Good morning you awesome camera geeks! Here’s a recent shot with the Nikon DF and vintage 58mm f/1.4 Nikkor, not the new version. I really love the look of this old Nikkor for portraits!
The DF has a beautiful 16mp sensor that I feel lends itself well to portrait work. Even though it’s an older sensor now (same sensor as D4), it’s still an amazing performer. A smooth sensor. Not so digital looking but not quite film like either. Almost unique. It’s like the D3 sensor but even better!
Here’s another photo to whet your appetite! I used an action to create a chrome like look. I’m not sure I’m ready to do a review yet but hopefully soon! Still got a lot to learn about the DF but it should be fun!
Good morning you awesome camera geeks! A couple of years ago I posted a video on YouTube called “Benefits Of A Cheap Camera.”
Now in that light hearted and cringe worthy video, which was filmed very badly on an old iPad, I went on to jokingly point out why using a cheap camera could be beneficial.
Before YouTube began hiding dislikes, I recalled that video get quite a fair number of dislikes although there were, fortunately, more likes than dislikes.
I chalked it up to people not “getting” my light hearted, comedic style of camera reviews. I truly think some of my best ad lib camera jokes are on that video! 😍😂
This video was one of the reasons why, for a long time, I viewed the audience on YouTube as “stiffs.” Meaning, I felt they couldn’t take a joke, they couldn’t read between the lines because if they did, they would see that I was actually offering some solid advice!
Seriously, in that review, I mentioned that the Vivitar V3800n (which was the featured camera), was a very affordable, all manual film camera that uses the very popular and iconic Pentax K mount which opened the doors to an abundance of great and affordable lenses.
All this started because a friend had asked about getting into film photography and was asking if he should get a Leica, Contax, or Nikon? Which led me to the thought…why does a film beginner need to spend a lot of bucks?!
Now I’m not here to tell anyone how to spend their money but having been down this path before I felt it wouldn’t hurt to try and help someone save some money!
Another factor is the real likelihood of someone like my friend, who has been shooting digital exclusively, will end up giving up on film and be stuck with a bunch of expensive gear that he’d have to try to eventually sell. And guess who he’d come to, to help him sell it? 😂
THE CHEAP CAMERA CHALLENGE
I’ve seen a bunch of “cheap camera challenges” and although entertaining, I never thought of doing a video on it until now.
Part of the reason is that, as someone who has admittedly been spoiled by using Leica, Contax, Nikon, etc, it was very hard for me to contemplate “wasting” a roll of film on a cheap camera. Now I know that sounds elitist but honestly with the rising prices of film these days, I really only want to use this precious commodity on something I’m interested in.
So with that kind of thinking, I realized I had lost my roots. I started photography with a Minolta X-700 and a cheap Vivitar point and shoot in the 1980s. I have documented this fact many times here.
So considering that I had only used the Vivitar V3800n once or twice in all the years that I’ve had it, I figured this would be a good time to use it again and document the results with you guys here and on YouTube!
So I put in a roll in early January and just finished the roll near the end of last month and here are the results.
All photos in this set were taken with the Vivitar V3800n, 50mm f/1.7 Vivitar lens and shot on Ilford HP5 Plus and developed in Xtol.
PRICE & AVAILABILITY
The Vivitar V3800n is cheap and still easily found on the used market. Prices can range anywhere from $10-40 USD for the body only and same for the Vivitar 50mm f/1.7 MC lens. Sometimes you might even be able to find them for free! 😍
If you can’t find the V3800n, any of the V series bodies will do for basic shooting.
The V3800n was made by Cosina and uses a Pentax K mount so lenses are plentiful and can be very cheap. You don’t need to use a Vivitar branded lens if you do not want to.
The Vivitar V3800n and 50mm f/1.7 Vivitar lens were the most fun I’ve had with a film slr in a while!
It’s not perfect, I’m not going to lie. It feels cheap and there are some issues that might be detrimental to beginners. I explain all that in the video.
