Camera Collecting Part I: Two Super CHEAP Camera Legends

Here’s a topic thats very near and dear to my heart! But first, a fair warning: Collecting cameras can be ADDICTIVE and EXPENSIVE!

The former (addictive) is incurable, the latter (expensive), well it doesn’t have to be. And you couldn’t do better or cheaper than these two cameras I am profiling today.

I specifically chose these two specific cameras based on their prices, availability and their importance as Camera Legends. Especially for the beginning collector, these two are the easiest to find and buy.

The two cameras profiled today are the Minolta Maxxum 7000 and the Canon EOS 650.

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MINOLTA MAXXUM 7000

The Minolta Maxxum 7000 is the camera that launched the autofocus revolution back in 1985. And it was revolutionary!

Before it, “autofocus” cameras were clunky things such as the Nikon F3AF of 1983 which attempted to autofocus the “easy way” by using an AF motor in the special lenses designed for these cameras while retaining the classic Nikon F mount.

Though I say the “easy way” maybe I should have said the “logical way.” After all, if you consider the technology at that time and the boxy, mechanical nature of cameras, it just seemed easier to put the autofocus motor in the lenses right?

Well, as is often the case, the idea was better than the execution. I don’t want to go full length into this topic right now, though I would agree it would make for a fascinating discussion!

YOUTUBE COMPANION VIDEO

For those of you who would prefer watching a video version of this topic, here’s our latest video:

MAXXUM 7000 CONTINUED

In many ways, they were on the right track because as you may or may not know, when the EOS system was released in 1987, one of the selling points was indeed lenses with AF motor in them! But Canon had to ditch their old FD mount and make a whole (then) new EOS mount to accommodate this.

Anyway, Minolta too had to create a new mount. A mount which we know today as the Alpha mount or more specifically in today’s world, the Sony Alpha mount. Not the Sony E mirrorless mount. Yes, folks your Sony Alpha cameras carry the rich legacy of the legendary Minolta Maxxum 7000! ๐Ÿ˜Š

Anyway, today’s topic is camera collecting and the Minolta Maxxum 7000 is a true Camera Legend that can be had VERY cheaply these days.

As a camera the Maxxum 7000 has Program, Aperture Priority, Shutter Priority, and Manual mode. Basically all you need! AF is ok but first generation. It’s good enough to get the job done, if the subject/subjects are not moving much! The camera runs on four AAA batteries.

PRICES AND WHAT TO LOOK FOR

Although one of the most important cameras of the autofocus revolution of the 1980s, perhaps the most important, today the Maxxum 7000 is also one of the cheapest on the used market.

Prices are trending at $3.00 to $50 USD average seems to be around $25. I got mine for $3 bucks! It cost me a lot more than that in the 90s!

I believe the Maxxum 7000 prices are so low because they are plentiful and they do not age well.

The grips become white and sticky or powdery. The LCD goes bad or bleeds.

The good news is many are perfectly usable as it is. In my opinion, it is unrealistic to expect to find a Maxxum 7000 without any flaws today. If you do have one without flaws I’d love to hear from you!

THE CANON EOS 650

The Canon EOS 650 was released by Canon in 1987 and is the very first EOS camera.

Its claim to fame is the introduction of the EOS Mount. I believe the EOS 650 prices are so low simply because it’s just not the most exciting camera to look at or shoot ๐Ÿ™‚

No offense, it’s a nice looking and shooting camera. Just not super exciting compared to anything else EOS you could shoot with. But it has one very important thing on its side…It’s the first. The first EOS camera! And that has to count for something right? ๐Ÿ™‚

It has Program, Aperture Priority, Shutter Priority, and Manual mode just like the Maxxum 7000 so that means it has everything you need. It runs on one 2CR5 battery. AF is ok but first generation. Not good for running subjects but ok for static.

PRICES AND WHAT TO LOOK FOR

Just like the Maxxum 7000, the Canon EOS 650 is also dirt cheap on the used market.

Prices are trending from $10-50 with an average of $25 body only. I got my current copy for $10 bucks!

Generally these cameras have stood the test of time so your chances of a working model is pretty good.

Sometimes you’ll find one with no power, doesn’t turn on. Sometimes parts have come loose or the buttons and dials may be sticky.

Even at the highest average prices they’re cheap get the best one you can!

BOTTOM LINE

I hope with these two cameras I have shown you that collecting Camera Legends does not have to be expensive!

With these two, you have cameras with history and a story to tell about the evolution of autofocus.

And on the Used Market you can get them dirt cheap. And if that wasn’t enough, they’re actually pretty good shooters! Good luck on your journey to camera collecting nirvana!

ADDITIONAL RESOURCES

If you are interested in these two Camera Legends, there are a ton of additional resources on the internet. To cut through the bunk and junk, I recommend these two reviews by my blogging buddy and a prolific blogger Mr. Jim Grey. I can’t speak for a lot of bloggers but I unquestionably trust Jim’s reviews and opinions.

His Maxxum 7000 review is HERE

And his Canon EOS 650 Review is HERE

Tell him Sam sent you! ๐Ÿ™‚

***MODERN EQUIVALENTS***

It’s been said that the new Canon EOS-R Mirrorless is the incarnate of the EOS 650. In a way, many things from its looks to its use for the introduction of the EOS-R mount, I’d say they might be right! Anyway, the EOS-R can do things the 650 could’ve only dreamed of in 1987! If you decide to buy one, please do so from our trusted affiliates simply by clicking on the photos or links. You will pay nothing extra other than what you’re buying, and help support Camera Legend at the same time. Putting these articles, reviews, and videos take time and work. We do appreciate all you support, thank you very much!

