Happy Thanksgiving Friends!

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“Happy Thanksgiving Baby” 2007. Canon EOS 5D, EF 50mm f/1.8

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“Turkey Hill” 2014. Canon Powershot S3 IS. Never saw a turkey this high up a tree before until I saw this in upstate New York ๐Ÿ™‚

Just want to wish everyone a happy and safe Thanksgiving holiday. Iย have a lot to be thankful for and I want to thank anyone and everyone who has ever stopped by and glanced or read my wacky postings. Only in a free world can this happen! Sorry to keep this short, hope to get some new reviews in soon. Wishing you all the best for the holidays.

Best, Sam

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“Turkey Mini” 2010. Leica Minilux. I always get a kick out of this one! I look back on this shot and say who in their right mind would use a nice little camera like the Minilux to shoot a turkey when a digital point and shoot or a phone is all you need for this? ๐Ÿ™‚

Black & White Portraits

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“The Tsingtao Boy” 2009. Canon F-1N, 50mm f/1.4 FD lens, Tri-X. Chinatown, NYC.

While I do love color photography, there’s just something different about black and white photography that really endears me to it. And when you combine b&w with people (or animals!), that really takes it to another level for me.

These are just some b&w images taken over the years. Like I’ve said before, sometimes I do want to remind myself that I love shooting almost as much as I love cameras…I think! These are also images from cameras I am planning to review for you, cameras like the Leica M8 and the Canon F-1N, which is one of my favorite Canon bodies ever, past or present.

It seems almost unbelievable to me that it has taken this long, but after two weeks I’m finally getting my main working computer back today! As I mentioned before, this really set me back as far as content for this website is concerned and I’m just beginning to catch up. Thanks to those who continue to visit and I do appreciate your time and comments.

This is admittedly going to be a busy week and writing a blog with any kind of content takes a lot of time. Even my shortest article takes me almost half a day. I admire those who can do this consistently on a daily basis, I know I can’t!

Hope you all have a good short week in preparation for the Thanksgiving holiday here in the USA.

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“Man In The Middle” 2011. Canon Powershot G10, Paranaque, Philippines.

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“Imported From The Past” 2011. Nikon F4s, Nikkor 28mm f/2.8 AIS. The great Louis Mendes stands out like an icon from the past with his old school Speed Graphic and sharp, retro outfits.

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“Vimeo” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. I was buying a lens from this man and I took this shot while testing it. I found out a couple of years later that he is apparently one of the founders of the video sharing site Vimeo!

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“The Competition” 2006. Canon Rebel XT, Sigma 30mm f/1.4 EX DC. Sometimes facial expression tells you everything!

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“Time Will Not Wait” 2011. Leica M8, 35mm f/2 Zeiss Biogon. Koh Samui, Thailand.

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“Brother Blues” 2010. Leica M8, 50mm f/2 Summicron-M. Washington Square Park, NYC.

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“My Door Is Open” 2011. Leica M8, 50mm f/2 Summicron-M. Nonthaburi, Thailand.

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“The Godfather Of Bangkok” 2011. Minolta CLE, 40mm f/2 Summicron-M, Tri-X. A scene from a restaurant on the side streets of Bangkok, Thailand. With one hand on his meal, the other hand reaches for the plate before anyone else could get to it first. Don’t mess with the Godfather of Bangkok! ๐Ÿ™‚

A couple of my favorite portraits from the selection above were done with Sigma lenses. Our affiliate and friends at Adorama is offering some incredible savings on SIGMA lenses which only runs through 11/30/15 so if you wanted to pick up some of those super sharp “ART” lenses, this is a good time to do it! And if you order within a certain time, they make every effort to ship same day, which is a great benefit to buying from Adorama versus the competition.


 

The Best Camera I Never Knew Part Four: The Exakta 66 Mod III Medium Format Camera

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The Exakta 66 Mod III. A dream camera of West German/Russian heritage and one of the best cameras I never knew ๐Ÿ™‚

Sometimes your lust over-rides your head and clouds your better judgement. This was certainly the case with the next camera in “The Best Camera I Never Knew” series.

