Photo Of The Day: “House On Greenwich Street”

97132994.e5kynzhd.WickedHousePba

“House On Greenwich Street” 2009. Rolleiflex 2.8C, 80mm f/2.8 Xenotar lens, Kodak T-Max 400 in T-Max Developer in NYC.

About eight years ago I was down in Greenwich Village and just happened to walk by this amazing home that seemed almost completely covered in leaves. It caught my eye and it’s hard to miss. I grabbed my trusty Rolleiflex 2.8C and took a photo of it.

At that time I was posting to photo forums and I titled it “House On Mockingbird Lane” as a tribute to the spooky Munsters television show. That’s the first thing that came to mind since the eery house seemed to be in the process of being “eaten” by the growing leaves. I’m a big fan of these homes covered in leaves and this was one of the best I’ve ever seen.

It was many years later that I discovered the house actually belonged to the famous photographer Annie Leibovitz who was still the owner at that time! She has since sold the place, which I think consisted of three buildings and was called a “compound” by the local papers. As you may or may not know, Annie has photographed Kings and Queens, pro athletes and presidents. She has done it all in photography.

If you want to look at more pictures of the place, search for “755 Greenwich Street.” Quite awesome to see that place in person and then to learn that it belonged to a world famous photographer. That’s why I say…always carry a camera! 🙂

 

Photo Of The Day: “Classic Junker”

RD1CarPic

I shot this a couple of weeks ago. I was driving to see some friends when I spotted this “classic” junker underneath some spring blossoms. The contrast of the old car and the color of the buds struck my eyes. Right away, I said HO! I have to get some shots! 🙂

I actually had to turn the car around to come back and take the shot. I’m not so good on cars, but it looked to me like a Ford? If any of you out there can identify it, please do so! I did not come out of my car to take this shot. I respect people and did not want anyone freaking out! I know I probably would be disturbed if I saw someone coming up and taking shots of my car. But this is a vintage old car and it stands out in today’s world, so if I were the owner, I would probably have to expect it.

I shot this with my trusty and old Epson R-D1 and 40mm f/2 Summicron-M. I got this camera in 2006 and if you had told me then that ten years later I’d still be shooting with it, I’d probably say you were crazy! For one, I didn’t think I’d hold on to it for this long. Secondly, I didn’t think it would last this long. But I still have it, and it’s been surprisingly reliable.

I guess I’m still one of those crazy guys (and there’s lots of us out there) who still carries a camera with them everywhere, even when a good cell phone camera will do. I don’t know, I guess I’m still old school.

The Epson R-D1 is the world’s first digital rangefinder camera. It was introduced in 2004. Somehow, Epson beat Leica (well known as THE rangefinder icon) to the punch with this digital body which was made by Cosina and based on their own line of Voigtlander Bessa rangefinder film cameras.

The R-D1 sports a 6.1mp sensor. It is, or is a variation of the very popular Sony sensor found in the Nikon D70/D70s, Pentax *ist D series, Konica Minolta Maxxum 7D/5D series and more. It may be digital, but no it’s not like an outdated computer where it’s unusable. It is a very dated sensor, but it was one of the best of its era and it still produces beautiful pictures.

If you look to at the brick wall to the right of the car, you can see very nice and subtle shadow detail transitions. Very smooth, not harsh. This might have more to do with the 40mm Summicron as well, but I have to give the sensor credit too.

So if you don’t have an R-D1, don’t worry. Just get one of the above mentioned cameras cheap and you’ll have pretty much the same sensor. The thing you won’t have is the ability to use Leica M lenses and the wonderful tactile feel of the R-D1, plus its glorious optical viewfinder.

I’ve spoken, written, referenced this camera many many times, though I’ve never done a full or even partial review of it. As I’ve told many people, this camera truly feels and looks like its film camera equivalent (the Bessa R/R2/R3). It’s kind of funny because compared to a Leica, the Bessa film cameras do feel kind of cheap.

