Rolleiflex 3.5F Planar Test Images

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“Sunday” 2017. Baby basking in the Sunday morning light with her YouTube nursery rhymes on her iPad. Rolleiflex 3.5F Planar, Kodak T-Max 400 developed in T-Max RS Developer.

Many of you who read these pages would probably know that I’ve always been a huge fan of Rollei and in particular the Rolleiflex TLR cameras. My favorite of course is the glorious Rolleiflex 2.8C with the Schneider Xenotar lens which I wrote about here.

Even though I’ve shot my many various Rolleiflexes and Rolleicords which were f/3.5 models, I admit I have a peculiar fondness for the 2.8 models.

It may even be some kind of unconscious snobbery, but I (as I’m sure many of you) have a thing for fast lenses and in the world of Rollei TLRs, f/2.8 is IT.

Now this is not something exclusive to the Rolleiflexes or TLRs, it’s everything! I mean, think of how many of you will perceive a 70-200mm f/3.5 zoom lens versus a 70-200mm f/2.8 zoom? Of course, many will gravitate towards the f/2.8 version. That half stop means alot!! At least in the mind 🙂

But the fondness for fast lenses is not just something we want for no reason. For me at least, I prefer shooting in natural or available light, sometimes in less than ideal conditions. A faster lens would allow me to choose a faster shutter speed, minimizing the chances of blurry images. When you’re shooting at f/2.8 and ISO 400 film in dim or available room light, believe me, you’re going to want all the light you can get. There is a method to our madness, a reason after all!

With that in mind, and being that I already have the 2.8C model, I’ve always kept the 3.5F Rolleiflexes out of my mind. The 3.5F just like the 2.8F is also a top-tier model. Both also offer the option of either the Planar or Xenotar lenses.

However the problem for me was that these cameras are also nearly as expensive as the 2.8 models and if I were going to pay that price, I’d just get the 2.8! Now I got the 2.8 fairly cheaply back in 2008. I wouldn’t be able to get one these days with my current finances 😦

So how did I come across the 3.5F? Maybe a little luck and like I said many times before, the cameras come to me! I was looking for something else entirely when I came across an ad for a Rolleiflex 3.5F in what was described as “user” condition. The party said he was selling for his uncle. I asked for detailed pictures and negotiated a price of $200 which was all I could afford at that time.

When I got the camera, I got the sinking feeling that this might be a piece of junk! It looked a little shabby, but I felt I could clean it up. The main thing that troubled me was the shutter didn’t have a reassuring sound. It seemed all the speeds sounded almost the same, and very weak at that. TLR’s generally have soft, quiet shutters anyway, but this one somehow felt different. On top of that the camera didn’t feel as robust as I’ve been used to from my other Rolleiflexes.

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“Brother Fro” 2017. Gotta love the hair on Brother Fro! Rolleiflex 3.5F Planar, Kodak T-Max 400 developed in T-Max RS Developer.

I came to the conclusion that the shutter speeds were not accurate, but I decided to pop some film in it and give it a try. Not expecting much, I just shot randomly around the house using my usual “kid test” that I’ve mentioned before. I didn’t think I’d have anything worthy of posting for you good peeps! I said might as well try some film in it before I put it on the shelf while saving up for a CLA.

When I developed the roll, I said…WOW! This lens is SHARP!! It may even be better than my beloved 2.8C.

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“Sunday” 100 percent crop of the top image. Unaltered, sorry for the dust! But note the detail on the baby’s shirt and the fabric. It’s probably better seen on a computer versus your smartphone.

It’s not all positive though. I believe I was right about the shutter speeds not being accurate. They all appear to be a little slower than their rated speed. How much I can’t determine. Many of the images that should’ve been good were underexposed.

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“Kodak” 2017. Rolleiflex 3.5F Planar, Kodak T-Max 400 developed in T-Max RS Developer. An example shot showing the typical underexposure I experienced testing this camera. Admittedly, this is a bit of a tough lighting scheme and I’m probably to blame for my “guesstimation” exposure. But note the studio light to the right and the spoon on the table to the left. They are sharp. Oh, as a result of my imperfect development, somehow the word “Kodak” from the film strip is etched into this image, and seemingly in the right place for it! 🙂

But the ones that came out sharp, man they were sharp! And contrasty too. This lens made a better impression on me than the 2.8F Planar I tried back in 2004.

