Flashback Friday March 2018

Just a couple of random items for your Flashback Friday…,

I saw this photo on my desk. It was from a few days shy of 2 years ago, “3/26/16” and I was a bit surprised that it was not one, but two years ago!

It felt like yesterday when I shot Baby Zayda cheerfully eating her Cheerios. I also used this image in my Fuji Instax Mini 90 Neo Classic review. As I said in that article, I was not fond of the wallet sized photos but this shot is my favorite from it. Upon close inspection, Instax Mini files are sharp!

Anyway, the photo got me thinking about today’s subject…

Ah friends, is it springtime already? As the years go by and as you grow older, do you ever say to yourself…there are just so many springs left in your life?

“Cheeri-O” 2016. Fuji Instax Mini 90 Neo Classic.

As a kid and young adult, life seemed timeless and full of possibilities. As a middle aged man, the realities to what may lie ahead seem more real and though not yet urgent, the feeling is there that I have to do what I need to do and do it soon…whatever it is I need to do! I really am not sure what that is! 😊

Someone once said I was a nostalgic fool and indeed I am! But if memories are all we have, then what is a person to do but look back?

The beauty of looking through the eyes of a child is that you kind of relive at least some of your youth through their experiences.

“Sunset Park” 2018. iPhone 6s Plus, Argentum b&w filter.

I don’t know friends, I just see life flashing before my eyes. Kids growing up. Years going by faster and faster. Is it just me?

CONTAX AX VIDEO REVIEW

As a complement to our 2016 review of the CONTAX AX, the camera from 1996 that tried the titanic attempt to “autofocus” manual focus lenses, I have added a short YouTube video review of the camera.

You may remember the article as part of the “Tuesday Titans” series. On the video, I have changed it to the “Camera Legend TITAN” series so as not to be tied down to a Tuesday timeframe 🙂

The video does include additional features such as tips on using the AF, and a video view of the ingenious autofocus drive mechanism. Hopefully it helps anyone who is looking at buying one of these cameras.

I plan to do more of these YouTube videos for other cameras already reviewed on our blog, if and when I can and then embed them directly into those specific articles.

Speaking of YouTube, I can tell you this will be an uphill climb. So many photography related channels! But I’m not so much concerned about the views or number of subscribers at this early stage because just like this blog, I am looking at it as a long term project.

Just like the articles here, I figure whoever will be interested in the cameras we have profiled will eventually stumble upon the video, as they have with the article since YouTube is apparently the second largest search engine.

Staying for the long haul is not a problem for me. I have dedicated myself to do this. Creating the videos, the editing, the time taken, even for my low budget videos? Now that is a little troublesome!

Anyway, this written blog will always be my base and so I thank you all so much for your support over the past few years. I wouldn’t be doing all this if there wasn’t anyone to write for! THANK YOU! 🙂

Fuji Instax Mini 90 Neo Classic

Fuji Instax Mini Kit

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It’s A Thin Line…Between Black & White!

“I, Angry” 2017. iPhone 6s Plus with Lightroom mobile app b&w “High Contrast” preset.

In keeping with my pledge/attempt to be more active, here’s a posting for today.

Cell phone digital black and white photography has arrived. Actually it’s been here for a while, but I’ve just never completely accepted it. Until now. Maybe 😊

“Kid” 2010. iPhone 3G 2mp and Hipstamtic app. I’ve been experimenting with cell phone photography for quite some time, going back to around 2001. It started out as a novelty, the early phone cameras were horrible but today the cell phone cameras are good enough for prime time.

In the days of film we had no choice but to shoot…film! 😊

But then in the mid to late 1990s a little thing called “digital” happened. Suddenly we got instant gratification and especially for photographers, things never looked better. Or so we thought 😊

In those early days of digital, color photography was already somewhat lacking so digital black and white was nothing more than novelty.

As the nineties turned into the 2000s, better and more capable cameras appeared and those of us experimenting with digital b&w were saying hey, this digital b&w thing might work!