Yet, in digital form, it feels better and more substantial than most digital cameras out there! It’s just normal with digital/analog camera comparisons, and I’ve come to accept it. As an example, take the Olympus OM-1 film camera and then hold a OM-D camera next to it. As much as I love the OM-D’s image quality and shooting capabilities, there’s just no comparison. The OM-1 feels solid and hefty, the OM-D feels light and dinky. And the OM-1 was actually one of the lighter film SLR cameras.

The 40mm f/2 Summicron has always been one of my favorite performers. It provides beautiful sharpness and tonal range. The lens is beautifully small, much like a pancake lens. Normally I find the 40mm focal length, especially the pancakes a little boring, but that’s because most pancakes start at f/2.8. The 40mm Summicron gives me an extra stop of light which opens up more possibilities, not only for the low light shots I take, but for the shallow depth of field I need for portraits. On the R-D1 it’s equal to around 60mm which makes it a little longer than a 50mm standard lens.

It was introduced with the Leica CL, which was a collaboration with Minolta in the 1970s. The Summicron is made by Leitz although a Rokkor-M version, made by Minolta in Japan, is also available. Due to this collaboration, there has always been some debate among camera nerds as to whether the lens is really a Minolta or a Leica? All I can say is that it’s a great lens and that’s all I need to know.

As you can see, I’m actually shooting more than I’m writing, which I guess is a good thing in some ways. If this was ten years ago when I was a single man with no family or responsibilities, I’d probably be doing this blog like crazy. These days, I do it when it strikes my fancy, though I really should be doing it more. Ah, sorry for the rambling. Have a good day friends and happy shooting always! 🙂

***IN STOCK ALERT***

I have been notified by my good friends at Adorama that the Nikon D5 and D500 are now in stock!! If you’ve been waiting patiently for these awesome cameras, here’s your chance to grab one before they sell out the first batch. You may find them in the links below. Thanks for supporting Camera Legend and enjoy your new camera, I’d sure love to hear about it!

Nikon D5 (CF Version)

Nikon D5 (XQD Version)

Nikon D500

Nikon D500 with 16-80 f/2.8-4E VR lens

 

 

Black & White Portraits

JuJu1Pba-2

“The Tsingtao Boy” 2009. Canon F-1N, 50mm f/1.4 FD lens, Tri-X. Chinatown, NYC.

While I do love color photography, there’s just something different about black and white photography that really endears me to it. And when you combine b&w with people (or animals!), that really takes it to another level for me.

These are just some b&w images taken over the years. Like I’ve said before, sometimes I do want to remind myself that I love shooting almost as much as I love cameras…I think! These are also images from cameras I am planning to review for you, cameras like the Leica M8 and the Canon F-1N, which is one of my favorite Canon bodies ever, past or present.

It seems almost unbelievable to me that it has taken this long, but after two weeks I’m finally getting my main working computer back today! As I mentioned before, this really set me back as far as content for this website is concerned and I’m just beginning to catch up. Thanks to those who continue to visit and I do appreciate your time and comments.

This is admittedly going to be a busy week and writing a blog with any kind of content takes a lot of time. Even my shortest article takes me almost half a day. I admire those who can do this consistently on a daily basis, I know I can’t!

Hope you all have a good short week in preparation for the Thanksgiving holiday here in the USA.

301330_2123110929706_5679977_n

“Man In The Middle” 2011. Canon Powershot G10, Paranaque, Philippines.

a0020_22M1PSIBW

“Imported From The Past” 2011. Nikon F4s, Nikkor 28mm f/2.8 AIS. The great Louis Mendes stands out like an icon from the past with his old school Speed Graphic and sharp, retro outfits.

399395_3807078227836_955166717_n

“Vimeo” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. I was buying a lens from this man and I took this shot while testing it. I found out a couple of years later that he is apparently one of the founders of the video sharing site Vimeo!

TheCompetitionC.jpg

“The Competition” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. Sometimes facial expression tells you everything!

L1002321BoBui1

“Time Will Not Wait” 2011. Leica M8, 35mm f/2 Zeiss Biogon. Koh Samui, Thailand.

M8BluesMan1Crop

“Brother Blues” 2010. Leica M8, 50mm f/2 Summicron-M. Washington Square Park, NYC.

