Rewind ’99: The Nikon F100 Review 1999-2019

Hello there you hardcore camera lovers! Now even though my postings all have a twinge of nostalgia in them, every now and then I like doing a post like this where I look back on the gear that I used at a specific point in time.

As 2019 is rapidly drawing to a close, I thought I’d go back in time and look at a some of cameras I used twenty years ago in 1999! There’s going to be about two or three of them and we’ll go through them one by one until the year is done.

PHOTOGRAPHY IN 1999

1999 can be seen as a pivotal year in photography. Film was holding strong, but digital was rising fast. As in really fast!

In 1999 the vast majority of the world were still shooting film. That’s right folks! Even though the digital photography market was making inroads in a big way, the cameras sold to the general public were 1 to 3 megapixel cameras and they were expensive so for most of the world, film was still ruler of the day. But its days were numbered.

Now it might be hard for you youngsters and hipsters who find shooting film cool and different to realize that at one time, not that long ago, film was a format that was used by their “unhip” fathers, mothers, uncles, aunties, grandparents, and heck everyone! If everyone were using it, how unhip is that? πŸ˜ŽπŸ‘πŸ»

Now if you were born in 1999, you may feel “old” but really you’re not! You’re still a baby in many ways, and I say that in the best of terms. Be happy about it! I wish I were twenty years younger! πŸ™‚

That’s why I say 1999 was not that long ago even though sometimes it feels like it! And yet sometimes it doesn’t.

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YOUTUBE VIDEO

For those of you who are YouTube fanatics, and admittedly there are millions out there, here’s our video companion video. I’m trying to get these videos out sooner for you guys!

MY GEAR BAG IN 1999

Not that anyone would or should care what I was using in 1999, but I use my gear only as a reference point. I’d love to know what YOU were using back then? πŸ˜ŽπŸ‘πŸ»

Now believe it or not, in 1999 I did not even get my first digital camera yet! That would happen a year later in 2000. That means all photography I did up to the year 2000 was only done on film. That’s even hard for me today imagine living in the digital world of 2019!

And while I’m sure I had other cameras, today I am talking about what I considered to be my main camera in 1999 and that camera is the Nikon F100. There will be more to come!

THE NIKON F100

The Nikon F100 is an autofocus 35mm film SLR that was introduced in 1999 by Nikon. It was born of the legendary Nikon F5 of 1996 and indeed has the same Multi-Cam 1300 AF system.

The Nikon F100 has a shutter speed range of 30 secs to 1/8000th of a second. It has the standard P/S/A/M modes. It relies on four AA batteries.

F100 vs F5

The F5 was introduced in 1996 and in 1999, it was still the top camera in the Nikon family. The F5 and F100 both share the Nikon Multi-Cam 1300 AF module and five AF points so their AF should be similar except that the F5 can track up to 8 frames per second while the F100 can go up to 4.5fps by itself or up to 5fps with battery pack MB-15.

What it does better than the F5 is the inclusion of the familiar red AF points that the F5 did not have. Correct me if I’m wrong but I remember reading back then that this was due to patent issues.

The F5, as the pro model, offers interchangeable viewfinder prisms, and can offer up to 100% viewfinder coverage depending on the prism. The F100 offers a 96 percent coverage and the prism is not removable.

The F5 has a mirror lock-up option, the F100 does not. In 1999, this mattered more to people than it might today. Check the video for a better explanation of this.

The F5 employs 1005 pixel RGB sensor for its 3D Color Matrix Metering. The F100 uses Nikon’s “exclusive” 10 segment 3D Matrix Metering.

Now I’ve never mentioned this, but (surprise!) yes I have used an F5 as well! And in all honesty, I never saw a difference. Both cameras produced near perfect exposures in all but the most extreme lighting situations. In fact the only Nikon that I felt I had exposure issues with was the N90s. But I used only one body so I feel that could’ve just been my copy of the camera.

The F100 came in at a much lower price ($1400) than the F5 ($3000 original price!) which made it an instant hit among the photography crowd. I remember reading forums like Photo.net where folks couldn’t wait to get their hands on the camera.

