Camera Spotting Part I

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Spotted this Sony A6000 while walking around Best Buy. Wow, this camera looked so much better in silver/black than I thought it would! I personally find silver digital cameras a little cheesy looking, but this one is HOT! 🙂

I was going to do this one as a Flashback Friday post, but I really can’t because these are not “flashback” cameras. Instead, they are very current cameras that are riding on this “retro” trend that we have seen in the past few years. Anyway, I am not in the market for these cameras at the moment, but I liked seeing them.

Have you seen a camera at a shop or hanging on someone’s neck that really caught your eye? If so, I would sure love to hear about it or drop me a link to your photo pages.

I hope to expand this series in upcoming postings. Have a good weekend my friends 🙂

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Spotted a new Canon G9X is silver/orange trim. Cool and funky and indeed “dramatically different.”

SOME NEW CAMERA DEALS

Our friends at Adorama passed along some current deals they are having. Just quickly running through them, I said, wow wish I had the money. Especially on that G16, that’s a very nice price for a hot camera!

Some serious savings in here if you’re in the market for any of this stuff. I’m just going to pass along the information as I got it:

Canon PowerShot G16 Compact Digital Camera Bundle

$249 after $350 MIR

CANON G16.

This is quite a deal, every other place has the G16 for at least $379!

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Canon EOS Rebel T5i DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS STM Lens

$399 after rebate

Canon EOS Rebel T5i and EF-S 18-55mm Kit.

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Canon EOS Rebel T5i DSLR Camera with EF-S 18-135mm f/3.5-5.6 IS STM Lens

$599 after Rebate

Canon T5i and EF-S 18-135mm Kit.

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Canon EOS Rebel SL1 DSLR Camera with EF-S 18-55mm f/3.5-5.6 IS STM Lens

+ Canon EF 75-300mm lens

$399 after rebate

Canon SL1 with EF-S 18-55mm f/3.5-5.6 STM.

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Free Assassin’s Creed Syndicate & 32GB Evo+ MicroSD Card with the Purchase of Select Samsung SSD Drives.

Black Friday pricing is still active on the SSD’s!

Link to all:

Free Assassin’s Creed Syndicate & 32GB Evo+ MicroSD Card with the Purchase of Select Samsung SSD Drives.

Free Shipping. Expires Sunday 12/06

Hope some of you can take advantage of these savings!

Book Review: A History of Photography in 50 Cameras

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Photo courtesy of Firefly Books.

I love cameras, I really do. Chances are, if something led you to this site, you probably love cameras too. Ok, so now that we agree that we love cameras, how many of us REALLY love cameras?

I received a copy of this book for review and let me tell you, the author of this book REALLY loves cameras, but more importantly, he knows them too!

So you would think that with a site called “Camera Legend” intended to profile legendary, classic, and collectable cameras that I would already have this book. Unfortunately, I didn’t.

I used to collect photography magazines and maybe a handful of photography books, but like many of you, the internet changed me into a “virtual reader” who enjoys reading off the screen. When I received the book, I must say it felt so good to hold and read a real, physical book again!

THE AUTHOR

The author of this book is Michael Pritchard, who is the current director of the Royal Photographic Society, which has the distinction of being one of the world’s oldest photographic societies and is based in the UK.

THE BOOK AND ITS CONTENT

The book is attractive with four iconic cameras on the cover which are the Rolleiflex, the Polaroid SX-70, the Kine Exakta and the Nikon F.

Starting from the world’s first production camera, the Giroux Daguerreotype of 1819, the author, Mr. Pritchard takes us on a chronologically fascinating journey of the cameras and the photography they created through words and through the inclusion of some great illustrations and iconic pictures.

As an example the Leica I of 1925 is profiled and not only does the book contains great information on this legendary camera, but includes a profile of the photographer who made Leica synonymous with street photography, Henri Cartier-Bresson. This is nicely capped off with perhaps Cartier-Bresson’s most famous photo, “Place de l’Europe” from 1932.