But once you learn how to use the camera you will see that it’s capable of taking good pictures. And there’s just a “cheap thrill” (pun intended) to getting satisfying results on cheap equipment, like you got more than your money’s worth!
I’ll even go out of my way to say that it’s perfectly capable of taking pictures as good as any equivalent combo. By that I mean, for example, a Pentax K1000 with 50mm f/1.8 or Canon AE-1 with 50mm f/1.8 FD lens or Minolta X-700 with 50mm f/1.7 MD lens. These are just some examples but you could add your own and as long as you’re being fair, I can say the Vivitar will match up to it! No it will not beat a $5000 Leica or Zeiss 😀
In conclusion, my main point of doing this cheap camera challenge is to show, especially beginners, intermediates, or anyone wanting to get into film photography that it doesn’t have to be expensive. You can have a lot of fun with film photography without paying a lot!
Good morning you awesome camera geeks! Usually I create a post and link a video but due to lack of time, I’m just giving you guys the link! 😍
In today’s video, you will see Olympus legends such as the Pen F film camera, the E-1 Digital, as well as the rare M-1, progenitor of the OM-1, a camera many of you read about right here in my 2015 review.
I’ve been working very hard creating content for the Camera Legend YouTube channel but I haven’t forgotten my home base here ❤️
Once the YouTube channel goals are accomplished, I hope to be back here writing full time! Thanks always for your support! 😍🙏👍
Good morning you awesome war torn camera geeks! For your Flashback Friday here is a camera I was surprised to find out recently that some people consider “one of the most important cameras in film camera history.” It’s the Lomo LCA from 1984.
I’ve had this camera for about five years and you guys know I do my research before buying any camera. I’ve never heard anyone call it one of the “most important cameras” until recently when I came across this in Dpreview and from reading the forums there, it seems that other people were surprised too!
Now it’s a cool, funky little Soviet era camera that takes decent pics, at best, but one of the most important cameras? Am I missing something guys? I respect the people who wrote the original article and as I’ve said, I don’t claim to know everything so I’m looking to you guys to fill in the blanks! 🙏🙏
This camera is based off the Cosina CX-1 which I don’t think is considered one of the most important cameras in history. I’m guessing maybe it’s because the LCA might have started the Lomography thing? This is really a curiosity for me! You tell me guys!! I’d be very grateful to learn what made this camera so important! Thanks! 😎🙏🏻👍🏻
PS: For you hardcore camera geeks, I got the wide angle adapter on it! 😍👍🏻
For Flashback Friday, Travis is back! And today he gives you the dish on government cheese and GE digital cameras! 😂👍🏻
Good day awesome war torn camera geeks and if I haven’t said so already Happy New Year 2022!! I hope your New Year is going to be the best so far.
Note: This post was obviously started earlier in the month but just posted yesterday! I should have said Happy Belated New Year! 😍
As many of you readers know, I’m quite a nostalgic fellow. Even as a younger man I had always thought fondly of good times and memories in my past. Now as I grow older the nostalgia has gotten more intense, if anything.
Where is this leading to? Well, it’s leading to today’s Camera Legend, the Bronica RF645.
THE BRONICA RF645
The Bronica RF645 is an interchangeable lens, medium format rangefinder camera manufactured by Bronica of Japan. It came to market in the year 2000 and was discontinued in 2005.
At the time of the Bronica RF645’s production, Tamron had already taken over Bronica since 1998.
Tamron is a Japanese manufacturer known mostly for their production of 35mm lenses which they made for a multitude of camera mounts, including Canon, Nikon, Pentax, Minolta, and more. They were and are known as a third party manufacturer and supplier of lenses and accessories.
The RF645 shoots 6×4.5 images on 120 film. The lenses available for the camera were the 45mm f/4, the 65mm f/4, the 100mm f/4.5, and the 135mm f/4.5 lenses.
