Camera Collecting Part I: Two Super CHEAP Camera Legends

Here’s a topic thats very near and dear to my heart! But first, a fair warning: Collecting cameras can be ADDICTIVE and EXPENSIVE!

The former (addictive) is incurable, the latter (expensive), well it doesn’t have to be. And you couldn’t do better or cheaper than these two cameras I am profiling today.

I specifically chose these two specific cameras based on their prices, availability and their importance as Camera Legends. Especially for the beginning collector, these two are the easiest to find and buy.

The two cameras profiled today are the Minolta Maxxum 7000 and the Canon EOS 650.

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MINOLTA MAXXUM 7000

The Minolta Maxxum 7000 is the camera that launched the autofocus revolution back in 1985. And it was revolutionary!

Before it, “autofocus” cameras were clunky things such as the Nikon F3AF of 1983 which attempted to autofocus the “easy way” by using an AF motor in the special lenses designed for these cameras while retaining the classic Nikon F mount.

Though I say the “easy way” maybe I should have said the “logical way.” After all, if you consider the technology at that time and the boxy, mechanical nature of cameras, it just seemed easier to put the autofocus motor in the lenses right?

Well, as is often the case, the idea was better than the execution. I don’t want to go full length into this topic right now, though I would agree it would make for a fascinating discussion!

YOUTUBE COMPANION VIDEO

For those of you who would prefer watching a video version of this topic, here’s our latest video:

MAXXUM 7000 CONTINUED

In many ways, they were on the right track because as you may or may not know, when the EOS system was released in 1987, one of the selling points was indeed lenses with AF motor in them! But Canon had to ditch their old FD mount and make a whole (then) new EOS mount to accommodate this.

Anyway, Minolta too had to create a new mount. A mount which we know today as the Alpha mount or more specifically in today’s world, the Sony Alpha mount. Not the Sony E mirrorless mount. Yes, folks your Sony Alpha cameras carry the rich legacy of the legendary Minolta Maxxum 7000! 😊

Anyway, today’s topic is camera collecting and the Minolta Maxxum 7000 is a true Camera Legend that can be had VERY cheaply these days.

As a camera the Maxxum 7000 has Program, Aperture Priority, Shutter Priority, and Manual mode. Basically all you need! AF is ok but first generation. It’s good enough to get the job done, if the subject/subjects are not moving much! The camera runs on four AAA batteries.

PRICES AND WHAT TO LOOK FOR

Although one of the most important cameras of the autofocus revolution of the 1980s, perhaps the most important, today the Maxxum 7000 is also one of the cheapest on the used market.

Prices are trending at $3.00 to $50 USD average seems to be around $25. I got mine for $3 bucks! It cost me a lot more than that in the 90s!

I believe the Maxxum 7000 prices are so low because they are plentiful and they do not age well.

The grips become white and sticky or powdery. The LCD goes bad or bleeds.

The good news is many are perfectly usable as it is. In my opinion, it is unrealistic to expect to find a Maxxum 7000 without any flaws today. If you do have one without flaws I’d love to hear from you!

THE CANON EOS 650

The Canon EOS 650 was released by Canon in 1987 and is the very first EOS camera.

Its claim to fame is the introduction of the EOS Mount. I believe the EOS 650 prices are so low simply because it’s just not the most exciting camera to look at or shoot πŸ™‚

No offense, it’s a nice looking and shooting camera. Just not super exciting compared to anything else EOS you could shoot with. But it has one very important thing on its side…It’s the first. The first EOS camera! And that has to count for something right? πŸ™‚

It has Program, Aperture Priority, Shutter Priority, and Manual mode just like the Maxxum 7000 so that means it has everything you need. It runs on one 2CR5 battery. AF is ok but first generation. Not good for running subjects but ok for static.

PRICES AND WHAT TO LOOK FOR

Just like the Maxxum 7000, the Canon EOS 650 is also dirt cheap on the used market.

Prices are trending from $10-50 with an average of $25 body only. I got my current copy for $10 bucks!

Generally these cameras have stood the test of time so your chances of a working model is pretty good.

Sometimes you’ll find one with no power, doesn’t turn on. Sometimes parts have come loose or the buttons and dials may be sticky.

Even at the highest average prices they’re cheap get the best one you can!

BOTTOM LINE

I hope with these two cameras I have shown you that collecting Camera Legends does not have to be expensive!