In some ways, it was like a pre Nikon D3 vs D700 magic! Two cameras. One pro model, one enthusiast model. Same AF system. One much more expensive, one much less.

Note: By the way, the Nikon F100 has 22 Custom Functions and if you’re interested in them, look it up! I only ever used one function which is to leave the film leader out πŸ™‚

F100 vs F6

I can’t comment on this because (surprise!) I have NOT used an F6. I have no doubt the F6 is the more technically capable camera but as far as results, I’m going to take an educated guess and say that, with the same lenses, same film, results will look identical πŸ™‚

F100 AS A MAIN SHOOTER IN 1999 VS 2019 PERSPECTIVE

In 1999, even though I had other cameras, the F100 was my main shooter. In a 2019 perspective, that’s the equivalent of someone using say a Nikon D750 or D850 for example. But unlike today where you’d use a D750 and maybe have an F100 as a secondary camera for film, the F100 was my main camera in 1999.

I’m not sure who this guy is, but he looks like a little bit of a nut πŸ™‚

That means that I used it for almost everything! I go to a party, I bring my F100. I go to restaurant, I bring the F100. I go to the beach, I bring my F100. I go to church, I bring my F100. Ok, well sometimes I brought my Pentax IQ Zoom point and shoot but you get the idea. I used the F100 the same way I use my iPhone today. That means even my lamest pictures were taken with the F100 πŸ™‚

Any of you remember the cool and handy Magic Lantern guides? I didn’t buy too many of them but I did for the F100. I thought I might need it to learn all of the cameras advanced functions. As it turns out, I never really needed the book because for basic shooting the F100 is easy to figure out!

We are so spoiled for choices today and unless you lived in a pre digital world you might not fully understand the profound effect digital photography has made on our lives, for better or worse.

I had another film body as a backup but in 1999 there were no digital backups for me! Simply because there weren’t any real digital cameras at the time capable to even delivering close to what film cameras can and even the 1 to 3 megapixel digicams were expensive!

Today, I carry a digital camera and still carry a film camera no matter where I go. Old habits die hard. Living in a world where I carry digital cameras more than capable of replacing film, it’s an amazing thought that the roles are reversed and that I’m only carrying a film camera because I love film and because it’s going to give me results that are different, maybe more artistic, moody, etc but certainly not technically better than my best digital camera bodies.

PICS

I have a lot of personally memorable images with the Nikon F100 but the majority of them are in the old school photo albums that need to be scanned.

And unless I’m showing a photo that demonstrates its autofocus in action I really don’t think it matters much because, for the most part, for example, a Nikon F100 or N80 with the same lens, same film would take the same pictures. But here are a few pictures for the sake of this article and for nostalgia 😘

“Legends” Circa 1999. Nikon F100, 50mm f/1.8 AF-D Nikkor. In 1999, the Twin Towers of the World Trade Center were still standing.

“Ho Hum Day” 2011. Nikon F100, 35mm f/1.8G AF-S DX lens, Kodak Tri-X in HC-110. The F100 is capable of working with a modern Nikon lens, even digital lenses such as the 35mm f/1.8G DX lens used for this shot!

Here’s a shot I’ve never posted anywhere. How much did I love the F100? So much that I used it at my Dad’s funeral in 2011. RIP Dad, God Bless.

HOW I CAME ACROSS THE F100

I’m not usually an early adopter but I was able to get one only because a photo forum member had bought one and sold it at a pretty steep discount. I had the money and I jumped on it. As I said in one of my videos, just like that Steve Winwood song says “While you see a chance, take it!”

Back in 1999 there weren’t as many photo forums so I’m thinking it was on photo.net but I could be wrong.

Anyway, I loved the camera  then and I still do today! The build was and is superb. It’s not as bulky as the F5 yet not small in any way, especially when compared to today’s mirrorless cameras.