THE EXAKTA 66 MOD III

The Exakta 66 MOD III (model III) is a medium format camera introduced in 1997. Though the original Exakta 66 was produced by West German company Ihagee, the exact origins of the MOD II and MOD III are somewhat unclear.

The main thing you need to know is that all these Exakta models are a variation of the Pentacon Six, so they are all 6×6 mechanical SLR cameras that use 120 medium format film. They resemble, from afar, the Pentax 6×7 and look like a giant 35mm camera on steroids.

There is a great website http://www.pentaconsix.com that will tell you the differences between the models, and anything else you might want to know about them.

In the context of my story here, just know the MOD III was considered the “ultimate”ย as far as variations of the venerable Pentacon Six goes. It was the last model so it technically had all the upgrades and enhancements that was done to the basic Pentacon that it’s modeled after. One enhancement was the inclusion of a mirror lockup.

Another reason for its desirability is that the Exakta 66 Mod III is sometimesย paired with the superb 80mm f/2.8 Schneider Xenotar lens, though the Exakta 80mm f/2.8 or 80mm Russian Volna or Biometar lenses are more commonly seen.

WHY IT DIDN’T JIVE WITH ME?

Ok, so in 2013 I came across the Exakta 66 Mod III body on KEH Camera’s website. A used body only for around $300.

I hesitated at first, knowing that it was basically a glorified Pentacon Six or Kiev 60, but the camera lust took over me and I thought I had to have it! That, despite the fact that I already had a Pentacon Six TL and a Kiev 60. Both bodies combined, cost me less than the Exakta alone!

I’m drawn to extremes…the best camera, the worst camera, the last model, the smallest model, the strangest one…you get the idea ๐Ÿ™‚

Anyway, I said to myself…if I get the Mod III, I won’t need any other Exakta or Pentacon. And perhaps I could cut my losses by selling the Pentacon and Kiev once I got the Exakta.

Ok, this is getting too long, so to cut to the chase…

I got the MOD III. I press the shutter. The mirror goes up. Stays up. No big deal. If I recalled correctly, the Pentacon did that too. All that it requires is for you to wind the lever and the mirror comes back down. So I did that.

Surprise! The film advance lever won’t move so the mirror won’t come back down!!

So without damaging the camera, I was trying all the emergency remedies I knew. Tried to gently move the mirror down, it didn’t move. Tried to toggle the mirror lockup, no go. Tried to press the shutter release again, nothing.

I then took out my Pentacon Six and pressed the shutter release. Mirror goes up. Stays up. I wind the film advance, mirror came back down. Now I knew for sure something was wrong withย the Exakta.

Knowing that I would probably have to return it to KEH, I stopped myself from messing with it further. I did some research online and found the email of a noted authority on repairing these cameras. For the sake of privacy, I will refrain from leaving a name, but if you need one of these cameras repaired drop me a line and I will give you his contact.

Anyway, his advice was to first try to gently bring the mirror down with my fingers which I had already done. I don’t remember everything else he told me, but he tried the best he could to help me through email and I appreciated that very much, but nothing worked.

Finally, he told me I should return the camera because they were well known to have “issues” and he had seen a fair share of them for repair. He said these cameras go bad quite easily and parts are no longer available and/or are hard to find.

I believe him, though I wished I had seen something online about that before I purchased it. I did not find much negative on this camera in my pre-purchase research. Indeed, I did not find much positive feedback either!

I recall finding only a few nice shots of the camera on Flickr from some proud owners, but other than that there wasn’t much as far as real world users. In fact, if you did a search now you will see a few of the pretty pictures I’m talking about ๐Ÿ™‚

THE REVELATION

Ok, so Iย reallyย wanted to keep this camera! Never mind that I didn’t have the elusive 80mm f/2.8 Xenotar. I could use the Biometar and other Pentacon Six lenses I already had first.