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YouTube Video Update: The Canon EOS-1 Film Camera

The Canon EOS-1 from 1989 is a modern day Camera Legend that had a titanic effect on the world of photography and camera design.

Just giving you guys an update that I have just uploaded a companion video for our 2015 review of the Canon EOS-1 film camera review. I will be moving it to update that review at a later time. I’ve cut off some of the intro here but it’s still a long video so if you have the time, grab a cup of coffee and a donut and indulge in a little camera geekery ๐Ÿ™‚

I think it’s been slightly understated by many writers, but to me the Canon EOS-1 is among the most important and influential cameras of the past 50 years, easily as influential to cameras of the 90s and up until today, as the Nikon F was influential to cameras of the 60s, 70s, and 80s.

The way Canon gelled the use of buttons, dials, and wheels and implemented custom functions to personalize the camera to suit one’s individual tastes is something seen on nearly all serious cameras today. In 1989, the EOS-1 was one of the few cameras that had all these things together in one package.

Anyway, YouTube is a tough nut to crack. You don’t know what people will like! People love reaction videos, watching people eat, watching people pick pimples, etc, etc ๐Ÿ™‚

But slowly, I’ll just keep adding videos as I can for all you hardcore camera lovers! Thanks for watching and I’ll see you guys soon!

-Sam

Canon EOS M 18mp (Original) Images

With the recent release of the Canon EOS R system, and the Nikon Z6/Z7 just before that, it seems that these big two Camera Legends have finally embraced the mirrorless camera segment.

Fans and critics (myself included) have complained that the big two did not give it their all when entering this market back around 2012.

Instead, their initial offerings, Canon’s 18mp EOS M and Nikon’s 10mp V1 and J1 respectively, seemed more like an appeasement to their base and to those who might otherwise have been enticed by mirrorless pioneers Olympus, Panasonic and/or giants like Sony. But this criticism seems to have been rectified with the new full frame mirrorless releases.

Today, we will look at some images from the EOS M, Canon’s first foray into the mirrorless camera segment.

The 18mp EOS M was praised for its APS-C sized sensor and image quality but criticized for its slow, subpar AF. Not what Canon fans expected.

As mentioned before on this site, I’ve had my EOS M since 2013. I only got one when they were having a close out sale which included body and the 22mm f/2 STM lens for under $300.

I’ve used it sparingly over the years. Somehow, I never sold it. The turtle slow AF was reason enough to sell it but I think it’s the camera’s image quality when combined with that superb 22mm f/2 STM that made it a keeper for me. All pics here, unless otherwise noted, were made with the M and 22mm f/2 lens.

Looking on these pics now, it does make me think quite hard about how I might acquire one of the new full frame mirrorless bodies from either Canon or Nikon ๐Ÿ˜Š

But don’t sweat it folks. I stand by my statements that I no longer crave the latest and greatest but that doesn’t mean I wouldn’t consider the new cameras once the prices come down ๐Ÿ˜€

There is something great about the older EOS M and you know what that is? Despite its slowish AF, the camera is capable of excellent images and…It can be found on the used market for MUCH cheaper than the new EOS R! Have a great day good peeps!

“Kiss” 2015. Canon EOS M, 22mm f/2 STM.

“Funnel” 2018. Canon EOS M, 22mm f/2 STM. I’m not a huge fan of “state fair” type food, including funnel cake, but the light on that plate was delicious ๐Ÿ™‚

“Ride” 2018.ย Canon EOS M, 22mm f/2 STM. Note, the EOS M gives images that at first glance are reminiscent (in a good way) to photos from the latest generation iPhones, such as the iPhone X., in terms of color and sharpness. Of course, with an 18mp APS-C sensor, it also offers higher detail retention and resolution.

“Hey You!” 2014.ย Canon EOS M, 22mm f/2 STM. This photo was shot using the built in “Miniature” Creative Filter. The filters can be fun if used sparingly.

“AMC” 2018.ย Canon EOS M, 22mm f/2 STM.

“Elmwood” 2018. Canon EOS M, 22mm f/2 STM. The 18mp EOS M is capable of excellent night shots, low noise and good retention of details.

“Turbulence” 2018.ย Canon EOS M, 22mm f/2 STM. In my opinion, the EOS M original is not well suited to action shots due to its turtle slow AF. But a shot like this is easy for the M ๐Ÿ™‚

“Boy Wonder” 2018.ย Canon EOS M, 22mm f/2 STM. The 22mm f/2 STM is capable of nice portraits with good bokeh, provided your get in close and your subject can stay still for the shot ๐Ÿ™‚

“Primates” 2018.ย Canon EOS M, 22mm f/2 STM. Manila, Philippines.

“What You Want?” 2013. Canon EOS M, 22mm f/2 STM.using the EOS M’s Grainy B&W Filter.

“Ghetto Blaster” 2013.ย Canon EOS M, 22mm f/2 STM. Many people rave about the Olympus B&W art filters, but to me the Grainy B&W filter on the EOS M is better!

