January 2020 Camera Talk: The Number One Thing That Happened To The Camera Industry Since The Last Decade

Good January morn you happy war torn camera loving people and a belated Happy New Year! The New Year is always a good time for reflection but it’s also a time for moving forward.

Well, I was getting a little misty about the end of 2019 and the end of that decade but this year I resolve to be less nostalgic (if that’s possible!) so let’s dive right in…

THE NUMBER ONE MOST SIGNIFICANT THING TO HAPPEN TO THE CAMERA WORLD IN THE LAST DECADE

Perhaps the most significant thing I have seen in the photography world as we end the years from 2010-2019 and enter the new decade of the 2020’s is this:

Smartphone and the cameras in them have taken over as the most popular means of taking pictures. It seems that Steve Jobs vision of doing everything with our phones has more wide ranging implications than anyone ever thought possible! From shopping to dating to photography, we can do it all on our phones.

It’s something you probably already know but perhaps had not thought deeply about its implications and effects. Here’s the first effect:

“REAL CAMERAS” ARE BECOMING PASSE!

Now some might even say that “real cameras” are not just becoming butย areย passe! And what do I mean by “real cameras?”

I saw a report on a major NYC ย television station about this a few months ago. The reporter spoke of how “traditional cameras” as they called it, are disappearing in light of the capable smartphone cameras. First thing I thought of when I saw the report was, oh this must be a slow news day ๐Ÿ™‚

But secondly, I thought the reporter was just stating the obvious. Even when walking around a big city like New York, I see less and less of what I call “real cameras.”

Well, first off I’m not even talking about film cameras at this point. To the vast majority of the general public, film photography and film cameras truly are a thing of the past and so far out of their train of thought that it’s not even a consideration. It’s really only relevant to us hardcore camera geeks and their importance to us shows that we just live in our own little world.

Cameras like the Sony A7 series or Canon 5D series are awesome but to the general public, “real cameras” such as these are becoming passe as smartphone cameras get more capable.

When I speak of “real cameras” I mean anything that could be perceived as a real camera vs a cell phone camera. It could be a DSLR, a mirrorless, a digital point and shoot. Basically anything that can be viewed as a real camera is becoming passe.

“Snap Shooter” 2005. Canon EOS-20D, EF-S 18-55mm. In 2005 I posted this photo to one of the photo sharing sites and joked that one day the cell phone camera may take over the world of photography. Fifteen years later, it’s not a joke any more! ๐Ÿ™‚

This is not just my observation, I think anyone can see that the cell phone cameras have taken over the world. They are the reason for the decline in camera sales worldwide. They just keep getting better and better and to a large majority of the world the best cell phone cameras have gotten to the point where it’s “good enough.”

THE “GOOD ENOUGH” ERA

Friends we are living in the “Good Enough” era. Just like someone told me how much better the vinyl record is versus the compact disc and I told the next person how much better the cd is from their mp3 and it went in one ear and out the other, a large majority can get by on “good enough” because of one factor: Convenience.

Just like streaming music and movies have become so popular because of their convenience so too has mobile photography. And I’m not trying to sell the people short. People are smart. They still want quality but unlike true camera fanatics the general public can stop obsessing at a certain point. Camera fanatics cannot.

The fact is, just like streaming movies and music, the quality is “good enough” for most consumers. The convenience tradeoffs between having to physically put a vinyl record on the turntable and having to sit down and listen to it, versus just downloading it and listening to your music anywhere is too great for a large majority. However I firmly believe, if the quality of the downloads really sucked it wouldn’t be as popular. But to the contrary, the quality of the downloaded movies or music are extremely good. Certainly better than anything we had in the VHS days ๐Ÿ™‚

In 2005 or 2007 or even 2012, cell phone cameras were nowhere near good enough. That’s why cameras like the Canon EOS 7D or Nikon D7000 we’re so popular and seen often on the streets and everywhere in the real world. But today, for many people, they don’t feel the need for “big ass” (excuse my language!) cameras. The best of the cell phone cameras have gotten good enough.

***BREAKING NEWS***

January 7 2020: Oh you say you like “Big Ass” DSLR cameras? Well today Canon has announced the EOS-1DX Mark III, perhaps the greatest DSLR ever! Check out the specs and pre-order from our trusted affiliates below!

Pre-Order The NEW Canon EOS-1DX MK III Now!!

The rest of us mere mortals could probably get by on the hot new and way more affordable Canon EOS 6D MKII!

In 2016, I wrote an article on how good the cell phone cameras have become. I mentioned that I have already recommended to anyone who asked to just keep their point and shoot digital home because I felt the cell phone cameras even then could get the job done. I said it was “getting close.”

With last year’s release of phones such as the iPhone 11 and Google’s Pixel 4, it’s gotten even closer. You can now shoot low light with these phones the way a few years before people would be looking at an APS-C point and shoot like the Ricoh GR series. Plus you can now do even more with these phones, 4k video, slow motion, time lapse, etc, etc. Plus you can with some simple steps process the images or even make whole movies on the phone then upload them very quickly to your favorite social media platform. The “real cameras” are still quite clumsy in this way.

“Pine” 2020. Take a look at this night exposure from an “old” 2015 model iPhone 6s Plus. It used to be that you had to use big “serious” cameras to get this! Sure the faces are dark, but it was dark outside. I could have easily lifted it post process but that would take away from the night mood.

Now I’m not saying these phones will beat the best from Canon, Nikon, Sony, etc. Of course, if you blow up the photos, print them large or pixel peep you are going to see a difference. But a large majority of the world are not doing that.

They like what they see from their phones. They are not printing. Or if they do, it’s primarily 4×6 greeting cards. They don’t care if the bokeh is fake, they just like that they can now (in the latest phones) blur the background using some clever processing that the phones can do automatically. They like that they can use a myriad of filters on their phones to give the images are different look and feel. And they love that they can share this within minutes or seconds.

“Fire & Brimstone” 2019. Apple iPhone 6s Plus and some in camera processing made for an easy and dramatic photo.

I’m not just saying all this stuff from a generalized view of things. I see this in the real world with friends, family, coworkers etc. People I know who used to be big time DSLR shooters. You are probably seeing the same things.

And in all honesty, the phones have gotten good enough where in small prints you will not see a lot of differences. A good example, recently a friend showed me an 8×10 print from a Nikon D3300 with the 18-55mm Nikkor kit lens vs an 8×10 from an iPhone 11 of the same subject. It was really hard to spot the difference. Now if ย it was one of Nikon’s better lenses, maybe the differences would be more obvious but as it is I can see why to a lot of people out there, the phones have gotten “good enough.” The scary thing is that this is just beginning. The smartphone cameras will get even better!

Of course, the phone cameras still cannot compete for wildlife or sports but these are specialty segments. For a broad range of shooting, ie, street, portraits, parties, even product shots, a modern cell phone camera in the hands of a skilled photographer can get the job done.

So this explains why we see less and less people carrying around big camera gear or even little mirrorless camera gear. Especially with a big DSLR and big lens, you will look like a fossil from 2005! ๐Ÿ™‚

I admit that I myself am guilty of not bringing out my serious gear as often these days. I’m more selective on where and when to bring them. If I’m going to a wedding or important event, I’ll bring it. For a house party with friends, I keep it home.

And the second and sad byproduct of the rise of the cell phone camera is something most other bloggers won’t tell you.

Shhh…Can you keep a secret? If yes, ok then, come closer. Let me whisper in your ear:

CAMERA REVIEWING ISย PASSE!

Ok, I said it, now let’s keep it a secret ok?! Alright, in all seriousness, I’m being serious. I mean, it’s hard for me to say such a thing because this is a camera review site after all and yes from time to time I do review cameras and even more so, I’m just a camera and lens fanatic.

Even if I’m not posting as often, cameras and lenses are my passion, other than my family or music. And I’m an old school camera guy to boot.

That said, I’m realistic and I’m on with the times. I see what’s going on. The camera review thing is just getting outdated. It’s overdone, over saturated, and just too much these days.