F100 IMPRESSIONS

The camera feels perfect in the hands. The build quality is superb. The magnesium alloy body keeps it strong yet light. Even though it is second tier to the Nikon F5, the F100 is weather sealed like a pro oriented body should be.

All the controls are where you would expect them to be, but if there’s anything that confuses you, read the manual! It is an electronic camera after all with all the complications that might go with that.

The 5 point AF is speedy and accurate. It can run on 4 AA batteries that last a long time. The shutter speed range is 30 secs up to 1/8000th of a second which is always a sign of a top camera. Even though its position was secondary to the F5 which makes it the “prosumer” or “enthusiast” model, it was also marketed to and loved by professionals.

I remember the lenses I used most with the F100 were my ever trusty Nikkor 50mm f/1.8 AF-D and the 28-105mm f/3.5-4.5 AF-D Zoom. That’s a very good general purpose zoom for film and full frame cameras.

I sold the F100 maybe two years later because I either needed the money or wanted to upgrade. Can’t remember now, but that’s usually my reasons for selling!

I must’ve gone through about three of these and my current one was bought in 2011. I still hang on to it, despite not using it as much as I should.

Nikon AF-S NIKKOR 50mm f/1.8G Special Edition Lens available for PRE-ORDER NOW

ISSUES

As much as I’ve been enthusiastic about the F100, it doesn’t mean the camera is flawless. No camera is. More attention should be paid to potential problems when the cameras are electronic in nature.

One area to keep an eye on is the rear Focus Area Selector. It’s that thing that looks like a pad from a video game controller. The controls may malfunction or not be as responsive over time. The possible culprit could be that the electrical contacts underneath may be effected by oxidation or wear out from use, just like a video game joystick. Some people try electrical spray or resetting the camera. Since I have not faced the problem, I do not have the solution. I’m just giving you leads to help you to find your own answers.

The rear focus area selector is a potential problem area.

Another thing to watch for is “ERR” or error messages from the camera. Many times it’s just the batteries or the electrical contacts may need cleaning but other times, you don’t know! Try changing the batteries first. Clean the electrical contacts on the lens mount. Try a reset. If nothing works, get a repair estimate. You might find it cheaper just picking up another F100!

The last thing I found on two of the three F100 cameras that I have used is that the rubber grip becomes sticky with time. This is due to the sweat, moisture, humidity, water, etc that wear it down over the years. This doesn’t happen with all cameras so that means whatever material Nikon used for the F100 (and F5) grips do not wear well over time. The digital Nikon D70 has become infamous for this problem!

Though she looks beautiful right here, keep an eye for sticky grip surfaces on the Nikon F100. Or “Surface Sticky” as a famous used camera dealer calls it!

If you ever looked at used camera dealer descriptions, this is what they call “Surface Sticky” as I often see at KEH Camera.

For usability, it’s a non issue, but you might want to keep an eye on it. Some possible remedies are to use an isopropyl alcohol rub, hand sanitizer, or even baby wipes! It’s really a process of experimentation and these remedies do not work for every camera.

I’ve never tried to fix the sticky surface on my F100 because it’s not that bad yet, but I have used a combination of 70 percent isopropyl alcohol and baby powder to cure the sticky surface of my other cameras.

Keep in mind you may end up doing more damage so if it’s not that bad leave it alone!

BOTTOM LINE

The Nikon F100 is a modern classic and a true Camera Legend. It took the legend of the Nikon F5 to the masses. It’s a perfect Nikon camera in my opinion!

Many people consider it Nikon’s second or third best AF film camera, behind the F5 and F6 respectively. Technically, I may agree with that but in the context of being the best choice for “the people” which is 95 percent of the world, I’d say the Nikon F100 is the BEST! And not just “for your money” but because it is a very capable camera!

CONCLUSION

I hope you enjoyed this ride back in time. What’s next? Find out in my YouTube video!

But more importantly, I’d love to know: What camera/lenses were YOU using in 1999? And if you weren’t around in 1999, then what gear has been most endearing to you on your photographic journey?