PAudMCC

“My Door Is Open” 2011. Leica M8, 50mm f/2 Summicron-M. Nonthaburi, Thailand.

12193438_179280389080157_404639994576245317_n.jpg

“The Godfather Of Bangkok” 2011. Minolta CLE, 40mm f/2 Summicron-M, Tri-X. A scene from a restaurant on the side streets of Bangkok, Thailand. With one hand on his meal, the other hand reaches for the plate before anyone else could get to it first. Don’t mess with the Godfather of Bangkok! 🙂

A couple of my favorite portraits from the selection above were done with Sigma lenses. Our affiliate and friends at Adorama is offering some incredible savings on SIGMA lenses which only runs through 11/30/15 so if you wanted to pick up some of those super sharp “ART” lenses, this is a good time to do it! And if you order within a certain time, they make every effort to ship same day, which is a great benefit to buying from Adorama versus the competition.


 

The Ricoh GR1 Film Camera

The Ricoh GR1 Film Camera Review

The Ricoh GR1 is a 35mm point and shoot camera introduced by Ricoh in 1996. It was considered a high end or “luxury” point and shoot camera.

The GR1 came from a unique era in the mid to late nineties when manufacturers such as Leica, Nikon, Konica, and Contax put out several point and shoot cameras with high specifications, forever changing the way the lowly point and shoot camera was perceived. Ricoh’s first entry into this market was the GR1, and while the luxury point and shoot cameras from all the manufacturers have their own cult following, the GR series might be right there at the top, or second only to the Contax T series in terms of following and reverence.

BUILD AND HANDLING

Among the GR1’s many useful qualities, the best may be its size. It is small, light, thin, and truly pocketable which is one of the reasons why it was and is considered a great street camera.

DSCF0640RGR1FA

“Black Or Silver” 2015. Take your choice of black or silver for the GR1. Either way, you have a very capable, non-flashy point and shoot that’s perfect for street work.

As you know, the best camera is the one you have with you, and with the GR1, there’s no excuse not to have it with you at all times.

This was especially relevant in the 90’s, but maybe not so much today with the advent of high quality phone cameras now on the market. In fact, the phone cameras have largely replaced even digital point and shoots, let alone film versions. However, for the classical street photographer, film remains THE medium of choice.

The GR1’s body feels lightweight with a mix of plastic, metal, and a magnesium alloy chassis.

While the camera is really a point and shoot, with programmed AE and aperture priority only, one of the things that made the GR1 stand out from your standard point and shoot cameras was the ability to control some aspects of the shot. For example, on the top right dial, you have “P” for programmed AE, and then your aperture selection, i.e., f/2.8, 3.5, 5.6, etc, etc.

On your top left, you have an exposure compensation dial that gives you plus or minus two stops.




The original GR1 and GR1s have no manual ISO selection. The GR1s added supposedly better coatings, a backlit lcd, and the ability to use filters, but is pretty much the same camera. The GR1V has it all, plus manual ISO selection, in addition to a few other features like a more flexible SNAP mode. Of course, you also have the GR21 with its super wide 21mm f/3.5 lens, but that’s another animal altogether.

On the GR1, I will just use the exposure compensation dial should I need to make adjustments and it usually works fine for my purposes.

THE LENS

The GR1 is equipped with a super sharp 28mm f/2.8 GR lens. As a guy who lives at 50mm, I initially thought as many people do, that 28mm might be too wide for me. But I have been able to do portraits with it, and it’s perfect for street work.

129739276.Y6Sl2aBn.GR1LitP

“A Portrait Of Dad” 2006. Ricoh GR1, Kodak Gold 400. An example of using the GR1’s 28mm wide angle for portraits. Dad relaxing with a smoke while sitting on a bench in Riverside Park, NYC. After his passing in 2011, I found it hard to look at this shot, knowing that a lifetime of smoking cigarettes killed him. However, with the passing of time, I’ve come to accept that cigarettes were a huge part of his personality and they gave him immense pleasure and relaxation, despite the final outcome. RIP my Papa, I’ll always cherish our moments.