For a more dynamic experience check out my Bronica RF645 YouTube review. To spice it up, there are some sample photos on the video that are not here and vice versa. If nothing else, check out the “Image Analysis” segment. It will show you what you cannot see, or might miss when viewing sample images straight on 😎📸👍🏻
Most of the samples here are from my early days with the RF645, circa 2010-2015. The latter images are from last month, December 2021. All images taken with the Bronica RF645 and 65mm f/4 Zenzanon RF. Due to a mix up, some scans may be lower in quality than they should be and due to the time constraints of trying to post the video and publish the article at the same time, I haven’t been able to update it.
Please check my YouTube video for a couple of color samples, a double exposure, and most importantly the geeky “Image Analysis” segment. That, you don’t want to miss! 😍
BRONICA RF645 ESSENTIALS
The Bronica RF645 is a manual focus rangefinder medium format camera that takes 6×4.5cm images on 120 film.
The Bronica RF645 is at its heart an electronic camera and it runs on two CR2 batteries.
There are four lenses made for the camera. The 45mm f/4, the 65mm f/4, the 100mm f/4.5, and the 135mm f/4.5 Zenzanon RF lenses.
The RF645 has a dedicated flash unit, the RF20 flash.
MY EXPERIENCE WITH THE RF645
I first came across the Bronica RF645 in 2010. It was not actually a camera on my radar of cameras to get but I had seen some great photos from a photographer friend who spoke highly of it.
I had also read many great threads on this camera on rangefinderforum.com a very nice and close knit community for rangefinder photography enthusiasts.
As always, I was more of a lurker than a contributor. I love looking at the photos and soaking in the knowledge of the great photographers there!
I was too shy really to contribute. I may have once or twice, I can’t remember but I was not a prolific poster. Some of the folks there are prolific! I could mention a bunch of names but I don’t want to out anyone 😍
They must be shy too though. I’ve never had an rangefinder forum member comment here or on my videos, at least not that I know of. Don’t be shy guys and girls! You cats on RFF are da bomb! You own this genre. Open up and say hi! 😎📸👍🏻
Anyway I ended up buying a Bronica RF645 body and 65mm lens kit used for $700 in 2010.
I DID NOT EXPECT TO LIKE IT BUT…
Although I first bought the RF645 in 2010, I didn’t expect to like it. Why wouldn’t I like it? Well I was not too keen on the vertical format although I figured I’d get used to it. It’s not that I don’t like vertical shots, I mean portraits are mostly vertical. It’s that as someone used to 35mm where horizontal framing is the norm, it may take some getting used to.
I was also concerned about the slowish f/4 to f/4.5 lenses. Also knowing the 6×4.5 is not all that much larger than 35mm, relatively speaking, well that also gave me reason to pause.
In 2010, I was really into the bokeh phase of my photography. I had been a bokeh whore for years already with lenses like the Nikkor 50mm f/1.2 AIS, the Canon 85mm f/1.2L, but the Canon 50mm f/0.95 “Dream Lens” that I got in 2009 really set me off!
But isn’t the Bronica RF a medium format camera? Shouldn’t it give better bokeh effect because of the larger film format you might ask?
Well, yes the Bronica is a medium format camera but not all medium format cameras were created equal or for the same purpose.
For one thing, remember the slowish f/4 and f/4.5 lenses which on 6×4.5 would translate to roughly f/2.5 and f/2.8 respectively as far as what you might get in shallow depth of field or its bokeh “look.” However you must remember that f/4 and f/4.5 is still f/4 and f/4.5 in its light gathering abilities.
Secondly, rangefinder cameras, whether 35mm or medium format never focus as closely as their SLR counterparts so you can’t recreate or enhance the bokeh effect by just getting closer like you can with many SLR lenses.
So why buy it in the first place? As I said, I saw some great images and my photographer friend, who I met on Rangefinder Forum, kind of pushed me over on it although I didn’t buy it from him. His wasn’t for sale!
As with most of my photographic purchases, I figured I could sell it if I didn’t like it.
So why did I end up liking the camera, or more correctly, loving the camera so much?