I’m going to try another roll in it. Maybe shoot some street with it. I think this lens would be great for that. Will keep you all posted. Till then, Happy Sunday! 🙂

***BLACK FRIDAY AND CYBER MONDAY DEAL ALERTS***  Cell phone cameras have gotten incredibly powerful these days. If I were in the market for a phone right now, it would have to be the Huawei Mate 9, seen below. In addition to the beautifully huge 5.9″ screen and all the other goodies you would expect in a modern smartphone, the crowning glory is the unique Leica dual cameras built in, one of which is a 20mp MONOCHROME sensor!! If you know how much a Leica Monochrom rangefinder camera cost with its unique monochome sensor, then you know what a bargain this is. And this weekend, the phone is only $399 ($100 off) through our affiliated link. Check it out if you’re a b&w or Leica fan!

Huawei Mate 9 Only $399 This Weekend

As much as I love the Huawei Mate, I would have to think the Apple iPhone X is this year’s hottest phone gift. It’s probably the hottest smartphone of 2017! Check the link below and seek out the best prices. Hope you score a deal on the ultimate Apple gadget!

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For you traditional photographers, and I know you’re still out there, the hottest camera of 2017 has got to be the Nikon D850. If there’s one camera that can do everything, this is it! Check the link below and compare prices today to score a deal on this year’s Ultimate Camera gift. Your loving photographer will love you for it!

The Nikon D850:The Ultimate Camera Gift

The Fuji Instax Square might be this year’s “got to have it” photography gift! It combines a digital camera with analog prints. The printer is built into the camera! And at $229.95 and up, it’s affordable! I’m tempted to get this one myself!

The Fuji Instax Square $229.95

If you really love your significant other, and I mean REALLY love them, this would be that “above and beyond” gift! It’s the Fuji GFX 50S Mirrorless Medium Format camera. It offers image quality beyond reproach. Your loving photographer should not be asking for anything else after this one, and if they do send them to me and I’ll set them straight! 🙂

Fuji GFX 50S

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Happy Father’s Day 2017

Happy Father’s Day to all you great fathers out there! While Father’s Day is generally a celebration of you, Daddy, any photographer/dad out there knows the best aspect of being a father is to be able to take photos of your greatest accomplishment life which are your kids. They are what makes you a Father in the first place 🙂

In celebration of this, here’s some photos of my beloved. While I have tried to shift to other subjects in recent postings in order to not “bore” folks who may not like kiddie photos, it’s the photos of my babies that inspire me most so please allow me today to indulge a little. In fact, it’s my tribute to these hard working kids because they are the ones who allow me to create reviews for you by being the main subjects for my camera testing 🙂

Thank you and once again, Happy Father’s Day to all you happy Papas out there and I hope you get some nice cameras and/or lenses today!!

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Any Father’s Day tribute should start with Dad! This is a shot of my late Dad with Baby Zoe from 2008. Pentax K10D, Pentax  SMCP-FA 35mm f/2 AL lens.

 

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“Munchkin In The Tree” 2015. Canon EOS-1D Mark III, EF 135mm f/2L.

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“Spring Fashion” 2013. Contax IIIa, 50mm f/2 Sonnar, Kodak Tri-X 400 deveoped in D76.

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“Cheeri-O” 2016. Fuji Instax Mini 90 Neo Classic.

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“Ho Hum Day” 2011. Nikon F100, Kodak Tri-X, 35mm f/1.8G AF-S DX…yes, the APS-C digital lens!

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“Sunday Girls” 2015. Konica Hexar AF, Ilford Delta 400 in D76.

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“Nine Degrees Of Separation” 🙂 2016. Iphone 6s Plus.

GRD Love: The Original Ricoh GRD Revisted

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“Moose” 2017. Ricoh GRD 8.1mp 🙂

It’s hard to believe, but based on the stats for these pages the original Ricoh GR Digital 8.1mp digital point and shoot camera remains a favorite for those visiting this blog!

Despite me telling you of its issues, how it’s an old camera, how some of these cameras may not even be working any more, y’all ain’t having it cause it’s still one of the top two camera reviews visited on this site! 🙂

Here’s a link to my original review The Original Ricoh GR Digital Review.

That’s ok by me though because I still do absolutely love the original Ricoh GRD and still use it on a regular basis. Despite it coming into the market in 2005 and long discontinued, it still has a very loyal cult following largely based on the beauty of its black and white files.