So before I wrapped it up to return to KEH, I decided to take one last shot at making this thing work. I played with the advance lever. I felt that this was the root of the problem. I had a thin nail file and I poked it in the thin sliver underneath the film advance lever. It hit something and wallah…

The film advance moved and the mirror came down! ๐Ÿ™‚

But, this does not have a happy ending. When I pressed the shutter again, the mirror became stuck once again. The nail file worked once again, ย but there was no way I was going to use the camera if I had to do this for every shot!

So back it went to KEH, and before I shipped her off, I took this shot. I should’ve taken more, but I took this at a Fedex Kinko and making a review of this camera two years later was the last thing on my mind.

To show you how much I wanted to keep this camera, I even told KEH if they could repair it, I would take that over a refund. They tried, but in the end they gave me a refund.

Just want to put in a good word about KEH Camera. They are the best used camera dealer out there, I even prefer them over eBay because of their great products, prices, and return policy.

Even though this Exakta 66 Mod III turned out to be a dud, I cannot blame them. Things happen and especially so when you’re dealing with the kind of photographic volume that they deal with on a daily basis. I’ve been buying from them for maybe twenty years or more and over 90% of my purchases have been satisfactory or better. They took this camera back with no hassles.

BOTTOM LINE

If looking for one of these, and I’m not sure that’s a good idea, prices are trending at over $1000 for the body and Exakta, Volna or Biometar 80mm lens and probably quite a bit more with the 80mm f/2.8 Xenotar lens.

I am certainly no camera repair expert and I am sure it’s a good possibility that I just got a bad sample and there’s a lot of good working models out there.

However, based on the information I got from the veteran Pentacon/Kiev/Exakta camera repair man, I would have to say Exakta 66ย cameras are not a good buy in my opinion.

You are better off with a Pentacon Six or Kiev 60. They are not without issues either. Many have the same problems with film advance, film spacing, etc. However, they are much cheaper than the Exaktas and parts more readily available should you need a repair.

The Exakta Mod II and Mod III may be cooler, prettier than the brutes that the Pentacons or Kievs are, but they are in essence the same cameras.

I knew this before I made the purchase. However, I went ahead and bought it anyway. I should’ve listened to my head but as Emily Dickinson and Woody Allen said…”The heart wants what it wants” ๐Ÿ™‚

If you’re looking at the Pentacon Six or Kiev cameras, then the Exakta 66 Mod III is the ultimate medium format camera from that West German/Russian/Eastern European heritage.

However, it gave me nothing but headaches and wasted time and became one of…the Best Cameras I Never Knew.


Farewell To Autumn

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“Yellow” 2006. Canon EOS 5D, EF 85mm f/1.2L lens.

Well, we still have more than a month to go, but the cold chill is in the air and most of the fall foliage around here are past their peak.

My computer is still in the shop so we are not back and running 100% yet. But I’m having a lot of fun going through some old shots and seeing the kind of equipment I used back then.

This image was taken in 2006 with the EOS 5D Classic and the 85mm f/1.2L first version.

I was walking around the park looking for good light. A very simple image, but I find simple is best for me most of the time.

As I wrote in an earlier review, the original EOS 5D was and is a great image maker and can still hold its own in good light and at low iso settings. It’s probably the best full-frame bargain in today’s used camera market.

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“Autumn Woman” 2006. Epson R-D1, 50mm f/2 Jupiter-8ย lens.

The shot above was taken with the Epson R-D1, the world’s first digital rangefinder. I got one in 2006 and even though it is “only” 6 megapixels, the camera has become a digital classic and a cult favorite, certainly a Camera Legend. This is a camera I hope to profile in future postings.

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“The Last Light” 2006. Ricoh GR1, Kodak Gold 400 film. Riverside Park, NYC.

Thanks for taking a look, I know your time is precious so I do appreciate it!


 

The Baddest Cat On The Planet

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“Baddest Cat On The Planet” 2009. Nikon D3, Sigma 50mm f/1.4 EX DG HSM lens.

If Iron Mike Tyson was the “baddest man on the planet” then Garfield must be the baddest cat on the planet! ๐Ÿ™‚

Obviously my main computer is not back from repair yet. I tried to do another review using this Chromebook. Couldn’t do it. Things got excruciatingly slow to the point where the computer was asking me if I wanted to “kill it?” for some applications.

