The Olympus Pen F/FT Series

The Olympus Pen FT with the 35mm f/2.8 Zuiko pancake lens.

Classic half-frame camera from the brilliant mind of legendary Olympus camera designer Yoshihisa Maitani.

The camera takes two frames on one 35mm frame. That’s why it’s called a “half-frame” camera. So on a 24 exposure roll, you get 48 shots.

You might be inclined to think that this would lead to inferior quality photos as compared to a full sized 35mm shot.

However, in my experience, the quality of the Zuiko lenses for the Pen F film system were so good that you really can’t tell the difference.

Mr. Maitaini was such a brilliant, brilliant camera designer and his Pen F/FT creation lives on in the Olympus Digital Pen series of cameras.

Note: Sorry this was meant to be a short post. I will be updating this with images from the Pen film cameras in the near future. Thanks for stopping by!

The Instagram Society And The Age Of The Ugly

Did you take a perfectly good photo or even a bad photo and “funk it up” using one of those cool Instagram filters? Come on, admit it…Yes, we’ve all done it! πŸ™‚

In the past few years, there has been a resurgence of what I’d like to call “ugly” photographs. No disrespect intended to any one photographer, I myself have posted many “ugly” photos!

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The Diana F+ “Toy Camera” by Lomography. Worn out and missing its plastic lens.

So what do I mean by “ugly” photos? Well, I’m talking about photos that are blurry, have lots of digital grain or noise, vignetting, fake scratches, funky colors, HDR, and a myriad of other things that try to accentuate the actual photograph.

When I started taking an interest in photography in the early 80’s, we’d always send out our film for developing and prints. The “good” photos were sharp, clear, and well exposed. The “ugly” photos were blurred, under/over exposed, and the colors were funky. The ugly photos were relegated to the trash bin, or for me, the bottom of the stack since I never throw away photos.

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“Family Classic 1985” Minolta X-700, 50mm f/1.7 MD lens. What a “real” vintage print from nearly thirty years ago looks like. Dirty, scratchy, colors getting funky, but wonderfully nostalgic…to me anyway πŸ™‚

In the film days, I don’t remember many people looking at a blurry print with wonky colors and thinking it was beautiful. Yes, you had the occasional odd print that was technically horrible, but looked pleasing to the eyes. However, there weren’t many of them.

Today though, people relish in these things! Why? Well, I’m sure a lot of it has to do with today’s Instagram society. Of course, Instagram provided an easy way to “funk up” your photos by making them look old, faded, blurred, etc, etc, basically all the stuff I listed above.

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The Yashica EZ F521 “Digital Holga” Toy Camera.

The main reason I believe for today’s interest in “ugly” photos and probably one of the reasons why Instagram and “Instagram-like” filters are so popular these days is simply due to one fact…

As digital cameras get better and better, the images look cleaner and cleaner. They look “perfect” at times, and as such the images begin to look homogenized, pasteurized, and sterilized. A technically perfect image begins to look bland because of how clean it is.

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“The Hydrant” Yashica EZ F521. A perfectly bland, unremarkable image from the Yashica digital toy camera. Something that could only be appreciated by the “Age Of The Ugly” society πŸ™‚

And with so many people into photography these days, some try to stay above the crowd by using these filters or techniques that will give that extra “oomph” to their images.

There’s also a bit of nostalgia for that film-like look. Many youngsters today are actually shooting film. Some actually love it, and some are hipsters riding on what they believe is retro cool. I suspect most are in between.

I ran into a teenager recently in Central Park shooting with a Polaroid One Step, and I thought “Dude, seriously?!” πŸ™‚

Anyway, I was happy to see such a young person with a Polaroid, it can only be a good thing.

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The iconic Polaroid SX-70. Apologies for the poor quality of this photo. It was a quickie done for my Instagram stream.

Speaking of Polaroids, this is probably where it all began. Let’s face it, Polaroids were never about high technical quality. They were originally intended for quick prints and proofs. The resolution was never really high on small Polaroid prints, except for some of the oldest instant films which have not been made in years.

The Polaroid’s best distinction was the ability to give a unique “look” due to the soft prints, the unpredictable color shifts, and the best of user error. And each and every Polaroid instant print is unique because each print represents that very moment the shot was taken.