Every day a new kid on the block is reviewing cameras and lenses. I’ve lost track and everyone begins to look and sound the same. Talking about the same cameras, same lenses. I should know. Five years ago I was the new kid on the block! A new old kid I should say ๐Ÿ™‚

When I first showed up on YouTube in 2018 I’m sure people felt the same way about me. Like, who is this guy? Who is this jerk? ๐Ÿ™‚

The “Night Stalker?” The “Midnight Rider?” Who is this jerk? ๐Ÿ™‚

Funny thing is this is actually not new to me. In the mid 90s I was leaving comments which were basically like “mini reviews” on sites like photo.net because in those early days of the internet, it was something new and I found it really engaging to interact with people who had the same interests.

Photo.net was one of the original “Granddaddy” photography sites and some great reviewers like Thom Hogan come out of that site. I remember when he was just posting his opinions there! I then started sharing pictures and reviewing cameras and lenses on sites like Pbase in the early 2000s where I remember guys like Steve Huff and Sylvain Halgand starting what would eventually lead them to their current blogs or websites right now, so I’ve been around. I just haven’t gotten as famous or successful as those guys ๐Ÿ™‚

But that’s ok. I’ve never been driven by the need to make money out of this. But in 2020, camera reviews to me seem passe. I’m not saying it’s over. I’m not saying you shouldn’t do it. I’m just saying I don’t see it as something all that interesting any more in its current state. I mean, how many reviews of the Canon R or Nikon Z do we need? Similarly, how many times can we read or look at a review of the Canon AE-1? Leica M6? Contax T2? It’s all been done folks!

The truth of the matter is the majority of the world shoots with their phone cameras or mobile devices. And if I review a relatively uncommon camera, say a Polaroid 110B or Speed Graphic who is going to be reading or watching? Two, maybe three people max? Needless to say, it doesn’t give me a lot of motivation to put the work into it, especially when I have family and other businesses to tend to.

GOING FORWARD

So if camera reviews are passรฉ whatย will I do going forward. Well, for one I’m always going to try and give you guys a different perspective on things. I mean, it’s not going to be any better than any one else, but I want to use my experiences to give you a somewhat different take on things. For example, the one time I spoke of the Canon AE-1, I didn’t dwell on what a great camera it is. Everyoneย it’s a good (if not great) camera. Instead, I spoke of how the prices were going up because as I said…You guys are buying them up!ย ๐Ÿ™‚

Same for the Contax T2. I didn’t review it in the traditional sense. I spoke of five reasons why youย don’tย need it. And I’m going to keep on doing it like this whenever applicable! I don’t need to repeat what all the other great reviewers have already said.

In the same token, I’d love to learn from YOU. I read a lot of blogs but don’t necessarily comment on them. I should really comment more than I do but despite looking like a guy with the gift of gab, I’m painfully shy. The great Lou Mendes, the famous NYC street photographer with the trademark Speed Graphic, once gave me his phone number and said call him and we can go out shooting. I never called. Not because I didn’t want to, of course I do! But what would I do in the presence of a true Camera Legend? I still bump into Lou every now and then so we’re good ๐Ÿ™‚

This year I plan on going back to the roots of this blog, going back to the Camera Legends that this blog is built upon. More Contax, more Rolleis, more Leicas, more Olympus more Nikons, more Pentax, etc, etc. Plus more oddball cameras that you never knew!

Cameras and lenses like the Olympus Pen-F and the 42mm f/1.2 Zuiko are still high on my review list.

And more rare cameras. In the early days, this site was built upon cameras not many have reviewed such as the Contax N Digital and the Minolta XK Motor for example. There’s not many rarities left in my stash but there might be one or two ๐Ÿ˜Š

I also plan on reviewing or spotlighting more digital cameras too. I have been neglecting them as I concentrated on film cameras, but I’ve never been a digital hater. I grew up on film but was young enough to appreciate digital when it came around. I also plan to do more lens reviews.

And speaking of YouTube, I hope to continue growing the channel. Hopefully, better production, more content. But honestly, while I loveย watching YouTube, I don’t necessarily enjoy producing content for it.

And lastly, above anything else, I plan on doing more personal shooting. I enjoy photography, I love photography! But I have learned over the past few years that the thought of producing content for this blog and for YouTube gets in the way sometimes. If I’m out shooting, I’m now always thinking…maybe I should write an article about this. Or maybe I can turn this into a video. With that frame of mind, I find that some of the joy of photography gets lost and that is a sad thing.

My main goal for 2020 is back to roots shooting, and maybe get more sleep ๐Ÿ™‚

What do you think? What are your plans for 2020? I would love to hear from you! Leave a comment if you wish. Many thanks for your support and I wish every one of you a Happy Healthy and Prosperous New Year!

Flashback Friday: My Very First EOS Camera the EOS-10s 1995

Continuing on my “cheap cameras” theme for this week…

If some of your best photographic memories come from the 80s, 90s and early 2000s, then you’ve probably followed the same photographic path that I have.

This is the story of the days when your host and author here used nothing more than one camera and two lenses. I know it’s hard to believe after all the cameras profiled here, but yes there was a time when that was all I needed ๐Ÿ™‚

Perhaps you too have gone through that period. Do you ever wish you could go back to a simpler set of gear and just focus on photography?

THE CANON EOS-10s

My original Canon EOS-10s in black with my consumer grade Sigma 28-70mm f/3.5-4.5 zoom lens. On the left is my most recent “60th Anniversary” EOS-10QD which I got for $17 dollars!

The camera for today’s subject is the Canon EOS-10s.

The EOS-10s is a 35mm autofocus SLR film camera introduced by Canon in 1990. It is also known as the EOS-10 or 10QD elsewhere around the world.

Quick specs include your standard P/S/A/M modes, flash synch at 1/125 and a shutter speed range from 1/30 to 1/4000 which puts it in the amateur/enthusiast category. It also had a unique and gimmicky bar code reader thing. Not worth mentioning, just Google it if you’re interested in that!

This story is NOT about the Canon 10D digital camera! If you came here by accident because of the 10D, I’m telling you now so you won’t waste your time. And yes, I’ve used the 10D too but it’s a topic for another day ๐Ÿ™‚

While a humble looking camera, the EOS-10s included a major innovation at that time which Canon called Multi-Basis AF which was a fancy way of saying that the camera had more than just one AF point ๐Ÿ˜Š

It had three in fact! Apparently the three AF points could “pass off” the subject it tracked from one AF point to another. This was major back in 1990! And just one of the many things that made Canon so respected as an innovator in the camera world.

CANON EOS-10s IMPRESSIONS

I got this camera in 1994. I was a poor student and while waiting for friends at a college library, I spent an afternoon reading almost all ย of the library’s Popular Photography magazine! Big mistake because that’s how the second wave of my camera obsession came about ๐Ÿ™‚

I had just about given up on my Minolta X-700 which I had used since 1985. It had developed a battery drain problem and even though I sent it in for Minolta to repair, the problem came back within a few months.

I was basically without a camera, except for my crappy Vivitar PS-20 point and shoot. I came across a review about the Canon EOS-10s and was fascinated by the (then) new Multi-Basis AF.

My friends showed up hours later, but I was quite content to read all that photography stuff! I was also several hundred dollars poorer because I knew I had to have that EOS-10s that I did not yet have the money for ๐Ÿ™‚

Anyway, a few months and several paychecks later, the EOS-10s arrived and I held in my hands my very first Canon EOS camera. What a feeling it was back then!

Obviously a camera is useless without a lens, so I went around to several local camera shops (and there were more local shops around back then) and I came back with what today may be seen as a very cheap lens: the Sigma 28-70mm f/3.5-4.5 UC. I think I spent around $70 for it. I also eventually got a telephoto, and I settled for a cheap Canon 75-300mm f/4-5.6 USM first version.

As you can see folks, I started out with a humble two lens kit like everyone else! I cut my teeth learning the craft on cheap lenses. I should’ve just learned from my X-700 days and gotten a 50mm f/1.8 lens from the start but I wanted something different.

The EOS-10s felt good in my hands. I knew nothing of pro bodies at the time. I mean I read about them but didn’t think of getting one, nor could I afford one till much later.

While this is not a full out review, I can tell you that I never had a problem with the autofocus. It almost always delivered the goods. The fact that they AF points lit up in RED was a revelation at that time! Exposures were almost always spot on.

Below are some photos from circa 1995. Most of the photos are from a trip to Thailand in 1995. It is a beautiful and fascinating place to photograph! If you have the opportunity, do so. You will never run out of photo ops! I was quite content with my cheap camera and two lenses. All I wanted to do then was to take photos!