This is the famous black and white photo of what appears to be a boy jumping/running on a flooded street with his reflection in the water. This is the photograph that many believe defined capturing “the moment.”

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In addition to the Leica I of 1925, the Leica M3 of 1954 is also profiled in the book and is perhaps my favorite M body of all time.

There are many, many fascinating cameras profiled in this book from the ones you’d expect such as the Pacemaker Speed Graphic of 1947 and the Nikon F and the Pentax Spotmatic of the 60s and 70s to the eclectic such as the Scoville Book Camera of 1892 and the Ermanox of 1924 and into the future with the Nokia Lumia 1020 which I profiled here yesterday.

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The 1947 Speed Graphic 4×5 large format camera is one of the cameras in the book as well as a look at perhaps its most famous operator Arthur “Weegee” Fellig.

One of the things I liked most about this book is the inclusion of the years the cameras were produced, the country they were produced in, and the manufacturer. I love those details!

There is a bit of a fast-forward towards the end of the book, especially when the book gets to the digital era. For example the Sasson digital camera of 1975, the world’s first digital camera was not included, although its inventor, Kodak engineer Steven Sasson is mentioned in the book.

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“Into The Future.” The Nokia Lumia 1020 cell phone with its 41 megapixel sensor represents the future of photography and is profiled in the book. You can also find a review of this fascinating cell phone camera on this site as my most recent review before this book review.

I suppose this “fast-forwarding” has to do with trying to get only fifty cameras which I imagine, with all the cameras ever produced, would be hard for anyone writing this book. To his credit, Mr. Pritchard did a tremendous job and did make sound choices for his fifty cameras.

CONCLUSION

When I first saw the cover online, I immediately thought of a book I have called “Camera: A History Of Photography from Daguerreotype to Digital” by Todd Gustavson.

While Mr. Gustavson’s book is a large coffee table sized book, this one comes in a much smaller and more portable package. At least the copy I got.

In many ways, the books appear similar at first, especially when looking at the covers, but the truth is that there are not many good current books on cameras out there right now, so comparisons are inevitable.

While Mr. Gustavson’s book features more cameras, Mr. Pritchard does better by including a lot more information and sample photos, as well as profiles of photographers who used these cameras and/or made the cameras famous.

In summary, this is an excellent book that will not only appeal to camera lovers, but photography and history buffs as well. The cameras, photographs, and photographers highlighted in this book are well selected and the author, Michael Pritchard is about as high an authority on cameras as you can get so you know you are getting accurate information.

If you love cameras and photography this book belongs in your collection. Even if you, like I, live in a virtual world where everything is “disposable” and you no longer buy books or haven’t bought one in a while, “A History of Photography In 50 Cameras” deserves a spot on your shelf of Camera Legends.

WHERE TO BUY

The book may be bought directly from Firefly Books or AMAZON.

Pocket Power Phone: The Nokia Lumia 1020 41mp Cell Phone Camera

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The Nokia Lumia 1020 cell phone from 2013. “Is that a banana in your pocket or are you just happy to see me?” Mae West might have said of the yellow Nokia 1020 with all of its 41 megapixel glory 🙂

It may seem out of place on this site where classic film and digital cameras are profiled but as the first cell phone camera with a headline grabbing 41 megapixels, the Nokia Lumia 1020 is actually a perfect fit here.

The Lumia 1020 was introduced in 2013 as a modern day smartphone that runs on Windows 8. It has a touch screen and is capable of doing almost anything else a phone from 2013 could do. Its main distinction from the competition was that the phone held a 41 megapixel sensor inside. Yes, 41 megapixels in a cell phone! In 2013, that was more megapixels than almost any consumer camera on the market, point and shoot or DSLR.

To keep the record straight, the Nokia 808 Pureview was the first Nokia with a 41 megapixel sensor. However, it ran on the Symbian operating system which a lot of people don’t know about, and this probably kept a lot of people away. The 1020 aimed to go after the market that the 808 missed.