With these two, you have cameras with history and a story to tell about the evolution of autofocus.

And on the Used Market you can get them dirt cheap. And if that wasn’t enough, they’re actually pretty good shooters! Good luck on your journey to camera collecting nirvana!

ADDITIONAL RESOURCES

If you are interested in these two Camera Legends, there are a ton of additional resources on the internet. To cut through the bunk and junk, I recommend these two reviews by my blogging buddy and a prolific blogger Mr. Jim Grey. I can’t speak for a lot of bloggers but I unquestionably trust Jim’s reviews and opinions.

His Maxxum 7000 review is HERE

And his Canon EOS 650 Review is HERE

Tell him Sam sent you! πŸ™‚

***MODERN EQUIVALENTS***

It’s been said that the new Canon EOS-R Mirrorless is the incarnate of the EOS 650. In a way, many things from its looks to its use for the introduction of the EOS-R mount, I’d say they might be right! Anyway, the EOS-R can do things the 650 could’ve only dreamed of in 1987! If you decide to buy one, please do so from our trusted affiliates simply by clicking on the photos or links. You will pay nothing extra other than what you’re buying, and help support Camera Legend at the same time. Putting these articles, reviews, and videos take time and work. We do appreciate all you support, thank you very much!

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Photo Of The Day: “Saturday In The Park” Mamiya 6 75mm 3.5 G Lens

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“Saturday In The Park” 2016. Mamiya 6, 75mm f/3.5 Mamiya G lens, Kodak T-Max 400 in D76 developer.

In my effort to be more active for you good people, here’s a shot and short article for today. Shot with a Mamiya 6 and 75mm f/3.5 Sekor. I actually shot this a couple of years ago before I sold the camera. It was in Central Park.

Speaking of “Saturday In The Park” I recently saw a CNN documentary which I think is a couple of years old, on one of America’s oldest and greatest pop/rock bands, Chicago. I loved their stuff from the 70s and 80s although admittedly they went into the “soft rock” category with the rise of (then) lead singer Peter Cetera, not that it’s a bad thing mind you.

I always thought the band broke up because of Cetera and his ever growing star in the 80s. But now I’m not so sure it was really a case of someone getting a big head or whether he and the band could just no longer get along.

Just like another great 80s band Journey, I’ll always associate Cetera’s voice with Chicago just as I associate Steve Perry with Journey.

Anyway, I’m drifting off course! Music just happens to be my other passion. I especially like rock and popular music from the 50s through the 90s. Not much for music after that πŸ˜€

The Mamiya 6 is a Camera Legend. I had a complete outfit in 2009 including the body, 75mm f/3.5, 50mm f/4, and 150mm f/4.5 telephoto. I started selling off the lenses first, then the camera and 75mm because I wasn’t using it enough and needed funds for other things. You know the deal 😊

I’ve always thought of giving the Mamiya 6 a formal write-up on these pages and I’m sure I’ll get to it one of these days, but I’m not sure I could write enough to do it justice. It’s a fantastic medium format rangefinder. In fact, if I had the funds I could easily talk myself into it again!

If you look at the photo, you’ll notice some blotches, most notably on the bottom right, a result of my imperfect developing. Not making any excuses, but many people actually do not mind, and some even “want” these imperfectons these days! Don’t believe me? You should see what people are liking on Instagram! I guess it’s part of what people today consider a part of that “film look.”

Back in the day, I don’t remember people loving imperfect pictures all that much, but since this shot is imperfect…ok, I’m cool with it! πŸ™‚

I’ve always said and it’s worth repeating that T-Max 400 is a beautiful film that develops best in T-Max Developer. As I did not have any T-Max Developer on hand, I decided to take my chances with D76.

I’ve noticed that when in D76, the T-Max will have a tendency to produce streaks and blotches. Sometimes I get lucky and get a clean set, but T-Max 400 seems more finicky than other films and results with T-Max Developer are consistently smooth.

Well, that’s it for this morning. Oh one more thing, these are not all my kids! πŸ˜€

The Nikon D700 Revisited…The Ten Years Later Review

The Nikon D700 is a 12.1 megapixel, full frame Digital SLR released by Nikon in July 2008. Today, we will look back on the D700. I will share with you my impressions on its image quality, performance and its impact on the world of photography.

