Photo Of The Day: “Classic Junker”

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I shot this a couple of weeks ago. I was driving to see some friends when I spotted this “classic” junker underneath some spring blossoms. The contrast of the old car and the color of the buds struck my eyes. Right away, I said HO! I have to get some shots! 🙂

I actually had to turn the car around to come back and take the shot. I’m not so good on cars, but it looked to me like a Ford? If any of you out there can identify it, please do so! I did not come out of my car to take this shot. I respect people and did not want anyone freaking out! I know I probably would be disturbed if I saw someone coming up and taking shots of my car. But this is a vintage old car and it stands out in today’s world, so if I were the owner, I would probably have to expect it.

I shot this with my trusty and old Epson R-D1 and 40mm f/2 Summicron-M. I got this camera in 2006 and if you had told me then that ten years later I’d still be shooting with it, I’d probably say you were crazy! For one, I didn’t think I’d hold on to it for this long. Secondly, I didn’t think it would last this long. But I still have it, and it’s been surprisingly reliable.

I guess I’m still one of those crazy guys (and there’s lots of us out there) who still carries a camera with them everywhere, even when a good cell phone camera will do. I don’t know, I guess I’m still old school.

The Epson R-D1 is the world’s first digital rangefinder camera. It was introduced in 2004. Somehow, Epson beat Leica (well known as THE rangefinder icon) to the punch with this digital body which was made by Cosina and based on their own line of Voigtlander Bessa rangefinder film cameras.

The R-D1 sports a 6.1mp sensor. It is, or is a variation of the very popular Sony sensor found in the Nikon D70/D70s, Pentax *ist D series, Konica Minolta Maxxum 7D/5D series and more. It may be digital, but no it’s not like an outdated computer where it’s unusable. It is a very dated sensor, but it was one of the best of its era and it still produces beautiful pictures.

If you look to at the brick wall to the right of the car, you can see very nice and subtle shadow detail transitions. Very smooth, not harsh. This might have more to do with the 40mm Summicron as well, but I have to give the sensor credit too.

So if you don’t have an R-D1, don’t worry. Just get one of the above mentioned cameras cheap and you’ll have pretty much the same sensor. The thing you won’t have is the ability to use Leica M lenses and the wonderful tactile feel of the R-D1, plus its glorious optical viewfinder.

I’ve spoken, written, referenced this camera many many times, though I’ve never done a full or even partial review of it. As I’ve told many people, this camera truly feels and looks like its film camera equivalent (the Bessa R/R2/R3). It’s kind of funny because compared to a Leica, the Bessa film cameras do feel kind of cheap.

Yet, in digital form, it feels better and more substantial than most digital cameras out there! It’s just normal with digital/analog camera comparisons, and I’ve come to accept it. As an example, take the Olympus OM-1 film camera and then hold a OM-D camera next to it. As much as I love the OM-D’s image quality and shooting capabilities, there’s just no comparison. The OM-1 feels solid and hefty, the OM-D feels light and dinky. And the OM-1 was actually one of the lighter film SLR cameras.

The 40mm f/2 Summicron has always been one of my favorite performers. It provides beautiful sharpness and tonal range. The lens is beautifully small, much like a pancake lens. Normally I find the 40mm focal length, especially the pancakes a little boring, but that’s because most pancakes start at f/2.8. The 40mm Summicron gives me an extra stop of light which opens up more possibilities, not only for the low light shots I take, but for the shallow depth of field I need for portraits. On the R-D1 it’s equal to around 60mm which makes it a little longer than a 50mm standard lens.

It was introduced with the Leica CL, which was a collaboration with Minolta in the 1970s. The Summicron is made by Leitz although a Rokkor-M version, made by Minolta in Japan, is also available. Due to this collaboration, there has always been some debate among camera nerds as to whether the lens is really a Minolta or a Leica? All I can say is that it’s a great lens and that’s all I need to know.

As you can see, I’m actually shooting more than I’m writing, which I guess is a good thing in some ways. If this was ten years ago when I was a single man with no family or responsibilities, I’d probably be doing this blog like crazy. These days, I do it when it strikes my fancy, though I really should be doing it more. Ah, sorry for the rambling. Have a good day friends and happy shooting always! 🙂

***IN STOCK ALERT***

I have been notified by my good friends at Adorama that the Nikon D5 and D500 are now in stock!! If you’ve been waiting patiently for these awesome cameras, here’s your chance to grab one before they sell out the first batch. You may find them in the links below. Thanks for supporting Camera Legend and enjoy your new camera, I’d sure love to hear about it!