Here are some recent and not so recent shots with it. The majority of the shots I’ve not posted before. When I used to post of photo sharing sites like Pbase or Flickr or 500px, you could be sure they’d have been posted but blogging kinda makes you lazy. Well me, anyway! The camera does have its quirks and is prone to acting up, but I still love it!

Thanks to those of you who have written to say you got one of these babies based on our review. It warms the cockles of my heart to know you shoot it too. Remember, it is you and I, US, who love this camera, who are keeping this Camera Legend alive. I call you guys the “Cult Of GRD” and I dedicate this post to you 🙂

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“The Razor’s Edge” 2015. Ricoh GRD 8.1mp

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“Black Building” 2016. Ricoh GRD 8.1mp with GW-1 wide angle converter (21mm equivalent), NYC. I don’t know the name of this building, hence I call it “Black Building” 🙂

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“Low-rider” 2017. Ricoh GRD 8.1mp, Queens, New York.

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“Quick Draw” 2016. Ricoh GRD 8.1mp, NYC. Whenever I walk the city streets, I’m always looking for characters. To me the street is much more interesting when you tie the culture with the characters that dwell or live there. I caught this cat as I was walking out of a stationary store on the Upper West Side of Manhattan and I knew I had to get a shot!

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“The Dream Team” 2014. Two of my favorite photographers, these cats are better known as the “Dream Team.” Has it been that long dudes?! Shot at the Photo Plus Expo show at the Jacob Javits Convention Center, NYC.

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“GR Noodles” 2014. Ricoh GRD 8.1mp, Queens, NYC. Ah, the wonders of Vietnamese noodles 🙂

***DEAL ALERT***

From time to time, we’ll pass along deals and news we are receiving from our partners. You hate ads? Skip this. But if you are in the market for any of this stuff, here are some great deals! Thanks for supporting Camera Legend, we do appreciate it!

If you’re in the market for a Ricoh GR of any flavor, click on the photo above and search accordingly. If you’re an Olympus shooter, now is the time to save up to $200 with Olympus Instant Rebates

Just some samples of what you’ll find and the amazing savings…

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Photo Of The Day: “House On Greenwich Street”

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“House On Greenwich Street” 2009. Rolleiflex 2.8C, 80mm f/2.8 Xenotar lens, Kodak T-Max 400 in T-Max Developer in NYC.

About eight years ago I was down in Greenwich Village and just happened to walk by this amazing home that seemed almost completely covered in leaves. It caught my eye and it’s hard to miss. I grabbed my trusty Rolleiflex 2.8C and took a photo of it.

At that time I was posting to photo forums and I titled it “House On Mockingbird Lane” as a tribute to the spooky Munsters television show. That’s the first thing that came to mind since the eery house seemed to be in the process of being “eaten” by the growing leaves. I’m a big fan of these homes covered in leaves and this was one of the best I’ve ever seen.

It was many years later that I discovered the house actually belonged to the famous photographer Annie Leibovitz who was still the owner at that time! She has since sold the place, which I think consisted of three buildings and was called a “compound” by the local papers. As you may or may not know, Annie has photographed Kings and Queens, pro athletes and presidents. She has done it all in photography.

If you want to look at more pictures of the place, search for “755 Greenwich Street.” Quite awesome to see that place in person and then to learn that it belonged to a world famous photographer. That’s why I say…always carry a camera! 🙂

 

Photo Of The Day: “EyeZ”

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Always trying to improve my digital black and white images. Digital photography spawned from an attempt or desire to escape the giant shadow of film, but as they say “you don’t know what you got till it’s gone.” Lots of people genuinely miss the look of film, but not the work involved to shoot, process and develop it, thus since the early days of digital, people have been attemting to create “film-like” images on this modern platform.

I’ve shot film for a long time and I’ve come to accept that you just cannot duplicate film completely, it’s got its own special thing, but digital black and white can have its own charm as well. I’ve so far resisted the urge to use popular software such as Silver Efex Pro, instead I try to tune each pic to my taste by playing with the levels, curves, etc, in Photoshop. I’m not quite happy with my efforts on the whole, but I’ll keep trying.