PHOTOS

Here are some photos from the Canon EOS-10s and my two “cheap” lenses. Where ever possible, I will state in the captions what I observed and what I may have done differently now that I can look back 24 years later.

“Working Monkeys” 1995. Canon EOS-10s, EF 75-300mm f/4-5.6 lens, film unrecorded. I’m an advocate for developing your eye for interesting sites, but this one was easy! I caught these working moneys riding the back of a Toyota in Thailand. The monkeys are used to climb coconut trees and have been taught to get the best picks.

“Ten Buddhas” 1995. Canon EOS-10s, Sigma 28-70mm f/3.5-4.5 UC lens, film unrecorded. Here’s an example of how I might have shot this different today. Looking back I probably should have used a large aperture lens, angle it differently and get one Buddha in focus while the rest are out of focus. Hmm, or is that perhaps too trite, to cliched a shot? ๐Ÿ™‚

“Sleeping Beauty” 1995. Canon EOS-10s, Sigma 28-70mm UC lens. Not sure who this “Pretty Boy” is but he sure loved a good nap ๐Ÿ™‚

“Float On” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Fujichrome Velvia. The joy of floral photography in upstate New York, and yes I do shoot flowers sometimes ๐Ÿ™‚

“Big Mouth” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektar 25. The hippo opens his big mouth at the Bangkok Zoo. At that time the now long discontinued Kodak Ektar 25 was touted as the “sharpest print film in the world” and my 13×19 prints confirmed this. What I learned is that even consumer grade lenses can be very sharp when stopped down, something we all know but kind of downplay today so we can keep buying expensive lenses right? ย ๐Ÿ™‚ Of course, the the Ektar 25 no doubt film helped the sharpness!

 

“Wat Phra Keo” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektachrome. One of the many magnificent structures at Wat Phra Keo in Bangkok, the most famous of Thailand’s many temples.

“Bangkok Traffic” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektar 25. The traffic in Bangkok was famous for being ridiculous and based on what I saw the last time I was there in 2016, it still is! But maybe not as bad as this:-)

“Koh Samui” 1995. Canon EOS-10s, EF 75-300mm f/4-5.6, film unrecorded. Just one of many beautiful views on the island of Koh Samui, Thailand. The trees and the hill may give a sense of scale. I used a telephoto because this was actually farther out than it looks.

It’s the 1990s again with my old Canon EOS-10s from 1994 and the “Fubu” shirt! ๐Ÿ™‚

BOTTOM LINE

The Canon EOS-10s doesn’t get a lot of love in today’s world. It seems to be viewed as an evolutionary camera, as far as Canon’s camera order goes, but it could and should also be considered revolutionary considering the advanced technology that was implemented into the camera.

The three MULTI-BASIS autofocus points that light up in red may seem like nothing today, but it was an amazing and useful feature that pushed forward the complexity and accuracy of autofocus cameras.

In today’s world of cameras with hundreds of tiny and precise AF points, using a camera like the EOS-10s with its three “large” AF points, right in the middle of the viewfinder , is a refreshing experience.

In fact, to this day, I’m so old school I still prefer using the center point AF in every autofocus camera I own!

The Canon EOS-10s may never be considered a true Camera Legend as it is overshadowed by so many other cameras, Canon and non Canon. However, when you consider how it helped push autofocus cameras forward, you can’t help but have a little respect for its place in camera history. That plus the fact that it was my first EOS camera! ๐Ÿ™‚

PRICE & AVAILABILITY

The Canon EOS-10s is dirt cheap and under-appreciated in today’s used camera market making it a great buy for the budding film photographer, or a seasoned pro wanting a cheap entry back into film.

Main problem or weak point might be the mode dial. They may wear out over time, but mine never did and I used it a lot back in the 1990s. The A2E that I also used later on has the same problem and I can attest that the dial on mine broke after a few years.

If seeking one of these, prices are trending at $10-40 USD. I wouldn’t pay more than $15-25 dollars. If it’s working you have a nice, if unassuming camera, that will deliver the goods!

The lenses, ah, probably not worth mentioning but you can find both of them anywhere from $5 to $35 or even better, FREE! Just keep looking! But any similar budget lenses will do, don’t knock yourself out over these lenses!

Happy shooting folks!

 

Camera Legend Camera Style :-)

On Instagram, “Camera Style” postings are seemingly very popular. In case you’re unfamiliar with what that is, it’s just shots of people with their cameras around town in cities and countries around the world. I’m not sure who started this trend, but I think it started with Tokyo Camera Style.

It’s a great idea actually, a win-win especially for views I guess. It’s basically “Camera Porn” and “Lens Porn” or  “Eye Candy” for a more softcore word! And what camera gear lover wouldn’t want to look at more cameras and lenses? ๐Ÿ™‚

So in the spirit of Tokyo Camera Style and all the other “Camera Style” accounts out there, here’s mine…

Above…

Today I spotted in the light NYC rain, a woman in Central Park, NYC, shooting with the original Canon EOS-1Ds, 11mp monster from 2001! A true digital Camera Legend. And on top of that, she had the delicious Super PHAT 85mm f/1.2L ๐Ÿ˜Ž๐Ÿ‘๐Ÿป

I said that’s awesome kid! Youโ€™re right down my alley with that gear! ๐Ÿ˜ I know a lot of you guys and gals shoot with the older stuff like I do, but Iโ€™ve not met too many in the real world whoโ€™s shooting with a digital camera this old. Everyone wants the latest and greatest. I said ROCK ON girl!

Above…

Hereโ€™s what I shot with yesterday. Film was Fuji C200 color print film. The camera is the Olympus OM-3 that you may have seen before but what you have NOT seen until now is my favorite manual focus zoom lens and itโ€™s the Zuiko 35-80mm f/2.8 ๐Ÿ˜

I got the lens like ten years ago. These lenses go for over $1000 but mine was under $300 ๐Ÿ˜Š

Why? It was the most optically โ€œuglyโ€ lens Iโ€™d ever seen! Inside looks like fungus, coatings deterioration, flakes inside the lens ๐Ÿ˜ข

I was so bummed out when I got it. But even with all those flaws, this is the sharpest manual focus zoom Iโ€™ve ever used!! Praise the Zuiko gods! ๐Ÿ™๐Ÿป๐Ÿ™๐Ÿป๐Ÿ™๐Ÿป

Why did I shoot it this weekend? Hopefully to do a review for you guys! ๐Ÿ˜€

Hope you guys enjoyed this little bit of “Camera Style.” Maybe there will be more to come. Happy Tuesday folks! ๐Ÿ˜Ž๐Ÿ“ท๐Ÿ˜˜โœŒ๐Ÿป

 

Camera Collecting Part I: Two Super CHEAP Camera Legends

Here’s a topic thats very near and dear to my heart! But first, a fair warning: Collecting cameras can be ADDICTIVE and EXPENSIVE!

The former (addictive) is incurable, the latter (expensive), well it doesn’t have to be. And you couldn’t do better or cheaper than these two cameras I am profiling today.

I specifically chose these two specific cameras based on their prices, availability and their importance as Camera Legends. Especially for the beginning collector, these two are the easiest to find and buy.

The two cameras profiled today are the Minolta Maxxum 7000 and the Canon EOS 650.

img_4164.jpg

MINOLTA MAXXUM 7000

The Minolta Maxxum 7000 is the camera that launched the autofocus revolution back in 1985. And it was revolutionary!

Before it, “autofocus” cameras were clunky things such as the Nikon F3AF of 1983 which attempted to autofocus the “easy way” by using an AF motor in the special lenses designed for these cameras while retaining the classic Nikon F mount.

Though I say the “easy way” maybe I should have said the “logical way.” After all, if you consider the technology at that time and the boxy, mechanical nature of cameras, it just seemed easier to put the autofocus motor in the lenses right?

Well, as is often the case, the idea was better than the execution. I don’t want to go full length into this topic right now, though I would agree it would make for a fascinating discussion!

YOUTUBE COMPANION VIDEO

For those of you who would prefer watching a video version of this topic, here’s our latest video:

MAXXUM 7000 CONTINUED

In many ways, they were on the right track because as you may or may not know, when the EOS system was released in 1987, one of the selling points was indeed lenses with AF motor in them! But Canon had to ditch their old FD mount and make a whole (then) new EOS mount to accommodate this.