Nikon D5 (CF Version)

Nikon D5 (XQD Version)

Nikon D500

Nikon D500 with 16-80 f/2.8-4E VR lens

 

 

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Black & White Portraits

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“The Tsingtao Boy” 2009. Canon F-1N, 50mm f/1.4 FD lens, Tri-X. Chinatown, NYC.

While I do love color photography, there’s just something different about black and white photography that really endears me to it. And when you combine b&w with people (or animals!), that really takes it to another level for me.

These are just some b&w images taken over the years. Like I’ve said before, sometimes I do want to remind myself that I love shooting almost as much as I love cameras…I think! These are also images from cameras I am planning to review for you, cameras like the Leica M8 and the Canon F-1N, which is one of my favorite Canon bodies ever, past or present.

It seems almost unbelievable to me that it has taken this long, but after two weeks I’m finally getting my main working computer back today! As I mentioned before, this really set me back as far as content for this website is concerned and I’m just beginning to catch up. Thanks to those who continue to visit and I do appreciate your time and comments.

This is admittedly going to be a busy week and writing a blog with any kind of content takes a lot of time. Even my shortest article takes me almost half a day. I admire those who can do this consistently on a daily basis, I know I can’t!

Hope you all have a good short week in preparation for the Thanksgiving holiday here in the USA.

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“Man In The Middle” 2011. Canon Powershot G10, Paranaque, Philippines.

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“Imported From The Past” 2011. Nikon F4s, Nikkor 28mm f/2.8 AIS. The great Louis Mendes stands out like an icon from the past with his old school Speed Graphic and sharp, retro outfits.

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“Vimeo” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. I was buying a lens from this man and I took this shot while testing it. I found out a couple of years later that he is apparently one of the founders of the video sharing site Vimeo!

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“The Competition” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. Sometimes facial expression tells you everything!

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“Time Will Not Wait” 2011. Leica M8, 35mm f/2 Zeiss Biogon. Koh Samui, Thailand.

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“Brother Blues” 2010. Leica M8, 50mm f/2 Summicron-M. Washington Square Park, NYC.

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“My Door Is Open” 2011. Leica M8, 50mm f/2 Summicron-M. Nonthaburi, Thailand.

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“The Godfather Of Bangkok” 2011. Minolta CLE, 40mm f/2 Summicron-M, Tri-X. A scene from a restaurant on the side streets of Bangkok, Thailand. With one hand on his meal, the other hand reaches for the plate before anyone else could get to it first. Don’t mess with the Godfather of Bangkok! 🙂

A couple of my favorite portraits from the selection above were done with Sigma lenses. Our affiliate and friends at Adorama is offering some incredible savings on SIGMA lenses which only runs through 11/30/15 so if you wanted to pick up some of those super sharp “ART” lenses, this is a good time to do it! And if you order within a certain time, they make every effort to ship same day, which is a great benefit to buying from Adorama versus the competition.


 

Classic Cameras: The Nikon SP

The Nikon SP is a fantastic shooter and a Camera Legend.

 

The Nikon SP is a classic rangefinder camera, introduced in 1957. It is the apex of all Nikon rangefinders. Actually, the black Nikon SP 2005, a reissued limited edition of the SP would probably be considered the Holy Holy Grail! I recently saw the SP 2005 camera and 35mm f/1.8 kit come up for sale at KEH for $3799. Unfortunately, I don’t have that kind of cash. Needless to say, it sold quickly.

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“Dreamtime” 2014. Nikon SP, 35mm f/1.8 W-Nikkor, Holga 400 film. It’s New Year’s Eve 2014, and ho! Looks like Grandma the babysitter is falling asleep 🙂

I used a Nikon S2 rangefinder with the 50mm f/1.4 Nikkor S mount lens a few years back and loved it, which led me on a chase for the SP. And the lens I wanted was the 3.5cm (35mm) f/1.8 W-Nikkor, which is probably the one most Nikon S users want. It took me a couple of years, but I was able to get the camera and lens separately for under a $1000. You gotta have patience! 🙂

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“Slices Of America” 2015. Nikon SP, 35mm f/1.8 W-Nikkor, Holga 400 film.

The SP is Nikon’s first professional grade camera. That alone gives it a lot of historical significance. It is the camera that precedes the pro Nikon F single lens reflex. In fact, if you look at the top plate, the SP is basically a Nikon F in rangefinder form. Shutter speeds are up to 1/1000 plus B and T. The Nikon S mount lenses and the Nikon F lenses are NOT compatible.