“Little Girl With The Pink Balloon” 2011. Ricoh GR Digital 8.1mp. I almost never do the novelty selective color thing, but here’s proof that I too fell for it at one time 🙂

I got my first copy of the original Ricoh GR Digital 8.1mp in 2006 and that camera (which I’ve reviewed and praised often) made me totally accept that digital b&w had arrived and was more than acceptable to me as a person who shot b&w film exclusively for years. It was finally good enough, indeed more than good enough for me.

Flash forward to today. Cell phone photography rules the world. Cell phone cameras have gotten so good I often tell people these days that they could easily do away with the traditional small sensor digital point and shoot and just use their phones instead. And indeed, that’s my recommendation.

“New York Smiles” 2013. iPhone 5.

According to reports I have read, sales of digital point and shoots have been on the decline for years now, primarily due to the popularity of cell phone cameras for general photography.

As great as all this progress is, one thing I’ve not been convinced with or have not been converted to is using the cell phone for b&w photography.

“New Year’s Day.” iPhone 6s Plus with Argentum b&w photo app. I hate to use the same U2 line that I’ve been using for almost thirty years, but “nothing changes on New Year’s Day” 🙂

But now I think we are crossing this bridge too. Most of the b&w photos in this article were taken using my “old” iPhone 6s Plus with some of the popular mobile photography apps being used by today’s photographers such as Lightroom, Snapseed, and Argentum, the last is exclusively for black and white photography.

“Cold, Cold World” 2018. iPhone 6s Plus with Snapseed b&w filter.

“Freakzilla” 2018. iPhone 6s Plus with Argentum app.

In comparison to b&w film, I don’t believe any of them can quite match the look of true monochromic film images, but then again, what digital camera really does? I’m sure some will say the Leica Monochom can, but to me, even after looking at many, many samples from the Leica MM it still looks like digital b&w images. Superb digital, heck maybe even “film-like” (at times) images to be sure, but on the whole, still quite digital. I mean, that’s not necessarily a bad thing.

There are many “crazy passionate” people (as I call them), who would probably be angry that I said Leica Monochrom images look digital, but I have the ultimate answer for that…

Is the Leica Monochrom a film camera? Or is it a digital camera? The answer is that it’s a digital camera, and there you have it 🙂

So back to the b&w cell phone apps. In many instances a lot of the popular presets appear too dramatic, too dark and contrasty. There’s apparently a lot of people that like that kind of look I guess. I do too, but not all the time. Other filters can appear too flat at times. Keep in mind, most of the popular apps offer you the option to edit the image, tweak the filter to your liking.

My workhorse film is Kodak Tri-X and in my opinion, this film does not natively produce such dark and contrasty images. There are films out right now that do offer that kind of look. I would say off the top of my head Japan Camera Hunter’s JCH 400 is one of the newer films that offer that dark and contrasty dramatic look.

Though none of the apps are perfect, overall though I’m quite impressed with them. I hate to say this, but my iPhone and these apps may replace my beloved GRD!! No, the camera’s not for sale, not yet anyway 😀

“Cool Car” 2018. iPhone 6s Plus with Argentum b&w photo app.

Another amazing thing to consider is back in the mid 2000s, before Lightroom came out, many photographers including myself were using Photoshop to tweak every picture to our liking. If you’ve been posting photos online since the early 2000s, you know what I’m talking about.

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“Dreamtime” 2010. Canon 7 Rangefinder, 50mm f/0.95 Canon “Dream Lens.” In the days of film, people “dreamed” of the day when they could have something easy like digital black and white on their cameras. They got it. They probably never dreamed of having it so easy on their phones. They got that too. But now that the dream has come true, do we really want it? 🙂

Flash forward to today. The cell phone camera and all the apps and filters available for them can virtually do all the work for you! And most offer some level of control, allowing the user to tweak the levels to their liking.

This is nuts!! I used to spend hours trying to get images to my liking and now we have filters that produces almost the same end result immediately? As I said, nuts!