I’d love to know so leave a comment! Thank you πŸ™‚

PRICE & AVAILIBILITY

The Nikon F100 is plentiful on the used market. Because it runs second to the F5 in the Nikon hierarchy, it’s prices have been stable over the years. And today, maybe more so because big SLR cameras in general are seen as almost passe, I hate to say it!

Prices for the F100 are trending at $150-300 USD which makes it a bargain. And indeed, when we talk about cameras like the Contax T2 (which I’ve talked about a lot) and the inflated prices for that camera, $150-300 to me is a STEAL for a camera like the F100!

If you have one or get one, I’d love to hear from you!

Get Your Nikom F100 Here!

Lost Files: β€œSaturday Cookie Chill” πŸ˜€ Contax N Digital

Good morning guys! I know I’ve been gone for way too long but I’ll explain it more below. But first I recently found a bunch of lost files so let’s start with this one:

A wonderful Saturday morning to do nothing but chill and eat chocolate chip cookies πŸͺπŸ˜πŸ˜€

This was shot with the Contax N Digital and 50mm f/1.4 N Zeiss Planar. The N Digital as you may remember is the world’s first 35mm full frame digital camera.

If you remember my review you know the sad fate of this camera. But when it worked, it was awesome within its limits especially for a DSLR from 2002! My original 2014 review can be found in the link here:

https://cameralegend.com/tag/contax-n-digital-review/

A LOOK AT GEAR FROM 1996

Recently I was clearing out a lot of junk I’ve been hoarding. A large amount of that “junk” happens to be photography magazines! Hey, that was the only way to get my photography fix pre internet era!

Anyway, with so many magazines to throw away, I appreciate more and more the internet. Even though I’m old school, things weren’t necessarily better back then. These physical magazines take up a lot of space man!

Here’s my latest YouTube video and it was all sparked by going through just one magazine. It’s not a good idea going through them because it just makes it harder for me to throw them away!

Also on the video, I’m letting the people know, as I’m letting you guys reading this know that I’m just burnt out! It’s not even so much the blog but it’s life. And I put myself in a hole because doing videos and the blog at the same time is what’s killing my passion for it. Not my passion for photography or cameras. Just my passion for blogging, YouTubing, etc.

There must be a happy medium. Any suggestions?

I also want to apologize to my fellow bloggers. I don’t want to be seen as one of those guys who just “like” your postings to get “liked” back. When I’m burnt out, I close out completely. If I’m off WordPress, I’m really off. If I’m on, I’m on! That’s just the way I am, sorry about that πŸ™‚

As always, I thank you for your time and your support!

Flashback Friday: My Very First EOS Camera the EOS-10s 1995

Continuing on my “cheap cameras” theme for this week…

If some of your best photographic memories come from the 80s, 90s and early 2000s, then you’ve probably followed the same photographic path that I have.

This is the story of the days when your host and author here used nothing more than one camera and two lenses. I know it’s hard to believe after all the cameras profiled here, but yes there was a time when that was all I needed πŸ™‚

Perhaps you too have gone through that period. Do you ever wish you could go back to a simpler set of gear and just focus on photography?

THE CANON EOS-10s

My original Canon EOS-10s in black with my consumer grade Sigma 28-70mm f/3.5-4.5 zoom lens. On the left is my most recent “60th Anniversary” EOS-10QD which I got for $17 dollars!

The camera for today’s subject is the Canon EOS-10s.

The EOS-10s is a 35mm autofocus SLR film camera introduced by Canon in 1990. It is also known as the EOS-10 or 10QD elsewhere around the world.

Quick specs include your standard P/S/A/M modes, flash synch at 1/125 and a shutter speed range from 1/30 to 1/4000 which puts it in the amateur/enthusiast category. It also had a unique and gimmicky bar code reader thing. Not worth mentioning, just Google it if you’re interested in that!