The SP as compared to a Leica M is a little more fidgety in use. The lenses and lens mount need to be aligned a certain way for the lenses to be attached. The focus wheel is cool, but is much slower in actual use. Fortunately, you can focus lenses the old fashioned way by using your hands on the lens.

The shutter is smooth and the build is solid, as you’d expect from a Nikon and I have been able to get sharp shots with speeds as low as 1/30th in low light on ISO 400 film.

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“Gyro” 2015. Nikon SP, 35mm f/1.8 Nikkor, Holga 400 film.

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“Papaya King” 2015. Nikon SP, 35mm f/1.8 W-Nikkor, Holga 400 film.

If looking for an SP, prices are trending from $600 (plain jane chrome body only) to almost $4000 for rare editions such as the SP 2005 with the 35mm f/1.8 Nikkor.

Despite its quirks, especially when compared to the smoothness of a Leica M, the Nikon SP is one of my favorite rangefinders to use. When paired with the awesome 35mm f/1.8 W-Nikkor lens, it is a street shooters dream for film.

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“New Years Lady” 2015. Nikon SP, 35mm f/1.8 W-Nikkor, Holga 400 film.

The Nikon SP is a Camera Legend and definitely worth your time to seek one out. I haven’t shot much film in the last few months, but I noticed the last three rolls of film I shot were all on the Nikon SP. For me, that says it all.

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“The Crazy Duck” 2015. Nikon SP, 35mm f/1.8 W-Nikkor, Holga 400 film.

Note: The Holga 400 film was not my first choice for this camera. I had shot the first couple of rolls on Ilford XP2 (chromogenic), but just as I was done, my local C41 developer stopped developing color film! I had a roll of Holga 400 black and white film and decided to try it out. I think it’s a good film, but developed in D76, it was a bit too grainy for me. Don’t get me wrong, I love “grainy” but with the SP and 35mm f/1.8 I wanted a film that would get more out of the combo. I think the Holga film would be perfect where it belongs…in a Holga camera 🙂

The Original Ricoh GR Digital: A Look Back

The Original 8.1mp Ricoh GR Digital Review

The Ricoh GR Digital was an 8.1 megapixel point and shoot camera released by Ricoh in 2005 in Japan.

In subsequent years, Ricoh released the GR Digital II, III, IV, and in 2013 they released their current 16mp GR with an APS-C sensor. Because of the similar naming scheme, the original GR Digital (aka “GRD” for short) is often confused with the current model when doing an internet search.

All the GR Digital cameras are the offsprings of the GR1, a high end point and shoot film camera from 1996 that was made famous by the street work of legendary Japanese photographer Daido Moriyama who used the GR series extensively.

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The original 8.1mp Ricoh GR Digital. My favorite point and shoot camera of all time.

Let’s be clear: I am only referring to the first version, which is the 8.1 megapixel GR Digital.

This camera is perhaps my favorite point and shoot of all time, film or digital. It is in its basic form, it is a small sensor point and shoot with a fast and sharp 28mm f/2.4 lens. But to cut to the chase, its powers lie in its ability to produce “film-like” black and white images with a grit and grain that some say is similar to a Kodak Tri-X look.

In color, it’s really quite unspectacular, especially at higher iso’s. In color, it’s almost like any other average everyday point and shoot. But in b&w, the camera shines.

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“Dreamscape” 2006. Ricoh GRD 8.1mp, ISO 64.

While nothing could ever emulate real film, the GRD produces black and white images that I really love. It’s gritty, it’s raw, it’s real.

I have used the new 16mp GR and I STILL prefer the original GRD for black and white work. I mainly used it for street photography, but have done portraits with it too.

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“A Rainy Night In The City” 2007. Ricoh GRD 8.1mp, ISO 800.

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“The Lady In Black” 2006. Ricoh GR Digital 8.1mp, ISO 200.

The original GRD, and indeed, the whole GR Digital series have a cult following that began with their film siblings. If looking for one of these, from what I can see, the GRDIII and GRDIV are most plentiful on the used market. The GRDII can also be found quite easily. They are all great, but lack the b&w charm of the original.

The original can still be found, but it is the oldest on the market and becoming scarce. It’s not so much that people are snapping them up, though that may also be the case. I actually think a lot of these cameras are no longer working or not working properly.

“Waiting For Food” 2014. Ricoh GR Digital 8.1mp. The menu looked good, but the wait at this Filipino restaurant on Roosevelt Ave in Queens, NY, took forever.

I’ve had two of them. The first one I got in 2006. I used it almost every day and wore it out. It developed a well-known problem where the “ADJ” or adjust toggle fails to work and freezes the camera. You need to open the battery compartment for a few seconds and close it to restart the camera.

