Photo Of The Day: “Olive Oil”

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“Olive Oil” 2016. Apple iPhone 6s Plus.

Ah olive oil. The not so secret ingredient to the much touted Mediterranean Diet. So good for you. So good for your body!

Now wait a minute you might say. Isn’t this site about cameras? Well yes indeed it is. And today, I just want to say a little about the 12mp camera on the iPhone 6/6s/6s Plus. In fact, this might apply to nearly all of today’s high quality cell phone cameras.

First, about the shot. It may seem like a fancy restaurant, but I took this shot at a local Singa’s Pizza. Good, maybe even great pizza, but the joint itself is far from elegant.

Anyway, I spotted this on the wall and the light was hitting it in that wonderful way that only light can.

After nearly six years of iPhone shooting, starting with the original 3G, then 3Gs, then the 4, then the 5, now the 6, I must say that the cameras on the iPhone have evolved to a point where I really don’t need any of my fancy point and shoots for nearly ninety percent of what I shoot, especially if it’s going to be in daylight or in good light.

The above photo, I think, is a good example. The color, the detail of the olives inside the bottles, and a wonderful balance on the shadows, highlights, and mid-tones.

But this is not a surprise to anyone who has been shooting iPhones. Most of us already know the wonderful qualities which makes shooting them such a pleasure. Deep rich color and tones, excellent sharpness, and super speedy shooting. The last part makes it perfect for street shots. Negatives? Can be mushy when viewed at 100 percent, especially on low light images. But that also happens on a lot of “real cameras.”

But one more very big positive. Of course, the ability to edit in camera and share your photos right away to your friends/fans on Facebook, Instagram or what have you, that seals the deal for most people. Yes, I know camera companies have incorporated wifi and sharing to their DSLR’s and mirrorless cameras, but the few I tried were very clunky in operation and not yet close to the smooth operation found in modern phones.

As great as I’m making it sound, there is still one BIG negative about shooting with an iPhone. The negative is just that; the fact that it’s a phone first and not thought of as a “camera” even if there is a very advanced camera in there.

You won’t get a lot of cred for still shots, no matter how nice, taken with an iPhone or any other phone. People may say, “Ooh ahh” about the great pic you shot with your phone, but they are also silently saying…”Phone camera? Ah ok” then they move on. You simply won’t get a lot of photo-nerd love by using a cell phone camera 🙂

It may be bad, but in a good way, people still respect you more if the shots were taken on an actual camera, even if the cell phone cameras have blurred the lines on what a “real camera” is. To most people, even the ones who will like your pics, the cell phone camera is just too easy. They know it. So it’s also easy to dismiss.

That’s why film shooters still get a lot of cred. It’s film. It’s an old medium and yes, it does require a little (and sometimes, a lot) more work than it does with a modern DSLR, mirrorless or a high end cell phone camera.

But if you put all this aside, take it out of your mind, there will come a time when you’ll have to say, you know what? This phone takes pictures as good as any other digital camera I’ve used in the past ten years.

Again, not for every shot or every situation, but for ninety percent of what most people shoot, it’s perfect. No wonder more images are uploaded from the iPhone than any other “real camera” out there.

No my friends, I’m not trying to convince you that the iPhone is better than say, a Leica Q. And no, I have not lost my love for vintage cameras. I am and will continue to use them as long as film is around.

What I am saying is for me, I got to face reality. Shooting the iPhone may not be as cool as say, shooting a Ricoh GR, but it often will get the shots that under normal viewing distances, and certainly when posting small pics, will be indistinguishable from each other. That says a lot about how far cell phone cameras have come.

Have a good day my friends and don’t worry, there will certainly be more Camera Legend reviews! 🙂

***IN STOCK ALERT***

I have been notified by my good friends at Adorama that the Nikon D5 and D500 are now in stock!! If you’ve been waiting patiently for these awesome cameras, here’s your chance to grab one before they sell out the first batch. You may find them in the links below. Thanks for supporting Camera Legend and enjoy your new camera, I’d sure love to hear about it!

Nikon D5 (CF Version)

Nikon D5 (XQD Version)

Nikon D500

Nikon D500 with 16-80 f/2.8-4E VR lens

Photo Of The Day: “Classic Junker”

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I shot this a couple of weeks ago. I was driving to see some friends when I spotted this “classic” junker underneath some spring blossoms. The contrast of the old car and the color of the buds struck my eyes. Right away, I said HO! I have to get some shots! 🙂

I actually had to turn the car around to come back and take the shot. I’m not so good on cars, but it looked to me like a Ford? If any of you out there can identify it, please do so! I did not come out of my car to take this shot. I respect people and did not want anyone freaking out! I know I probably would be disturbed if I saw someone coming up and taking shots of my car. But this is a vintage old car and it stands out in today’s world, so if I were the owner, I would probably have to expect it.