The lens is very good at f/2.8, but is extremely sharp from around f/5.6 and up. For a wide angle, the lens has very little distortion. Maybe some slight barrel, but not significant enough to worry about, especially for street work.

PERFORMANCE

Among the GR1’s great qualities are its fast and accurate AF, and a SNAP mode where the camera will set focus for 2 meters or 6.5 ft to infinity, which cuts down shutter lag allowing for quicker shots. This was a very popular feature with street photographers, and Ricoh has kept this unique feature on every GR camera ever since, including the latest GR 16mp camera.

CarWash074FAC

“Car Wash” 2015. Ricoh GR1, Ilford FP4 Plus 125 in D76 developer. Wildwoods, NJ. Note the flaws in the sky, a result of my imperfect developing.

The camera, while stealthy in its look and size, is certainly not quiet. In a silent room, you will hear the motor advance. However, on the streets, this is generally not a problem.

GR1FP4125HouseWW072

“Tribute NYPD Officers” 2015. Ricoh GR1, Ilford FP4 plus 125. It was good to see the unity that people in Wildwoods, NJ, feel about the recently fallen NYC officers.

ISSUES

The GR1, while certainly a classic, is not without its “issues.” Main problem I have seen on these cameras is the fact that the top lcd goes bad. It’s more common to find GR1’s with bad lcd’s than it is to find one with no lcd issues. Sometimes you will get a partially functioning lcd with missing segments. For example, you press MODE and you will get the “mountains” or infinity symbol, but press again and you’re missing the SNAP symbol. Or you will get a partial frame counter or none at all.

This seems to be a problem on all GR1’s, including the GR1s and the GR1v so inspect carefully before you buy.

This will indeed be a problem for many folks. It is too bad that Ricoh used some very poor lcd’s much like the Contax cameras of that era. All lcd’s can go bad over time, I understand that, but I definitely see this more with Ricoh and Contax. Surprisingly, the Canon EOS line had some of the most trouble free lcd’s of cameras of two decades ago or more.

imgGR1Queens054FA

“Backwards Time Traveler” 2015. Ricoh GR1, Ilford Delta 400.

Another issue is the viewfinder indicators such as the framelines, and focus confirmation goes dim and in some cameras, are barely discernible.

The last and probably most troubling issue would be if the shutter or motor are dying. If this is the case, you can forget about it because Ricoh does not service these cameras any longer. You can usually tell these problems by a shutter that won’t open or close, and a motor that gets progressively noisier.

All that said, the LCD issue which is the most common, is not really a make or break for me. As long as I can set the aperture, I’m good. I do not usually use SNAP mode anyway, and if in doubt, I’ll leave it on “P” mode and pray 🙂

I try to remember that this IS a point and shoot, and if you use it that way, you will generally not be disappointed. At 28mm, you can usually get a sharp shot if you focus on anything five feet away or more. I only worry if I’m trying close portraits.

BOTTOM LINE

The Ricoh GR line is most certainly iconic. No doubt helped by the works of legendary Japanese street photographer Daido Moriyama who helped make using a point and shoot in the streets “hip.”

1441351_10204549930660610_784127188593436077_n

“The Golden Man” 2006. Ricoh GR1, Kodak Gold 400. I loved the light shining down on that afternoon in Riverside Park, NYC. I originally titled this “The Man With The Golden Ear” and Dad was truly a man who would listen to all my issues and offer great advice. He was there to accompany me to an interview. I got the job. He was really a man with the golden touch 🙂

If looking for one of these, prices are trending at $250-350 for the original GR1, $350 and up for the GR1s, and $450-650 for a GR1v, depending on condition.