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“Speed Graphic” 2011. A Polaroid print, shot with the Polaroid SX-70 and Impossible instant color film.

The most ironic thing to all of this “ugliness?” Well, since I started shooting film in the 80’s I have seen 35mm film improve year after year with super-sharp films like Fuji Velvia, Kodak Ektar, and a few others. Then you needed to step up to medium format to get even better, sharper images with even less noise. And then, if you wanted to take it further, you had large format film with its superior sharpness, detail, resolution and lack of grain.

All of a sudden, digital photography comes of age in the late 90’s and early 2000’s. The cameras and lenses got progressively better and sharper. The images had less and less digital noise, distortion, and we get to cameras and lenses that can take near perfect images in almost any situation, which is where we are at today.

So as a “backlash” to all this progress, we are back to wanting “ugly” πŸ™‚

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“Underdog” 2011. Shot with the Yashica EZ F521 “Digital Holga.” Toy cameras with all their “ugliness” can be lots of fun to use and can produce unique images.

Is this a good thing or a bad thing? It can be neither or both. It can be a good thing for creativity, for something different. However, it can be a bad thing because it gives everyone a perfectly good excuse to be a sloppy photographer.

Again, I’m not knocking anybody, but trying to understand the evolution of what I’m seeing in photography today. I’m guilty as sin of posting many, many ugly photos! Personally, if an “ugly” photo is done well, it can be a beautiful thing. Some people do it really well. I am not one of them though, but I try πŸ™‚

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“GPS” 2010. Shot with the original 2mp iPhone and Hipstamatic.

But to understand why people would throw all this photographic and technical progress away and funk up their photos with beautiful ugliness, there is no answer. All I can think of is that line of the Michael Jackson song…”If they say why, why? Tell ’em that it’s human nature” πŸ™‚

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“Smoke Daddy” 2011. Shot with the original 2mp iPhone and Hipstamatic.

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“SX” 2011. Shot with the original 2mp iPhone and Hipstamatic.

Note: This is just one man’s view and commentary. I do realize that art is highly subjective. In fact, I used to say myself, “One man’s art is another man’s junk.” πŸ™‚

However, this is about photography more so than art and when “art” begins taking over your photographs, then you’ve got something different from photography. Thanks for stopping by! I do appreciate the time you spent. Thank you.

The Pentax Auto 110

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Pentax Auto 110 and Pentax 18mm f/2.8 for the Pentax System 10.

The Pentax Auto 110, introduced in 1978, is a truly iconic “little” camera. Part of the Pentax 10 system, including the Pentax Auto 110 Super, they were among the smallest interchangeable lens SLR’s ever made.

I still have memories of my Mom’s first camera which was a long, odd looking Kodak 110 camera.

Believe it or not, you can still get 110 film these days from companies like Lomography. Developing the film however, is another story! You’ll probably have to send it out to various online vendors who can develop the film for you.

As a young boy, I was fascinated by the ads I saw for the Auto 110 in the old photography magazines. When I finally saw it in real life, I could not believe it was a real camera!

There were 5 prime lenses, the 18mm f/2.8, the 24mm f/2.8, the 50mm f/2.8, the 18mm “Pan Focus,” the 70mm f/2.8 telephoto and one zoom, the 20-40mm f/2.8. Just like today’s micro 4/3’s or other small sensor interchangeable lens cameras, you have to convert the lenses to their 35mm counterparts to get the true focal length. For example, the 18mm lens would actually be a 35mm in focal length if it were a full-frame 35mm slr.

Because 110 film is pretty much dead or at best, a novelty today, you can get the Pentax Auto 110 and a few lenses pretty cheaply. Some of the lenses though, such as the 70mm f/2.8 or the 20-40mm zoom can be hard to find.

The Pentax 10 film series is no doubt the inspiration for the Pentax Q system of today and they remain a marvel of the amazing camera engineering of days gone by.

Note: Shot this a few years ago using a Speed Graphic 4×5 large format camera on Tri-X film.

Now why would anyone want to do this when you could just use your phone or digital point and shoot? I don’t know, I like to make life hard I guess πŸ™‚

No, actually I want an easy life, as easy as possible! However, the Speed Graphic 4×5, or any large format camera requires a lot of practice to master and I wasΒ practicing the craft, so to speak.