One thing I can tell you that works well for me is to use old or older lenses on my digital cameras in this effort. I find it gives me a head start. This one was shot with the original Canon EOS-1Ds 11mp camera introduced in 2002 and reviewed on these pages. The lens used was a Contax 50mm f/1.4 MM  Zeiss Planar. If you like using “alt” lenses as I do, that’s cool and you know it’s incredibly fun! I’m going to try to do an article for you on this subject. And as I said, I’ll keep trying to find the best formula for filmic digital black & white, even if such a thing might not exist. If nothing else, it’s a lot of fun! Have a great day good peeps and get out them cameras 🙂

***DEAL ALERT***

From time to time, our media affiliates will send us deals they have going on and since I do not want to burden you good people with advertisement, I decide whether or not to tell you about it. And believe me, the majority of the time I choose not to plug it, much the chagrin of our media friends 🙂

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“Standing Strong” 2013. Fuji X-Pro 1, Canon 35mm f/1.8 ltm. I’ve used the Fuji X-Pro 1 for some time. It’s an outstanding camera with its native Fuji lenses, but is a pain to use with legacy manual lenses such as the Canon I used here. The Fuji X-T1 that I’m talking about in the article is a much better body for this purpose.

Just like you, I know no one likes it when you plug an ad or ask you to click a link, but you should know too writing and equipment reviews take a lot of time and cost money, most of which I spend on my own to give you the best info I can and I do this for free. No one ever sent me a piece of equipment to write about. But that’s ok, I love this thing, that’s why I do it and I can and will always remain objective.

If you buy anything through our links, I don’t get much, if at all, but every little bit adds to help this site grow. And it costs you nothing to do so. Especially if you’re planning to buy the stuff anyway, it’s a win-win.

Anyway, today we got some screaming deals!! Sometimes you get deals and sometimes you get duds. This is a real deal yes! Most of you will know that the Fuji X-T1 is an awesome and capable top end camera that produces amazing pics and it usually goes for $1299. For a limited time, you can now get it brand new for $799!! Ho! $500 off plus other savings through our partners. If you ever wanted to get the Fuji X-T1, this is it. Check out this and other Fuji Deals and if you do get one, drop back here and let me know how you liked it. I bet you’ll love it! Thank you very much, I appreciate your support.

Also a sale on the superb Zeiss Batis 135mm f/2.8 HERE

And instant rebates on the hot new Canon EOS 5D Mark IV.

Classic Cameras: The Rolleiflex 2.8C Xenotar

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The Rolleiflex 2.8C  is a medium format, twin lens reflex camera introduced in 1952 by Franke & Heidecke, aka Rollei GmbH of Germany. The camera produces 6×6 square format images on 120 film.

Although the last remnants of Rollei as we know it vanished completely in 2015, it was and is considered one of the greatest names in photography. Rollei made many, many great and iconic cameras, but their TLR cameras are where they made their name. Today we look at one of their many standout models, the Rolleiflex 2.8C twin lens reflex camera.

UPDATE: One of our readers kindly pointed out that “Rollei” still makes digital medium format cameras.

https://rolleiflex.us/blogs/news-tech-tips-updates/factory-visit-summer-2016-yes-they-are-still-in-business

I’m glad to know this, although I do stand by my statement of the Rollei “as we know it” being gone. However, if the folks running Rollei now can return it to its glory, I’ll be the happiest guy here! Thanks for the information!

ROLLEIFLEX 2.8C INTRODUCTION

If I could only have one camera, it would probably have to be my venerable Rolleiflex 2.8C with the Schneider Xenotar lens. Introduced around 1952-1953, it was the first Rolleiflex model to feature either the Zeiss Planar or Schneider-Kreuznach Xenotar f/2.8 lenses.

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“Red-e-Flex” 2008. Rolleiflex 2.8C, Kodak Portra 400 UC. The Rolleiflex is always ready to shoot…and it’s going to drive you insane man! 🙂

As far as I can tell, the very early versions are known as Type I and only offered the Xenotar lens. The latter version known as Type II offered either the Planar or Xenotar. Keep in mind that “early” and “late” for this camera was only from 1952-1955. I’ve read different accounts that the Planar was offered first and the Xenotar was just a “replacement” lens that were used when production of the Planar was in short supply. I really don’t know and at this point, does it really matter?

It might matter for camera historians, but for shooters either lens I think would be plenty fine regardless of which one came first on the 2.8C model.

Before I go further, I should say that Rolleiflexes have a large and passionate following around the world with many, many Rollei experts out there. I do not consider myself one of those experts. I am just an enthusiast who loves Rolleis and Rolleiflexes and have enjoyed using and collecting Rollei items over the years and doing so “under the radar” (until now I guess!) like I’m sure many of you out there.