Well it’s the combination of really quite impeccable sharpness, contrast, and at times, even bokeh from the 65mm f/4 Zenzanon RF lens that won me over. And these virtues worked well for me, especially for portraits where the vertical orientation of the framing works perfectly.
WHAT THE BRONICA RF645 TAUGHT ME
The Bronica RF645 and especially its 65mm f/4 lens taught me how to better appreciate subtle bokeh.
Yes I’ve seen subtle bokeh from other lenses many times before but they always got overlooked especially if I’m using a camera where I can swap out the lens and use a fast 85-90mm portrait lens. But since I’ve only used the 65mm f/4 on the RF645, I don’t have any of its other lenses to swap out so I’m stuck analyzing every frame. That’s how I came to appreciate the qualities of the 65mm Zenzanon RF more.
My two favorite forms of photography are portrait and street. The RF645 is an excellent camera for both! Just as long as you understand, the 65mm is not going to give you the classic head and shoulders portrait. The best you can get is a half or full body. It’s great for environmental portraits of people in their surroundings, which in turn makes it a great lens for street portraits.
When you’ve used lenses like the Canon 50mm f/0.95, the 85mm f/1.2L, the Leica Summilux 80mm f/1.4, or the Hasselblad 110mm f/2, you get really spoiled with that “in your face” bokeh look.
You’re not going to get that with the 65mm f/4 Zenzanon. What you get is subtle bokeh that accentuates and complements the subject rather than overtake the subject.
For a lot of the bokeh lenses I mentioned, ie, the Canon 50mm f/0.95, many times the “look” created by the unique characteristic of the lens becomes the subject. In other words, people are drawn to the look created by the Dream Lens first, then to the actual subject second.
The Bronica 65mm with its much more subtle bokeh helps to draw the viewers to the main subject first.
Sometimes people worry that this means the lens itself has no character but that really depends on the viewer and how one sees it.
For me, the Bronica 65mm f/4 Zenzanon RF, especially with a film like Tmax 400 gives me images with the kind of character I like!
It mixes excellent “modern” sharpness from a lens built in the late 90s or early 2000s with just the right amount of contrast that gives me a kind of look I like. Images can look vintage and modern at the same time.
I can’t pinpoint it but black and white images from the 65mm Zenzanon reminds me of black and whites from the Twilight Zone tv series but at the same time, not! Confusing ain’t it? 😂
Don’t be confused, it’s all in the eye of the beholder 😍👍🏻
BRONICA RF645 PROS
1. Portability. The biggest pro for the Bronica RF645 would probably be portability. It’s not a small camera by today’s standards but it is portable for a medium format camera. It will fit nicely into most camera bags that could hold a DSLR and lens.
It is hefty but light enough to carry around all day without feeling its weight too much.
2. More Shots Per Roll. Another pro is the fact that 6×4.5 gives you more shots per roll. What the RF645 loses in negative size, it makes up for in shots per roll and you’ll get about 16 shots
3. Handling & Ergonomics
I find the RF645 to have excellent handling and ergonomics. The viewfinder is nice and bright and the viewfinder lcd display is green and easy to read.
The controls are well placed. The shutter speed dial has nice, distinctive clicks and doesn’t move out of place too easily. The shutter speed range is 1/500 to Bulb.
The camera has a very competent set of controls on its back door, which includes the ISO settings, a self timer, and multiple exposure capabilities. Please check my YouTube video for a closer look.
Before I get to the Cons, here’s a quick look at the lenses…
BRONICA RF645 LENSES
Although I can only speak to the 65mm f/4 because it’s the only lens I’ve used on the RF645, I can say that if the other three lenses are consistent with the 65mm, then you can be assured of top notch optical performance.
The 65mm f/4 has a field of view equivalent to 39 or 40mm on 35mm film cameras.
The 45mm f/4 is a wide angle that has a field of view equivalent to roughly a 28mm (27.9 to be exact) on 35mm film. There is no frame lines for it on the RF645 so you either have to use the optional external finder or do without the finder.