Anyway, Minolta too had to create a new mount. A mount which we know today as the Alpha mount or more specifically in today’s world, the Sony Alpha mount. Not the Sony E mirrorless mount. Yes, folks your Sony Alpha cameras carry the rich legacy of the legendary Minolta Maxxum 7000! ๐Ÿ˜Š

Anyway, today’s topic is camera collecting and the Minolta Maxxum 7000 is a true Camera Legend that can be had VERY cheaply these days.

As a camera the Maxxum 7000 has Program, Aperture Priority, Shutter Priority, and Manual mode. Basically all you need! AF is ok but first generation. It’s good enough to get the job done, if the subject/subjects are not moving much! The camera runs on four AAA batteries.

PRICES AND WHAT TO LOOK FOR

Although one of the most important cameras of the autofocus revolution of the 1980s, perhaps the most important, today the Maxxum 7000 is also one of the cheapest on the used market.

Prices are trending at $3.00 to $50 USD average seems to be around $25. I got mine for $3 bucks! It cost me a lot more than that in the 90s!

I believe the Maxxum 7000 prices are so low because they are plentiful and they do not age well.

The grips become white and sticky or powdery. The LCD goes bad or bleeds.

The good news is many are perfectly usable as it is. In my opinion, it is unrealistic to expect to find a Maxxum 7000 without any flaws today. If you do have one without flaws I’d love to hear from you!

THE CANON EOS 650

The Canon EOS 650 was released by Canon in 1987 and is the very first EOS camera.

Its claim to fame is the introduction of the EOS Mount. I believe the EOS 650 prices are so low simply because it’s just not the most exciting camera to look at or shoot ๐Ÿ™‚

No offense, it’s a nice looking and shooting camera. Just not super exciting compared to anything else EOS you could shoot with. But it has one very important thing on its side…It’s the first. The first EOS camera! And that has to count for something right? ๐Ÿ™‚

It has Program, Aperture Priority, Shutter Priority, and Manual mode just like the Maxxum 7000 so that means it has everything you need. It runs on one 2CR5 battery. AF is ok but first generation. Not good for running subjects but ok for static.

PRICES AND WHAT TO LOOK FOR

Just like the Maxxum 7000, the Canon EOS 650 is also dirt cheap on the used market.

Prices are trending from $10-50 with an average of $25 body only. I got my current copy for $10 bucks!

Generally these cameras have stood the test of time so your chances of a working model is pretty good.

Sometimes you’ll find one with no power, doesn’t turn on. Sometimes parts have come loose or the buttons and dials may be sticky.

Even at the highest average prices they’re cheap get the best one you can!

BOTTOM LINE

I hope with these two cameras I have shown you that collecting Camera Legends does not have to be expensive!

With these two, you have cameras with history and a story to tell about the evolution of autofocus.

And on the Used Market you can get them dirt cheap. And if that wasn’t enough, they’re actually pretty good shooters! Good luck on your journey to camera collecting nirvana!

ADDITIONAL RESOURCES

If you are interested in these two Camera Legends, there are a ton of additional resources on the internet. To cut through the bunk and junk, I recommend these two reviews by my blogging buddy and a prolific blogger Mr. Jim Grey. I can’t speak for a lot of bloggers but I unquestionably trust Jim’s reviews and opinions.

His Maxxum 7000 review is HERE

And his Canon EOS 650 Review is HERE

Plus I also recommend you check out Mike Eckman’s blog…

This is the best new review I have seen on the Maxxum 7000 in years, written by Mike Eckman, a passionate photographer and camera reviewer whose passion for photography and film cameras is contagious and whose dedication I admire. I’ve enjoyed his work for years and his Maxxum 7000 review is much more thorough and much better than mine, I happily admit that! ๐Ÿ™‚

Mike’s review is HERE and as I said, if you love film cameras his whole site is worth checking out. I guarantee it will keep your reading for hours!

Tell them Sam sent you! ๐Ÿ™‚

***MODERN EQUIVALENTS***

It’s been said that the new Canon EOS-R Mirrorless is the incarnate of the EOS 650. In a way, many things from its looks to its use for the introduction of the EOS-R mount, I’d say they might be right! Anyway, the EOS-R can do things the 650 could’ve only dreamed of in 1987! If you decide to buy one, please do so from our trusted affiliates simply by clicking on the photos or links. You will pay nothing extra other than what you’re buying, and help support Camera Legend at the same time. Putting these articles, reviews, and videos take time and work. We do appreciate all you support, thank you very much!

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YouTube Video Update: The Canon EOS-1 Film Camera

The Canon EOS-1 from 1989 is a modern day Camera Legend that had a titanic effect on the world of photography and camera design.

Just giving you guys an update that I have just uploaded a companion video for our 2015 review of the Canon EOS-1 film camera review. I will be moving it to update that review at a later time. I’ve cut off some of the intro here but it’s still a long video so if you have the time, grab a cup of coffee and a donut and indulge in a little camera geekery ๐Ÿ™‚

I think it’s been slightly understated by many writers, but to me the Canon EOS-1 is among the most important and influential cameras of the past 50 years, easily as influential to cameras of the 90s and up until today, as the Nikon F was influential to cameras of the 60s, 70s, and 80s.

The way Canon gelled the use of buttons, dials, and wheels and implemented custom functions to personalize the camera to suit one’s individual tastes is something seen on nearly all serious cameras today. In 1989, the EOS-1 was one of the few cameras that had all these things together in one package.

Anyway, YouTube is a tough nut to crack. You don’t know what people will like! People love reaction videos, watching people eat, watching people pick pimples, etc, etc ๐Ÿ™‚

But slowly, I’ll just keep adding videos as I can for all you hardcore camera lovers! Thanks for watching and I’ll see you guys soon!

-Sam

Canon EOS M 18mp (Original) Images

With the recent release of the Canon EOS R system, and the Nikon Z6/Z7 just before that, it seems that these big two Camera Legends have finally embraced the mirrorless camera segment.

Fans and critics (myself included) have complained that the big two did not give it their all when entering this market back around 2012.

Instead, their initial offerings, Canon’s 18mp EOS M and Nikon’s 10mp V1 and J1 respectively, seemed more like an appeasement to their base and to those who might otherwise have been enticed by mirrorless pioneers Olympus, Panasonic and/or giants like Sony. But this criticism seems to have been rectified with the new full frame mirrorless releases.

Today, we will look at some images from the EOS M, Canon’s first foray into the mirrorless camera segment.

The 18mp EOS M was praised for its APS-C sized sensor and image quality but criticized for its slow, subpar AF. Not what Canon fans expected.

As mentioned before on this site, I’ve had my EOS M since 2013. I only got one when they were having a close out sale which included body and the 22mm f/2 STM lens for under $300.

I’ve used it sparingly over the years. Somehow, I never sold it. The turtle slow AF was reason enough to sell it but I think it’s the camera’s image quality when combined with that superb 22mm f/2 STM that made it a keeper for me. All pics here, unless otherwise noted, were made with the M and 22mm f/2 lens.

Looking on these pics now, it does make me think quite hard about how I might acquire one of the new full frame mirrorless bodies from either Canon or Nikon ๐Ÿ˜Š

But don’t sweat it folks. I stand by my statements that I no longer crave the latest and greatest but that doesn’t mean I wouldn’t consider the new cameras once the prices come down ๐Ÿ˜€

There is something great about the older EOS M and you know what that is? Despite its slowish AF, the camera is capable of excellent images and…It can be found on the used market for MUCH cheaper than the new EOS R! Have a great day good peeps!

“Kiss” 2015. Canon EOS M, 22mm f/2 STM.

“Funnel” 2018. Canon EOS M, 22mm f/2 STM. I’m not a huge fan of “state fair” type food, including funnel cake, but the light on that plate was delicious ๐Ÿ™‚

“Ride” 2018.ย Canon EOS M, 22mm f/2 STM. Note, the EOS M gives images that at first glance are reminiscent (in a good way) to photos from the latest generation iPhones, such as the iPhone X., in terms of color and sharpness. Of course, with an 18mp APS-C sensor, it also offers higher detail retention and resolution.