“Flower” 2018.ย Canon EOS M, 22mm f/2 STM. The versatile 22mm f/2 STM is capable of “florals with bokeh” as well as street work.

“Bottled Water” 2018.ย Canon EOS M, 22mm f/2 STM. Manila, Philippines. They sure love their purified water in this country and in hindsight they were ahead of the game on this! But a lot has to to with not wanting to get sick from that tap water ๐Ÿ™‚

“Twisted Sister” 2018.ย Canon EOS M, 22mm f/2 STM. Farmingdale, NY. The pic says it all ๐Ÿ™‚

“AutM Leaves” 2015.ย Canon EOS M, 22mm f/2 STM.

“Hello, Goodbye” 2018.ย Canon EOS M, 22mm f/2 STM.

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September Morn…And a couple Canon 1DIII Images

Ah can you believe that September is here once again? I know it’s played out but the title of that old Neil Diamond track just fits.

To me, and I guess many folks, September and this Labor Day weekend represents the bittersweet end of Summer.

So here this September morn, I have a couple images from my current camera of the week and that camera is the Canon EOS-1D Mark III.

“Happy Labor Day” 2015 that is! Shot with a Canon EOS-1D MKIII and Yongnuo 50mm f/1.8 lens. The Yongnuo is a pretty good copy of the Canon EF 50mm f/1.8 II lens.

The Canon EOS-1D Mark III was released in 2006 and at that time, it was supposed to be the ultimate Canon sports and photojournalists camera.

However, that was not to be due to one fatal flaw…Unreliable AF. Reports from users and reviewers at that time revealed a camera with a seriously flawed AF system that was apparently getting a lower hit rate than the previous 1DMKIIN. Note this was mostly in AF Servo mode.

Disappointment was apparent when reading the forum postings of that time. Not just because the AF was bad, but because the image quality was so good! Such bittersweetness!

Don’t forget guys, I was on those forums just like you! Except, I stayed silent and just digested all the information ๐Ÿ™‚

To their credit, Canon offered to fix any 1DIII cameras with these issues at that time, once they acknowledged the problem. The fixed cameras are often called the “blue dot” versions.

However, even after the fix, some people felt the camera was still having autofocus issues. And the 1DIII never quite got the accolades or respect that Canon sought. And so went down one of the potentially most amazing high speed cameras ever released.

I got my first one in 2015. I had it for a short time, but I did feel it was giving me random off focus images so I sold it quick. It may or may not have just been all in my mind! The problem with this camera is once the seed of doubt has been planted, it’s hard to get it out of your head.

Reecently, I found another one very cheap and decided to try it again. I would never make judgement on just one copy of a camera. I was very surprised when taking a series of my eldest child on her Razor, that the 1DIII kept up even as she picked up speed! It was probably too easy for this camera! I will probably put those sequences up should I do a future review on this camera.

But in case I don’t, just know that if you buy one, try to get it cheap or from a reliable dealer because there’s always a risk with this camera. However, it’s also possible that any 1DIII’s with serious issues should have been fixed by now

“Razor’s Edge” 2018. Canon EOS-1D MKIII, EF 135mm f/2L lens. I took this last week. Testing out the 1DIII. It’s a camera I’ve always wondered about, but stayed away from it due to its reputation for AF issues. I got rid of my first one due to those issues, but this one seems a keeper!

“Smile” 2018. Canon EOS-1D MKIII, EF 135mm f/2L. Zay now knows, somehow, when to give me the pose ๐Ÿ™‚

“September Morn” 2009. Rolleiflex SL66, 80mm f/2.8 Rollei HFT Planar, Tmax 400 in Tmax Developer. Yes folks, I had one of these cameras too! Didn’t hold on to it long, but I do miss the silky smooth yet sharp images from that Planar lens!

That’s it for this morning, see you soon! ๐Ÿ˜Š

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Recent (And Not So Recent) Images

Once in a while I like to upload photos, if only to remind myself that I love the art of photography as much as the gear. Though it might not seem like it, I do really love photography as much as I do the gear! ๐Ÿ˜€

Just like most of you, I don’t just take photos for reviews or posting. I take photos FOR LIFE! I document life first, then if I can use some of the photos in a review, why not?

The vast majority of the photos I take on a daily basis just doesn’t make it in. Oh friend! Why bore you with my life? ๐Ÿ˜Š I want to know about YOUR life, Brothers and Sisters ๐Ÿ˜˜

So these are some shots taken recently, and some not so recently. Nothing artistic. Just random shots. Sometimes, it’s a snap, sometimes it’s a test. Sometimes it’s deliberate. Sometimes it’s by luck or chance. Like I said, ya never know. I’m sure this is the way it is for most of us photographers, us mere mortals ๐Ÿ˜Š

One thing that I’m sure is that most of these images have not been posted on these pages. I try to include technical info and tidbits for you camera nerds out there cause that’s how I would like it too ๐Ÿ˜Š

I also find it interesting to see what camera and lenses I was using then as opposed to what I am using now. It’s a way of seeing how one’s tastes may or may not have changed. Sometimes I find there’s not a lot of changes!

I think theses images may give you a glimpse as to what I am pondering on doing articles and reviews on. At the same time, you may see why I’m flustered deciding what to publishย ๐Ÿ˜ซ

Not to sweat it though. Most of you regular readers know by now that this is how I roll. Sometimes it comes in waves. Then I need a mental break haha! I can’t do it daily man, I just can’t.