The 100mm f/4.5 is usually seen as a telephoto but it corresponds to roughly 60mm on 35mm film making it more like a longer “normal” rather than a telephoto lens.
The 135mm f/4.5 is roughly 80mm on 35mm film which puts it in the classic portrait category.
As far as I know, the 135mm is very hard to achieve precise critical focus due to the RF645’s short rangefinder base.
Early RF645 cameras came with the viewfinder mask in the finder for the 135mm but apparently Bronica offered a free upgrade to anyone wanting to send the camera in for the 100mm viewfinder mask “upgrade.” Apparently they had heard complaints of focusing difficulty with the 135mm and tried to shift customers towards the 100mm.
1. Repairability. The main con of the Bronica RF645 is the possibility of expensive or hard to find repair service should your camera need servicing.
The film winder is a potential weak point. I have heard of people breaking the winders when used over enthusiastically. Mine has never broken in the five years that I had it but I always wind the film gently because the winder always had a bit of a fragile feel to it.
Another commonly reported problem is an out of alignment rangefinder window.
Now both of these problems could probably be fixed by a competent camera repair man but the problem really comes from availability of parts, or lack thereof.
Also one must remember that at its heart, the RF645 relies on electronics and as with all things electronic things are bound to fail as age and time takes its toll.
2. Increasing Prices. Another con for the RF645 is the increasing prices on this beautiful camera and its lenses.
Just like all the great Camera Legend cameras of yesteryear, prices have been increasing steadily over the past few years.
It’s still not as bad as the price increases on other legends such as the Mamiya 6 or 7, or the Leica film cameras but it’s getting there!
Keeping all these cons in mind, should you still decide to get one I can say that it is a great camera system that will produce exceptional results!
PRICES & AVAILABILITY
The Bronica RF645 and its lenses can still be easily found especially on eBay. The bodies come and go on sites like Keh or UsedPhotoPro.
If you are looking for the RF645, prices are trending at $1000-1500 USD for the body in good to excellent condition.
The 45mm and 65mm Zenzanon are easiest to find and trending at $500-750 for the 45mm and $450-650 for the 65mm.
The 100mm and 135mm are harder to find and prices are trending at $900-1400 for the 100mm and $1600-2000 plus for the elusive 135mm.
Some people think the 135mm is a unicorn because they have never seen it for sale but I have seen it on eBay and more recently on Keh where they were asking $1700 plus for it in Excellent condition. It was on their site for a couple of weeks.
I’d love to try one but the price for the 135mm was way too much for something I know I’d use once or twice.
I nearly bit the bullet on the 100mm many times but didn’t. Only a year ago I saw the 100mm in the $600-800 range. Now it’s probably too late for me to buy one because I’m not willing to spend over $1000 for it. Remember my favorite quote that I borrowed (stole!) from Steve Windwood? “While you see a chance, take it!” Well sometimes I don’t take my own advice and now it’s too late for me 😢
Everyone has different needs but for me, honestly, the 65mm is probably the only lens I need for the RF645. It’s a very sharp, high resolution lens that’s perfect for environmental portraits and street work. Check the “Image Analysis” segment of my YouTube video for a clear demonstration of its resolving power.
The Bronica RF645 is an amazingly brilliant camera that puts great handling and sharp optics into a highly portable package.
Brought to market in the year 2000, it represents the best of what can happen when a lens legend like Tamron and a Camera Legend like Bronica work together.
It also represents the climatic end of Bronica. A great camera manufacturer that started out trying to compete against medium format giants like Hasselblad and Rollei only to find themselves always underrated and underestimated.
Pros and enthusiasts always knew how great Bronica cameras and lenses were but it’s hard to compete when you’re up against not only Hasselblad and Rollei, but also Mamiya Fujifilm and Pentax, all of which have greater name recognition from the general public.
The RF645 was their last medium format camera and in terms of ease of usability, perhaps their best.