So for now I can just throw out images that I had planned to use in reviews. This one is from the Nikon D3, a camera from 2007 that followed the high iso “revolution” led by the original Canon 5D Classic and took it to a whole new level. The 50mm f/1.4 Sigma EX DG HSM was quite a fantastic lens and if you can find a good copy, it is a great and less expensive alternative to today’s “ART” version of the 50mm f/1.4 lens.

I generally don’t do this kind of post-processing, but this one was hard to resist ๐Ÿ™‚

Hope you all have a great weekend and I cannot end this post without mentioning the tragic events seen in France today. Wow, what has the world come to?

I’ve never been to Paris, but I feel a special connection with the French. Back in 2003, when I first started posting photos on the web, no one would give a poor kid a glance or a chance until someone from France liked one of my photos and helped get me noticed on that site.

I don’t post as much on photo sharing sites any more, but a lot of it is a game of “likes” and “dislikes” which is something I don’t like! There are so many talented photographers out there and it’s not always easy to get your work noticed.

Anyway, over the years I’ve noticed on a number of sites where I posted photos, my biggest supporters have always been from France. Some have even become cherished friends and comrades, one who I have met in person.ย Just as they supported me, today I stand with them and all my thoughts and prayers are with them and the good people of France.



 

 

Fright Night Special: Friday The 13th

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“Black Cat” 2011. Canon EOS 5D Mark II, EF 85mm f/1.2L in Bangkok, Thailand.

Yes, it’s Friday the 13th.ย It is a day that causes fear, hesitation, and all sorts of other anxieties in people. Heck, they even made movies and a tv series out of this!ย Here is a little tribute to Friday the 13th. I hope it is full of good luck for everyone! ๐Ÿ™‚

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“Bad Asses” 2011. Ricoh 8.1mp GRD in Chinatown, NYC. It’s “Child’s Play” for Chucky, Scarface and the entire badass crew ๐Ÿ™‚

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“The Camera Monster” ๐Ÿ™‚

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“Flashback Fri…” No, no, wait a minute. This is NOT Flashback Friday. For Samuel J. Voorhees, every freakin’ day is FRIDAY!! shh…shh…shh…shh…shh… ๐Ÿ™‚

Street Photography Part I: Colors Of The Night

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“Ready, Set…” 2005. Nikon D70s, 85mm f/1.4 AF-D Nikkor. Took this from West Houston Street, NYC. Ten years later, the NYC taxis come in different shapes and colors! I miss the uniform look of the old yellow taxis.

I’m still waiting for my computer to come back from repair. I’m upgrading it too, which is why it’s going to take a little while longer.

While waiting around, I went through some old hard drives using my little Chromebook, which is painfully slow.

Street photography was my main thing before I had kids. Even though I don’t get out as often these days, I’m still fascinated by it and I find pleasure in viewing the street photography of other photographers.

The night has always had a special spot in my heart. When you combine street photography with the night, well that’s heaven for me right there!

Here’s a random selection I got from my drive search. Thanks for taking a look, appreciate it. Hope to have more camera reviews coming soon ๐Ÿ™‚

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“PlayPen” 2011. Fuji X100 12.3mp. Times Square, NYC. With the “freedom” of internet porn, places like this are disappearing fast. Maybe this is a good thing, but I miss the ‘grit’ of the New York City of the 70s and 80s, and even into the 90s.

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“Seven” 2011. Bangkok, Thailand. Canon Powershot G10. There are more 7/Eleven stores per square block in SE Asia than anywhere in the USA. Thais just call it “Seven” ๐Ÿ™‚

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“Night Bug” 2011. Canon EOS 5D Mark II, EF 50mm f/1.8. i found the “Evil Bugster” in Bangkok, Thailand ๐Ÿ™‚

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“Wheel Of Fortune” 2014. Apple iPhone 5.

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“Night Candy” 2013. Fuji X100 12.3mp, Times Square, NYC.