I have friends who still think they need a little digital point and shoot which they see as a “real” or proper camera. Coming from a traditionalist mindset, I can understand this. But in all honesty, for most of your point and shoot needs, I think your phone might be all you need. Most phones today shoot fast, and they are really perfect for street photography.

To be honest, the cell phone cameras are getting good at almost every kind of photography! They are in constant use by everyone, nearly everywhere. Ironically, by being so “in your face” all the time, the cell phone cameras are perhaps the most stealthy, inconspicuous cameras you can use. Plus you have nearly endless editing options with the apps available. And let’s not forget to mention, the ease of uploading photos and videos for sharing to friends, social media or what have you.

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“Strike A Pose” 2015. Nokia Lumia 1020, manually tweaked in Photoshop.

As great as all that sounds, one thing you won’t get just yet is any props for your phone shots. I’ve said it here before, everybody knows how easy it is to get a shot with your phone and probably the most uncool thing to say to another photographer is…Hey, I shot this with my phone! 🙂

But just because it’s easier to shoot with a phone, does that necessarily mean it’s no good? I’ve said it before, it’s in human nature to want things the opposite of what you have. If it’s too easy, we want it hard. If it’s too hard, we want it easy. You can’t win with human beings 🙂

But with an open mind, you can begin to appreciate that a cell phone camera can be used like any other camera. Sure, the phone makes getting the shots easier but the actual photography, ie, the subject, the light, the composition still remains exclusively in the eyes of the photographer.

Some people worry that they won’t have the same level of control on their phone cameras. With today’s phones, depending on your phone and/or the apps installed in it, you can have almost complete photographic control on the camera in your phone. In most instances though, most of today’s phone cameras can deliver consistently excellent results. So much so that you needn’t really worry about fiddling around with the settings, as much as you’d want to. Cell phone photography is all about getting the picture, and in that way, it ironically stays truer to the original goal we all have of getting the shot than most cameras do.

“Brother Fro’s Ramen” 2017. iPhone 6s Plus and Argentum app. Brother Fro mentally debates whether he wants that ramen or not 🙂

“Empty” 2017. iPhone 6s Plus with Argentum b&w photo app.

“Calm Before The Storm” 2017. iPhone 6s Plus with Argentum b&w photo app.

And yes, should we finally get to the cell phones Achille’s heel, a thing we like to call “Bokeh?” We all know that’s a weak point for cell phone cameras. But with the recent “portrait mode” fad with the fake bokeh, heck the cell phone cameras are heading into DSLR territory! I’ve seen some really bad results but I’ve also seen some impressive results. I’m no fan of fake bokeh, but in some instances it’s getting scary good.

I know you truly traditional photographers out there, I’m not moving you one inch. You’re not convinced! Hey, it’s ok 😊

But for me, I see it. Cell phone has taken the world by storm and it’s been here for a while now, but I finally think I have to accept that cell phone b&w photography has arrived and it’s only going to get better. Keep in mind, the photos in this article only shows results from an iPhone and some modern apps. There are other phones and other apps out now that shoot b&w just as well or better. There’s also cell phones out there right now such as the Huawei P9 or Mate 9 that have a Leica Monochrome sensor in them. I haven’t even tried these yet, but I’m going to try to procure one for review.

“Playland” 2017. Rye, New York. iPhone 6s Plus with Argentum b&w photo app.

So am I going all cell phone for photography? No. I won’t be giving up my digital point and shoots or DSLR for black and white just yet. I certainly won’t be giving up shooting black and white film.

As much as I have grown to hate developing and scanning it, I’m going have to chuck it up and do more of it. Film is the last organic thing left in photography.

“Morning Stretch” 2009. Zorki rangefinder (I forgot which model) and Jupiter-8 50mm f/2, Kodak Tri-X developed in T-Max developer.

Why bother shooting film if it’s such a chore? I don’t know about you, but I love the art! To paraphrase someone famous, I shoot film not because it’s easy, I shoot film because it’s hard (compared to digital). I love torturing myself 😊

Aside from the art, I do love the tactile feel of working a fine piece of machinery and manually controlling it. Many of our readers here, I know you do too.