The camera is over sixty years old and I think there are already some fine reviews out there. In fact, I’ve decided that I have much more fun giving you a “review” through my impressions and experiences rather than writing a long, formal review. I do try to give you everything I think you might need to know, but I might miss a thing or two. As always I encourage my readers to do more research if they’re really interested. That “search” bar will do you wonders 🙂

With that said, if you are new to TLR photography then I suggest you go and try one out. It doesn’t need to be a Rolleiflex. I could try and explain it, but it will be nowhere as helpful as actually handling a TLR.

This article focuses on the 2.8C model specifically. You will be fine with any of the Rolleiflex 2.8 series, A/B/C/D/E/F…you have lots of choices!

AS A CAMERA

Back to the Rolleiflex 2.8C…Why do I love it? Simple, it always delivers the goods. It’s got a great lens and doesn’t need batteries to operate. I got it used, in bargain condition in 2008. It has never had a CLA, though I think a CLA is long overdue. Keep in mind that the Rollei has a mechanical shutter and that is always going to be less accurate than an electronically timed shutter, so if you feel the speeds are way off, get a CLA.

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“Morning Fuel” 2009. Rolleiflex 2.8C, 80mm f/2.8 Xenotar. Can’t remember the film though it’s most likely Tri-X or Neopan.

The Rolleiflex 2.8C is well built, as are all the top tier Rolleiflexes. The camera weighs roughly 2.5 pounds. It will probably be heavier than a mirrorless with lens, but would weigh less than your mid-level or pro Canon/Nikon body with pro lens. The Rolleiflex is NOT pocketable 🙂

The focus knob is on your left side and the film wind crank is on your right side when the camera is in use. The shutter automatically cocks when you turn the winding crank and pull it back.

Right near the lenses, the aperture control dial will be on your left hand side and the shutter speed control dial on your right hand side. You depress in slightly, then turn. The Rolleiflex 2.8C does not have an EVS system and I consider this an advantage because you need not worry about those dials moving together and you’re free to choose whatever aperture/shutter speed combo you like.

The waist-level finder (WLF) is used for focusing and it snaps into focus nicely. As far as I know, this model is not compatible with the Rollei prism finder, though I never felt the need for one on a TLR. I suppose a skilled technician could modify this, but why bother? The waist-level finder is one of the thrills of TLR photography as far as I’m concerned. If you’re new to TLR photography, the WLF will probably have the biggest initial impact on you.

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A view through the Rolleiflex waist-level finder.

The camera feels good in the hand with a nice heft to it. I prefer it to the smaller Rolleicords. The camera is sure to get you some looks and maybe start a conversation if used in public enough, it is not unobtrusive or inconspicous in any way 🙂

The camera has a shutter speed range of 1 sec to 1/500 plus Bulb.

NO METER? NO PROBLEM

The 2.8C lacks a meter and I don’t miss it. Truth of the matter is, sticking to ISO 400 film and using meterless cameras for years now, I’ve instinctively come to figuring out the exposures I need without much thought. I do not say this in a braggadocious way. It becomes second nature with time and practice as many photographers can tell you.

I am a firm believer that practicing on a meterless camera will make you a more proficient photographer. Plus black and white film is very forgiving, so unless you’re way off, you should be alright. All of the photos in this article were taken with on the fly metering, without the use of a light meter.

But you can certainly use a handheld meter or download a light meter app on your smartphone. I’m not against meters by any means. I use them on any camera that has one. But if a camera has no meter, I don’t bother using one, it adds to the fun and I learn. I generally do find that many times, manually metering old cameras yields better results for me. Just remember the reading from a meter is just your starting point, not the end word to your exposures.

I have tried the phone apps to check against my digital cameras and they work great. In fact, if you’re used to using a meter, get a meterless camera body, start out with a handheld light meter (old school or phone is ok) and then ween yourself off the meter.

THE XENOTAR LENS 

While I hope you can tell from all the cameras profiled here that I am no brand loyalist, you might and probably rightfully so, imagine that I would have preferred the Zeiss Planar. The Zeiss Planar is very well known and quite popular with the masses. In fact, the first Rolleiflex I got years before I got the 2.8C was the 2.8F with the Planar lens, based on reputation of the Zeiss Planar alone.

The truth of the matter though is that while I have used both the 2.8F Planar and the 2.8C Xenotar, I actually prefer the Xenotar.