I shot this with my trusty and old Epson R-D1 and 40mm f/2 Summicron-M. I got this camera in 2006 and if you had told me then that ten years later I’d still be shooting with it, I’d probably say you were crazy! For one, I didn’t think I’d hold on to it for this long. Secondly, I didn’t think it would last this long. But I still have it, and it’s been surprisingly reliable.

I guess I’m still one of those crazy guys (and there’s lots of us out there) who still carries a camera with them everywhere, even when a good cell phone camera will do. I don’t know, I guess I’m still old school.

The Epson R-D1 is the world’s first digital rangefinder camera. It was introduced in 2004. Somehow, Epson beat Leica (well known as THE rangefinder icon) to the punch with this digital body which was made by Cosina and based on their own line of Voigtlander Bessa rangefinder film cameras.

The R-D1 sports a 6.1mp sensor. It is, or is a variation of the very popular Sony sensor found in the Nikon D70/D70s, Pentax *ist D series, Konica Minolta Maxxum 7D/5D series and more. It may be digital, but no it’s not like an outdated computer where it’s unusable. It is a very dated sensor, but it was one of the best of its era and it still produces beautiful pictures.

If you look to at the brick wall to the right of the car, you can see very nice and subtle shadow detail transitions. Very smooth, not harsh. This might have more to do with the 40mm Summicron as well, but I have to give the sensor credit too.

So if you don’t have an R-D1, don’t worry. Just get one of the above mentioned cameras cheap and you’ll have pretty much the same sensor. The thing you won’t have is the ability to use Leica M lenses and the wonderful tactile feel of the R-D1, plus its glorious optical viewfinder.

I’ve spoken, written, referenced this camera many many times, though I’ve never done a full or even partial review of it. As I’ve told many people, this camera truly feels and looks like its film camera equivalent (the Bessa R/R2/R3). It’s kind of funny because compared to a Leica, the Bessa film cameras do feel kind of cheap.

Yet, in digital form, it feels better and more substantial than most digital cameras out there! It’s just normal with digital/analog camera comparisons, and I’ve come to accept it. As an example, take the Olympus OM-1 film camera and then hold a OM-D camera next to it. As much as I love the OM-D’s image quality and shooting capabilities, there’s just no comparison. The OM-1 feels solid and hefty, the OM-D feels light and dinky. And the OM-1 was actually one of the lighter film SLR cameras.

The 40mm f/2 Summicron has always been one of my favorite performers. It provides beautiful sharpness and tonal range. The lens is beautifully small, much like a pancake lens. Normally I find the 40mm focal length, especially the pancakes a little boring, but that’s because most pancakes start at f/2.8. The 40mm Summicron gives me an extra stop of light which opens up more possibilities, not only for the low light shots I take, but for the shallow depth of field I need for portraits. On the R-D1 it’s equal to around 60mm which makes it a little longer than a 50mm standard lens.

It was introduced with the Leica CL, which was a collaboration with Minolta in the 1970s. The Summicron is made by Leitz although a Rokkor-M version, made by Minolta in Japan, is also available. Due to this collaboration, there has always been some debate among camera nerds as to whether the lens is really a Minolta or a Leica? All I can say is that it’s a great lens and that’s all I need to know.

As you can see, I’m actually shooting more than I’m writing, which I guess is a good thing in some ways. If this was ten years ago when I was a single man with no family or responsibilities, I’d probably be doing this blog like crazy. These days, I do it when it strikes my fancy, though I really should be doing it more. Ah, sorry for the rambling. Have a good day friends and happy shooting always! 🙂

***IN STOCK ALERT***

I have been notified by my good friends at Adorama that the Nikon D5 and D500 are now in stock!! If you’ve been waiting patiently for these awesome cameras, here’s your chance to grab one before they sell out the first batch. You may find them in the links below. Thanks for supporting Camera Legend and enjoy your new camera, I’d sure love to hear about it!

Nikon D5 (CF Version)

Nikon D5 (XQD Version)

Nikon D500

Nikon D500 with 16-80 f/2.8-4E VR lens

 

 

Black & White Portraits

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“The Tsingtao Boy” 2009. Canon F-1N, 50mm f/1.4 FD lens, Tri-X. Chinatown, NYC.