When I first heard about this phone, I was interested in it, as any gadget freak would be. However, as a photographer and lover of traditional cameras, I was more than a little skeptical.

AS A CAMERA

The Nokia 1020 has a 41 megapixel sensor, a 4.5″ display, and a 26mm f/2.2 Carl Zeiss lens and optical stabilization. Just on those specs alone, it sounds killer!

The camera does have a front facing camera as well, but that one only does 1.2 megapixels of resolution.

While the camera does have a 41mp sensor inside for the main camera, the actual highest resolution that the camera churns out is about 38mp. Due to slight cropping from the aspect ratios available, some pixels are lost. There may be more to this technically, but that’s how I understand it. However, 38mp is close enough to 41mp that you’d not likely notice the missing 3 megapixels 🙂

Hey listen, I won’t claim to understand all the thingamajigger behind this technology. Wiki has an excellent page on it and there are other reviews out there that can explain it much better than I can.

For easy file sharing, the 1020 uses an over-sampling technology where the 41 megapixel images are reduced to a 5 megapixel files without loss of quality. You can get the full resolution of the camera when using Nokia’s photo transfer app.

As a camera, it is very slow. The shot to shot time, the AF, the shutter lag. All slow. You will not be taking any action shots with this camera, even at low resolution.

If you hit the “shutter” icon, it will sometimes miss its target while focusing. The best way I have found to get consistently sharp shots with the 1020 is to first tap the screen at your target to achieve focus, then hit the shutter. This will give you many more sharp shots than just hitting the shutter “button” and because the camera is slow anyway, you’re not really going to lose any more time doing it this way.

There is a definite lag between shots, reminds me a lot of the lag time in old digital point and shoot cameras.

AS A PHONE

Don’t ask. I don’t use it as a phone. I use my iPhone which is definitely more intuitive to me. I was going to say the Nokia “sucks” as a phone, but that might be unfair! Just so you know that I’m not an Apple fanboy and I don’t hate Nokia, fifteen years ago, in the early days of mass consumer cell phones, Nokia was my choice 🙂

The phone has a dual-core 1.5ghz processor, 32gb of mass memory and 4G LTE according to the official specs.

Battery life is not great and it seems to get worse over time. I’ve had the phone for over a year now and I find myself charging it more frequently. I can’t really give you numbers because everyone uses their phone differently. This is not my main phone, I don’t make phone calls or play games with it, I just use it as a camera. With sporadic usage, a charge will last about a day or so just to give you an idea.

IMAGE QUALITY

At its best, the Nokia 1020 gives an impressive output. At full resolution, images are very crisp and has amazing detail. But that’s “at its best” which means just like the Sony A7R or any high resolution camera, you don’t see the advantage all the time, especially if you’re just taking quick snapshots.

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“Baby’s Nest” 2015. Nokia Lumia 1020. This image shows some of the strengths and weaknesses of the Nokia 1020. On one hand it’s colorful and sharp. On the other hand, you can see the clipped and unrecoverable highlights on the sweater showing the camera’s limited dynamic range. I believe the casual viewer would not see anything objectionable with this image. As for the subject, I was walking around when I found a baby chickadee on the foot of a giant tree! 🙂

And unlike the A7R or its siblings, the images do not hold up as well at 100 percent, and I did not expect it to. Apples and oranges. You have to be realistic; I mean this is a cell phone camera with a small high resolution sensor. Not to degrade the 1020, it’s an amazing cell phone camera, but it is still a cell phone camera. The A7R is a true digital camera with a high resolution full-frame sensor. The Nokia costs roughly $180 give or take, the Sony costs $1800 give or take! Be realistic with your expectations and you will love the Nokia 🙂

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“Autumn Legs” 2015. Nokia Lumia 1020. The Nokia Lumia is capable of very colorful images. This one was tweaked and may be a little too funky! I am no longer using Photoshop and am still trying to hone my post processing skills on a new program, please forgive me 🙂

Ok, so it doesn’t hold up well against a high end full frame camera. How does it do against a high quality point and shoot like the Ricoh GR (16mp) or Sony RX100? I find that at 100 percent, the images from the two cameras mentioned look better than the Nokia. Tones look smoother, image definition holds up better on the high end point and shoots.