“Hey You!” 2014.ย Canon EOS M, 22mm f/2 STM. This photo was shot using the built in “Miniature” Creative Filter. The filters can be fun if used sparingly.

“AMC” 2018.ย Canon EOS M, 22mm f/2 STM.

“Elmwood” 2018. Canon EOS M, 22mm f/2 STM. The 18mp EOS M is capable of excellent night shots, low noise and good retention of details.

“Turbulence” 2018.ย Canon EOS M, 22mm f/2 STM. In my opinion, the EOS M original is not well suited to action shots due to its turtle slow AF. But a shot like this is easy for the M ๐Ÿ™‚

“Boy Wonder” 2018.ย Canon EOS M, 22mm f/2 STM. The 22mm f/2 STM is capable of nice portraits with good bokeh, provided your get in close and your subject can stay still for the shot ๐Ÿ™‚

“Primates” 2018.ย Canon EOS M, 22mm f/2 STM. Manila, Philippines.

“What You Want?” 2013. Canon EOS M, 22mm f/2 STM.using the EOS M’s Grainy B&W Filter.

“Ghetto Blaster” 2013.ย Canon EOS M, 22mm f/2 STM. Many people rave about the Olympus B&W art filters, but to me the Grainy B&W filter on the EOS M is better!

“Flower” 2018.ย Canon EOS M, 22mm f/2 STM. The versatile 22mm f/2 STM is capable of “florals with bokeh” as well as street work.

“Bottled Water” 2018.ย Canon EOS M, 22mm f/2 STM. Manila, Philippines. They sure love their purified water in this country and in hindsight they were ahead of the game on this! But a lot has to to with not wanting to get sick from that tap water ๐Ÿ™‚

“Twisted Sister” 2018.ย Canon EOS M, 22mm f/2 STM. Farmingdale, NY. The pic says it all ๐Ÿ™‚

“AutM Leaves” 2015.ย Canon EOS M, 22mm f/2 STM.

“Hello, Goodbye” 2018.ย Canon EOS M, 22mm f/2 STM.

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September Morn…And a couple Canon 1DIII Images

Ah can you believe that September is here once again? I know it’s played out but the title of that old Neil Diamond track just fits.

To me, and I guess many folks, September and this Labor Day weekend represents the bittersweet end of Summer.

So here this September morn, I have a couple images from my current camera of the week and that camera is the Canon EOS-1D Mark III.

“Happy Labor Day” 2015 that is! Shot with a Canon EOS-1D MKIII and Yongnuo 50mm f/1.8 lens. The Yongnuo is a pretty good copy of the Canon EF 50mm f/1.8 II lens.

The Canon EOS-1D Mark III was released in 2006 and at that time, it was supposed to be the ultimate Canon sports and photojournalists camera.

However, that was not to be due to one fatal flaw…Unreliable AF. Reports from users and reviewers at that time revealed a camera with a seriously flawed AF system that was apparently getting a lower hit rate than the previous 1DMKIIN. Note this was mostly in AF Servo mode.

Disappointment was apparent when reading the forum postings of that time. Not just because the AF was bad, but because the image quality was so good! Such bittersweetness!

Don’t forget guys, I was on those forums just like you! Except, I stayed silent and just digested all the information ๐Ÿ™‚

To their credit, Canon offered to fix any 1DIII cameras with these issues at that time, once they acknowledged the problem. The fixed cameras are often called the “blue dot” versions.

However, even after the fix, some people felt the camera was still having autofocus issues. And the 1DIII never quite got the accolades or respect that Canon sought. And so went down one of the potentially most amazing high speed cameras ever released.

I got my first one in 2015. I had it for a short time, but I did feel it was giving me random off focus images so I sold it quick. It may or may not have just been all in my mind! The problem with this camera is once the seed of doubt has been planted, it’s hard to get it out of your head.

Reecently, I found another one very cheap and decided to try it again. I would never make judgement on just one copy of a camera. I was very surprised when taking a series of my eldest child on her Razor, that the 1DIII kept up even as she picked up speed! It was probably too easy for this camera! I will probably put those sequences up should I do a future review on this camera.

But in case I don’t, just know that if you buy one, try to get it cheap or from a reliable dealer because there’s always a risk with this camera. However, it’s also possible that any 1DIII’s with serious issues should have been fixed by now

“Razor’s Edge” 2018. Canon EOS-1D MKIII, EF 135mm f/2L lens. I took this last week. Testing out the 1DIII. It’s a camera I’ve always wondered about, but stayed away from it due to its reputation for AF issues. I got rid of my first one due to those issues, but this one seems a keeper!

“Smile” 2018. Canon EOS-1D MKIII, EF 135mm f/2L. Zay now knows, somehow, when to give me the pose ๐Ÿ™‚

“September Morn” 2009. Rolleiflex SL66, 80mm f/2.8 Rollei HFT Planar, Tmax 400 in Tmax Developer. Yes folks, I had one of these cameras too! Didn’t hold on to it long, but I do miss the silky smooth yet sharp images from that Planar lens!

That’s it for this morning, see you soon! ๐Ÿ˜Š

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Recent (And Not So Recent) Images

Once in a while I like to upload photos, if only to remind myself that I love the art of photography as much as the gear. Though it might not seem like it, I do really love photography as much as I do the gear! ๐Ÿ˜€

Just like most of you, I don’t just take photos for reviews or posting. I take photos FOR LIFE! I document life first, then if I can use some of the photos in a review, why not?

The vast majority of the photos I take on a daily basis just doesn’t make it in. Oh friend! Why bore you with my life? ๐Ÿ˜Š I want to know about YOUR life, Brothers and Sisters ๐Ÿ˜˜

So these are some shots taken recently, and some not so recently. Nothing artistic. Just random shots. Sometimes, it’s a snap, sometimes it’s a test. Sometimes it’s deliberate. Sometimes it’s by luck or chance. Like I said, ya never know. I’m sure this is the way it is for most of us photographers, us mere mortals ๐Ÿ˜Š

One thing that I’m sure is that most of these images have not been posted on these pages. I try to include technical info and tidbits for you camera nerds out there cause that’s how I would like it too ๐Ÿ˜Š

I also find it interesting to see what camera and lenses I was using then as opposed to what I am using now. It’s a way of seeing how one’s tastes may or may not have changed. Sometimes I find there’s not a lot of changes!

I think theses images may give you a glimpse as to what I am pondering on doing articles and reviews on. At the same time, you may see why I’m flustered deciding what to publishย ๐Ÿ˜ซ

Not to sweat it though. Most of you regular readers know by now that this is how I roll. Sometimes it comes in waves. Then I need a mental break haha! I can’t do it daily man, I just can’t.

Definitely got some more interesting stuff to profile for you all, and also on YouTube too. Oh yes, don’t think your “Brother from another lover” has forgotten about YouTube!

I really don’t mind starting out slow there because I don’t want to upload videos just for the heck of it. Just like here on the blog, I realize what you post may be on for a long time so let’s make it count!

Anyway I thank you all for having a look! Appreciate your patience and support over the years. I think you guys are the best readers anywhere. And those of you who also blog are some of the most prolific bloggers around! I certainly can’t do what you do, but thanks for the inspiration! Have yourselves a great weekend!

“Night Buddy” 2018. Nikon D700, 50mm f/1.2 AIS Nikkor. My late night buddy! Try writing an article with this one hanging around. At least tonight, she’s quiet…somewhat ๐Ÿ™‚

“Noon” 2017. Nikon D700, 50mm f/1.2 AIS Nikkor. Be forewarned friend. For when the clock strikes “Noon” your heart may be broken ๐Ÿ™‚ Actually yes, her name really is Noon! Thanks for being a good and patient model, appreciate you!

“American Girl” 2018. Sony A7r (original) with Mamiya 55mm f/1.4 lens. This is a crop from a larger image. I was just testing this lens when I saw Baby sitting there, lazy and then the spirit of the late great Tom Petty hit me and I heard him sing…”She is…an American girl” ๐Ÿ™‚ This is a great lens by the way!

136631492.fIHGz75M.imgBroniZoe180Fa

“Vogue” 2011. Bronica RF645, 65mm f/4 Zenzanon lens on T-Max 400. Every time I look back on a shot from my time with the Bronica RF, I miss it!