It also didn’t help that the RF645 was introduced during the dawn of the digital era. Had it been introduced a decade earlier, say around 1990, perhaps it would have stayed on the market longer than five years, which in all honesty is already longer than you might have expected!
Anyway that’s all pure conjecture now. The Bronica RF645’s story is history but this Camera Legend lives on in the hearts, minds, and eyes of photographers like myself and many others. In my opinion, it’s the most fun 645 camera I’ve ever used and more importantly, it produces consistent results that I love!
IS IT WORTH IT? IS IT FOR YOU?
Due to increasing prices and possible repairability issues, I would say NO for most people.
But for you HARDCORE camera geeks, I’d say YES!! Get it now before prices go beyond its worth!
What is a HARDCORE camera geek? Camera Legend definition: A camera geek who knows the risks but is willing to take it 😍👍🏻
Over the past few months, and indeed over the years some of you have reached out to me here, on Facebook, Instagram, and YouTube asking me basically something that sounds like this:
“Sam I really want a Contax T2, or a Konica Hexar, or a Nikon 35ti, or a Ricoh GR1 but the prices on those cameras are insanely high. Can you recommend a low cost alternative that delivers the goods?”
Now if you’re one of those people who asked, or if you echo those same sentiments then I would ask you…why do you want those cameras?
For some, it’s most likely because those premium cameras are among the most wanted on the YouTube playlist. In fact, the YouTube reviews by young millennials might be the driving force to why these cameras have skyrocketed in price. Kendall Jenner was just a catalyst with the T2 but the YouTube reviews thereafter took the prices into the atmosphere!
Now for you guys who are really into photography, you may have wanted one of those premium cameras for street photography. By and large, the premiums like the T2, Hexar, 35ti and of course the Ricoh GR1 have a deservedly good reputation as street cameras.
But the insanity of the high prices on those cameras keeps the thinking man from jumping in. Can you really get comparable quality from cheaper cameras?
Today I have an alternative for you that I believe is an excellent choice, and at perhaps at 1/10th the price of most premiums.
And that camera is the Yashica 35CC. It is a camera I believe to be Yashica’s hidden gem.
The Yashica 35CC/CCN is a compact, 35mm rangefinder with a 35mm f/1.8 Color-Yashinon fixed lens.
The camera has a shutter speed range of 8 seconds to 1/250 and a flash synch of 1/30th of a second. The camera runs on one 6 volt 544 or equivalent battery.
For those who are interested in this camera, this video review may have the answers to your questions. It’s a pretty deep dive into this camera!
IMPRESSIONS OF THE ELECTRO 35CC AND IN USE
While I’ve used several Yashica Electro models over the years, the 35CC was a late addition to my collection and I got it around 2018-2019.
My first impression is that the camera is much smaller than more well known models like the Yashica Electro GS/GSN.
According to the Camera-Wiki, the Yashica Electro 35CC is “wrongly” thought by some to be part of the Yashica Electro family. However as I show on my YouTube video, you can’t blame people for “wrongly” thinking that when it actually says “Electro 35CC” on the top of the camera! 😀
But the thing that stands out right away and the thing that is indeed the star feature of the Electro 35CC/CCN. It is that bright 35mm f/1.8 lens!
Traditionally, rangefinders from this era have fixed lenses in the 40-45mm range. Think the Olympus SP, the Canonets, or even the aforementioned Yashica Electro GSN.
And even premium compacts like the Contax T2 has a 38mm f/2.8 lens. So the lens on the Electro 35CC at f/1.8 is a stop faster than the 2.8 on the Contax T2, Nikon 35ti, Leica Minilux, and marginally faster than the Konica Hexar’s 35mm f/2.
What does that extra speed buy you? The ability to shoot in lower light conditions and hopefully getting a good shot. And even though the 35mm focal length has never been known as a bokeh monster, the extra fast f/1.8 might help coax out that extra bit of bokeh.