This story is NOT about the Canon 10D digital camera! If you came here by accident because of the 10D, I’m telling you now so you won’t waste your time. And yes, I’ve used the 10D too but it’s a topic for another day πŸ™‚

While a humble looking camera, the EOS-10s included a major innovation at that time which Canon called Multi-Basis AF which was a fancy way of saying that the camera had more than just one AF point 😊

It had three in fact! Apparently the three AF points could “pass off” the subject it tracked from one AF point to another. This was major back in 1990! And just one of the many things that made Canon so respected as an innovator in the camera world.

CANON EOS-10s IMPRESSIONS

I got this camera in 1994. I was a poor student and while waiting for friends at a college library, I spent an afternoon reading almost all Β of the library’s Popular Photography magazine! Big mistake because that’s how the second wave of my camera obsession came about πŸ™‚

I had just about given up on my Minolta X-700 which I had used since 1985. It had developed a battery drain problem and even though I sent it in for Minolta to repair, the problem came back within a few months.

I was basically without a camera, except for my crappy Vivitar PS-20 point and shoot. I came across a review about the Canon EOS-10s and was fascinated by the (then) new Multi-Basis AF.

My friends showed up hours later, but I was quite content to read all that photography stuff! I was also several hundred dollars poorer because I knew I had to have that EOS-10s that I did not yet have the money for πŸ™‚

Anyway, a few months and several paychecks later, the EOS-10s arrived and I held in my hands my very first Canon EOS camera. What a feeling it was back then!

Obviously a camera is useless without a lens, so I went around to several local camera shops (and there were more local shops around back then) and I came back with what today may be seen as a very cheap lens: the Sigma 28-70mm f/3.5-4.5 UC. I think I spent around $70 for it. I also eventually got a telephoto, and I settled for a cheap Canon 75-300mm f/4-5.6 USM first version.

As you can see folks, I started out with a humble two lens kit like everyone else! I cut my teeth learning the craft on cheap lenses. I should’ve just learned from my X-700 days and gotten a 50mm f/1.8 lens from the start but I wanted something different.

The EOS-10s felt good in my hands. I knew nothing of pro bodies at the time. I mean I read about them but didn’t think of getting one, nor could I afford one till much later.

While this is not a full out review, I can tell you that I never had a problem with the autofocus. It almost always delivered the goods. The fact that they AF points lit up in RED was a revelation at that time! Exposures were almost always spot on.

Below are some photos from circa 1995. Most of the photos are from a trip to Thailand in 1995. It is a beautiful and fascinating place to photograph! If you have the opportunity, do so. You will never run out of photo ops! I was quite content with my cheap camera and two lenses. All I wanted to do then was to take photos!

PHOTOS

Here are some photos from the Canon EOS-10s and my two “cheap” lenses. Where ever possible, I will state in the captions what I observed and what I may have done differently now that I can look back 24 years later.

“Working Monkeys” 1995. Canon EOS-10s, EF 75-300mm f/4-5.6 lens, film unrecorded. I’m an advocate for developing your eye for interesting sites, but this one was easy! I caught these working moneys riding the back of a Toyota in Thailand. The monkeys are used to climb coconut trees and have been taught to get the best picks.

“Ten Buddhas” 1995. Canon EOS-10s, Sigma 28-70mm f/3.5-4.5 UC lens, film unrecorded. Here’s an example of how I might have shot this different today. Looking back I probably should have used a large aperture lens, angle it differently and get one Buddha in focus while the rest are out of focus. Hmm, or is that perhaps too trite, to cliched a shot? πŸ™‚

“Sleeping Beauty” 1995. Canon EOS-10s, Sigma 28-70mm UC lens. Not sure who this “Pretty Boy” is but he sure loved a good nap πŸ™‚

“Float On” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Fujichrome Velvia. The joy of floral photography in upstate New York, and yes I do shoot flowers sometimes πŸ™‚

“Big Mouth” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektar 25. The hippo opens his big mouth at the Bangkok Zoo. At that time the now long discontinued Kodak Ektar 25 was touted as the “sharpest print film in the world” and my 13×19 prints confirmed this. What I learned is that even consumer grade lenses can be very sharp when stopped down, something we all know but kind of downplay today so we can keep buying expensive lenses right? Β πŸ™‚ Of course, the the Ektar 25 no doubt film helped the sharpness!