While I do love color photography, there’s just something different about black and white photography that really endears me to it. And when you combine b&w with people (or animals!), that really takes it to another level for me.

These are just some b&w images taken over the years. Like I’ve said before, sometimes I do want to remind myself that I love shooting almost as much as I love cameras…I think! These are also images from cameras I am planning to review for you, cameras like the Leica M8 and the Canon F-1N, which is one of my favorite Canon bodies ever, past or present.

It seems almost unbelievable to me that it has taken this long, but after two weeks I’m finally getting my main working computer back today! As I mentioned before, this really set me back as far as content for this website is concerned and I’m just beginning to catch up. Thanks to those who continue to visit and I do appreciate your time and comments.

This is admittedly going to be a busy week and writing a blog with any kind of content takes a lot of time. Even my shortest article takes me almost half a day. I admire those who can do this consistently on a daily basis, I know I can’t!

Hope you all have a good short week in preparation for the Thanksgiving holiday here in the USA.

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“Man In The Middle” 2011. Canon Powershot G10, Paranaque, Philippines.

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“Imported From The Past” 2011. Nikon F4s, Nikkor 28mm f/2.8 AIS. The great Louis Mendes stands out like an icon from the past with his old school Speed Graphic and sharp, retro outfits.

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“Vimeo” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. I was buying a lens from this man and I took this shot while testing it. I found out a couple of years later that he is apparently one of the founders of the video sharing site Vimeo!

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“The Competition” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. Sometimes facial expression tells you everything!

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“Time Will Not Wait” 2011. Leica M8, 35mm f/2 Zeiss Biogon. Koh Samui, Thailand.

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“Brother Blues” 2010. Leica M8, 50mm f/2 Summicron-M. Washington Square Park, NYC.

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“My Door Is Open” 2011. Leica M8, 50mm f/2 Summicron-M. Nonthaburi, Thailand.

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“The Godfather Of Bangkok” 2011. Minolta CLE, 40mm f/2 Summicron-M, Tri-X. A scene from a restaurant on the side streets of Bangkok, Thailand. With one hand on his meal, the other hand reaches for the plate before anyone else could get to it first. Don’t mess with the Godfather of Bangkok! 🙂

A couple of my favorite portraits from the selection above were done with Sigma lenses. Our affiliate and friends at Adorama is offering some incredible savings on SIGMA lenses which only runs through 11/30/15 so if you wanted to pick up some of those super sharp “ART” lenses, this is a good time to do it! And if you order within a certain time, they make every effort to ship same day, which is a great benefit to buying from Adorama versus the competition.


 

Farewell To Autumn

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“Yellow” 2006. Canon EOS 5D, EF 85mm f/1.2L lens.

Well, we still have more than a month to go, but the cold chill is in the air and most of the fall foliage around here are past their peak.

My computer is still in the shop so we are not back and running 100% yet. But I’m having a lot of fun going through some old shots and seeing the kind of equipment I used back then.

This image was taken in 2006 with the EOS 5D Classic and the 85mm f/1.2L first version.

I was walking around the park looking for good light. A very simple image, but I find simple is best for me most of the time.

As I wrote in an earlier review, the original EOS 5D was and is a great image maker and can still hold its own in good light and at low iso settings. It’s probably the best full-frame bargain in today’s used camera market.

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“Autumn Woman” 2006. Epson R-D1, 50mm f/2 Jupiter-8 lens.

The shot above was taken with the Epson R-D1, the world’s first digital rangefinder. I got one in 2006 and even though it is “only” 6 megapixels, the camera has become a digital classic and a cult favorite, certainly a Camera Legend. This is a camera I hope to profile in future postings.

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“The Last Light” 2006. Ricoh GR1, Kodak Gold 400 film. Riverside Park, NYC.

Thanks for taking a look, I know your time is precious so I do appreciate it!


 

The Baddest Cat On The Planet

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“Baddest Cat On The Planet” 2009. Nikon D3, Sigma 50mm f/1.4 EX DG HSM lens.

If Iron Mike Tyson was the “baddest man on the planet” then Garfield must be the baddest cat on the planet! 🙂

Obviously my main computer is not back from repair yet. I tried to do another review using this Chromebook. Couldn’t do it. Things got excruciatingly slow to the point where the computer was asking me if I wanted to “kill it?” for some applications.