But, if I want easy digital b&w (and I do sometimes want EASY) then I think I can do it with my phone! But it’s a love/hate thing. Just as the song said, “It’s a thin line between love and hate.” I love it because the results look pretty good. I hate it because something that used to give me a lot of pride, because it took a lot of work, is now too easy.

“Z Ten” 2017. iPhone 6s Plus with native iPhone b&w filter.

“Nap-Kin” 2017. iPhone 6s Plus with Argentum b&w photo app. Buenos Noches!

In closing friends, today, there really is a thin like between black and white. As the famous wrestler Ric Flair once said, “Whether you like it or not, learn to love it” I may not love it yet, but I might end up following his advice on this 🙂

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Thoughts On The iPhone X: iPhone Overload?

“Anticipation Over” 2016. Apple iPhone 6s Plus

The wait is over. This week Apple announced its highly anticipated iPhone 8 and the iPhone X, the tenth anniversary model of the now legendary iPhone series. Head over to Apple’s website if you are interested in all the technical details. Let’s face it some of you gadgeteers are interested!

While everything sounds good, I don’t think I’m getting one. Well, not until the next round of phones come out and the 8 and X go on sale haha. The key technological selling points…Face ID, Augmented Reality, and moving emojis? What the heck are these things?!

Come on man, I just got used to the Touch ID and it’s good enough for me, and I didn’t even know I needed it! I don’t need my phone to recognize my face. Or maybe I do? 🙂

Apple is very good on selling us technology we never knew we needed or even wanted. The Augmented Reality feature sounds like something that will transform my world into a fantasy/cartoon experience. Let me tell you something Apple, my world is already a cartoonish fantasy! Why would we need or want this? Yes, I’m sure once we see how cool it is, we won’t live without it.

No disrespect to Apple, I think they are a great company and I don’t really blame them for trying to enhance our virtual experience. It just seems to me that we are experiencing technology overload. Electronics have gotten so good, on our phones, our cameras, our gadgets that now companies are just coming up with things that we never needed to “wow” us into buying. And it’s not just Apple, it’s everyone!

Camera companies are doing the same thing, overloading these cameras with stuff we never knew we needed. Today’s high end digital cameras are really super computers that just happen to take pictures.

The best thing about the iPhone X? I think it’s the “X.” I mean, come one, everyone knows adding an “X” to your product always makes it like a hundred times cooler and more desirable! That “X” sells baby! Just look at the Fuji “X” series. Or the Nikon D1X, D2X, D3X. Or how about a Hasselblad X-Pan? Or a Panasonic LX? Or a Canon G1X? You get the drift?

Finally, the moving emojis? Come on man! A talking poop emoji? Ok, maybe this I need 🙂

 

Time Machine Part I: Portraits Then & Now

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From left, Zoe in 2008 vs Zay in 2016.

For your Throwback Thursday, we take a ride in the Time Machine.

First we go back to 2008. At the time I was smitten by the Leica 50mm f/2 Summar, an old Leica ltm mount lens. I had just gotten it off ebay for under $100. The glass was advertised as having some light haze, but otherwise ok.

When I received it, I was not expecting much as the Summar is known to be a “soft” lens in the Leica lineage. I know Leicaphiles are a passionate bunch and I can hear some say, “Oh no, my Summar is not soft, it is very sharp!”

Hey, I am not debating you. When I say the Summar is “soft” I say that in relative terms. It may be sharper than other lenses of that era or it may be sharp stopped down, but that’s not the point. In general use, wide open or shot near a strong light source, the lens does not have modern coatings/corrections that would prevent abberations from showing up. And as a Leica fan myself, I actually like the fact that it’s a “soft” lens.

But the fact that it was a near seventy year old lens at the time I got it, I had realistic expectations. However, when I tried it on my Epson R-D1, I was awestruck by the beauty of the images it provided.