AS A CAMERA

There’s a lot of pages with all the specs but I’ll just list a few key features. The camera has a 12.1 megapixel full frame sensor. The shutter speed range is 30 seconds to 1/8000 plus Bulb. Flash synch at 1/250. It has a native ISO range of 200-6400 plus 100-25600 via boost.

My war-torn 200K plus D700 still kickin’ it! πŸ™‚

The D700 also has Live View but it’s first generation and it shows. It looks a little jittery and if you move it around there’s an apparent lag, but once on target it works fine.

The camera is capable of 5fps on its own and 8fps with optional grip. The camera uses the Nikon EN-EL3e battery.

The D700 is a pro quality DSLR and for all practical purposes is a more compact Nikon D3. There are slight differences between the D700 and D3 to be sure, but image quality is exactly the same as they both use the same sensor.

The D700 arrived on the market at a lower price than the D3, increasing its appeal and affordability to both professionals and enthusiasts alike.

TIMELINE

In 2007, Nikon released the D3, a professional 12.1 megapixel DSLR, and its first full frame digital camera. Their previous kingpin was the D2X/D2Xs a with its 12.4 megapixel APS-C sensor.

After years of stating that they would not make a full frame DSLR, and getting their hardcore base to rally around that, Nikon surprised everyone with the release of the D3.

In my opinion, the Nikon D3 is the camera that saved Nikon and brought it back, alive and kicking butt into the second phase of the digital revolution. But that’s a topic for another review. Today, we are talking about the D700.

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“Time Out” 2008. Nikon D700, 50mm f/1.8 AF-D Nikkor. Baby gets into a hair pulling moment as a result of having to take “time out” πŸ™‚

MY EXPERIENCES WITH THE D700

I got my first D700 in July of 2008. Rarely do I get a camera in the same month it was released. So how did I come upon the D700? Simple, just like many of you, I climbed the ladder of camera ownership!

And what does that mean? Well, before the D700 I was using a 12.3mp Nikon D300 which was released with the D3 in 2007.

I was perfectly fine with the D300. In fact, I was impressed with its performance and the fact that it was APS-C didn’t bother me. I read about Nikon’s reasoning as to to why they were not going to make a full frame camera and even though I thought they were just in denial or just making excuses for why they wouldn’t make one, I accepted it.

Then the D3 came out and I was surprised and happy they made a full frame DSLR, but I just couldn’t afford the hefty $4999 price tag, even though the price was well in line with professional cameras of the time. So I was resigned and content to stay with the D300 as I already had a full frame Canon EOS 5D Classic.

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Gear Lustin’ in 2008! My two main digital cameras in 2008, the Canon EOS 5D Classic and the Nikon D700, seem to have come full circle in 2018!

In comes the photo forums…

As I’ve said here before, I was on the forums just like you guys! Photo.net, Rangefinderforum, Fredmiranda.com, etc.

I won’t say which one, but near the end of July of 2008, I saw a fellow forum member advertise a new D700 he had just gotten and wanted to sell for whatever reason. At over $2000, it was still a hard sell for me financially, but the fellow said he was willing to take a “D300 plus cash.” Hot dog! Bang! This might be my opportunity so I PM’d the guy and since he was local, all the better.

So I go and see the guy. We had some cool camera talk, checked out the cameras, and we had a deal. I handed over the D300 plus a little cash and I walked out with a near new D700! I hate to say it, but I said to myself…wow, Samster, somehow you managed to do it again! πŸ™‚

Anyway, the love was short lived as I used the same ladder to climb up to a D3 in 2009 when G.A.S. attacked! I sold my D700 and eventually the D3 too.

I got the D700 again in 2016 when I noticed an unusually low price online. And the prices continue to fall making this a great time to try one! If you’re interested I’ll list the trending prices down below.

IMAGE QUALITY

In my opinion, the Nikon D700 is capable of superb image quality, especially at lower ISOs.

What I liked…

“Apples” 2018. Nikon D700, 85mm f/1.4 AF-D Nikkor. The apple doesn’t fall far from the tree and by having the same 12.1mp sensor, the D700 offers the same excellent image quality as its big daddy D3.

Rich colors and tones. A certain depth to the images that might be attributed to the sensor, the processing, etc. I can’t say for sure what it is, but I call it theΒ Magic Sensor.

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“Red, Green & Gold” 2008. Nikon D700, 110mm f/2 Zeiss Planar via adapter.

There’s also a pleasing balance of sharpness and smoothness to the images which make it perfect for portraits and people photography, one of my favorite forms of photography.