The Ricoh GR1 is a Camera Legend, and a legend of the streets. It is THE superstar point and shoot camera of street photography. If you can find a rare flawlessly working one, or can live with its known “issues” you will have a very special camera that will reward you with the ability to take fantastic shots in a small and truly pocketable form.

imgGR1ZoeZayFA

“Softees” 2015. Ricoh GR1, Ilford Delta 400. Probably a slow shutter speed and some movement resulted in a soft image. Almost didn’t put it in the review, but I love the faces 🙂

***THE SONY A9 MIRRORLESS IS HERE!!!***

When Sony puts a “9” onto one of their cameras, it indicates that this is their TOP camera. Just when you thought the A7RII was their top dog, no friends, it is the A9. This camera has such a high burst rate that you may finally leave your top EOS or Nikon bodies behind for that once in a lifetime shot.

I hope to procure one for review, but chances are some of you readers will get one before I do. Our good friends HERE will be able to get the A9 as soon as it’s in stock as well as everything else you might want to go with the camera. It’s all in the link. Thanks for supporting Camera Legend!

The Original Ricoh GR Digital: A Look Back

The Original 8.1mp Ricoh GR Digital Review

The Ricoh GR Digital was an 8.1 megapixel point and shoot camera released by Ricoh in 2005 in Japan.

In subsequent years, Ricoh released the GR Digital II, III, IV, and in 2013 they released their current 16mp GR with an APS-C sensor. Because of the similar naming scheme, the original GR Digital (aka “GRD” for short) is often confused with the current model when doing an internet search.

All the GR Digital cameras are the offsprings of the GR1, a high end point and shoot film camera from 1996 that was made famous by the street work of legendary Japanese photographer Daido Moriyama who used the GR series extensively.

10616595_10204097397667568_2295921593728941090_n

The original 8.1mp Ricoh GR Digital. My favorite point and shoot camera of all time.

Let’s be clear: I am only referring to the first version, which is the 8.1 megapixel GR Digital.

This camera is perhaps my favorite point and shoot of all time, film or digital. It is in its basic form, it is a small sensor point and shoot with a fast and sharp 28mm f/2.4 lens. But to cut to the chase, its powers lie in its ability to produce “film-like” black and white images with a grit and grain that some say is similar to a Kodak Tri-X look.

In color, it’s really quite unspectacular, especially at higher iso’s. In color, it’s almost like any other average everyday point and shoot. But in b&w, the camera shines.

GRDDreamscapeP

“Dreamscape” 2006. Ricoh GRD 8.1mp, ISO 64.

While nothing could ever emulate real film, the GRD produces black and white images that I really love. It’s gritty, it’s raw, it’s real.

I have used the new 16mp GR and I STILL prefer the original GRD for black and white work. I mainly used it for street photography, but have done portraits with it too.

GRRainyPba

“A Rainy Night In The City” 2007. Ricoh GRD 8.1mp, ISO 800.

GRDCP

“The Lady In Black” 2006. Ricoh GR Digital 8.1mp, ISO 200.

The original GRD, and indeed, the whole GR Digital series have a cult following that began with their film siblings. If looking for one of these, from what I can see, the GRDIII and GRDIV are most plentiful on the used market. The GRDII can also be found quite easily. They are all great, but lack the b&w charm of the original.

The original can still be found, but it is the oldest on the market and becoming scarce. It’s not so much that people are snapping them up, though that may also be the case. I actually think a lot of these cameras are no longer working or not working properly.

“Waiting For Food” 2014. Ricoh GR Digital 8.1mp. The menu looked good, but the wait at this Filipino restaurant on Roosevelt Ave in Queens, NY, took forever.

I’ve had two of them. The first one I got in 2006. I used it almost every day and wore it out. It developed a well-known problem where the “ADJ” or adjust toggle fails to work and freezes the camera. You need to open the battery compartment for a few seconds and close it to restart the camera.

The second one I got developed the same problem. I got around the problem by keeping the camera in b&w mode and keeping it at ISO 800 and not messing with anything else.

RepentPba

“Repent” 2008. Ricoh GRD 8.1mp, ISO 800.

Additional issues include dust on the sensor, and slow write times in RAW. I don’t know how it got in there, but I once had a large piece of fuzzy “something” on the sensor of my first GRD 🙂

SlowPba

“The Slowest” 2007. Ricoh GR Digital 8.1mp, ISO 800. In a city of fast moving vehicles, I think I may have found the slowest 🙂

Anyway, these are things to be aware of should you be looking for one of these. Remember these are quite old by digital standards, but if you get a good working one, you’ve got something special. Prices are trending at $80-200 USD so I wouldn’t pay any more than that.