So for now I can just throw out images that I had planned to use in reviews. This one is from the Nikon D3, a camera from 2007 that followed the high iso “revolution” led by the original Canon 5D Classic and took it to a whole new level. The 50mm f/1.4 Sigma EX DG HSM was quite a fantastic lens and if you can find a good copy, it is a great and less expensive alternative to today’s “ART” version of the 50mm f/1.4 lens.

I generally don’t do this kind of post-processing, but this one was hard to resist 🙂

Hope you all have a great weekend and I cannot end this post without mentioning the tragic events seen in France today. Wow, what has the world come to?

I’ve never been to Paris, but I feel a special connection with the French. Back in 2003, when I first started posting photos on the web, no one would give a poor kid a glance or a chance until someone from France liked one of my photos and helped get me noticed on that site.

I don’t post as much on photo sharing sites any more, but a lot of it is a game of “likes” and “dislikes” which is something I don’t like! There are so many talented photographers out there and it’s not always easy to get your work noticed.

Anyway, over the years I’ve noticed on a number of sites where I posted photos, my biggest supporters have always been from France. Some have even become cherished friends and comrades, one who I have met in person. Just as they supported me, today I stand with them and all my thoughts and prayers are with them and the good people of France.



 

 

“Hen House Takeover”

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“Hen House Takeover” 2011. Fuji X100. The original Fuji X100 is a very good imager, despite its quirks. I think this image has a bit of that film-like grit. Please click on the photo for larger and better view.

As mentioned in the last posting, my main working computer is down. As such all I can do while I wait to have it looked at is to throw up some pics that I have on this Chromebook, which again, is neither fast nor fun to use for editing photos 🙂

Here’s one from 2011. At that time I had just gotten my Fuji X100 and was still having my doubts about the camera. But looking over hundreds of shots from the last few years, the camera is a much better imager than I initially thought. I guess I was just having doubts from buyer’s remorse. It might be a quirky performer, but it does produce generally wonderful image quality, even by today’s standards.

PhotoPlus Expo Show Report Part II: Canon, Nikon, Sony, Etc

The Leica SL (Typ 601) was the Big Daddy for me at this year’s PhotoPlus Expo, no doubt. I mean, after that, where do you go? 🙂

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The Leica S and SL gallery of images.

Anyway, I know there’s a lot of other “fish in the ocean” so I’ll try to give you guys a rundown of other things I saw. This is Part II and my final show report for this year’s expo, but it is by no means a “complete” report of the show, it would take way too much time to do that and I’m sorry if I left out anything someone might have been interested in. I leave the complete reporting for sites like dpreview, etc, etc.

CANON

Canon had all their big guns out as well as their hot new lenses. Obviously, the cameras getting the most attention were the Canon 5DS and 5DS R, their 50 megapixel super DSLRs.

I tried the 5DSr and low and behold…it looks and feels like a 5D! I don’t know what else to tell ya! It feels good, it’s dependable, it’s a 5D series camera. Nothing super exciting, but you know it’s going to get the job done.

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Trying out the new Canon 5DS R, 50.6 megapixel champion with the 24-70mm f/2.8 II. Nice combo!

The Canon rep did ask, to my surprise, if I wanted to put a card in there and try it out. Of course, I didn’t have a card on me! All these years I’ve gotten used to the idea that manufacturers won’t let you put a card in their demo cameras so I didn’t bring one.

But I don’t regret it. What will I get? Some boring pics of the crowd at the expo? All the samples I need, I can find on the web anyway.

Canon did have some really nice large prints showcasing the capabilities of these cameras.

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Prints from the Canon 5DS and 5DS R. I walked right up to the print and saw hairs on the model’s nose. That’s resolution for you! 🙂

They looked gorgeous, superb, but not mind-blowing. I’m not taking anything away from these incredible 50mp cameras, but I didn’t think the prints were anything that you couldn’t do with today’s crop of 20+ megapixel cameras. It’s really a new day in photography when one has a hard time being impressed with 50mp prints!

I did ask the Canon representative if there was a 1DX replacement coming any time soon. The 1DX is nearly five years old now and seems due for an upgrade. The answer was that they do not know. Are you surprised? 🙂

Canon also had all their new lenses out, and I had a good time looking at them, although it’s not like I’m going to be getting any new lenses any time soon.

NIKON

Nikon had their usual DSLR lineup at the show. Of course, the D4s was there, the Df, and surprisingly the very old D3X was also on hand.

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“I AM GENERATION IMAGE.” Nikon’s new cool slogan 🙂

All their big daddy lenses out for all to drool and fool around with. Nothing new as far as I can see.

