirit of Tokyo Camera Style and all the other “Camera Style” accounts out there, here’s mine…

Above…

Today I spotted in the light NYC rain, a woman in Central Park, NYC, shooting with the original Canon EOS-1Ds, 11mp monster from 2001! A true digital Camera Legend. And on top of that, she had the delicious Super PHAT 85mm f/1.2L 😎👍🏻

I said that’s awesome kid! You’re right down my alley with that gear! 😍 I know a lot of you guys and gals shoot with the older stuff like I do, but I’ve not met too many in the real world who’s shooting with a digital camera this old. Everyone wants the latest and greatest. I said ROCK ON girl!

Above…

Here’s what I shot with yesterday. Film was Fuji C200 color print film. The camera is the Olympus OM-3 that you may have seen before but what you have NOT seen until now is my favorite manual focus zoom lens and it’s the Zuiko 35-80mm f/2.8 😍

I got the lens like ten years ago. These lenses go for over $1000 but mine was under $300 😊

Why? It was the most optically “ugly” lens I’d ever seen! Inside looks like fungus, coatings deterioration, flakes inside the lens 😢

I was so bummed out when I got it. But even with all those flaws, this is the sharpest manual focus zoom I’ve ever used!! Praise the Zuiko gods! 🙏🏻🙏🏻🙏🏻

Why did I shoot it this weekend? Hopefully to do a review for you guys! 😀

Hope you guys enjoyed this little bit of “Camera Style.” Maybe there will be more to come. Happy Tuesday folks! 😎📷😘✌🏻

 

Camera Collecting Part I: Two Super CHEAP Camera Legends

Here’s a topic thats very near and dear to my heart! But first, a fair warning: Collecting cameras can be ADDICTIVE and EXPENSIVE!

The former (addictive) is incurable, the latter (expensive), well it doesn’t have to be. And you couldn’t do better or cheaper than these two cameras I am profiling today.

I specifically chose these two specific cameras based on their prices, availability and their importance as Camera Legends. Especially for the beginning collector, these two are the easiest to find and buy.

The two cameras profiled today are the Minolta Maxxum 7000 and the Canon EOS 650.

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MINOLTA MAXXUM 7000

The Minolta Maxxum 7000 is the camera that launched the autofocus revolution back in 1985. And it was revolutionary!

Before it, “autofocus” cameras were clunky things such as the Nikon F3AF of 1983 which attempted to autofocus the “easy way” by using an AF motor in the special lenses designed for these cameras while retaining the classic Nikon F mount.

Though I say the “easy way” maybe I should have said the “logical way.” After all, if you consider the technology at that time and the boxy, mechanical nature of cameras, it just seemed easier to put the autofocus motor in the lenses right?

Well, as is often the case, the idea was better than the execution. I don’t want to go full length into this topic right now, though I would agree it would make for a fascinating discussion!

YOUTUBE COMPANION VIDEO

For those of you who would prefer watching a video version of this topic, here’s our latest video:

MAXXUM 7000 CONTINUED

In many ways, they were on the right track because as you may or may not know, when the EOS system was released in 1987, one of the selling points was indeed lenses with AF motor in them! But Canon had to ditch their old FD mount and make a whole (then) new EOS mount to accommodate this.

Anyway, Minolta too had to create a new mount. A mount which we know today as the Alpha mount or more specifically in today’s world, the Sony Alpha mount. Not the Sony E mirrorless mount. Yes, folks your Sony Alpha cameras carry the rich legacy of the legendary Minolta Maxxum 7000! 😊

Anyway, today’s topic is camera collecting and the Minolta Maxxum 7000 is a true Camera Legend that can be had VERY cheaply these days.

As a camera the Maxxum 7000 has Program, Aperture Priority, Shutter Priority, and Manual mode. Basically all you need! AF is ok but first generation. It’s good enough to get the job done, if the subject/subjects are not moving much! The camera runs on four AAA batteries.

PRICES AND WHAT TO LOOK FOR

Although one of the most important cameras of the autofocus revolution of the 1980s, perhaps the most important, today the Maxxum 7000 is also one of the cheapest on the used market.