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“Tickle Me Elmo” 2008. Rolleiflex 2.8C, 80mm f/2.8 Xenotar lens, Kodak Portra 400. The lens was probably stopped down in between f/3.5-5.6.

The above photo of Elmo may seem a silly way to demonstrate the Xenotar lens, but I think the image shows the vibrant colors and high image definition the Xenotar lens is capable of. Check out Elmo’s nose for a little bit of that micro detail/contrast. The image also shows a little bit of the Xenotar’s bokeh in a disadventageous situation. The Xenotar generally delivers pleasing bokeh, but this may seem a tad busy due to those alphabet tiles. In that respect, it’s actually pretty smooth. I know of many other lenses that would not do as well with that background.

One note, I would love to post larger versions here, but the server here no longer supports that. I did try linking a Flickr account to do that, but it ended up being a tedious process of me editing  the links for them to show up correctly. But maybe I’ll try again.

Anyway, while I love the Xenotar, I’m never going to hate on the Planar though so let me just say this was a personal preference based on the two camera samples I had as opposed to something technical about the performance of the lenses. But since I know we all love to read these things, let me say that with these two Rolleiflexes I’ve used, the Xenotar exhibited better perceived sharpness and contrast.

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“Mom’s Kitchen” 2009. Rolleiflex 2.8C, 80mm f/2.8 Xenotar lens, Kodak T-Max 400 in T-Max developer. This was shot in 2009, but looks like it could be a scene from any NYC kitchen from the 1950s and up. As a vintage photo fan, the Rolleiflex and b&w is vintage photo heaven.

The Planar was probably just as sharp, but showed lower contrast. This could have been due to sample variation or defects in the lens, ie, cleaning marks, haze, bubbles, separation, etc, though I did not detect any of this by eye inspection. Keep in mind though that both cameras were already at least fifty years old when I compared them.

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“Fall Back” 2007. Rolleiflex 2.8F, 80mm f/2.8 Planar, Kodak Portra 400 UC. Just a sample shot from the Planar. I would never hate on the Planar, I just like the Xenotar lens better based on my experiences with both lenses. But the soft out of focus areas from the Planar here look quite lovely I think.

Whatever it was, the better sharpness and contrast on my copy of the 2.8C resulted in images with that extra bit of snap to it. This is probably micro details, micro contrast or whatever “micro” you might call it. It adds an extra “pop” to certain images and accentuates that medium format look.

The funny thing is that this “pop” is usually attributed to Zeiss lenses, but in this case it’s not the Zeiss, but the Schneider lens. But Planar fans need not sweat it as the Schneider-Kreuznach (don’t you just love saying that?) Xenotar has been said to be a Planar equivalent or design copy. I have used plenty of Planar type lenses as well as many other Zeiss and Schneider lenses over the years and I can only confirm what others have said…you can’t go wrong with either. Both companies make top notch, world class, and yes, legendary lenses.

NOTES ON BOKEH

One interesting note on the Rolleiflex 2.8C is that the Xenotar on this model has the highly desirable ten aperture blades. That is one of the reasons I settled on the 2.8C. This should result in more rounded, uniform highlights in the out of focus area.

Generally, the Xenotar’s bokeh is smooth and very pleasing. It won’t be super buttery smooth like a modern lens though. You will sometimes get some coma shaped “orbs” in the background, which you see in a lot of vintage lenses. It may not be completely perfect, but I think it actually adds some character to the images. Even modern lenses such as the Canon EOS 85mm f/1.2L exhibit similar characteristics in the bokeh.

The lens does not really do “swirly bokeh” but once in a while, depending on the background, etc, you might see something reminiscent of a swirl I guess.

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“Schwing” 2011. Rolleiflex 2.8C, 80mm f/2.8 Xenotar, Kodak Ektar 100. This man was super chill in Batangas, Philippines.

I’m not making any excuses for it, though it might sound like that. This is a superb lens, but it is an old lens. It has character and I like it the way it is!

One other interesting tidbit to this is that while the ten blades are indeed desirable, most of the time when people are thinking bokeh, they are also using their lenses wide open in which none of the blades are making an impact on the images. Keep this in mind!

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“Gwapo On Grand Street” 2012. Rolleiflex 2.8C, 80mm f/2.8 Xenotar, Fomapan 400 developed in D76. Note the “micro” contrast/details in the hat of this man captured on Grand Street, NYC.