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This is a 100 percent crop of the previous image straight out of the 1020. No processing was done to the image. Please click on the image for a better view. Note the softness and almost “painterly” look at 100 percent.

Taken on its own merit, the Nokia makes a fine secondary camera or even as your main point and shoot camera. While the images can be very sharp, dynamic range seems limited which means you need to be careful with exposure and the files are not highly pliable which means they won’t take a lot of messing around with in your post processing. It doesn’t take a lot to turn the files bad fast.

The files, which can be beautiful, appear to have a distinctly ‘digital’ look, perhaps due to the limitations of putting such a high res sensor on a small 2/3″ sensor.

Some of you know that I had a hard drive crash recently that knocked out a lot of my files. I was able to recover most of them and will be adding photos I took with the Lumia 1020 in 2014, so this page will get another update soon.

A lot of the readers of this site also know that I’m a fan of that elusive “film-like” digital file and this is a subjective thing, but I don’t see that with this phone. But hey, there’s nothing wrong with it. It looks digital because it is digital and yes, digital files can be fine too 🙂

Low light shots are surprisingly good. Not 5D Mark III good, but very good for a phone camera. It may sound vague, but any experienced photographer will have an idea of what I’m saying.

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“In The Midnight Flower” 2015. Nokia Lumia 1020. An available light sample from the 1020. I tried to extract the exif info for you so we could see what ISO the camera selected, but no exif would show on the programs I used. Please click on the photo for a larger view.

BOTTOM LINE

I got this phone over a year ago primarily to use it as a camera. Once I got over the frustration of using it as a camera, I’m able live with its weaknesses because I’m attracted to its strengths, which is a sharp lens and high resolution files.

In many ways, this is the same reason why people are attracted to Sigma cameras. They are slow as a turtle, but the image quality makes up for it. Some can live with that, some can’t.

If the 1020 was my only camera phone, I probably couldn’t live with it, which is why I use the camera on my iPhone 5 more often. However, as a specialty tool for static subjects, the Nokia is fine.

Cell phone photography has come a long, long way. It is the number one method of choice for most of the world’s population today. I don’t remember the numbers, but more people take and share photos with their phone cameras than any other type of camera by a wide margin. You don’t even need a poll to know this. You can see it every day!

To me however, cell phone camera quality still lags behind the best point and shoot cameras, but it is getting there.

It may be too soon to call the Nokia Lumia 1020 a Camera Legend, but if any cell phone camera deserves a spot on the list of legends, the Lumia 1020 should definitely be considered.

WHERE TO BUY

The Lumia 1020 is now easily found and the prices very affordable. If looking for one of these, prices are trending at $100-200 on eBay, with $200 on the high end. You may even find them under $100, but these usually have cracked screens and other flaws.

Your best bet for a safe purchase on the 1020 is probably through AMAZON. Especially since today is CYBER MONDAY I would definitely check for deals if I were in the market for this phone!


Happy Thanksgiving Friends!

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“Happy Thanksgiving Baby” 2007. Canon EOS 5D, EF 50mm f/1.8

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“Turkey Hill” 2014. Canon Powershot S3 IS. Never saw a turkey this high up a tree before until I saw this in upstate New York 🙂

Just want to wish everyone a happy and safe Thanksgiving holiday. I have a lot to be thankful for and I want to thank anyone and everyone who has ever stopped by and glanced or read my wacky postings. Only in a free world can this happen! Sorry to keep this short, hope to get some new reviews in soon. Wishing you all the best for the holidays.