Sure, if you’re not careful, the lens can flare and produce a soft veil of haze around your subjects, but if some care is taken with regards to your light source, it can produce images that I would say had that distinct but undefinable Leica “glow.”

Since that time, I have come to rely on a 50mm f/2 Summicron as my go to lens for Leica. However, I will pop the Summar every now and then for portraits.

Flash-Forward to eight years later, 2016…

The photo of Zay was taken with…an iPhone 6s Plus! The baby smiles instinctively, unaware of any camera, regardless of brand or type, and even unaware of the Gerber baby food all over her mouth 🙂

While I will admit that the iPhone 6s is perfectly capable of much better images than this one, nonetheless, I will stand by what I’ve told people for a long time. If you want to make nice portraits, and you want to do it cheap, all you need is a good 6mp camera and a 50mm lens. It doesn’t have to be a rangefinder like the R-D1. Just get a Nikon D70 or Canon Rebel and a 50mm f/1.8 and you will have a very fine portrait machine.

So what have we learned in eight years? Well, for one, the phone cameras today are amazingly capable. In 2008, I don’t think I’d rely on my first generation iPhone for anything but snaps. Heck even today, I just use my 6s for snaps, but I do know if I needed better than snaps I can do it with this phone. But my main use of the iPhone today is to take HD videos for my own records.

So many wonderful things you can do with today’s phone cameras! However, the one thing they can’t do well, due to the laws of optics, is they can’t produce a lot of good bokeh, simply due to the smaller sensors inside. However, it seems the new iPhone 7 aims to change this by “creating” Bokeh in their “Portrait” mode. I’ve seen some samples and some look great, some so-so. I’m not sure though if I really like the concept of fake bokeh. Not that it wouldn’t be useful to some, but for me I think that once you have fake bokeh as a norm, what’s next? Fake backgrounds? Fake locations? You get my drift? Soon the whole photo will become fake and what’s the point then?

Anyway back to the topic at hand, I’ve also learned that I still love my old school gear such as the R-D1, which today would be considered “Classic Digital” and of course a Camera Legend.

I’m fascinated with time, time travel, “Time Machine” and anything else having to do with our perceptions of time, so look out for more “Time Machine” installments.

I’ve also learned that two babies can definitely be very different from each other! Sure we all know that as kids grow up, they become their own people with unique personalities. What I didn’t think of was that even at the baby stage, my two girls are as different as night and day, but at the same time, beautiful and similarly sweet.

Have a great Thursday folks, the week is almost over. If you’ve gotten something for your tax returns, maybe time for some new toys 🙂

King Power: Tribute To The King

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His Majesty King Bhumibol Adulyadej could almost always be seen with a camera in hand or around his neck.

On October 13, 2016, His Majesty King Bhumibol Adulyadej of Thailand, also known as King Rama IX, passed away at age 88. He was the longest reigning living monarch up until the time of his death.

Normally, that would not be a topic on a camera blog, but the King had three things going for him in this respect to this particular blog; He was Thai, he was a photographer, and he seemingly loved cameras! Today, I remember him from this aspect.

Before he passed away, I had been searching for photos of the King with a camera because I had a couple of film EOS Rebel cameras and I wanted to pin down which one the King used. I found many photos online, but the best one I found was right in the place where I was staying in Thailand, as shown in the photo above.

The King, especially before the final years of his life, can be seen almost always with a camera around his neck or in his hand. His camera brand of choice seemed to be Canon. I remember seeing him in pictures with what appeared to be an EOS 1000 (Rebel) in the 1990s. Later on, he moved on with the times with a digital EOS Rebel. I do remember seeing photos of him with other cameras, such as a Yashica T series, but it was rare. It was almost always a Canon.

I don’t know if it was a calculated choice or not, but I’ve always admired the fact that this man, a King, and according to Wiki, the richest monarch in the world would be seen with the lowest model Canon SLR or DSLR. He could’ve used any camera he wanted, but he was always seen with the most affordable, low budget, entry level camera.