Of course, if you’re a landscape shooter you’d probably be better off with a higher resolution camera but you didn’t need me to tell you that! πŸ™‚

THE MAGIC SENSOR

I call the D3/D700 sensor the “Magic Sensor” because it just seems to bring images to life. I used to think it was just the full frame sensor, but now ten years later I know it is not, or at least not exclusively a result of the sensor alone but I sure believe the full frame sensor is a factor.

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“Magic” 2016. Nikon D700, 60mm f/2.8 AF-D Nikkor. The D700’s “Magic Sensor” seem to bring everything to life. Well, a happy smiling baby helps I guess! πŸ™‚

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“Uh Oh It’s Magic!” 2008. Nikon D700, 50mm f/1.8 AF-D Nikkor. The 50mm f/1.8 Nikkor already offers decent bokeh but a full frame sensor takes it a step further making f/1.8 look even smoother.

There are cameras I have used in today’s world, such as the mirrorless Olympus OM-D EM-5 that also seem to provide similar, rich and colorful images despite the much smaller sensor.

So perhaps it’s a combination of sensor plus whatever processing the camera is doing to the images. Perhaps it’s just how far we have come in digital camera technology that some mirrorless cameras can achieve a full frame “look” that I have not seen in first generation mirrorless cameras.

I know what you’re thinking…it’s all in the lenses! That’s partially true, but in this case I’m not just talking about bokeh or shallow depth of field. Just the whole image, everything in it.

In these two cameras, the magic is comparable both in Jpeg and RAW.

PERFORMANCE

The D700 offers speedy and accurate AF as would be expected from what is essentially a D3 in smaller form. The Multi-CAM 3500FX autofocus module with 51 AF points is more than enough to handle almost anything even today, in my opinion.

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“Gimme A Break” 2008. Nikon D700, 70-210mm f/4-5.6 AF Nikkor.

The 12.1mp sensor might seem small in today’s world, but if you’re not shooting detailed landscapes or billboards for some ad campaign you’re going to be fine with the resolution. The sensor in my opinion is particularly well suited to portrait and people photography but is also well suited to street or any other kind of photography you might aspire to.

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“Shoot!” 2008. Nikon D700, 50mm f/1.8 AF-D Nikkor.

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“Thoth” 2008. Nikon D700, 50mm f/1.8 AF-D Nikkor. A NYC Central Park mythical figure named “Thoth.” Considering this tricky lighting, the D700 Matrix metering fared well giving a usable exposure that would look even better with a little work.

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The joy of taking pictures is contagious! Nikon D700, 85mm f/1.4 AF-D Nikkor. Just look at the woman’s hair and skin. The D700 offers just the right balance of sharp and smooth.

The D700 is fine with modern AF-S lenses but is also “old school” in the fact that it can drive those old AF lenses that need to be screw driven like, for example, the 85mm f/1.8 AF-D lens.

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“The Kid’s American” 2018. Nikon D700, 85mmf f/1.4 AF-D Nikkor. The D700’s fast AF caught this young man before he ran off, which was a split second later πŸ™‚

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“Toto” 2008. Nikon D700, 70-210mm f/4-5.6 AF-D Nikkor.

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“Granny Love” 2008. Nikon D700, 50mm f/1.8 AF-D Nikkor.

The large and clear 95% coverage viewfinder also make it a good choice for using those wonderful old AI Nikkors. Do NOT use it with Non AI lenses or you may damage the camera and/or the lenses.

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“Noon” 2017. Nikon D700, 50mm f/1.2 AIS Nikkor.

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“Night Buddy” 2017. Nikon D700, 50mm f/1.2 AIS, ISO 3200. The D700 does an excellent job at the “high” ISO of 3200.

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“Smile!” 2018. Nikon D700, 85mm f/1.4 AF-D Nikkor.

Because of the superb image quality and the ability to comfortably use manual focus lenses, I view this camera today as sort of a Poor Man’s DF but without the ability to use Non AI lenses.

BOTTOM LINE

The Nikon D700 took the legend of the Nikon D3 to the masses and became a Camera Legend in its own right.

The D700 gave more Nikon users a chance to see what full frame digital was all about and in doing so, hooked users in with excellent imaging capabilities in a strong, robust body.

Even today in 2018, with all the full frame cameras Nikon has put out since 2008, the D700 is still highly regarded and is considered a digital camera classic.