Best, Sam

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“Turkey Mini” 2010. Leica Minilux. I always get a kick out of this one! I look back on this shot and say who in their right mind would use a nice little camera like the Minilux to shoot a turkey when a digital point and shoot or a phone is all you need for this? 🙂

Black & White Portraits

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“The Tsingtao Boy” 2009. Canon F-1N, 50mm f/1.4 FD lens, Tri-X. Chinatown, NYC.

While I do love color photography, there’s just something different about black and white photography that really endears me to it. And when you combine b&w with people (or animals!), that really takes it to another level for me.

These are just some b&w images taken over the years. Like I’ve said before, sometimes I do want to remind myself that I love shooting almost as much as I love cameras…I think! These are also images from cameras I am planning to review for you, cameras like the Leica M8 and the Canon F-1N, which is one of my favorite Canon bodies ever, past or present.

It seems almost unbelievable to me that it has taken this long, but after two weeks I’m finally getting my main working computer back today! As I mentioned before, this really set me back as far as content for this website is concerned and I’m just beginning to catch up. Thanks to those who continue to visit and I do appreciate your time and comments.

This is admittedly going to be a busy week and writing a blog with any kind of content takes a lot of time. Even my shortest article takes me almost half a day. I admire those who can do this consistently on a daily basis, I know I can’t!

Hope you all have a good short week in preparation for the Thanksgiving holiday here in the USA.

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“Man In The Middle” 2011. Canon Powershot G10, Paranaque, Philippines.

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“Imported From The Past” 2011. Nikon F4s, Nikkor 28mm f/2.8 AIS. The great Louis Mendes stands out like an icon from the past with his old school Speed Graphic and sharp, retro outfits.

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“Vimeo” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. I was buying a lens from this man and I took this shot while testing it. I found out a couple of years later that he is apparently one of the founders of the video sharing site Vimeo!

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“The Competition” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. Sometimes facial expression tells you everything!

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“Time Will Not Wait” 2011. Leica M8, 35mm f/2 Zeiss Biogon. Koh Samui, Thailand.

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“Brother Blues” 2010. Leica M8, 50mm f/2 Summicron-M. Washington Square Park, NYC.

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“My Door Is Open” 2011. Leica M8, 50mm f/2 Summicron-M. Nonthaburi, Thailand.

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“The Godfather Of Bangkok” 2011. Minolta CLE, 40mm f/2 Summicron-M, Tri-X. A scene from a restaurant on the side streets of Bangkok, Thailand. With one hand on his meal, the other hand reaches for the plate before anyone else could get to it first. Don’t mess with the Godfather of Bangkok! 🙂

A couple of my favorite portraits from the selection above were done with Sigma lenses. Our affiliate and friends at Adorama is offering some incredible savings on SIGMA lenses which only runs through 11/30/15 so if you wanted to pick up some of those super sharp “ART” lenses, this is a good time to do it! And if you order within a certain time, they make every effort to ship same day, which is a great benefit to buying from Adorama versus the competition.


 

The Best Camera I Never Knew Part Four: The Exakta 66 Mod III Medium Format Camera

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The Exakta 66 Mod III. A dream camera of West German/Russian heritage and one of the best cameras I never knew 🙂

Sometimes your lust over-rides your head and clouds your better judgement. This was certainly the case with the next camera in “The Best Camera I Never Knew” series.

THE EXAKTA 66 MOD III

The Exakta 66 MOD III (model III) is a medium format camera introduced in 1997. Though the original Exakta 66 was produced by West German company Ihagee, the exact origins of the MOD II and MOD III are somewhat unclear.

The main thing you need to know is that all these Exakta models are a variation of the Pentacon Six, so they are all 6×6 mechanical SLR cameras that use 120 medium format film. They resemble, from afar, the Pentax 6×7 and look like a giant 35mm camera on steroids.

There is a great website http://www.pentaconsix.com that will tell you the differences between the models, and anything else you might want to know about them.