The King was a man of the people. Perhaps that’s why his camera of choice was something the everyday man could relate too. He had a deep affection for the Thai people and in return he was and is revered in an almost god like manner. When love is given, love is returned. Even now, the country has gone into one year of mourning. Not just one week or one month. One year.

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Images of King Bhumibol Adulyadej can be seen everywhere that Thai people dwell. This image was taken in 2007 in Chinatown, NYC. Nikon D70s, 45mm f/2.8 Nikkor P.

My late Dad was an old school Thai man born in 1932. He came from an era where Thai people were not encouraged to “show off” as it was frowned upon. I always remember Dad saying “Don’t show off. Don’t show off.”

The King, born five years earlier in 1927, probably came from the same mind frame. This could have been the reason we saw him with what I could only call “the people’s camera” as opposed to carrying the latest and greatest high end cameras which he certainly could have had at his disposal.

Strangely, while searching online, I could not find much about the King’s photography itself. We knew he always had a camera with him, but what of his photos? Perhaps, like many good folks I know, he just preferred to keep his shots to himself. I know some phenomenal photographers whose work has never been seen by the public, only from the photos they send me via email 🙂

As I said, when love is given, love is returned. Since it was well known that the King loved photography and cameras, the camera companies honored him with commemorative or special edition cameras such as the 1996 gold Leica M6 “His Majesty King Bhumibol Adulyadej of Thailand 50th Anniversary of His Coronation” edition with matching gold 50mm f/2 Summicon. I believe there were also Hasselblad and Contax special edition cameras for the King of Thailand as well.

King Bhumibol was a very special monarch and truly beloved by his people. He was the only King many Thais ever knew. His image can be seen everywhere throughout the country. It seemed like he would always be here forever, but he has moved on to that great palace in the sky.

I loved him for all the same reasons most Thai people do. Quite, humble, engaging, caring and giving. But he also has a special place in my heart because he was a photographer and a camera lover. There has been no King or Queen that connected to us camera nuts more in that respect. Rest in Peace King Bhumibol. You will always be a Camera Legend.

 

 

The Extended Trip

 

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“Sisters Sa Kaeo” 2016. iPhone 6s Plus. The girls found themselves on a lovely, but lonely local unpopulated, undeveloped beach in the tiny village of Ban Sa Kaeo in the province of Nakhon Si Thammarat, Thailand.

Where the heck in the world are we?! I’m not sure many out there care, but based on the stats there are at least some who do. And I do appreciate that. I know we have been away for long periods before, but this is by far the worst and I do apologize. Some of you have left comments and messages and I promise to get back to all of you.

I have been away vacationing as well as visiting elderly relatives in SE Asia. While the trip is primarily to pay homage to relatives who are not in the best of health, any trip to SE Asia is a potential gold mine for photography. Not to mention a chance to actually use the gear I review here 🙂

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“The Mean Lady” 2016. Olympus OM-D EM-5, Zuiko 45mm f/1.8 in Nakhon Si Thammarat, Thailand.

One thing while overseas is that I always get minimal use of my phone and the internet due to lack of good wifi access and the high roaming charges I incur from my provider. As such I was barely on the internet, but the good thing is I finally know what it feels like to get a good night’s sleep 🙂

On this trip, as opposed to previous trips, I kept my camera gear at a minimal. I kept it light. Two digital cameras, two film cameras and a phone camera. While it may still seem like a lot for some, it’s not for me as I’ve lugged medium format gear and large lenses on my overseas trips in the past. Not this time. A sign that I’m getting old? Perhaps. Or maybe I’ve just learned to maximize from minimal gear? Maybe a combination of both.

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“Cool Blue Pool” 2016. Kids enjoying a splash in a small but cool, blue pool. Olympus OM-D EM-5, Zuiko 45mm f/1.8 in Paranaque, Philippines.

Above are just a few shots from the trip. I haven’t developed the film yet so we’ll see how those came out, fingers crossed. Anyway, just saying Hi! and thanks to all who still visit this site, I appreciate you, I really do!

Best, Sam