If your goal is to capture great pictures and you’re not interested in 4K video, focus peaking, and whatever else today’s cameras offer, then the Nikon D700 will still deliver the goods and is one of the two cheapest full frame bodies you can get today.

ALTERNATIVES

The main alternative for the Nikon D700 is the 12.8mp Canon EOS-5D Classic. As someone who has used both extensively, I can say with confidence that you can’t go wrong with either! But if you really want me to nitpick, here’s what I have experienced with these two Camera Legend cameras.

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“Brother 700” 2008. Nikon D700, 45mm f/2.8P Nikkor. The Nikon D700 does well with manual focus lenses such as the 45P seen here which is why the Brother calls it the “Poor Man’s DF” πŸ™‚

The 5D images appear somewhat sharper, but the D700 has richer tones and colors. The D700 body is much more refined, feeling like a more mature product, as it should be for a camera from 2008 versus a camera from 2005. Autofocus is faster on the D700 as should be expected.

The D700 does better at higher ISOs. Images hold up better though I don’t mind the grit and “grain” of the 5D Classic images at IS0 3200.

At low ISOs, both cameras still deliver superb results showing that back as far as 2005 digital cameras were already awesome!

Again, if you’re invested in the Nikon system or the Canon system, that should be your main consideration and not the cameras themselves. Both cameras rock!

AVAILABILITY AND WHERE TO BUY

If you’re looking for the Nikon D700 (or the 5D Classic) this is a great time to pick one up! The D700 is plentiful on the used market so you shouldn’t have a problem getting one.

Prices for the D700 are trending now at $400-700 depending on condition, package, etc.I say just get the cheapest one you can as long as you buy from a dealer you can trust.

I’ve heard about the below $300 D700 bodies, but as of today, they are rare and most likely beater bodies. Average seems to be $450-525 USD for ones in good to excellent condition. If you’re going above $600, I would seriously consider one of the newer bodies, ie, D600, D610, or even the D3 of which prices have come down significantly in the past couple of years.

I got my latest one in 2016 for under $400. It was in cosmetically Good condition. Little did I know it had over 200K shots on it! But, knock on wood, two years later and a few thousand shots later she’s still shooting unlike myΒ bought NEW in 2012Β Olympus OM-D EM-5 which kicked the bucket last year at approximately 5K
shots.

The cheapest D700 bodies would probably be found on eBay (Direct D700 Link)

Alternatively, here’s your Canon 5D Classic link on eBay (Direct 5D Classic Link)

Another good place to find both is our trusted affiliate Here.

Thanks for reading and I’d be glad to hear from any fellow D700 owners!

Photo Of The Day: “What A Rush!” Contax T3

Good morning everybody. It seems as if I closed my eyes only for a short time and we’re back here in yet another October once again! Man, I can’t shake off this feeling of getting older! And I have to remind myself that I’m not THAT old yet!

Well anyway, I just went through three rolls of new images to review and some were good and some not so good. Hmm, kinda like the good old film days! πŸ™‚

In this set, only the bottom image “What A Rush!” is from the Contax T3. The B&W set is from another “mystery” camera πŸ™‚

The Contax T3 was, in its time considered “The Best Point & Shoot Camera In The World” and it’s got a tremendous, and yes, even legendary cult following even today.

Does it still deliver the goods? It sure does! It always delivered the goods, but it’s not without its faults as I’ll explain in future postings. Can it still hold on to its “top dog” title? I’m not so sure just yet!

Please do not think I’m jumping on the T3 bandwagon! I certainly could NOT get one at today’s prices. However, I’ve had mine since 2006 when they were MUCH more affordable. Though I may not like getting older, there are some perks to be a “veteran” camera freak I guess πŸ™‚

Had it all these years, somehow I never rushed to do a review on it. So you see friends, I’m not in this for any kind of blogging glory πŸ™‚

I just want to get out good information for you. Sorry if it takes a little longer than most bloggers. I’m just SLOW haha πŸ™‚

I got my images back from the Darkroom out in California and they did a mighty fine job. There’s a reason why people recommend them!

Though I wished their prices would be lower, I will say they can be recommended for film developing yes.

Anyway, it looks to be a busy month with lots to look at. Let’s hope I don’t burn out by the end of the first new review lol. Have a great week folks!

Ah friends, nothing quite as thrilling as working through another dusty, blurry roll of film ain’t it? πŸ™‚

“What A Rush!” 2018. Contax T3, Kodak Gold 200. Tiaong, Quezon, Philippines.