“Text” 2017. Agfa Ambiflex, 55mm f/2 Solagon. Kentmere 400 film. Talk about great lenses, wait till I tell you about this one! ๐Ÿ™‚

“Sunglass” 2015. Leica M4-P, 50mm f/2 Summicron-M, Tri-X 400. This was actually a night shot near Times Square. Considering that, the sharpness and clarity is pretty good I think. Can never go wrong with a Summicron lens! ย You can see the smoke or vape coming out of the man’s nostrils ๐Ÿ™‚

“Purple Rain” 2012. Ricoh GRD 8.1mp. “An ocean of violets in bloom” as the Purple One once said! The original GRD remains one of my favorites ๐Ÿ™‚

“Smoke ‘n Java” 2007. Ricoh GRD 8.1mp. The brutal art of coffee and smoke. Over ten years later and the GRD is still on rotation in my camera bag these days!

“Baloon Man” 2006. Nikon D70s, 50mm f/1.8 AF-D Nikkor. Cebu, Philippines. In my opinion, the Nikon D70s was one of the best cameras of its era, capable of crisp detail and rich colors. I plan to write an article on this Nikon gem.

“Baby It’s You” 2017. Sony A7r with Canon 35mm f/2 SSC. New York City. Though the focus may be slightly soft in this image, the vintage Canon 35mm f/2 SSC is a great lens capable of sharp images. And if you’re reading Camera Legend, then you know this isn’t just ANY Canon 35mm f/2 lens! Of course, it’s the one with the concave front element and radioactive thorium ๐Ÿ™‚

“Chase” 2017. Sony A7r with Canon 35mm f/2 SSC lens. The original image was dark due to underexposure. Lift the darkness in post processing and the A7r shows its legendary dynamic range. Four years later, the original 36mp A7r still delivers the goods!

“Feed Me” 2011. Contax T3, T-Max 400 film in HC110 developer. The T3 is an amazing camera! I’m sure you wouldn’t mind another review, now would you? ๐Ÿ™‚

“Times Square” 2017. Sony A7r with Canon 35mm f/2 SSC lens. The Baby don’t care if it’s Times Square or home. She naps when nature calls ๐Ÿ™‚

“Buenas Noches” 2017. Nikon D700, 50mm f/1.2 AIS. Yes that means…Good night! ๐Ÿ™‚

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Canon 50mm f/0.95 Dream Lens Review Plus Samples

Howdy good people, how are you all? Hope everyone is good!

As for me, between trying to create content for the blog and for its YouTube channel, I think I may have dug myself into a hole that’s gonna be hard to get out of ๐Ÿ˜€

That’s because now there’s double duty for me on this front, and I could barely keep up with the blog alone!

Sorry for not being able to get back to you guys. Hopefully, I can catch up to you all this weekend. I do appreciate you all!

I’ve been working on this post as well as the video, spending all my free time on both. Just one look at the length of this article will tell you why I’m burnt out ๐Ÿ˜›

Since I’m a person who does not like pressure, I found myself shutting out the world by binge watching “Forensic Files” ๐Ÿ˜€

Do not watch this program, not even one episode because if you do, you’ll be watching for hours and get nothing done!

Anyway, enough rambling on nonsense let’s talk about the topic at hand…

The Canon 50mm f/0.95 “Dream Lens.” While this may just be the latest among many reviews of this famous and legendary lens, I’ve actually had my copy for nearly ten years, using it on both film and digital bodies, and it has become one of my most cherished lenses, perhaps my favorite. And now I’m writing to share my experiences with you.

THE CANON DREAM LENS TECHNICAL INFORMATION

The Canon 50mm f/0.95 was introduced by Canon in 1961. According to the Canon online camera museum, “It had the largest aperture in the world for photographic lenses available in the market at the time.” It is affectionately known as the Canon “Dream Lens.”ย Today, the Dream Lens has become one of the most well known and coveted lenses of its era.

123711090-1.yq57crJc.imgCanonDreamZoeLaptop072Pbase

“Dreamtime” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens @ wide open, I believe. Film was Tri-X 400. Baby Z getting excited to read about the Dream Lens maybe? More likely, she’s excited for Elmo ๐Ÿ™‚

The lens has aperture stops from f/0.95 to f/16. The lens has 10 aperture blades and is a Gauss type design.

When seeking this lens, you will find it usually comes in two flavors. The standard version is rangefinder coupled and was made specifically for the Canon 7/7s film rangefinders. These cameras have a special mount to take the 50mm f/0.95 and to my knowledge you cannot use the lens on other film rangefinders, Canon or otherwise.

There is also a “Canon TV Lens” version. It says “TV Lens” on the front inner ring of the lens. Pretty much the same lens, but made for C-Mount and is uncoupled. It usually comes with a C-Mount ring attached to it.

YOUTUBE VIDEO

As mentioned in my last post, I am including YouTube videos in conjunction with my postings, whenever possible to give our readers a more dynamic experience.

For those who want to cut to the chase, here’s the video from around 4:45 but if you watch the whole video, you might want to grab a cup of coffee and/or a snack because it’s nearly ten minutes!

The video is more of a summary, but this article contains much more information on the Canon Dream Lens.

Oh yes, thereย ISย a reason for those shades and it has nothing with trying to be cool or uncool or whatever! I will divulge in a future posting I promise you!!

HOW I CAME ACROSS THE DREAM LENS

Before we go on any further, please let me say this is not meant to be a full throttle or technical review of the lens. I’m no optical expert. I have no optical bench to test optics.

I have to rely on what I see with my eyes, based upon my experiences. Between telescopes and camera lenses, I have spent over thirty years developing an eye for optics. But again, I restate that I am no optics expert. I see what I see and I leave it up to the readers to make the judgement to my opinions.

With that out of the way, let me tell you the story of how I came upon the Dream Lens.

In the early to mid 2000s, perhaps 2004 or 2005, I answered an ad on Craigslist and went to someone’s home to check out a camera collection for sale. I suspect some of our readers have been to a few of these ๐Ÿ˜Š

Anyway, hidden in the pile of junk cameras was a dusty camera with a huge lens on it. That camera was the Canon 7 rangefinder and the 50mm f/0.95 Canon Dream Lens.

The fella wanted $600 for it, and me thinking it was too expensive for this dusty, dirty outfit, I passed on it.

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“Nightmare” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens on Arista EDU Premium 400 developed in T-Max developer. I was focusing on the gorilla when he stuck his tongue out! The baby and mother added to this shot, I do not know them. Considering that the rangefinder on my Canon 7 was out of alignment, I got real lucky with this shot!

As you may or may not know, that price is a bargain compared to what this lens alone goes for today!

That was the seed that set me on a wild goose chase for this lens! It wasn’t until 2009 that I was able to find and afford a copy of my own.

Although the lens is not often seen in the real world, the Canon Dream Lens is not what I’d call rare, and it wasn’t that the lens was particularly hard to find that took me so long to get one.

I guess you could say it was a bad string of finances and timing. When I had the money, I couldn’t find one. When I did find one, I didn’t have the money. But it all came together in 2009.

SO HOW ARE THE OPTICS?

This lens is meant to be used wide open at f/0.95, but here is my breakdown…

“Twilight” 2014. Sony A7R, Canon 50mm f/0.95 Dream Lens @ wide open!

At F/0.95:ย There is apparent softness upon first impressions. At wide open the bokeh is most dramatic, as expected and makes up for any impression of softness. Upon closer inspection on a properly focused image, it is actually sharp.

The DOF is razor thin at f/0.95 and focussing errors may account for at least some of the softness people complain about.

“Sweet Zay Jan” 2018. Leica M8, Canon 50mm f/0.95 @ 0.95. Note, the baby started moving, as seen by her hands, but thankfully her face did not, allowing me to capture her sweet smile:-)

The “softness” possibly comes from lowered contrast and/or other optical imperfections. Images at wide open sometimes seem like they are enveloped in a thin veil of haze, but this is not noticeable in all images and most of the time, I don’t find it objectionable. This adds to that dreamy look, a glow that some have mentioned. Some of this may come from, again lower contrast wide open and/or poor flare resistance at this aperture. A lens hood helps if you’re wanting to minimize flare or trying to avoid lowering contrast further.