What doesn’t it have that the premium compacts mentioned above does? It doesn’t have autofocus for one thing. It doesn’t have a Carl Zeiss lens or a Ricoh GR lens but without those brand labels, the prices can be kept low. That’s a positive thing!
The Yashica Electro 35CC is small and compact and feels good in the hand. It’s a little on the thick side so it’s not exactly pocketable for the usual pant pockets.
The rangefinder patch on my copy is nice and contrasty making it easy to focus. There are dual focus tabs on the lens which is a nice touch.
The controls are sparse. The camera is basically aperture priority. You select the aperture via the markings on the lens and the camera selects the shutter speed. The shutter speed range is a whopping 8 seconds to 1/250th for the top speed.
The camera gives no indication of what speed it chooses. The only indication is a + or – for over or underexposure.
On my particular camera that indicator no longer works. I can’t see anything indicating over or underexposure. The battery check on my camera is also not working. However, that did not stop the camera from producing mostly well exposed images.
If you run out of batteries there is a default mechanical speed. Some sites say it’s 1/250th but others say it’s 1/30th. In my opinion, based on usage, it seems the default shutter speed without a battery is 1/30th.
All images below were taken with the Yashica Electro 35CC and Kentmere 400 film developed in Xtol.
Based on my own tests, I believe the 35mm f/1.8 Color-Yashinon DX lens to be excellent.
In the above images, I can see that the lens is really only held back by the film (Kentmere 400) and/or my developer Xtol.
At f/1.8 there is a touch of softness (as are most lenses wide open) but it’s actually sharper at f/1.8 than I expected so I’m perfectly fine with its performance.
From f/4 to f/11 you can expect excellent sharpness and good contrast, assuming the camera chooses a fast enough shutter speed.
PRICES, AVAILABILITY & WHERE TO BUY
The prices for the Yashica Electro 35CC are trending from $80-130 USD.
I’ve read that this camera is hard to find but I don’t think it’s that hard to find. I got mine from KEH in 2018 or 2019 for around $100.
In fact, while working on this article I saw one last week, again at KEH for $133 in EX condition.
It is true that you don’t see them too often from USA dealers. However they are plentiful on eBay, from sellers in Japan.
As mentioned before, I have bought many times from Japan without issues. However, you must do your research on the seller, as always, no matter what country it comes from.
The Yashica Electro 35CC is a hidden gem! It may not be as well known or as desirable as say a Contax T2 or Nikon 35ti, but especially for street photography I find the images it produces just as satisfying.
And the fact that you can find these cameras for about $100 USD on average, well, that adds incredible value and enjoyment to using this camera!
The Yashica Electro 35CC/CCN may never go down on its own as a true Camera Legend (but it might!), but there is no doubt that the Yashica Electro series as a whole are Camera Legends that have made memories for people for decades.
In my opinion, the Yashica Electro 35CC is one of the best that you can get from this series, even if Camera-Wiki doesn’t consider it part of the Electro family 😀
If you see one at the prices I mentioned, buy it! And tell ‘em Sam sent you 😎📸👍🏻
Good morning you awesome camera geeks! Today for your Throwback Thursday I’m just sharing with you a YouTube “Shorts” playlist.
Now in case you don’t know, YouTube recently rolled out a feature called “Shorts” in which users can put out videos that are 60 seconds or less, in vertical format.
I’m not sure if YouTube ever mentioned this but it seems obvious that this was done to counter videos by rival Tik-Tok.
Anyway, I started using it for fun and also as a way to give a little spotlight to cameras and lenses I own or have owned, but have yet to fully review.
If you haven’t seen these already, the items spotlighted so far are: the Leica R8, Minolta TC-1, Canon 70-200mm f/2.8L which I referred to as my “most unused lens,” Topcon Super D, Canon Dream Lens and EOS RP, and my famous or “infamous” $20 dollar Vivitar PS-20 point and shoot and maybe others I don’t remember off the top of my head!