The original Ricoh GR Digital is unique and produces b&w digital files in-camera that I believe are still unmatched today. In my book, it’s a Camera Legend. If you find a good working copy, keep it!

Below are some additional images from the camera. Thanks for stopping by 🙂

GREaglesElmhurst

“Eagles Over Elmhurst” 2008. Ricoh GR Digital 8.1mp, ISO 64.

138655983.oichjcMN.GRDonnyWife

“Grey Poupon” 2011. GR Digital 8.1mp, ISO 800.

PowerPlantPba

“Plant City” 2008. Ricoh GR Digital 8.1mp, ISO 100. Please click on photo for a larger and better view.

GRCartLadyPba1

“The Cart Lady” 2009. Ricoh GR Digital 8.1mp, ISO 800.

GRTreesUP

“Black Rain” 2007. Ricoh GR Digital 8.1mp, ISO 800.

GRFancyPot

“The Royal Flush” 2011. Ricoh GR Digital 8.1mp, ISO 800.


WHERE TO BUY?

This camera was introduced in 2006 so it is no longer available new. You may try the usual route, ie, eBay, KEH, Craigslist, B&H and I have also seen them on Amazon while searching for Ricoh GRD as well as Adorama’s USED section.

ALTERNATIVES

While I don’t think many cameras can duplicate the b&w charm of the original GRD, you can get very good black and white images from any of the GRD’s predecessors. Of course, a Leica Monochrom if you have that kind of cash 🙂

You may want to try the Nikon V series cameras, such as the Nikon V1 I reviewed, which does excellent film-like color images or the latest Canon G series cameras such as the G9X or the ultra-slim G5X camera, a very cool looking camera!

I was impressed with the b&w images using the Grainy B&W effect on the Canon EOS-M I reviewed HERE.

Good luck and have fun with whatever camera you get! 🙂

***THE SONY A9 MIRRORLESS IS HERE!!!”

When Sony puts a “9” onto one of their cameras, it indicates that this is their TOP camera. Just when you thought the A7RII was their top dog, no friends, it is the A9. This camera has such a high burst rate that you may finally leave your top EOS or Nikon bodies behind for that once in a lifetime shot.

I hope to procure one for review, but chances are some of you readers will get one before I do. Our good friends HERE will be able to get the A9 as soon as it’s in stock as well as everything else you might want to go with the camera. It’s all in the link. Thanks for supporting Camera Legend!

***DEAL ALERT***

From time to time, our media affiliates will send us deals they have going on and since I do not want to burden you good people with advertisement, I decide whether or not to tell you about it. And believe me, the majority of the time I choose not to plug it, much the chagrin of our media friends 🙂

Just like you, I know no one likes it when you plug an ad or ask you to click a link, but you should know too writing and equipment reviews take a lot of time and cost money, most of which I spend on my own to give you the best info I can and I do this for free. No one ever sent me a piece of equipment to write about. But that’s ok, I love this thing, that’s why I do it and I can and will always remain objective.

If you buy anything through our links, I don’t get much, if at all, but every little bit adds to help this site grow. And it costs you nothing to do so. Especially if you’re planning to buy the stuff anyway, it’s a win-win.

Anyway, today we got some screaming deals!! Sometimes you get deals and sometimes you get duds. This is a real deal yes! Most of you will know that the Fuji X-T1 is an awesome and capable top end camera that produces amazing pics and it usually goes for $1299. For a limited time, you can now get it brand new for $799!! Ho! $500 off plus other savings through our partners. If you ever wanted to get the Fuji X-T1, this is it. Check out this and other Fuji Deals and if you do get one, drop back here and let me know how you liked it. I bet you’ll love it! Thank you very much, I appreciate your support.

Also a sale on the superb Zeiss Batis 135mm f/2.8 HERE

And instant rebates on the hot new Canon EOS 5D Mark IV.