Actually the coolest thing I saw at the Nikon booth was the retro looking black and silver J5 mirrorless camera 🙂

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Coolest Nikon at the show! The retro looking Nikon J5 mirrorless.

UPDATE 11/01/15: Just want to pass along some info for our Nikon fans out there that I have been informed of HUGE instant rebates going on for a limited time. You can check out all the Nikon deals HERE. From what I can see some of the instant savings are up to as high as $1100!! on certain Nikon camera/lens combos. If you’re looking to buy new Nikon stuff, this is the time to do it!

You may also find the Nikon deals HERE. While browsing/dreaming, I was amazed at the deals and wish I had the funds! For example, you can now get a new Nikon D7100 for close to the price of a USED D7000. This is a screamin’ deal for some of Nikon’s hottest cameras and lenses.

SONY

I had a good time checking out the new Sony A7RII and A7SII, I couldn’t get my hands on the RX1R II due to lack of time.

The new cameras felt great, but to tell you the truth, since getting my A7R last year I have very little interest in spending any more to ‘upgrade’ a camera that works well for my needs.

I’m finally at a point, thank God, where I really am not interested in the latest and greatest!

Note: Still editing pics, I have some from the Sony booth that I may post. Maybe, maybe not 🙂

FUJIFILM

Fuji had a hot booth showcasing their latest cameras and lenses. I was impressed with the prints from the X-T1. If my old X-Pro 1 had focused anywhere as good as the new Fujis, I would’ve never given up on the X system.

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The ever popular Fujifilm spot.

Fuji also had a very cool “retro” area showcasing their popular line of Instax cameras. I give Fuji a lot of credit for being one of the very few manufacturers still dedicated to making instant cameras and instant film.

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Fuji posted some wonderful pics, mostly from their X-T1 cameras.




ETC, ETC

Aside from the Leica SL (Typ 601), the only other camera I really wanted to see at the show as the fabled Ricoh/Pentax full-frame. Apparently, they had a near complete mock-up that was shown early on in the show, but it was no longer there when I went on Saturday.

My thoughts on this? Ricoh/Pentax…guys, enough of this hide and seek! If it’s that hard and if it’s going to take you that long to bring out a full-frame DSLR, don’t worry about it! It may be a showcase product, but it’s not like you’ll be selling a boatload of these vs Canon, Nikon, or Sony.

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“Imagine. Change.” Ricoh/Pentax’s lineup. Always a very capable system and a great alternative to the Big Boys.

I’m a huge Ricoh/Pentax fan, but they’ve taken way too long with this thing. I’m all for “getting it right” and maybe that’s what they’re doing, but the longer they take, the more likely the tech inside the camera will be outdated.

They did have the awesome 645Z there and the images I’ve seen from this camera at its best eclipses almost anything else out there. At $6995, you can get this 51mp digital Medium Format camera for less than the new Leica SL! Wow!! 🙂

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“You Know You Want It.” Ricoh/Pentax rep and customer debating on the hot Pentax 645Z camera system 🙂

Zeiss was on hand with all their HOT lenses! However, I don’t see myself being able to afford one of these any time soon 🙂

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Hot lenses!! Who doesn’t love Zeiss? I don’t even know one photographer who doesn’t 🙂

FINAL THOUGHTS ON THE EXPO

The PhotoPlus Expo is always a lot of fun, especially if you’ve never been there. But every year, the cameras and lenses have gotten better to the point where I feel it’s no longer all that exciting…for me, anyway.

I go there to check out the latest gear, yes, but I also go to hook up with good friends who I haven’t seen in a while. Sadly this year I wasn’t able to go on the day when the “Dream Team” was attending and they know who I’m talking about! Sorry about that, and hope to hook up in the near future 🙂

Let me say this; if you have a modern Canon, Nikon, Sony, Pentax, etc, you probably have a camera that’s “good enough” for your needs. We are very lucky to live in an age where cameras can do what they can do, I love it! That said, the better these cameras get, the more film I shoot 🙂

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“Film Buddies.” With my analog brother, Mr. Louis Mendes, NYC street photography icon. The Master Blaster has always been good to me and I consider him a friend and an inspiration.

I apologize to anyone who found this report lacking. I know there are a lot of Canon, Nikon, and Sony fans who probably wanted a little more.

I’m not a reporter. I’m a fan. I went to the show as a fan of these manufacturers and their products, and I am relaying what I saw, what I experienced.

Best,
Sam