The second one I got developed the same problem. I got around the problem by keeping the camera in b&w mode and keeping it at ISO 800 and not messing with anything else.

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“Repent” 2008. Ricoh GRD 8.1mp, ISO 800.

Additional issues include dust on the sensor, and slow write times in RAW. I don’t know how it got in there, but I once had a large piece of fuzzy “something” on the sensor of my first GRD 🙂

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“The Slowest” 2007. Ricoh GR Digital 8.1mp, ISO 800. In a city of fast moving vehicles, I think I may have found the slowest 🙂

Anyway, these are things to be aware of should you be looking for one of these. Remember these are quite old by digital standards, but if you get a good working one, you’ve got something special. Prices are trending at $80-200 USD so I wouldn’t pay any more than that.

The original Ricoh GR Digital is unique and produces b&w digital files in-camera that I believe are still unmatched today. In my book, it’s a Camera Legend. If you find a good working copy, keep it!

Below are some additional images from the camera. Thanks for stopping by 🙂

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“Eagles Over Elmhurst” 2008. Ricoh GR Digital 8.1mp, ISO 64.

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“Grey Poupon” 2011. GR Digital 8.1mp, ISO 800.

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“Plant City” 2008. Ricoh GR Digital 8.1mp, ISO 100. Please click on photo for a larger and better view.

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“The Cart Lady” 2009. Ricoh GR Digital 8.1mp, ISO 800.

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“Black Rain” 2007. Ricoh GR Digital 8.1mp, ISO 800.

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“The Royal Flush” 2011. Ricoh GR Digital 8.1mp, ISO 800.


WHERE TO BUY?

This camera was introduced in 2006 so it is no longer available new. You may try the usual route, ie, eBay, KEH, Craigslist, B&H and I have also seen them on Amazon while searching for Ricoh GRD as well as Adorama’s USED section.

ALTERNATIVES

While I don’t think many cameras can duplicate the b&w charm of the original GRD, you can get very good black and white images from any of the GRD’s predecessors. Of course, a Leica Monochrom if you have that kind of cash 🙂

You may want to try the Nikon V series cameras, such as the Nikon V1 I reviewed, which does excellent film-like color images or the latest Canon G series cameras such as the G9X or the ultra-slim G5X camera, a very cool looking camera!

I was impressed with the b&w images using the Grainy B&W effect on the Canon EOS-M I reviewed HERE.

Good luck and have fun with whatever camera you get! 🙂

***THE SONY A9 MIRRORLESS IS HERE!!!”

When Sony puts a “9” onto one of their cameras, it indicates that this is their TOP camera. Just when you thought the A7RII was their top dog, no friends, it is the A9. This camera has such a high burst rate that you may finally leave your top EOS or Nikon bodies behind for that once in a lifetime shot.

I hope to procure one for review, but chances are some of you readers will get one before I do. Our good friends HERE will be able to get the A9 as soon as it’s in stock as well as everything else you might want to go with the camera. It’s all in the link. Thanks for supporting Camera Legend!

***DEAL ALERT***

From time to time, our media affiliates will send us deals they have going on and since I do not want to burden you good people with advertisement, I decide whether or not to tell you about it. And believe me, the majority of the time I choose not to plug it, much the chagrin of our media friends 🙂

Just like you, I know no one likes it when you plug an ad or ask you to click a link, but you should know too writing and equipment reviews take a lot of time and cost money, most of which I spend on my own to give you the best info I can and I do this for free. No one ever sent me a piece of equipment to write about. But that’s ok, I love this thing, that’s why I do it and I can and will always remain objective.

If you buy anything through our links, I don’t get much, if at all, but every little bit adds to help this site grow. And it costs you nothing to do so. Especially if you’re planning to buy the stuff anyway, it’s a win-win.

Anyway, today we got some screaming deals!! Sometimes you get deals and sometimes you get duds. This is a real deal yes! Most of you will know that the Fuji X-T1 is an awesome and capable top end camera that produces amazing pics and it usually goes for $1299. For a limited time, you can now get it brand new for $799!! Ho! $500 off plus other savings through our partners. If you ever wanted to get the Fuji X-T1, this is it. Check out this and other Fuji Deals and if you do get one, drop back here and let me know how you liked it. I bet you’ll love it! Thank you very much, I appreciate your support.

Also a sale on the superb Zeiss Batis 135mm f/2.8 HERE

And instant rebates on the hot new Canon EOS 5D Mark IV.