SPECIAL NOTE

Just want to pass along this deal from our friends at Adorama. Right now they are having a steal of a deal on refurbished Nikon D7100 cameras at $499! Wow, for close to the price of a used D7000 at most dealers, you can get the D7100! That’s a tempting deal on a fantastic camera, even for me and I have sworn off buying any more cameras!

Anyone interested in this deal, it expires on 11/25 and you can get it HERE. You can get an awesome camera at a fantastic price and buying from them will help support this site, thank you.

The Best Camera I Never Knew Part III: The Contax Tix APS Film Camera

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The Contax TiX from 1997. Perhaps the most beautiful Contax point and shoot, but doomed by being born an APS film camera.

I have to admit I’m a big fan of Contax point and shoot film cameras from the 90s. There was just something special about the whole series.

While I stand by what I wrote in earlier articles about the fragility of Contax cameras and their brittle electronics, I loved the concept, the feel, and execution despite the feeling that I could never really rely on them completely.

THE CONTAX Tix

The Contax Tix (pronounced T…i…x as opposed to Tix, I think!) is a high quality point and shoot camera introduced by Kyocera in 1997.

The camera featured a Carl Zeiss 28mm f/2.8 Sonnar T* lens and used the infamous and now defunct APS (Advanced Photo System) film system.ย The camera was the smallest of the Contax film point and shoots.

The camera has autofocus, a shutter speed range of 15 seconds to 1/1000, and came with a data back for date imprint. It was powered by one 3V CR-2 battery.

WHY IT DIDN’T JIVE WITH ME?

The last two cameras I profiled (Rolleimatic and Rollei A110) didn’t jive with me because they didn’t work.ย That was NOT the case with the Contax Tix.

A little history…I got my first Contax point and shoot, the original Contax T, in 1997. That was a superb little manual focus rangefinder and I got some wonderful shots from that thing. Basically, after the Contax T, I was hooked on Contax for a while!

I got the Contax Tix some time in the mid 2000’s, mainly as a curiosity and to add to my collection. I did not expect to use it often because even at the time of the introduction of the APS film system in 1996, I was never really interested in that format. Even back then, I wondered why would anyone bother with this over 35mm?

The 35mm format already had its limitations vs medium and larger formats and I felt like APS was a step backwards.

The negatives were smaller and despite the stuff you were able to do with it, ie, the three image formats, 16:9, 3:2, and 3:1 aspect ratios, as well as the quasi-panoramic mode, I wasn’t into it. I just thought they were gimmicks, but even if they were useful to some, I would take the larger negative of the (already relatively small) 35mm standard over APS any day.

So back to the Contax Tix. Yes, the camera worked and worked well. I used it for two or three rolls of snapshots expecting good quality, but most of the shots from this camera looked excellent!

I’m sorry I have no pics to show you now because as mentioned in the last couple of postings, I am without my main working computer and using a 10′ Chromebook. I would still need to scan these prints.

My assessment of the 28mm f/2.8 Zeiss Sonnar on the Tix is this…The lens is excellent, as expected. It is very sharp. Not as bitingly sharp as the lens on the Contax T3, but still sharper than most point and shoots. But my favorite part is that the lens seemed to have more of a classic look, a soft/sharp kind of thing like the 38mm f/2.8 Sonnar on the original T or T2. So, in my opinion, the lens on the Tix was in between that of the T3 and T/T2. That’s almost perfection right there!

So the camera itself was never a problem. The fact that it used APS film was what didn’t jive with me and why I got rid of it.

If looking for one of these, prices have been trending steady for years at a low of $70 to around $150 with an average of around $90.ย The camera came in silver or black which is a bit more rare.

If I were to seek one out today, I don’t think it would take me too long to find one. And there are apparently places that will still develop APS film if you send the film out to them. But I’m already dealing with enough dead or outdated systems like Polaroids, 127mm, 110mm, etc that I wouldn’t bother with APS film right now.

BOTTOM LINE

The Contax Tix is a beautiful, jewel-like camera. I feel that this camera could’ve been THE best of all the Contax point and shoots, but unfortunately it was and will forever be hindered by the format it was born with, the APS film system, which is probably one of the biggest flops in film history.