Definitely got some more interesting stuff to profile for you all, and also on YouTube too. Oh yes, don’t think your “Brother from another lover” has forgotten about YouTube!

I really don’t mind starting out slow there because I don’t want to upload videos just for the heck of it. Just like here on the blog, I realize what you post may be on for a long time so let’s make it count!

Anyway I thank you all for having a look! Appreciate your patience and support over the years. I think you guys are the best readers anywhere. And those of you who also blog are some of the most prolific bloggers around! I certainly can’t do what you do, but thanks for the inspiration! Have yourselves a great weekend!

“Night Buddy” 2018. Nikon D700, 50mm f/1.2 AIS Nikkor. My late night buddy! Try writing an article with this one hanging around. At least tonight, she’s quiet…somewhat ๐Ÿ™‚

“Noon” 2017. Nikon D700, 50mm f/1.2 AIS Nikkor. Be forewarned friend. For when the clock strikes “Noon” your heart may be broken ๐Ÿ™‚ Actually yes, her name really is Noon! Thanks for being a good and patient model, appreciate you!

“American Girl” 2018. Sony A7r (original) with Mamiya 55mm f/1.4 lens. This is a crop from a larger image. I was just testing this lens when I saw Baby sitting there, lazy and then the spirit of the late great Tom Petty hit me and I heard him sing…”She is…an American girl” ๐Ÿ™‚ This is a great lens by the way!

136631492.fIHGz75M.imgBroniZoe180Fa

“Vogue” 2011. Bronica RF645, 65mm f/4 Zenzanon lens on T-Max 400. Every time I look back on a shot from my time with the Bronica RF, I miss it!

“Text” 2017. Agfa Ambiflex, 55mm f/2 Solagon. Kentmere 400 film. Talk about great lenses, wait till I tell you about this one! ๐Ÿ™‚

“Sunglass” 2015. Leica M4-P, 50mm f/2 Summicron-M, Tri-X 400. This was actually a night shot near Times Square. Considering that, the sharpness and clarity is pretty good I think. Can never go wrong with a Summicron lens! ย You can see the smoke or vape coming out of the man’s nostrils ๐Ÿ™‚

“Purple Rain” 2012. Ricoh GRD 8.1mp. “An ocean of violets in bloom” as the Purple One once said! The original GRD remains one of my favorites ๐Ÿ™‚

“Smoke ‘n Java” 2007. Ricoh GRD 8.1mp. The brutal art of coffee and smoke. Over ten years later and the GRD is still on rotation in my camera bag these days!

“Baloon Man” 2006. Nikon D70s, 50mm f/1.8 AF-D Nikkor. Cebu, Philippines. In my opinion, the Nikon D70s was one of the best cameras of its era, capable of crisp detail and rich colors. I plan to write an article on this Nikon gem.

“Baby It’s You” 2017. Sony A7r with Canon 35mm f/2 SSC. New York City. Though the focus may be slightly soft in this image, the vintage Canon 35mm f/2 SSC is a great lens capable of sharp images. And if you’re reading Camera Legend, then you know this isn’t just ANY Canon 35mm f/2 lens! Of course, it’s the one with the concave front element and radioactive thorium ๐Ÿ™‚

“Chase” 2017. Sony A7r with Canon 35mm f/2 SSC lens. The original image was dark due to underexposure. Lift the darkness in post processing and the A7r shows its legendary dynamic range. Four years later, the original 36mp A7r still delivers the goods!

“Feed Me” 2011. Contax T3, T-Max 400 film in HC110 developer. The T3 is an amazing camera! I’m sure you wouldn’t mind another review, now would you? ๐Ÿ™‚

“Times Square” 2017. Sony A7r with Canon 35mm f/2 SSC lens. The Baby don’t care if it’s Times Square or home. She naps when nature calls ๐Ÿ™‚

“Buenas Noches” 2017. Nikon D700, 50mm f/1.2 AIS. Yes that means…Good night! ๐Ÿ™‚

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Canon 50mm f/0.95 Dream Lens Review Plus Samples

Howdy good people, how are you all? Hope everyone is good!

As for me, between trying to create content for the blog and for its YouTube channel, I think I may have dug myself into a hole that’s gonna be hard to get out of ๐Ÿ˜€

That’s because now there’s double duty for me on this front, and I could barely keep up with the blog alone!

Sorry for not being able to get back to you guys. Hopefully, I can catch up to you all this weekend. I do appreciate you all!

I’ve been working on this post as well as the video, spending all my free time on both. Just one look at the length of this article will tell you why I’m burnt out ๐Ÿ˜›

Since I’m a person who does not like pressure, I found myself shutting out the world by binge watching “Forensic Files” ๐Ÿ˜€

Do not watch this program, not even one episode because if you do, you’ll be watching for hours and get nothing done!

Anyway, enough rambling on nonsense let’s talk about the topic at hand…

The Canon 50mm f/0.95 “Dream Lens.” While this may just be the latest among many reviews of this famous and legendary lens, I’ve actually had my copy for nearly ten years, using it on both film and digital bodies, and it has become one of my most cherished lenses, perhaps my favorite. And now I’m writing to share my experiences with you.