 

“Wat Phra Keo” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektachrome. One of the many magnificent structures at Wat Phra Keo in Bangkok, the most famous of Thailand’s many temples.

“Bangkok Traffic” 1995. Canon EOS-10s, Sigma 28-70mm UC lens, Kodak Ektar 25. The traffic in Bangkok was famous for being ridiculous and based on what I saw the last time I was there in 2016, it still is! But maybe not as bad as this:-)

“Koh Samui” 1995. Canon EOS-10s, EF 75-300mm f/4-5.6, film unrecorded. Just one of many beautiful views on the island of Koh Samui, Thailand. The trees and the hill may give a sense of scale. I used a telephoto because this was actually farther out than it looks.

It’s the 1990s again with my old Canon EOS-10s from 1994 and the “Fubu” shirt! πŸ™‚

BOTTOM LINE

The Canon EOS-10s doesn’t get a lot of love in today’s world. It seems to be viewed as an evolutionary camera, as far as Canon’s camera order goes, but it could and should also be considered revolutionary considering the advanced technology that was implemented into the camera.

The three MULTI-BASIS autofocus points that light up in red may seem like nothing today, but it was an amazing and useful feature that pushed forward the complexity and accuracy of autofocus cameras.

In today’s world of cameras with hundreds of tiny and precise AF points, using a camera like the EOS-10s with its three “large” AF points, right in the middle of the viewfinder , is a refreshing experience.

In fact, to this day, I’m so old school I still prefer using the center point AF in every autofocus camera I own!

The Canon EOS-10s may never be considered a true Camera Legend as it is overshadowed by so many other cameras, Canon and non Canon. However, when you consider how it helped push autofocus cameras forward, you can’t help but have a little respect for its place in camera history. That plus the fact that it was my first EOS camera! πŸ™‚

PRICE & AVAILABILITY

The Canon EOS-10s is dirt cheap and under-appreciated in today’s used camera market making it a great buy for the budding film photographer, or a seasoned pro wanting a cheap entry back into film.

Main problem or weak point might be the mode dial. They may wear out over time, but mine never did and I used it a lot back in the 1990s. The A2E that I also used later on has the same problem and I can attest that the dial on mine broke after a few years.

If seeking one of these, prices are trending at $10-40 USD. I wouldn’t pay more than $15-25 dollars. If it’s working you have a nice, if unassuming camera, that will deliver the goods!

The lenses, ah, probably not worth mentioning but you can find both of them anywhere from $5 to $35 or even better, FREE! Just keep looking! But any similar budget lenses will do, don’t knock yourself out over these lenses!

Happy shooting folks!

 

The Best Camera I Never Knew: The Super Ricohflex

Hello everyone! Looking back on my writings, it seems we haven’t had one of these “Best Camera I Never Knew” postings in a while! Over a year in fact!

So today we’re back with a camera that may not be well known to the masses, but is quite popular on photo sharing sites like Flickr and elsewhere. And you guys, my dear readers, are NOT the masses! It is a cult favorite, the Super Ricohflex.

THE SUPER RICOHFLEX

The Super Ricohflex was introduced in 1956 by Ricoh of Japan. It is a Medium Format twin lens reflex camera that takes 6×6 images on 120 film.

At its heart is the taking lens which is an 80mm f/3.5 Ricoh Anastigmat. It uses a geared focusing system much like the Kodak Reflex of 1946.

The camera has a shutter speed range of 1/10-1/200 secs plus Bulb in a Riken shutter. I have read of other models with higher shutter speeds, but I have had three of them at different points in my life, from different random sellers and they all had up to 1/200. If you have a model with a higher shutter speed range, I’d love to hear about it!