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“Day Dream” 2010. Canon 7 Rangefinder, 50mm f/0.95 Dream Lens.

There is vignetting, noticeable on both film and digital. When I shot this lens wide open on the Canon 7, the vignetting was not objectionable. On the Sony A7R (original 36mp camera), it was more pronounced. I did not find it objectionable, but some might.

At F/1.4:ย The contrast increases, the slight haze dissapates, and the image appears quite a bit sharper than wide open. It could be comparable to other 50mm f/1.4 lenses of its era.

“Bundle Up” 2014. Sony A7R, Canon 50mm f/0.95 @ f/1.4. Sharpness is improved from wide open and the bokeh looks a lot less “funky” for lack of a better word ๐Ÿ™‚

At f/2.8:ย Should be good enough for most purposes you would use any other 50mm lens for!

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“The Dream Team” 2010. Rad and Frank, two great friends and photographers affectionately known as the “Dream Team.” Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens @ around f/2.5-2.8 on Arista EDU Premium. Note the bokeh is more subdued but still funky. Can the “Dream Team” ride again? ๐Ÿ™‚

Stopped Down Further:ย Honestly, I see no point in evaluating this! Why? Because this lens was meant to be used wide open or stopped down slightly to get the famous bokeh effect it’s known for. It gets sharper as do most lenses stopped down. I never objectively tested it at say f/8, f/11, and f/16. It will never achieve Otus like sharpness, but then again, that is unrealistic. It’s probably as sharp stopped down as any other 50mm from the 50’s and 60’s.

“New Dream” 2014. Sony A7R, Canon 50mm f/0.95 @ wide open! Even with ISO 100, the camera was giving me the max shutter speed of 1/4000th!

A NOTE ON BOKEH: SUPER FUNK

This lens is all about bokeh, or the background blur in the out of focus areas. Or to be even more geeky…the qualityย of the background blur.ย Honestly, there’s no real reason to get this lens for any else but bokeh!

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“Radamon’s Dream” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 @ wide open! Film was Arista EDU Premium 400. I think this is a good example of the Dream Lens’ bokeh at its funkiest!

Count on me to tell it like it is, while people goo and gah over the bokeh from the Dream Lens, it doesn’t always neccessarily qualify as beautiful, to me. But everything I love doesn’t have to be beautiful, and so I love it! ๐Ÿ™‚

“Shoot The City” 2018. Leica M8, Canon 50mm f/0.95 @ wide open! Who says the Leica M8 can’t shoot low light? With a fast lens like the Canon Dream Lens, it sure can!

Light sources, such as night lights for example, look like “coma shaped orbs” as I’ve mentioned before from similar vintage lenses. Almost like gibbous or half moon shapes.

“City Lights” 2018. Leica M8, Canon 50mm f/0.95 @ f/0.95. This shot was taken across the Hudson River in New Jersey. The yellow lights in the back are lights from cars driving on NYC’s West Side Highway at night. This is an example of the “moon shaped orbs” I mentioned. This was shot at night, another reason to use a lens this fast!

It may not always be so pretty, but this is what draws people in to the images produced by this lens. In many ways, this is the closest on 35mm that you can get to that Aero Ektar f/2.5 look on a Large Format 4×5 Speed Graphic.

A lot also depends on the background. If there’s a lot of clutter, things tend to look worse. If the background is relatively clear, things will look better. I have been pleasantly surprised with some images where the bokeh looked neutral, even wide open.

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“Dream Ride” 2010. Canon 7 Rangefinder, 50mm f/0.95 Dream Lens @ wide open. Tri-X 400 developed in T-Max Developer. Note the neutral background at wide open. As with most lenses, the background determines a lot as to what the bokeh will do.

I’ve heard people call the bokeh from the Canon 50mm f/0.95 as beautiful, delicious, “bokelicious,” sweet, tasty, even nasty, horrible or ugly. I call it “Super Funk” because it is all this and more. It is whatever you interpret it to be!

“Zen” 2018. Leica M8, Canon 50mm f/0.95 @ wide open.

Although it’s one of my favorite lenses of all time, I use it sparingly. I mean, I could use this lens every day but I would never post pictures from it every day. You will just kill the effect if you do. This lens should be considered an artistic tool in your arsenal rather than an everyday lens.

VERSUS THE LEICA NOCTILUX?

The Canon 50mm f/0.95 has increased in value over the years and prices are now trending from a low of $1200 to a high of $2000 give or take. Some unscrupulous dealers are trying to sell this lens for $3000 or more. This, to me, is way too high since that is approaching Noctilux used prices. The Noctilux goes for $5500-10000 on the used market, depending on which version.

Speaking of the Noctilux, some have labeled the Canon Dream Lens as the “Poor Man’s Noctilux.” Since the Canon came first, I’d say they should change that to the Noctilux is the “Rich Man’s Canon Dream Lens” ๐Ÿ™‚

Comparisons? Well, I never owned a Noctilux, though I have two friends that have them. Based upon what I’ve seen from the Noctilux and the Canon Dream Lens, I’d say you can’t compare the two. It’s apples to oranges.

The Leica may be the technically better lens, while the Canon may be the more artistic lens in regards to the images it renders. Just like the film vs digital debate, my answer to the Noctilux vs Dream lens question is…None are better than the other. They are different.

THE NEW GOLDEN AGE OF CHEAP AND FAST LENSES: WHY YOU REALLY DON’T NEED THE CANON DREAM LENS

As a “community service” to my fellow photo gear lovers, I need to say this to help you avoid a potentially painful and expensive episode of G.A.S with the Dream Lens ๐Ÿ™‚

Ok, so today in my opinion, you really don’t need it. You may want it, but you don’t need it!

Let me explain…

When the Canon 50mm f/0.95 came out in 1961, it had few if any competition. People were still shooting film exclusively and back then you can forget all about “low light, high iso” shots.

Today, we have companies like Mitakon, SLR Magic, Mieke, 7Artisans, Kamlan and a whole bunch of other companies making lenses at f/0.95, f/1, f/1.1, f/1.2 and when you combine these lenses with the amazingly low light capable digital cameras we have today, you could literally shoot in the dark.

Just as I saw over ten years ago in the telescope world, let’s thank our friends (mostly in China) for bringing us these super fast and affordable glass! I remember telescopes such as apochromatic refractors and large diameter Maksutovs from American manufacturers such as Astro-Physics and Meade being optically superb, but also expensive. The wait list for Astro-Physics APO refractors was in years, not months.

Then came the Asian optics around the early to mid 2000’s that started challenging the established manufacturers. Sure, they may not have been a real match for a finely crafted Astro-Physics refractor, but you didn’t have to wait years and the the price/quality ratio was good enough for a lot of people. Love it or hate it, these overseas optical makers are giving people what they apparently want! ๐Ÿ™‚

MY MAIN POINT ON WHY YOU REALLY DON’T NEED THE DREAM LENS…THOUGH YOU MAY WANT IT! ๐Ÿ™‚

To me, the Canon Dream Lens was a lens of compromised optical quality when it came out in 1961. Compromised by the technology of its time, and probably optically compromised as well to create a showpiece lens for which Canon could claim as the fastest photographic lens in the world at that time.

In the same way, you could say today’s cheaper (under $1000) fast lenses are also of compromised quality. They are here to deliver the speed people want, knowing full well people love “ugly” these days. People love “Super Funk” ie, swirly bokeh, orbs, distortions, etc.

There are lenses such as the $2999 Nocturnus which may have higher quality and that might be a good option for some, but again for me, when you get that close to $5000, I’d just rather just save a little more and look around for a used Noctiux, but that’s just me!

Finally, you might say, that’s good and all, but these lenses are NOT the Canon Dream Lens…and that is true! They will not deliver the images the Dream Lens does.

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“Angel” (With Horns!) 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 on Tri-X 400 developed in T-Max Developer.

As a counterpoint, I would say the Dream Lens will not produce the kind of images these new and cheaper lenses do either! When it comes to beauty or even “ugly” it’s all subjective really.