Now before any APS film fans get mad at me, I want to say the concept, and indeed the quality of APS film was not bad. If I recall correctly, there were even some APS films that equaled or exceeded its 35mm equivalents in magazine tests.

In many ways APS was “pre-digital” film. It wasn’t designed for ultimate quality, but instead was made for easier development (with machines specifically designed to take APS film, of which one can guess the companies also hoped to make money selling) and promised smaller, lighter cameras. It foresaw almost all that we see in digital point and shoots today!

But APS wasn’t friendly for the home developer. I’m sure someone must have done it, but I haven’t met anyone who actually home developed APS film. You actually had to bring that film into the store as each film cartridge was locked and coded. The main problem for APS film was timing. It was introduced in 1996 right around the time the first wave of digital cameras were coming in.

In only a few short years it was killed by digital, but somehow managed to hang on till 2011 when Fuji and Kodak, the last two APS film manufacturers ceased production of this film forever.

Again, in many ways, APS had some key concepts that made its way into digital such as switchable aspect ratio, smaller cameras and lenses, and of course APS lives on in our memories by the APS-C sensors which is approximately the same size as APS film. This is the lasting legacy of the APS film system I guess.

The Contax Tix was one of those cameras that I loved as a camera. It had a wonderful lens and beautifully small proportions. The Tix is probably at the apex of APS point and shoot cameras. It is no doubt a camera that added to the Camera Legend of Contax/Yashica.

It is a camera which was only held back by the APS format that it was created for and a camera of which I was never able to realize its full potential. The Contax Tix is a superb camera that unfortunately became one of…the best cameras I never knew ๐Ÿ™‚

Note: Still waiting for my Mac in repair, but the show must go on! While I have created a workflow with this Chromebook, I have noticed it is becoming painfully slow the more I use it. Thanks to all who continue to visit, I appreciate it, and I continue to write about cameras for you my friends.

“Hen House Takeover”

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“Hen House Takeover” 2011. Fuji X100. The original Fuji X100 is a very good imager, despite its quirks. I think this image has a bit of that film-like grit. Please click on the photo for larger and better view.

As mentioned in the last posting, my main working computer is down. As such all I can do while I wait to have it looked at is to throw up some pics that I have on this Chromebook, which again, is neither fast nor fun to use for editing photos ๐Ÿ™‚

Here’s one from 2011. At that time I had just gotten my Fuji X100 and was still having my doubts about the camera. But looking over hundreds of shots from the last few years, the camera is a much better imager than I initially thought. I guess I was just having doubts from buyer’s remorse. It might be a quirky performer, but it does produce generally wonderful image quality, even by today’s standards.

Autumn Road and Site Updates

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“Autumn Road” 2015.

As I drove through “Autumn Road” I felt the cold chill in the air and saw the rapidly setting sun. I realized that coming soon, at the end of the road, I will be greeted by Old Man Winter and his brutal cold breath ๐Ÿ™‚

Note: Due to not having my Mac to work with, I was experimenting with an online editing program and it didn’t do a half bad job.

As for the image, yes, this is indeed a ‘typical’ autumn road image composition. However, I also realized why you see so many of these images…when you think about it, when you come across this scene, what else, how else are you going to do it? Yes, you may try to be creative and do something funky, but for this kind of scene I think this is the best composition for it which is why you see so many of these images ๐Ÿ™‚

Site Updates

“We Are Experiencing Technical Difficulties”

Just want to let everyone know the reason Iย have not been posting is because we are experiencing technical difficulties. We really are!

Last night the Macbook started acting buggy so I shut it down. No big deal. Well, it’s been over a day and it’s been stuck at this screen.

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The Macbook is STUCK ๐Ÿ˜ฆ

I suspect this has something to do with installment of Apple’s new operating system OS X El Capitan.

I have tried all the “remedies” and nothing works. Looks like the hard drive needs repair, and professional help so I’m taking it in.

I am posting this from my small Chromebook which is not fun for posting or viewing. I use it for emergencies. Thanks for your patience and support.