114621440.1bR7aP9r.SuperRicohSam

“Super Ricoh Man” 2009. Super Ricohflex, Ilford HP5 Plus in T-Max Developer. More than a narcissistic selfie, I hope you can see that stopped down a little, the Super Ricohflex is capable of nicely sharp images πŸ™‚

WHAT I LIKE ABOUT THE SUPER RICOHFLEX

When in working condition, the Super Ricohflex is capable of giving images with “character” especially wide open at f/3.5. That is the best way I can describe it.

The 80mm f/3.5 Ricoh Anastigmat is one of those lenses capable of giving you that ever popular on Flickr “swirly bokeh” look.

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“Escape To Reality” 2009. Super Ricohflex, Ilford HP5 Plus in T-Max Developer. An example of the swirly “dreamy” image that the Super Ricohflex can make.

In my opinion, this usually comes from a lens that is optically not at its technical best, and the swirly bokeh is somewhat overplayed by bokeh fanatics, but that said, if used judiciously it can produce “dreamy” memorable images.

Stopped down, the images can be very sharp at f/5.6-f/8 as are most decent lenses.

YOUTUBE VIDEO

For those of you who prefer to watch a video, here is my first “The Best Camera I Never Knew” episode on YouTube starring the Super Ricohflex! 😎

It may seem like a shameless plug, and it is, but I am trying to expand your experience here and I’ll be tying in videos as I can so get used to it! πŸ™‚

Think of it this way? Why would I want to do double work, blog and video, when I could just do one or the other? If it weren’t for you guys, my fellow Camera Lovers, I’d not bother with the videos!

And because I had received a critical comment from a reader who did not understand what Β this series is about, I address this in the video too. Plus trying out some new theme songs haha! πŸ™‚

WHY IT DIDN’T JIVE WITH ME?

Simple. I had three of these cameras! I got my first one in 2009. I sold one and I still have two. All three of them ended up having the infamous “Frozen Focus” issue. And what is that?

In the introduction, I mentioned that these cameras use a geared type of focusing mechanism. What that means is the viewing lens and taking lens are geared together and by moving one you move the other.

That in itself shouldn’t be an issue, but whatever grease Ricoh put into these lenses have been known to notoriously seize up with time.

Out of my three copies, only one was working, and even that one was already on the outs when I got it. It was not perfectly smooth. I left it on the shelf for about, I’m gonna guess cause it’s been years, but approximately 3-5 months. The next time I picked up the camera…stiff as a rock!!

So as of today, the two copies I have are pretty much worthless as shooters. Thankfully, they did not cost me much!

REPAIR?

A competent camera technician should be able to repair these cameras. From what I have heard, it’s not a simple matter of taking the lenses off and regreasing them yourself. It’s a bit of a delicate process. Therefore it’s better to leave it up to the experts if you have no experience with camera repair.

One person I remember offhand that might do the repair is Mark Hansen out of Wisconsin. He’s a great repairman with a solid reputation for working on Zeiss and Rolleis. I believe he is still in business though I do not know if he’s willing to repair the Super Ricohflex and if he is, how much it will cost. If you contact him, tell him Sam from CameraLegend.com sent you!

PRICES & WHERE TO BUY?

If seeking one of these cult classics, and I’m not sure that’s a good idea, prices are trending at $20-60. Keep in mind, due to the possibility of the camera needing a CLA, the low price you might pay belie the true cost after the camera has received a CLA.

However, once you get a CLA from a good repairman, I can attest that the Super Ricohflex is a good and fun budget shooter.

BOTTOM LINE

As I love all cameras, it is not my goal to pick on the Super Ricohflex. Ricoh is a Camera Legend whose cameras I have used and praised often. I do totally understand that a camera this old may need a CLA as most cameras of this vintage would benefit from also.

However, as I mentioned in the video…This is no Rolleiflex. And it was not intended to be. It cost much less than a Rolleiflex or even most Rolleicords, the budget Rollei TLRs.

A Rolleiflex could be sitting there for 30 years and I’d be willing to bet, most would still be functioning. Not so with the Super Ricohflex. If you have one, use it often, keep exercising those gears! Whatever grease Ricoh used in these cameras are infamous for freezing up.