THE CANON DREAM LENS TECHNICAL INFORMATION

The Canon 50mm f/0.95 was introduced by Canon in 1961. According to the Canon online camera museum, “It had the largest aperture in the world for photographic lenses available in the market at the time.” It is affectionately known as the Canon “Dream Lens.”ย Today, the Dream Lens has become one of the most well known and coveted lenses of its era.

123711090-1.yq57crJc.imgCanonDreamZoeLaptop072Pbase

“Dreamtime” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens @ wide open, I believe. Film was Tri-X 400. Baby Z getting excited to read about the Dream Lens maybe? More likely, she’s excited for Elmo ๐Ÿ™‚

The lens has aperture stops from f/0.95 to f/16. The lens has 10 aperture blades and is a Gauss type design.

When seeking this lens, you will find it usually comes in two flavors. The standard version is rangefinder coupled and was made specifically for the Canon 7/7s film rangefinders. These cameras have a special mount to take the 50mm f/0.95 and to my knowledge you cannot use the lens on other film rangefinders, Canon or otherwise.

There is also a “Canon TV Lens” version. It says “TV Lens” on the front inner ring of the lens. Pretty much the same lens, but made for C-Mount and is uncoupled. It usually comes with a C-Mount ring attached to it.

YOUTUBE VIDEO

As mentioned in my last post, I am including YouTube videos in conjunction with my postings, whenever possible to give our readers a more dynamic experience.

For those who want to cut to the chase, here’s the video from around 4:45 but if you watch the whole video, you might want to grab a cup of coffee and/or a snack because it’s nearly ten minutes!

The video is more of a summary, but this article contains much more information on the Canon Dream Lens.

Oh yes, thereย ISย a reason for those shades and it has nothing with trying to be cool or uncool or whatever! I will divulge in a future posting I promise you!!

HOW I CAME ACROSS THE DREAM LENS

Before we go on any further, please let me say this is not meant to be a full throttle or technical review of the lens. I’m no optical expert. I have no optical bench to test optics.

I have to rely on what I see with my eyes, based upon my experiences. Between telescopes and camera lenses, I have spent over thirty years developing an eye for optics. But again, I restate that I am no optics expert. I see what I see and I leave it up to the readers to make the judgement to my opinions.

With that out of the way, let me tell you the story of how I came upon the Dream Lens.

In the early to mid 2000s, perhaps 2004 or 2005, I answered an ad on Craigslist and went to someone’s home to check out a camera collection for sale. I suspect some of our readers have been to a few of these ๐Ÿ˜Š

Anyway, hidden in the pile of junk cameras was a dusty camera with a huge lens on it. That camera was the Canon 7 rangefinder and the 50mm f/0.95 Canon Dream Lens.

The fella wanted $600 for it, and me thinking it was too expensive for this dusty, dirty outfit, I passed on it.

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“Nightmare” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens on Arista EDU Premium 400 developed in T-Max developer. I was focusing on the gorilla when he stuck his tongue out! The baby and mother added to this shot, I do not know them. Considering that the rangefinder on my Canon 7 was out of alignment, I got real lucky with this shot!

As you may or may not know, that price is a bargain compared to what this lens alone goes for today!

That was the seed that set me on a wild goose chase for this lens! It wasn’t until 2009 that I was able to find and afford a copy of my own.

Although the lens is not often seen in the real world, the Canon Dream Lens is not what I’d call rare, and it wasn’t that the lens was particularly hard to find that took me so long to get one.

I guess you could say it was a bad string of finances and timing. When I had the money, I couldn’t find one. When I did find one, I didn’t have the money. But it all came together in 2009.

SO HOW ARE THE OPTICS?

This lens is meant to be used wide open at f/0.95, but here is my breakdown…

“Twilight” 2014. Sony A7R, Canon 50mm f/0.95 Dream Lens @ wide open!

At F/0.95:ย There is apparent softness upon first impressions. At wide open the bokeh is most dramatic, as expected and makes up for any impression of softness. Upon closer inspection on a properly focused image, it is actually sharp.

The DOF is razor thin at f/0.95 and focussing errors may account for at least some of the softness people complain about.

“Sweet Zay Jan” 2018. Leica M8, Canon 50mm f/0.95 @ 0.95. Note, the baby started moving, as seen by her hands, but thankfully her face did not, allowing me to capture her sweet smile:-)

The “softness” possibly comes from lowered contrast and/or other optical imperfections. Images at wide open sometimes seem like they are enveloped in a thin veil of haze, but this is not noticeable in all images and most of the time, I don’t find it objectionable. This adds to that dreamy look, a glow that some have mentioned. Some of this may come from, again lower contrast wide open and/or poor flare resistance at this aperture. A lens hood helps if you’re wanting to minimize flare or trying to avoid lowering contrast further.

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“Day Dream” 2010. Canon 7 Rangefinder, 50mm f/0.95 Dream Lens.

There is vignetting, noticeable on both film and digital. When I shot this lens wide open on the Canon 7, the vignetting was not objectionable. On the Sony A7R (original 36mp camera), it was more pronounced. I did not find it objectionable, but some might.

At F/1.4:ย The contrast increases, the slight haze dissapates, and the image appears quite a bit sharper than wide open. It could be comparable to other 50mm f/1.4 lenses of its era.

“Bundle Up” 2014. Sony A7R, Canon 50mm f/0.95 @ f/1.4. Sharpness is improved from wide open and the bokeh looks a lot less “funky” for lack of a better word ๐Ÿ™‚

At f/2.8:ย Should be good enough for most purposes you would use any other 50mm lens for!