Prices are trending at $3.00 to $50 USD average seems to be around $25. I got mine for $3 bucks! It cost me a lot more than that in the 90s!

I believe the Maxxum 7000 prices are so low because they are plentiful and they do not age well.

The grips become white and sticky or powdery. The LCD goes bad or bleeds.

The good news is many are perfectly usable as it is. In my opinion, it is unrealistic to expect to find a Maxxum 7000 without any flaws today. If you do have one without flaws I’d love to hear from you!

THE CANON EOS 650

The Canon EOS 650 was released by Canon in 1987 and is the very first EOS camera.

Its claim to fame is the introduction of the EOS Mount. I believe the EOS 650 prices are so low simply because it’s just not the most exciting camera to look at or shoot 🙂

No offense, it’s a nice looking and shooting camera. Just not super exciting compared to anything else EOS you could shoot with. But it has one very important thing on its side…It’s the first. The first EOS camera! And that has to count for something right? 🙂

It has Program, Aperture Priority, Shutter Priority, and Manual mode just like the Maxxum 7000 so that means it has everything you need. It runs on one 2CR5 battery. AF is ok but first generation. Not good for running subjects but ok for static.

PRICES AND WHAT TO LOOK FOR

Just like the Maxxum 7000, the Canon EOS 650 is also dirt cheap on the used market.

Prices are trending from $10-50 with an average of $25 body only. I got my current copy for $10 bucks!

Generally these cameras have stood the test of time so your chances of a working model is pretty good.

Sometimes you’ll find one with no power, doesn’t turn on. Sometimes parts have come loose or the buttons and dials may be sticky.

Even at the highest average prices they’re cheap get the best one you can!

BOTTOM LINE

I hope with these two cameras I have shown you that collecting Camera Legends does not have to be expensive!

With these two, you have cameras with history and a story to tell about the evolution of autofocus.

And on the Used Market you can get them dirt cheap. And if that wasn’t enough, they’re actually pretty good shooters! Good luck on your journey to camera collecting nirvana!

ADDITIONAL RESOURCES

If you are interested in these two Camera Legends, there are a ton of additional resources on the internet. To cut through the bunk and junk, I recommend these two reviews by my blogging buddy and a prolific blogger Mr. Jim Grey. I can’t speak for a lot of bloggers but I unquestionably trust Jim’s reviews and opinions.

His Maxxum 7000 review is HERE

And his Canon EOS 650 Review is HERE

Plus I also recommend you check out Mike Eckman’s blog…

This is the best new review I have seen on the Maxxum 7000 in years, written by Mike Eckman, a passionate photographer and camera reviewer whose passion for photography and film cameras is contagious and whose dedication I admire. I’ve enjoyed his work for years and his Maxxum 7000 review is much more thorough and much better than mine, I happily admit that! 🙂

Mike’s review is HERE and as I said, if you love film cameras his whole site is worth checking out. I guarantee it will keep your reading for hours!

Tell them Sam sent you! 🙂

***MODERN EQUIVALENTS***

It’s been said that the new Canon EOS-R Mirrorless is the incarnate of the EOS 650. In a way, many things from its looks to its use for the introduction of the EOS-R mount, I’d say they might be right! Anyway, the EOS-R can do things the 650 could’ve only dreamed of in 1987! If you decide to buy one, please do so from our trusted affiliates simply by clicking on the photos or links. You will pay nothing extra other than what you’re buying, and help support Camera Legend at the same time. Putting these articles, reviews, and videos take time and work. We do appreciate all you support, thank you very much!

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YouTube Video Update: The Canon EOS-1 Film Camera

The Canon EOS-1 from 1989 is a modern day Camera Legend that had a titanic effect on the world of photography and camera design.

Just giving you guys an update that I have just uploaded a companion video for our 2015 review of the Canon EOS-1 film camera review. I will be moving it to update that review at a later time. I’ve cut off some of the intro here but it’s still a long video so if you have the time, grab a cup of coffee and a donut and indulge in a little camera geekery 🙂

I think it’s been slightly understated by many writers, but to me the Canon EOS-1 is among the most important and influential cameras of the past 50 years, easily as influential to cameras of the 90s and up until today, as the Nikon F was influential to cameras of the 60s, 70s, and 80s.