Why don’t just make full video reviews of these items? Well, I’d love to, and some are half done but time constraints from work and family prevents me from finishing these projects sooner. I don’t make any money on YouTube yet so I need to give priority to my real job 😍
Plus, now with a little YouTube experience, I can sense that while a camera like the Topcon Super D or Graflex Norita may appeal to a small cult, they will be largely ignored by my viewers until I have a larger subscription base so I’ll save them until they can be properly appreciated.
Nothing worse than putting a lot of time into videos that will get little views! But yes, I know it’s better to post something than nothing at all so I’ll keep trying 😎😍😎👍🏻
FUNNY PHOTO OF THE DAY
I love an app called Snapchat! The girls think I’m getting old because it’s an “old” app. Is time moving so fast that a five or six year old app is old?! All I can say is…I still love it! 😍❤️😍
Good morning you awesome and beautiful camera geeks! Well 2020 will go down as the year Covid-19 came into the world and left a path of death and destruction.
Therefore I hate to say that, by God’s good grace, I prospered during that year.
As many of you know, my other job besides Camera Legend is in health care where I work as a physical therapist.
This photo was shot with a Nikon DF and 50mm f/1.8 Special Edition Nikkor. It’s a dream camera I’ve wanted since its introduction in 2013.
Just like many of you, my first thoughts during the initial wave of the coronavirus pandemic in 2020 was that I wasn’t going to buy any more cameras and lenses.
I saw what the virus did to people and to the economy and it scared the heck out of me.
When I saw my first Covid-19 patients last year, I have to admit I was scared shitless! I seriously thought of quitting. But I didn’t.
The more patients I saw, the more I realized these people needed me. In those early days a COVID patient was almost like a leper. I remember that same attitude towards HIV patients.
So I took on more hours as my coworkers had to quarantine from contracting COVID. Some even quit and were enjoying life on unemployment.
It got to a point where I said you know what, if I’m going to die from this thing I might as well go out with a bang!
I am grateful and really very lucky to have not tested positive for COVID thus far 🙏🏻🙏🏻
So with the extra money I made I picked up a few of the cameras and lenses on my bucket list and the Nikon DF was one of them. It also helped that prices on high end cameras were unusually low at the start of the pandemic.
Anyway I’ll tell you guys more about my experiences with the DF in future articles and videos!
I know of the negative economic impact COVID has made on so many people so I am not writing this article to brag about getting a cool camera. In fact, my sensitivity to this point is why I’ve waited so long to reveal it to you.
And even though I feel guilty for treating myself, please remember that I did WORK for it! I went into those rooms with COVID patients while some took off, quit, or enjoyed that extra $600 in unemployment money.
Anyway the Nikon DF is a fantastic camera but there are some things that I didn’t like about it. But hey that’s a topic for another day! Stay safe, stay healthy. That virus is still raging even with the vaccines. Have a blessed day my fellow camera geeks! 😍📸👍🏻
Good morning you awesome war torn camera geeks! Recently I found this photo and it’s quite timely because this week, the little baby in the photo is turning fourteen! I can hardly believe it!
This image was a self portrait taken in 2007 with a Rolleiflex 2.8F with the 80mm f/2.8 Planar lens. Film unrecorded but I’d bet it’s either Tri-X or T-Max. When it comes to film choices, I’m nothing if predictable 😍
I don’t think I’ve used a self timer before or since on a TLR!! Have you?
Friend, as you know there’s always a healthy dose of nostalgia on my pages and it’s not without reason. This weekend the twentieth anniversary of the September 11th 2001 attacks came to pass. Twenty years in the blink of an eye.
Same here with this photo. 2007 was a year that changed my life and yet every year it is seemingly passing by ever faster, becoming a fading memory. I’m not sure how other people deal with the passage of time but I’m just a sentimental fool I guess. My Dad was like that, I guess it runs in the family!
I cannot stop time but I can record it through photographs. I suggest you do the same because in the end memories are all we’ve got. Have a beautiful week good peeps! And thanks😍🙏🏻👍🏻