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“The Dream Team” 2010. Rad and Frank, two great friends and photographers affectionately known as the “Dream Team.” Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens @ around f/2.5-2.8 on Arista EDU Premium. Note the bokeh is more subdued but still funky. Can the “Dream Team” ride again? ๐Ÿ™‚

Stopped Down Further:ย Honestly, I see no point in evaluating this! Why? Because this lens was meant to be used wide open or stopped down slightly to get the famous bokeh effect it’s known for. It gets sharper as do most lenses stopped down. I never objectively tested it at say f/8, f/11, and f/16. It will never achieve Otus like sharpness, but then again, that is unrealistic. It’s probably as sharp stopped down as any other 50mm from the 50’s and 60’s.

“New Dream” 2014. Sony A7R, Canon 50mm f/0.95 @ wide open! Even with ISO 100, the camera was giving me the max shutter speed of 1/4000th!

A NOTE ON BOKEH: SUPER FUNK

This lens is all about bokeh, or the background blur in the out of focus areas. Or to be even more geeky…the qualityย of the background blur.ย Honestly, there’s no real reason to get this lens for any else but bokeh!

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“Radamon’s Dream” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 @ wide open! Film was Arista EDU Premium 400. I think this is a good example of the Dream Lens’ bokeh at its funkiest!

Count on me to tell it like it is, while people goo and gah over the bokeh from the Dream Lens, it doesn’t always neccessarily qualify as beautiful, to me. But everything I love doesn’t have to be beautiful, and so I love it! ๐Ÿ™‚

“Shoot The City” 2018. Leica M8, Canon 50mm f/0.95 @ wide open! Who says the Leica M8 can’t shoot low light? With a fast lens like the Canon Dream Lens, it sure can!

Light sources, such as night lights for example, look like “coma shaped orbs” as I’ve mentioned before from similar vintage lenses. Almost like gibbous or half moon shapes.

“City Lights” 2018. Leica M8, Canon 50mm f/0.95 @ f/0.95. This shot was taken across the Hudson River in New Jersey. The yellow lights in the back are lights from cars driving on NYC’s West Side Highway at night. This is an example of the “moon shaped orbs” I mentioned. This was shot at night, another reason to use a lens this fast!

It may not always be so pretty, but this is what draws people in to the images produced by this lens. In many ways, this is the closest on 35mm that you can get to that Aero Ektar f/2.5 look on a Large Format 4×5 Speed Graphic.

A lot also depends on the background. If there’s a lot of clutter, things tend to look worse. If the background is relatively clear, things will look better. I have been pleasantly surprised with some images where the bokeh looked neutral, even wide open.

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“Dream Ride” 2010. Canon 7 Rangefinder, 50mm f/0.95 Dream Lens @ wide open. Tri-X 400 developed in T-Max Developer. Note the neutral background at wide open. As with most lenses, the background determines a lot as to what the bokeh will do.

I’ve heard people call the bokeh from the Canon 50mm f/0.95 as beautiful, delicious, “bokelicious,” sweet, tasty, even nasty, horrible or ugly. I call it “Super Funk” because it is all this and more. It is whatever you interpret it to be!

“Zen” 2018. Leica M8, Canon 50mm f/0.95 @ wide open.

Although it’s one of my favorite lenses of all time, I use it sparingly. I mean, I could use this lens every day but I would never post pictures from it every day. You will just kill the effect if you do. This lens should be considered an artistic tool in your arsenal rather than an everyday lens.

VERSUS THE LEICA NOCTILUX?

The Canon 50mm f/0.95 has increased in value over the years and prices are now trending from a low of $1200 to a high of $2000 give or take. Some unscrupulous dealers are trying to sell this lens for $3000 or more. This, to me, is way too high since that is approaching Noctilux used prices. The Noctilux goes for $5500-10000 on the used market, depending on which version.

Speaking of the Noctilux, some have labeled the Canon Dream Lens as the “Poor Man’s Noctilux.” Since the Canon came first, I’d say they should change that to the Noctilux is the “Rich Man’s Canon Dream Lens” ๐Ÿ™‚

Comparisons? Well, I never owned a Noctilux, though I have two friends that have them. Based upon what I’ve seen from the Noctilux and the Canon Dream Lens, I’d say you can’t compare the two. It’s apples to oranges.

The Leica may be the technically better lens, while the Canon may be the more artistic lens in regards to the images it renders. Just like the film vs digital debate, my answer to the Noctilux vs Dream lens question is…None are better than the other. They are different.

THE NEW GOLDEN AGE OF CHEAP AND FAST LENSES: WHY YOU REALLY DON’T NEED THE CANON DREAM LENS

As a “community service” to my fellow photo gear lovers, I need to say this to help you avoid a potentially painful and expensive episode of G.A.S with the Dream Lens ๐Ÿ™‚

Ok, so today in my opinion, you really don’t need it. You may want it, but you don’t need it!

Let me explain…

When the Canon 50mm f/0.95 came out in 1961, it had few if any competition. People were still shooting film exclusively and back then you can forget all about “low light, high iso” shots.

Today, we have companies like Mitakon, SLR Magic, Mieke, 7Artisans, Kamlan and a whole bunch of other companies making lenses at f/0.95, f/1, f/1.1, f/1.2 and when you combine these lenses with the amazingly low light capable digital cameras we have today, you could literally shoot in the dark.