In the context of my story here, just know the MOD III was considered the “ultimate” as far as variations of the venerable Pentacon Six goes. It was the last model so it technically had all the upgrades and enhancements that was done to the basic Pentacon that it’s modeled after. One enhancement was the inclusion of a mirror lockup.

Another reason for its desirability is that the Exakta 66 Mod III is sometimes paired with the superb 80mm f/2.8 Schneider Xenotar lens, though the Exakta 80mm f/2.8 or 80mm Russian Volna or Biometar lenses are more commonly seen.

WHY IT DIDN’T JIVE WITH ME?

Ok, so in 2013 I came across the Exakta 66 Mod III body on KEH Camera’s website. A used body only for around $300.

I hesitated at first, knowing that it was basically a glorified Pentacon Six or Kiev 60, but the camera lust took over me and I thought I had to have it! That, despite the fact that I already had a Pentacon Six TL and a Kiev 60. Both bodies combined, cost me less than the Exakta alone!

I’m drawn to extremes…the best camera, the worst camera, the last model, the smallest model, the strangest one…you get the idea 🙂

Anyway, I said to myself…if I get the Mod III, I won’t need any other Exakta or Pentacon. And perhaps I could cut my losses by selling the Pentacon and Kiev once I got the Exakta.

Ok, this is getting too long, so to cut to the chase…

I got the MOD III. I press the shutter. The mirror goes up. Stays up. No big deal. If I recalled correctly, the Pentacon did that too. All that it requires is for you to wind the lever and the mirror comes back down. So I did that.

Surprise! The film advance lever won’t move so the mirror won’t come back down!!

So without damaging the camera, I was trying all the emergency remedies I knew. Tried to gently move the mirror down, it didn’t move. Tried to toggle the mirror lockup, no go. Tried to press the shutter release again, nothing.

I then took out my Pentacon Six and pressed the shutter release. Mirror goes up. Stays up. I wind the film advance, mirror came back down. Now I knew for sure something was wrong with the Exakta.

Knowing that I would probably have to return it to KEH, I stopped myself from messing with it further. I did some research online and found the email of a noted authority on repairing these cameras. For the sake of privacy, I will refrain from leaving a name, but if you need one of these cameras repaired drop me a line and I will give you his contact.

Anyway, his advice was to first try to gently bring the mirror down with my fingers which I had already done. I don’t remember everything else he told me, but he tried the best he could to help me through email and I appreciated that very much, but nothing worked.

Finally, he told me I should return the camera because they were well known to have “issues” and he had seen a fair share of them for repair. He said these cameras go bad quite easily and parts are no longer available and/or are hard to find.

I believe him, though I wished I had seen something online about that before I purchased it. I did not find much negative on this camera in my pre-purchase research. Indeed, I did not find much positive feedback either!

I recall finding only a few nice shots of the camera on Flickr from some proud owners, but other than that there wasn’t much as far as real world users. In fact, if you did a search now you will see a few of the pretty pictures I’m talking about 🙂

THE REVELATION

Ok, so I really wanted to keep this camera! Never mind that I didn’t have the elusive 80mm f/2.8 Xenotar. I could use the Biometar and other Pentacon Six lenses I already had first.

So before I wrapped it up to return to KEH, I decided to take one last shot at making this thing work. I played with the advance lever. I felt that this was the root of the problem. I had a thin nail file and I poked it in the thin sliver underneath the film advance lever. It hit something and wallah…

The film advance moved and the mirror came down! 🙂

But, this does not have a happy ending. When I pressed the shutter again, the mirror became stuck once again. The nail file worked once again,  but there was no way I was going to use the camera if I had to do this for every shot!

So back it went to KEH, and before I shipped her off, I took this shot. I should’ve taken more, but I took this at a Fedex Kinko and making a review of this camera two years later was the last thing on my mind.