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“Madam” 2011. Rolleiflex 2.8C, Kodak Ektar 100, Manila, Philippines.

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“Nam Tan Wan” 2011. Rolleiflex 2.8C, Kodak Ektar 100, Nakhon Si Thammarat, Thailand. In Thai that means “Sweet Sugar” 🙂

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“Lots Of Opposites” 2009. Rolleiflex 2.8C, 80mm f/2.8 Xenotar lens, Kodak T-Max 400 in T-Max Developer. Baby Z holding one of her first reading books. My friends, boy how fast the time flies. Take plenty of pictures and enjoy life for it passes right before your very eye.

As with any lens of this vintage, it would benefit from a lens hood. Rolleiflex 2.8 models take Bay III filters, hoods, etc. I have not generally had too many issues with bad flaring on the Xenotar, but it’s good insurance to have a hood, especially for a vintage lens older than fifty years. Plus the Rollei hood for this camera is just so damn cool! 🙂

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“Serene” 2012. Rolleiflex 2.8C, Fomapan 400 in D76. Here’s a closer portrait using the Rolleiflex 2.8C with the Rolleinar II close-up lens. The film used was Fomapan 400. This is a wonderful setup for close but comfortable portraits.

BOTTOM LINE

In the 1990s I read a book called “Medium Format Photography” by the late great Lief Ericksenn and he stated Rollei claimed back in the days of the Rolleiflex: “A roll of film, and our camera and you’re in business.”

With all the camera choices we have these days, that may not ring true on specific terms. But relatively speaking, I still think they could make a case for it. With the 2.8C, you have a well built camera that needs no batteries and has an absolutely stellar lens. You have no gimmicks to get in the way or distract you from the joy of picture taking.

Especially when shooting film, medium format can produce results that are often superior to most 35mm film cameras and make images that are a pleasing alternative to modern digital cameras.

I have profiled many legendary cameras here on these pages, all of which are carefully chosen, but not all of them are true Camera Legends. The Rolleiflex series as a whole are without dispute among the most legendary and respected cameras of all time. Thus there is no doubt the Rolleiflex 2.8C is a Camera Legend. It is my favorite among all the TLR’s I’ve ever used and I absolutely love it!

The last remnants of Rollei disappeared in 2015, and they famously auctioned off whatever was left of their factory in Germany. A sad end to one of the true giants of 20th century photography. But the legacy of their cameras, especially the Rolleiflex, is very strong in the hearts, mind, and eyes of Rollei fanatics around the world. I have no doubt the Legend of Rollei will live on for a good long time to come.

Although I love all cameras, any time someone asks me to give my opinion of the greatest camera of all time, more often than not I will say…Rolleiflex baby! 🙂

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PRICE & AVAILABILTY

The Rolleiflex 2.8C is an awesome camera and the great thing is that it is not really a rare or super expensive camera so you can always find one if you keep an eye out.

I got mine in 2008 in BGN condition from KEH for a little over $400. From what I can see, bargains can still be had but prices are trending from $400-900 depending on condition, accessories, etc. Sometimes you may luck out and get one for less than $400, though I’ve never seen a legitimate sale for under $300.

Keep in mind though that, especially when buying from auction sites, the camera will likely be in need of a CLA so try to get one for the lowest price possible, factoring in that you will need to have it worked on, which could well cost you a few hundred more.

A very helpful and accurate way to check your Rolleiflex model is to look up the serial numbers which you can find on this great Rollei site.

http://www.rolleiclub.com/cameras/tlr/info/serial_numbers.shtml

Makes sure the shutter fires and everything that’s supposed to move actually moves. Check the aperture blades to see if they move and check the shutter speeds. The blades may have oil on them, but that should not be a major problem. You may even be able to use the camera for some time as is, even if it does eventually need a CLA. Also make sure whatever should not be moving, isn’t moving!

The main problem I see on these cameras are “shutter speeds not accurate” which may be not the end of the world, especially when using b&w film. Other problems may include dirty or hazy lenses with scratches, fungus, etc, which may affect picture quality. Film transport issues and overlapping frames have been reported, but I’ve never had that problem with the Rolleiflexes I’ve used. All these problems are actually things to watch for in any vintage camera, not just Rolleiflexes.

The good thing is that the Rolleiflexes are well built, durable, and many owners do take very good care of them because they inspire love 🙂

Anyway, if you do come across or own one of these awesome cameras I’d love to hear from you!