That said, when it worked, this camera gave me some memorable images that left me curious for more. That’s why I ended up with three of them only to find out that the Super Ricohflex is indeed, one of the Best Cameras I Never Knew! πŸ™‚

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YouTube Video Update: The Canon EOS-1 Film Camera

The Canon EOS-1 from 1989 is a modern day Camera Legend that had a titanic effect on the world of photography and camera design.

Just giving you guys an update that I have just uploaded a companion video for our 2015 review of the Canon EOS-1 film camera review. I will be moving it to update that review at a later time. I’ve cut off some of the intro here but it’s still a long video so if you have the time, grab a cup of coffee and a donut and indulge in a little camera geekery πŸ™‚

I think it’s been slightly understated by many writers, but to me the Canon EOS-1 is among the most important and influential cameras of the past 50 years, easily as influential to cameras of the 90s and up until today, as the Nikon F was influential to cameras of the 60s, 70s, and 80s.

The way Canon gelled the use of buttons, dials, and wheels and implemented custom functions to personalize the camera to suit one’s individual tastes is something seen on nearly all serious cameras today. In 1989, the EOS-1 was one of the few cameras that had all these things together in one package.

Anyway, YouTube is a tough nut to crack. You don’t know what people will like! People love reaction videos, watching people eat, watching people pick pimples, etc, etc πŸ™‚

But slowly, I’ll just keep adding videos as I can for all you hardcore camera lovers! Thanks for watching and I’ll see you guys soon!

-Sam

Photo Of The Day: “What A Rush!” Contax T3

Good morning everybody. It seems as if I closed my eyes only for a short time and we’re back here in yet another October once again! Man, I can’t shake off this feeling of getting older! And I have to remind myself that I’m not THAT old yet!

Well anyway, I just went through three rolls of new images to review and some were good and some not so good. Hmm, kinda like the good old film days! πŸ™‚

In this set, only the bottom image “What A Rush!” is from the Contax T3. The B&W set is from another “mystery” camera πŸ™‚

The Contax T3 was, in its time considered “The Best Point & Shoot Camera In The World” and it’s got a tremendous, and yes, even legendary cult following even today.

Does it still deliver the goods? It sure does! It always delivered the goods, but it’s not without its faults as I’ll explain in future postings. Can it still hold on to its “top dog” title? I’m not so sure just yet!

Please do not think I’m jumping on the T3 bandwagon! I certainly could NOT get one at today’s prices. However, I’ve had mine since 2006 when they were MUCH more affordable. Though I may not like getting older, there are some perks to be a “veteran” camera freak I guess πŸ™‚

Had it all these years, somehow I never rushed to do a review on it. So you see friends, I’m not in this for any kind of blogging glory πŸ™‚

I just want to get out good information for you. Sorry if it takes a little longer than most bloggers. I’m just SLOW haha πŸ™‚

I got my images back from the Darkroom out in California and they did a mighty fine job. There’s a reason why people recommend them!

Though I wished their prices would be lower, I will say they can be recommended for film developing yes.

Anyway, it looks to be a busy month with lots to look at. Let’s hope I don’t burn out by the end of the first new review lol. Have a great week folks!

Ah friends, nothing quite as thrilling as working through another dusty, blurry roll of film ain’t it? πŸ™‚

“What A Rush!” 2018. Contax T3, Kodak Gold 200. Tiaong, Quezon, Philippines.

Photo Of The Day: “Opiods”

imgAmbiSolagonGreenBurgh154

I don’t mean to make light of the nation’s opioid epidemic which is very serious indeed. I just couldn’t think of a better title 😊

This image was shot with a vintage Agfa Ambiflex and the mythical 55mm f/2 Solagon. The film was Kentmere 400 and developed in T-Max RS.  I can’t say much about this outfit now, consider this what I call a “future flash” because I will have a write up on this camera and lens soon. It’s one of those outfits that has a cult following but it seems there’s not a heck of a lot out there about it. We’re going to change that for you! Have a nice day camera lovers 😊✌🏻