To show you how much I wanted to keep this camera, I even told KEH if they could repair it, I would take that over a refund. They tried, but in the end they gave me a refund.

Just want to put in a good word about KEH Camera. They are the best used camera dealer out there, I even prefer them over eBay because of their great products, prices, and return policy.

Even though this Exakta 66 Mod III turned out to be a dud, I cannot blame them. Things happen and especially so when you’re dealing with the kind of photographic volume that they deal with on a daily basis. I’ve been buying from them for maybe twenty years or more and over 90% of my purchases have been satisfactory or better. They took this camera back with no hassles.

BOTTOM LINE

If looking for one of these, and I’m not sure that’s a good idea, prices are trending at over $1000 for the body and Exakta, Volna or Biometar 80mm lens and probably quite a bit more with the 80mm f/2.8 Xenotar lens.

I am certainly no camera repair expert and I am sure it’s a good possibility that I just got a bad sample and there’s a lot of good working models out there.

However, based on the information I got from the veteran Pentacon/Kiev/Exakta camera repair man, I would have to say Exakta 66 cameras are not a good buy in my opinion.

You are better off with a Pentacon Six or Kiev 60. They are not without issues either. Many have the same problems with film advance, film spacing, etc. However, they are much cheaper than the Exaktas and parts more readily available should you need a repair.

The Exakta Mod II and Mod III may be cooler, prettier than the brutes that the Pentacons or Kievs are, but they are in essence the same cameras.

I knew this before I made the purchase. However, I went ahead and bought it anyway. I should’ve listened to my head but as Emily Dickinson and Woody Allen said…”The heart wants what it wants” 🙂

If you’re looking at the Pentacon Six or Kiev cameras, then the Exakta 66 Mod III is the ultimate medium format camera from that West German/Russian/Eastern European heritage.

However, it gave me nothing but headaches and wasted time and became one of…the Best Cameras I Never Knew.


Farewell To Autumn

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“Yellow” 2006. Canon EOS 5D, EF 85mm f/1.2L lens.

Well, we still have more than a month to go, but the cold chill is in the air and most of the fall foliage around here are past their peak.

My computer is still in the shop so we are not back and running 100% yet. But I’m having a lot of fun going through some old shots and seeing the kind of equipment I used back then.

This image was taken in 2006 with the EOS 5D Classic and the 85mm f/1.2L first version.

I was walking around the park looking for good light. A very simple image, but I find simple is best for me most of the time.

As I wrote in an earlier review, the original EOS 5D was and is a great image maker and can still hold its own in good light and at low iso settings. It’s probably the best full-frame bargain in today’s used camera market.

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“Autumn Woman” 2006. Epson R-D1, 50mm f/2 Jupiter-8 lens.

The shot above was taken with the Epson R-D1, the world’s first digital rangefinder. I got one in 2006 and even though it is “only” 6 megapixels, the camera has become a digital classic and a cult favorite, certainly a Camera Legend. This is a camera I hope to profile in future postings.

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“The Last Light” 2006. Ricoh GR1, Kodak Gold 400 film. Riverside Park, NYC.

Thanks for taking a look, I know your time is precious so I do appreciate it!


 

The Baddest Cat On The Planet

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“Baddest Cat On The Planet” 2009. Nikon D3, Sigma 50mm f/1.4 EX DG HSM lens.

If Iron Mike Tyson was the “baddest man on the planet” then Garfield must be the baddest cat on the planet! 🙂

Obviously my main computer is not back from repair yet. I tried to do another review using this Chromebook. Couldn’t do it. Things got excruciatingly slow to the point where the computer was asking me if I wanted to “kill it?” for some applications.

So for now I can just throw out images that I had planned to use in reviews. This one is from the Nikon D3, a camera from 2007 that followed the high iso “revolution” led by the original Canon 5D Classic and took it to a whole new level. The 50mm f/1.4 Sigma EX DG HSM was quite a fantastic lens and if you can find a good copy, it is a great and less expensive alternative to today’s “ART” version of the 50mm f/1.4 lens.