Just as I saw over ten years ago in the telescope world, let’s thank our friends (mostly in China) for bringing us these super fast and affordable glass! I remember telescopes such as apochromatic refractors and large diameter Maksutovs from American manufacturers such as Astro-Physics and Meade being optically superb, but also expensive. The wait list for Astro-Physics APO refractors was in years, not months.

Then came the Asian optics around the early to mid 2000’s that started challenging the established manufacturers. Sure, they may not have been a real match for a finely crafted Astro-Physics refractor, but you didn’t have to wait years and the the price/quality ratio was good enough for a lot of people. Love it or hate it, these overseas optical makers are giving people what they apparently want! ๐Ÿ™‚

MY MAIN POINT ON WHY YOU REALLY DON’T NEED THE DREAM LENS…THOUGH YOU MAY WANT IT! ๐Ÿ™‚

To me, the Canon Dream Lens was a lens of compromised optical quality when it came out in 1961. Compromised by the technology of its time, and probably optically compromised as well to create a showpiece lens for which Canon could claim as the fastest photographic lens in the world at that time.

In the same way, you could say today’s cheaper (under $1000) fast lenses are also of compromised quality. They are here to deliver the speed people want, knowing full well people love “ugly” these days. People love “Super Funk” ie, swirly bokeh, orbs, distortions, etc.

There are lenses such as the $2999 Nocturnus which may have higher quality and that might be a good option for some, but again for me, when you get that close to $5000, I’d just rather just save a little more and look around for a used Noctiux, but that’s just me!

Finally, you might say, that’s good and all, but these lenses are NOT the Canon Dream Lens…and that is true! They will not deliver the images the Dream Lens does.

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“Angel” (With Horns!) 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 on Tri-X 400 developed in T-Max Developer.

As a counterpoint, I would say the Dream Lens will not produce the kind of images these new and cheaper lenses do either! When it comes to beauty or even “ugly” it’s all subjective really.

But if you have the money and you want the Dream Lens, I’d say…go for it! It’s the Canon Dream Lens baby! Gotta have it! ๐Ÿ™‚

LEICA M CONVERSION

I had mine converted to M mount in 2013 by the great Ken Ruth of Bald Mountain. I’ve heard that Ken has recently retired from camera repair and modification work. Hope he enjoys his retirement, he deserves it. Personally, I’m sad to see him stop doing his thing. Sad to see someone of his skills leave the business. He was a true camera technician, a camera wizard, a Camera Legend! He did an awesome job on the M conversion on my lens.

There are others who will do this conversion today. One I know off hand is Don Goldberg aka DAG. I initially contacted him, but his wait list was so long and I found Ken. I’ve had interactions with Don in the past and based on his reputation, I’d have no hesitation having any work done through him.

Why should you convert it to M mount? Unlike many other things in life, having the Dream Lens modified for M mount actually increases its value!

The main reason I had it converted to M mount is because it opens up so many other possibilities such as using the lens on Leica M bodies, film and digital. Using it on any digital system that will take M lenses through adapters.

“Palm Beach” 2014. Leica M5, Canon 50mm f/0.95 Dream Lens on Fuji Superia 400 color film.

In its native Canon 7/7s mount, you can still use it on digital bodies with the proper adapter/adapters. I used mine on a Sony NEX C3 (Aps-C sensor) for a few years before the conversion. I actually had second thoughts about doing the M conversion since I enjoyed using it on the Canon 7 for film, but when I looked at the possiblities available after the M conversion, I swallowed hard and went for it.

Keep in mind, once you do the conversion you can never use it on the Canon 7/7s again, unless you had it reconverted back which is impractical…or get another Dream Lens that is unconverted so that you can use it on the 7/7s…even more impractical, but I’ve thought about it! ๐Ÿ™‚

The conversion cost me $300, but it could be lower or higher, depending on who you find to do the job. Get the best person you can because this is a precious lens and you don’t want some hobbyist screwing up your dream lens! ๐Ÿ™‚

CONCLUSION

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“Dreams” 2010. Canon 7 Rangefinder, Canon 50mm f/0.95 Dream Lens @ wide open. Film was Tri-X 400 developed in T-Max Developer. Ahh, is there anything sweeter than a little baby sleeping? Shhh…:-)

I hope these samples give you some idea of the kind of images this lens produces. As I’ve said before, it may not be a look everyone likes but it certainly has character! The Canon 50mm f/0.95 is a legendary lens that remains a highlight of lens design that helped cement Canon’s role as a Camera Legend.

It was, in hindsight, one of the first of many fast, speedy, and exotic glass that Canon would go on to produce over the years.

Please have a look at the video for additional information including why you’d want this lens and why you really don’t need it.

Sure it may sound like a shameless plug and ploy for you to watch the video but it’s not. At least it’s not meant to be!

When starting this article, I had just intended to post samples in order to save myself some work and time.

I figure if you’re really interested in this lens, you’d check the video too and if you’re not that interested, at least you’d hopefully look at the images on this post.

Instead, I ended up writing a lot more than I expected to. Kinda defeats the purpose of making the video and the article too. More work than I wanted, but I love you all so gotta do it!! ๐Ÿ˜Š๐Ÿ˜˜

Hey gotta go, thanks for listening and I appreciate you!