The way Canon gelled the use of buttons, dials, and wheels and implemented custom functions to personalize the camera to suit one’s individual tastes is something seen on nearly all serious cameras today. In 1989, the EOS-1 was one of the few cameras that had all these things together in one package.

Anyway, YouTube is a tough nut to crack. You don’t know what people will like! People love reaction videos, watching people eat, watching people pick pimples, etc, etc 🙂

But slowly, I’ll just keep adding videos as I can for all you hardcore camera lovers! Thanks for watching and I’ll see you guys soon!

-Sam

Canon EOS M 18mp (Original) Images

With the recent release of the Canon EOS R system, and the Nikon Z6/Z7 just before that, it seems that these big two Camera Legends have finally embraced the mirrorless camera segment.

Fans and critics (myself included) have complained that the big two did not give it their all when entering this market back around 2012.

Instead, their initial offerings, Canon’s 18mp EOS M and Nikon’s 10mp V1 and J1 respectively, seemed more like an appeasement to their base and to those who might otherwise have been enticed by mirrorless pioneers Olympus, Panasonic and/or giants like Sony. But this criticism seems to have been rectified with the new full frame mirrorless releases.

Today, we will look at some images from the EOS M, Canon’s first foray into the mirrorless camera segment.

The 18mp EOS M was praised for its APS-C sized sensor and image quality but criticized for its slow, subpar AF. Not what Canon fans expected.

As mentioned before on this site, I’ve had my EOS M since 2013. I only got one when they were having a close out sale which included body and the 22mm f/2 STM lens for under $300.

I’ve used it sparingly over the years. Somehow, I never sold it. The turtle slow AF was reason enough to sell it but I think it’s the camera’s image quality when combined with that superb 22mm f/2 STM that made it a keeper for me. All pics here, unless otherwise noted, were made with the M and 22mm f/2 lens.

Looking on these pics now, it does make me think quite hard about how I might acquire one of the new full frame mirrorless bodies from either Canon or Nikon 😊

But don’t sweat it folks. I stand by my statements that I no longer crave the latest and greatest but that doesn’t mean I wouldn’t consider the new cameras once the prices come down 😀

There is something great about the older EOS M and you know what that is? Despite its slowish AF, the camera is capable of excellent images and…It can be found on the used market for MUCH cheaper than the new EOS R! Have a great day good peeps!

“Kiss” 2015. Canon EOS M, 22mm f/2 STM.

“Funnel” 2018. Canon EOS M, 22mm f/2 STM. I’m not a huge fan of “state fair” type food, including funnel cake, but the light on that plate was delicious 🙂

“Ride” 2018. Canon EOS M, 22mm f/2 STM. Note, the EOS M gives images that at first glance are reminiscent (in a good way) to photos from the latest generation iPhones, such as the iPhone X., in terms of color and sharpness. Of course, with an 18mp APS-C sensor, it also offers higher detail retention and resolution.

“Hey You!” 2014. Canon EOS M, 22mm f/2 STM. This photo was shot using the built in “Miniature” Creative Filter. The filters can be fun if used sparingly.

“AMC” 2018. Canon EOS M, 22mm f/2 STM.

“Elmwood” 2018. Canon EOS M, 22mm f/2 STM. The 18mp EOS M is capable of excellent night shots, low noise and good retention of details.

“Turbulence” 2018. Canon EOS M, 22mm f/2 STM. In my opinion, the EOS M original is not well suited to action shots due to its turtle slow AF. But a shot like this is easy for the M 🙂

“Boy Wonder” 2018. Canon EOS M, 22mm f/2 STM. The 22mm f/2 STM is capable of nice portraits with good bokeh, provided your get in close and your subject can stay still for the shot 🙂

“Primates” 2018. Canon EOS M, 22mm f/2 STM. Manila, Philippines.