I generally don’t do this kind of post-processing, but this one was hard to resist 🙂

Hope you all have a great weekend and I cannot end this post without mentioning the tragic events seen in France today. Wow, what has the world come to?

I’ve never been to Paris, but I feel a special connection with the French. Back in 2003, when I first started posting photos on the web, no one would give a poor kid a glance or a chance until someone from France liked one of my photos and helped get me noticed on that site.

I don’t post as much on photo sharing sites any more, but a lot of it is a game of “likes” and “dislikes” which is something I don’t like! There are so many talented photographers out there and it’s not always easy to get your work noticed.

Anyway, over the years I’ve noticed on a number of sites where I posted photos, my biggest supporters have always been from France. Some have even become cherished friends and comrades, one who I have met in person. Just as they supported me, today I stand with them and all my thoughts and prayers are with them and the good people of France.



 

 

Fright Night Special: Friday The 13th

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“Black Cat” 2011. Canon EOS 5D Mark II, EF 85mm f/1.2L in Bangkok, Thailand.

Yes, it’s Friday the 13th. It is a day that causes fear, hesitation, and all sorts of other anxieties in people. Heck, they even made movies and a tv series out of this! Here is a little tribute to Friday the 13th. I hope it is full of good luck for everyone! 🙂

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“Bad Asses” 2011. Ricoh 8.1mp GRD in Chinatown, NYC. It’s “Child’s Play” for Chucky, Scarface and the entire badass crew 🙂

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“The Camera Monster” 🙂

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“Flashback Fri…” No, no, wait a minute. This is NOT Flashback Friday. For Samuel J. Voorhees, every freakin’ day is FRIDAY!! shh…shh…shh…shh…shh… 🙂

Street Photography Part I: Colors Of The Night

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“Ready, Set…” 2005. Nikon D70s, 85mm f/1.4 AF-D Nikkor. Took this from West Houston Street, NYC. Ten years later, the NYC taxis come in different shapes and colors! I miss the uniform look of the old yellow taxis.

I’m still waiting for my computer to come back from repair. I’m upgrading it too, which is why it’s going to take a little while longer.

While waiting around, I went through some old hard drives using my little Chromebook, which is painfully slow.

Street photography was my main thing before I had kids. Even though I don’t get out as often these days, I’m still fascinated by it and I find pleasure in viewing the street photography of other photographers.

The night has always had a special spot in my heart. When you combine street photography with the night, well that’s heaven for me right there!

Here’s a random selection I got from my drive search. Thanks for taking a look, appreciate it. Hope to have more camera reviews coming soon 🙂

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“PlayPen” 2011. Fuji X100 12.3mp. Times Square, NYC. With the “freedom” of internet porn, places like this are disappearing fast. Maybe this is a good thing, but I miss the ‘grit’ of the New York City of the 70s and 80s, and even into the 90s.

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“Seven” 2011. Bangkok, Thailand. Canon Powershot G10. There are more 7/Eleven stores per square block in SE Asia than anywhere in the USA. Thais just call it “Seven” 🙂

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“Night Bug” 2011. Canon EOS 5D Mark II, EF 50mm f/1.8. i found the “Evil Bugster” in Bangkok, Thailand 🙂

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“Wheel Of Fortune” 2014. Apple iPhone 5.

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“Night Candy” 2013. Fuji X100 12.3mp, Times Square, NYC.

SPECIAL NOTE

Just want to pass along this deal from our friends at Adorama. Right now they are having a steal of a deal on refurbished Nikon D7100 cameras at $499! Wow, for close to the price of a used D7000 at most dealers, you can get the D7100! That’s a tempting deal on a fantastic camera, even for me and I have sworn off buying any more cameras!

Anyone interested in this deal, it expires on 11/25 and you can get it HERE. You can get an awesome camera at a fantastic price and buying from them will help support this site, thank you.