“Dream Baby” 2015. Sony A7R, Canon 50mm f/0.95 Dream Lens. With Baby Zay in the house, life is indeed a dream ๐Ÿ™‚

WHERE TO BUY? PLUS TIPS ON GETTING ONE

If seeking the Canon 50mm f/0.95 “Dream Lens” prices are trending from a low of $1200 to a high of $2000 give or take. I did not include the $3000 plus lenses because I do not see them as legitimate prices. I do not want to help inflate the prices of these beautiful lenses because I was once in the position of someone who could only dream of such a lens so I know this feeling.

Though the lens is exotic, it is not considered rare. I see them almost every week for sale on eBay and elsewhere.

A fair price I believe will be between $1500 and $2000. To give you an idea of how these lenses have increased in value, I can only say I paid a lot less than this!

If the lens has been converted to M mount, it may fetch a little more. For the cheapest prices, seek out the unconverted version and just get a C-Mount to NEX or Micro 4/3 adapter and enjoy!

If you’re looking for this lens and can’t afford it right now, keep dreaming and be rest assured that one day, with a little luck (and save up some money, of course!) you can attain this dream of a lens! If I, a mere mortal, can do it, so too can you ๐Ÿ™‚

ALTERNATIVES

Below are links from our affiliates to some great alternatives to the Canon Dream Lens. Buying from our affiliates is safe and cost you nothing extra to what you’re buying. It will also help us bring more reviews of the photography Camera Legends you want to see! Thanks for your support!

All of these lenses will cost you a lot less too! Again, no, they will not produce images like the dream lens. But then again, as I said, the Dream Lens won’t produce images like these lenses either!

 

7Artisans 50mm f/1.1

Mitakon 50mm f/0.95

Mitakon 25mm f/0.95

Three Years Of Zay

“The Wild Child” 2015. Olympus OM-D EM-5, 45mm f/1.8 Zuiko lens. This photo was shot when the baby was around six months of age. Zay was blessed with a head full of hair as an infant! ๐Ÿ™‚

Howdy folks, how have you been? Hope everyone is doing great!

I’ve always felt that as fast as life moves, it moves even faster when you have children.ย As they get older, you get older and all of a sudden you begin to feel your age creeping in more and more! Is it just me? ๐Ÿ˜Š

Well, my baby daughter Zayda just turned three this week and even though I try not to make family specific postings, please allow me to indulge for today ๐Ÿ˜Š

Now, in looking over Zay’s pics over the past three years, I noticed most of the photos of her are overwhelmingly digital using either digital cameras or cell phone cameras.

Ten years ago when my first daughter Zoe was born there was a more ecclectic mix of 35mm, medium format, and digital images.

“As In A Dream” 2015. Kodak Retina IIIC with 50mm f/2 Schneider Xenon lens, T-Max 400 developed in D76. Zayda was around two or three months in this photo. Due to the camera having issues with overlapping frames, you can see a framed photo of big sister Zoe on Zoe’s right shoulder. I actually loved the effect here, hence the title ๐Ÿ™‚

Why such a big difference? No I don’t love one daughter more than the other! I don’t favor one more than the other, at least I try not to.

Upon self reflection I would say I’m getting older and now I’m just a product of the times we live in.

“Love Is In The Air” 2015. Canon EOS-1D 4.1mp, 50mm f/1.8 Yongnuo lens. Zayda was around five months of age in this photo. I was testing a Yongnuo 50mm f/1.8 lens, which is a clone of the cheap but capable Canon EF 50mm f/1.8 lens. The Yongnuo is even cheaper but quite a capable lens as well!

What I mean is that ten years ago, the birth of my first child was something I’ve never experienced before and I was eager to take as many shots of her early years as I could.

I was also ten years younger and had the patience to keep up with a baby and wait for the right moment to capture the images. I was also very eager to perfect my craft on film.

“Cheeri-O” 2016. Fuji Instax Mini 90 Neo Classic.

Flash forward to today. I don’t quite have the same endurance, mentally or physically, to wait for that right moment to capture that pose or expression.ย As most of you may know, photographing children requires a lot of patience. It will test your patience for sure!

“Smile For Me” 2018. Nikon D1 2.7mp, 50mm f/1.8 AF-D Nikkor.

One must also take into account that the cell phone cameras are much better today and their convenience has made me a lazier person. I’m openly admitting this!

“Bright Eyes” 2015. Canon EOS-1Ds 11.1mp DSLR, 50mm f/1.4 Contax Zeiss Planar MM.

But I’ve made a pledge to myself that in the next few months I will strive to capture the baby more often with my film cameras now that she is at an age where she’s more cooperative with posing or standing still for pictures.

If you’ll note the equipment used in these images, they are all made from cameras I’ve reviewed or spoken about.

“Softees” 2015. Ricoh GR1, Ilford Delta 400 in D76.

As for Baby Zayda herself, she doesn’t care if I photograph her with a film camera or digital camera or phone camera ๐Ÿ˜€

“The Baby” 2015. Nikon V1, 18.5mm f/1.8 Nikkor 1 lens.

In closing I just want to say Zayda, I love you very much! Perhaps one day you’ll read this and have a smile from it ๐Ÿ˜˜

“Chicka-Dee” 2015. Nokia Lumia 1020.

“Eye Spy” 2016. iPhone 6s Plus.

The Incredible New Fuji X-H1