“What You Want?” 2013. Canon EOS M, 22mm f/2 STM.using the EOS M’s Grainy B&W Filter.

“Ghetto Blaster” 2013. Canon EOS M, 22mm f/2 STM. Many people rave about the Olympus B&W art filters, but to me the Grainy B&W filter on the EOS M is better!

“Flower” 2018. Canon EOS M, 22mm f/2 STM. The versatile 22mm f/2 STM is capable of “florals with bokeh” as well as street work.

“Bottled Water” 2018. Canon EOS M, 22mm f/2 STM. Manila, Philippines. They sure love their purified water in this country and in hindsight they were ahead of the game on this! But a lot has to to with not wanting to get sick from that tap water 🙂

“Twisted Sister” 2018. Canon EOS M, 22mm f/2 STM. Farmingdale, NY. The pic says it all 🙂

“AutM Leaves” 2015. Canon EOS M, 22mm f/2 STM.

“Hello, Goodbye” 2018. Canon EOS M, 22mm f/2 STM.

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September Morn…And a couple Canon 1DIII Images

Ah can you believe that September is here once again? I know it’s played out but the title of that old Neil Diamond track just fits.

To me, and I guess many folks, September and this Labor Day weekend represents the bittersweet end of Summer.

So here this September morn, I have a couple images from my current camera of the week and that camera is the Canon EOS-1D Mark III.

“Happy Labor Day” 2015 that is! Shot with a Canon EOS-1D MKIII and Yongnuo 50mm f/1.8 lens. The Yongnuo is a pretty good copy of the Canon EF 50mm f/1.8 II lens.

The Canon EOS-1D Mark III was released in 2006 and at that time, it was supposed to be the ultimate Canon sports and photojournalists camera.

However, that was not to be due to one fatal flaw…Unreliable AF. Reports from users and reviewers at that time revealed a camera with a seriously flawed AF system that was apparently getting a lower hit rate than the previous 1DMKIIN. Note this was mostly in AF Servo mode.

Disappointment was apparent when reading the forum postings of that time. Not just because the AF was bad, but because the image quality was so good! Such bittersweetness!

Don’t forget guys, I was on those forums just like you! Except, I stayed silent and just digested all the information 🙂

To their credit, Canon offered to fix any 1DIII cameras with these issues at that time, once they acknowledged the problem. The fixed cameras are often called the “blue dot” versions.

However, even after the fix, some people felt the camera was still having autofocus issues. And the 1DIII never quite got the accolades or respect that Canon sought. And so went down one of the potentially most amazing high speed cameras ever released.

I got my first one in 2015. I had it for a short time, but I did feel it was giving me random off focus images so I sold it quick. It may or may not have just been all in my mind! The problem with this camera is once the seed of doubt has been planted, it’s hard to get it out of your head.

Reecently, I found another one very cheap and decided to try it again. I would never make judgement on just one copy of a camera. I was very surprised when taking a series of my eldest child on her Razor, that the 1DIII kept up even as she picked up speed! It was probably too easy for this camera! I will probably put those sequences up should I do a future review on this camera.

But in case I don’t, just know that if you buy one, try to get it cheap or from a reliable dealer because there’s always a risk with this camera. However, it’s also possible that any 1DIII’s with serious issues should have been fixed by now

“Razor’s Edge” 2018. Canon EOS-1D MKIII, EF 135mm f/2L lens. I took this last week. Testing out the 1DIII. It’s a camera I’ve always wondered about, but stayed away from it due to its reputation for AF issues. I got rid of my first one due to those issues, but this one seems a keeper!

“Smile” 2018. Canon EOS-1D MKIII, EF 135mm f/2L. Zay now knows, somehow, when to give me the pose 🙂

“September Morn” 2009. Rolleiflex SL66, 80mm f/2.8 Rollei HFT Planar, Tmax 400 in Tmax Developer. Yes folks, I had one of these cameras too! Didn’t hold on to it long, but I do miss the silky smooth yet sharp images from that Planar lens!

That’s it for this morning, see you soon! 😊

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