***HOT LENS DEALS***

From time to time our affiliates will pass along current deals to us and we decide to post them if we think our readers would benefit.

Today we have some special deals on the hot new Irix 15mm f/2.4 lenses. Irix lenses are high quality lenses designed in Switzerland and produced in South Korea. This ultra-wide angle is fast and (best, for me) is that it’s not a fisheye because I am not a fisheye fan! The few reviews so far seem to indicate excellent optical performance across the frame.

The lens comes in two choices of build quality, keeping economics in mind, while not compromising on image quality. The lower priced lens is called the “Firefly” and it cost $399. The lens is built from lower cost but durable high grade plastics. The “Blackstone” holds the same optics in a magnesium alloy and alluminum housing and goes for $599. I think this is a great notion to sell the same high quality lenses to meet different budgets.

You may check it the out here Irix Lenses

Just a note, if you are going to buy, please do so through our links. It helps to support Camera Legend grow and it helps me to give you the very best I can. Thanks.

Photo Of The Day: “The Beach”

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Oh yes my friends, Summer is now officially here! If it sound a little late, it’s because I actually started this draft on June 20th! Almost a week late and seven dollars short 🙂

Anyway, this is the time all kids look forward to. Do you remember your summers as a kid? Parents, while they may not happy having the rowdy kids home full time, they too will enjoy the summertime as an excuse to bring their kids somewhere that they too may have wanted to go to.

I used to love summers as a kid, but now as an adult I much prefer the spring time. I don’t really enjoy hot weather and from a photographic perspective, I also think the spring is prettier.

Anyway, this is a shot from 2010 taken with a Bronica RF645, 65mm f/4 Zenzanon lens on Kodak T-Max 400 film and developed in T-Max developer. The Bronica Rangefinder or RF (as most people call it) was one of those cameras that I did not expect to like, but ended up loving.

Why did I not expect to like it? As some of you may know, I love fast lenses. The fastest lenses for the RF start at f/4. Of course, you can still get shallow DOF and that medium format look, but f/4 is still f/4 as fas as light transmission goes and I’m always shooting in less than ideal light conditions.

On this shot however, it was in the late afternoon sun and it was good enough for the Zenzanon lens to do its thing.

Also there aren’t many lenses for this system. You’re limited to about three lenses, I think. Having used a Fuji GA645 before, I also was not fond of the default “portrait” orientation on these cameras even though I do a lot of portraits. I’ve gotten used to tilting the camera vertically when I want to do a portrait.

The Bronco RF645 was made during the period when Tamron owned the company so I’ve always wondered if Tamron made the lenses since they are also a well renowned lens manufacturer. Tamron has always made great lenses, most of which were sharp with a modern look. I was concerned that if Tamron made these lenses, they would be sharp but perhaps lack character.

The only reason I got this camera was because I got a very good deal as part of a trade with a photo forum member. I also remember being impressed with some portraits from this camera from some talented shooters on Flickr. I wouldn’t have bought this camera as an outright purchase, but buying and selling works if you want to try other stuff!

I ended up loving the camera and Zenzanon lens because they gave me that “look” that few cameras deliver consistently. The camera and lens, especially when shot on Kodak T-Max 400 always delivered for me.

To me, the shot above has a good balance of sharp focus and just the right amount of bokeh to show the environment. In this case, you can see the hotels on the left side of the picture, in the bokeh zone. If you look hard enough, you may also just barely make out the famous Wildwoods roller coaster in the far distance to the right of the baby. See how the  Zenzanon lens’ focus “melts” from the foreground to the background without getting too “nervous” like some lenses can get. This was shot on Wildwoods Beach on the Jersey Shore.

While I love super shallow bokeh, it is somewhat overplayed in my opinion. The Bronica RF645 and 65mm f/4 Zenzanon is great for environmental portraits which show your surroundings while still giving a very nice and smooth transition from sharp to soft.

This is one combo that I regret letting go! Well, there are quite a few I regret, but I will say again that this combo gave me very consistent results that I loved. Consistent is the key word here! I have a large print of this image on my wall an it looks just as it does here, maybe even better as details are more apparent.

If funds permit and I can find the right one, I may give it another go in the future. I also plan to do a more in depth review of this camera so keep an eye out if you’re interested in the Bronica RF645.

Thanks for looking and enjoy your Summer weekend everybody!