But if you have the money and you want the Dream Lens, I’d say…go for it! It’s the Canon Dream Lens baby! Gotta have it! ๐Ÿ™‚

LEICA M CONVERSION

I had mine converted to M mount in 2013 by the great Ken Ruth of Bald Mountain. I’ve heard that Ken has recently retired from camera repair and modification work. Hope he enjoys his retirement, he deserves it. Personally, I’m sad to see him stop doing his thing. Sad to see someone of his skills leave the business. He was a true camera technician, a camera wizard, a Camera Legend! He did an awesome job on the M conversion on my lens.

There are others who will do this conversion today. One I know off hand is Don Goldberg aka DAG. I initially contacted him, but his wait list was so long and I found Ken. I’ve had interactions with Don in the past and based on his reputation, I’d have no hesitation having any work done through him.

Why should you convert it to M mount? Unlike many other things in life, having the Dream Lens modified for M mount actually increases its value!

The main reason I had it converted to M mount is because it opens up so many other possibilities such as using the lens on Leica M bodies, film and digital. Using it on any digital system that will take M lenses through adapters.

“Palm Beach” 2014. Leica M5, Canon 50mm f/0.95 Dream Lens on Fuji Superia 400 color film.

In its native Canon 7/7s mount, you can still use it on digital bodies with the proper adapter/adapters. I used mine on a Sony NEX C3 (Aps-C sensor) for a few years before the conversion. I actually had second thoughts about doing the M conversion since I enjoyed using it on the Canon 7 for film, but when I looked at the possiblities available after the M conversion, I swallowed hard and went for it.

Keep in mind, once you do the conversion you can never use it on the Canon 7/7s again, unless you had it reconverted back which is impractical…or get another Dream Lens that is unconverted so that you can use it on the 7/7s…even more impractical, but I’ve thought about it! ๐Ÿ™‚

The conversion cost me $300, but it could be lower or higher, depending on who you find to do the job. Get the best person you can because this is a precious lens and you don’t want some hobbyist screwing up your dream lens! ๐Ÿ™‚

CONCLUSION

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“Dreams” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens @ wide open. Film was Tri-X 400 developed in T-Max Developer. Ahh, is there anything sweeter than a little baby sleeping? Shhh…:-)

I hope these samples give you some idea of the kind of images this lens produces. As I’ve said before, it may not be a look everyone likes but it certainly has character! The Canon 50mm f/0.95 is a legendary lens that remains a highlight of lens design that helped cement Canon’s role as a Camera Legend.

It was, in hindsight, one of the first of many fast, speedy, and exotic glass that Canon would go on to produce over the years.

Please have a look at the video for additional information including why you’d want this lens and why you really don’t need it.

Sure it may sound like a shameless plug and ploy for you to watch the video but it’s not. At least it’s not meant to be!

When starting this article, I had just intended to post samples in order to save myself some work and time.

I figure if you’re really interested in this lens, you’d check the video too and if you’re not that interested, at least you’d hopefully look at the images on this post.

Instead, I ended up writing a lot more than I expected to. Kinda defeats the purpose of making the video and the article too. More work than I wanted, but I love you all so gotta do it!! ๐Ÿ˜Š๐Ÿ˜˜

Hey gotta go, thanks for listening and I appreciate you!

“Dream Baby” 2015. Sony A7R, Canon 50mm f/0.95 Dream Lens. With Baby Zay in the house, life is indeed a dream ๐Ÿ™‚

WHERE TO BUY? PLUS TIPS ON GETTING ONE

If seeking the Canon 50mm f/0.95 “Dream Lens” prices are trending from a low of $1200 to a high of $2000 give or take. I did not include the $3000 plus lenses because I do not see them as legitimate prices. I do not want to help inflate the prices of these beautiful lenses because I was once in the position of someone who could only dream of such a lens so I know this feeling.

Though the lens is exotic, it is not considered rare. I see them almost every week for sale on eBay and elsewhere.

A fair price I believe will be between $1500 and $2000. To give you an idea of how these lenses have increased in value, I can only say I paid a lot less than this!

If the lens has been converted to M mount, it may fetch a little more. For the cheapest prices, seek out the unconverted version and just get a C-Mount to NEX or Micro 4/3 adapter and enjoy!

If you’re looking for this lens and can’t afford it right now, keep dreaming and be rest assured that one day, with a little luck (and save up some money, of course!) you can attain this dream of a lens! If I, a mere mortal, can do it, so too can you ๐Ÿ™‚

ALTERNATIVES

Below are links from our affiliates to some great alternatives to the Canon Dream Lens. Buying from our affiliates is safe and cost you nothing extra to what you’re buying. It will also help us bring more reviews of the photography Camera Legends you want to see! Thanks for your support!

All of these lenses will cost you a lot less too! Again, no, they will not produce images like the dream lens. But then again, as I said, the Dream Lens won’t produce images like these lenses either!

ย 

7Artisans 50mm f/1.1

Mitakon 50mm f/0.95

Mitakon 25mm f/0.95

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Three Years Of Zay

“The Wild Child” 2015. Olympus OM-D EM-5, 45mm f/1.8 Zuiko lens. This photo was shot when the baby was around six months of age. Zay was blessed with a head full of hair as an infant! ๐Ÿ™‚

Howdy folks, how have you been? Hope everyone is doing great!

I’ve always felt that as fast as life moves, it moves even faster when you have children.ย As they get older, you get older and all of a sudden you begin to feel your age creeping in more and more! Is it just me? ๐Ÿ˜Š

Well, my baby daughter Zayda just turned three this week and even though I try not to make family specific postings, please allow me to indulge for today ๐Ÿ˜Š

Now, in looking over Zay’s pics over the past three years, I noticed most of the photos of her are overwhelmingly digital using either digital cameras or cell phone cameras.

Ten years ago when my first daughter Zoe was born there was a more ecclectic mix of 35mm, medium format, and digital images.

“As In A Dream” 2015. Kodak Retina IIIC with 50mm f/2 Schneider Xenon lens, T-Max 400 developed in D76. Zayda was around two or three months in this photo. Due to the camera having issues with overlapping frames, you can see a framed photo of big sister Zoe on Zoe’s right shoulder. I actually loved the effect here, hence the title ๐Ÿ™‚

Why such a big difference? No I don’t love one daughter more than the other! I don’t favor one more than the other, at least I try not to.

Upon self reflection I would say I’m getting older and now I’m just a product of the times we live in.

“Love Is In The Air” 2015. Canon EOS-1D 4.1mp, 50mm f/1.8 Yongnuo lens. Zayda was around five months of age in this photo. I was testing a Yongnuo 50mm f/1.8 lens, which is a clone of the cheap but capable Canon EF 50mm f/1.8 lens. The Yongnuo is even cheaper but quite a capable lens as well!

What I mean is that ten years ago, the birth of my first child was something I’ve never experienced before and I was eager to take as many shots of her early years as I could.

I was also ten years younger and had the patience to keep up with a baby and wait for the right moment to capture the images. I was also very eager to perfect my craft on film.

“Cheeri-O” 2016. Fuji Instax Mini 90 Neo Classic.

Flash forward to today. I don’t quite have the same endurance, mentally or physically, to wait for that right moment to capture that pose or expression.ย As most of you may know, photographing children requires a lot of patience. It will test your patience for sure!

“Smile For Me” 2018. Nikon D1 2.7mp, 50mm f/1.8 AF-D Nikkor.

One must also take into account that the cell phone cameras are much better today and their convenience has made me a lazier person. I’m openly admitting this!

“Bright Eyes” 2015. Canon EOS-1Ds 11.1mp DSLR, 50mm f/1.4 Contax Zeiss Planar MM.

But I’ve made a pledge to myself that in the next few months I will strive to capture the baby more often with my film cameras now that she is at an age where she’s more cooperative with posing or standing still for pictures.

If you’ll note the equipment used in these images, they are all made from cameras I’ve reviewed or spoken about.

“Softees” 2015. Ricoh GR1, Ilford Delta 400 in D76.

As for Baby Zayda herself, she doesn’t care if I photograph her with a film camera or digital camera or phone camera ๐Ÿ˜€

“The Baby” 2015. Nikon V1, 18.5mm f/1.8 Nikkor 1 lens.

In closing I just want to say Zayda, I love you very much! Perhaps one day you’ll read this and have a smile from it ๐Ÿ˜˜

“Chicka-Dee” 2015. Nokia Lumia 1020.

“Eye Spy” 2016. iPhone 6s Plus.

The Incredible New Fuji X-H1