Trends: Canon AE-1 & Fuji FP-100C

Just sharing with you guys a couple of postings I made to the YouTube channel but did not post them here till now.

These are segments I called “Tuesday Trends” where I look at topics that I feel are “trending” in the camera and photography world and even though they might not be mainstream news, I feel are interesting enough to put a spotlight on.

First up is the legendary Canon AE-1 from 1976, one of the most popular cameras of all time.

Just for you guys, I’ve cut to the chase in the above video. I came to the conclusion that the Canon AE-1 prices have been rising is because…YOU GUYS ARE BUYING THEM UP! πŸ™‚

Not you my camera savvy readers, most of you guys probably have or have had the AE-1 at some point in your lives, but hipsters (you know who you are!), newbies, and anyone just getting into film photography. Part of the problem is because the AE-1 was, and is still so very popular, it almost always shows up during a search for film cameras.

Now first off, let me say I love the AE-1 for what it is. It’s a great camera that introduced millions of people to the wonderful world of photography. Yet, especially today, its specs are hardly earth shattering. Keep in mind, I’m just talking about the AE-1 original, not the latter AE-1 Program though when it comes to rising prices we can count that camera in too.

Shutter priority, manual mode, and relies on batteries. If you’ve read my pages here, you could probably read between the lines. Especially that last part about the batteries.

Now I’ve never been an anti-battery camera person. On the contrary, I have always found most modern cameras that uses batteries to be reliable enough not to worry,

That said, if you have a choice, especially the choices we have in today’s used market then I would say I would much rather buy a purely manual camera that doesn’t need batteries to operate, other than the meter of course.

I was quite disturbed to find the AE-1’s prices rising, after not checking for a long time. I used to periodically buy this camera to give away to friends or kids who wanted to learn photography. They never cost any more than $25-50 for a whole package of body, lens, filters, etc. Not any more. Now prices for a body alone averages $70.

This is not right! This should be a CHEAP CAMERA in terms of used prices! Anyway, my reasoning is all in the video, please check it out if you’re interested. I repeat myself a lot in this video but the point is clear…The AE-1 should be a CHEAP CAMERA and the prices should still be CHEAP πŸ™‚

Second up is the Fuji FP-100C, the packfilm classic that Fujifilm discontinued in 2016.

I posted somewhere on social media a couple of weeks back that I was facing REALITY and giving up on packfilm. In fact, I already have a buyer for my Polaroid Land Cameras once I deplete my last few packs of FP-100C.

Even the honorable fellows at CATLABS of JP who declared two years ago: “WE WILL MAKE PACKFILM” have given up on the process as announced this week.

As I had made my decision and prepared this video before their announcement I thought it was very timely! That’s what I mean by trends!

Basically, to cut to the chase, and if you DON’T want or have time to watch the video, I’m stating that if you ever wanted to try this film this might be the time because after a period of relative stability last year, the prices for the FP-100C are rising back up which may or may not indicate that the remaining stocks are close to depletion.

A sign that it is nearly gone is that B&H and Adorama no longer show this film in stock. Even a couple of months ago, it was.

Anyway, I hope this is helpful to somebody out there. Oh please forgive me when I get into “character” lol. As I said, you kinda need “personality” when you’re doing this YouTube thing πŸ™‚

Catch you guys next time!

Sam

September Morn…And a couple Canon 1DIII Images

Ah can you believe that September is here once again? I know it’s played out but the title of that old Neil Diamond track just fits.

To me, and I guess many folks, September and this Labor Day weekend represents the bittersweet end of Summer.

So here this September morn, I have a couple images from my current camera of the week and that camera is the Canon EOS-1D Mark III.

“Happy Labor Day” 2015 that is! Shot with a Canon EOS-1D MKIII and Yongnuo 50mm f/1.8 lens. The Yongnuo is a pretty good copy of the Canon EF 50mm f/1.8 II lens.

The Canon EOS-1D Mark III was released in 2006 and at that time, it was supposed to be the ultimate Canon sports and photojournalists camera.

However, that was not to be due to one fatal flaw…Unreliable AF. Reports from users and reviewers at that time revealed a camera with a seriously flawed AF system that was apparently getting a lower hit rate than the previous 1DMKIIN. Note this was mostly in AF Servo mode.

Disappointment was apparent when reading the forum postings of that time. Not just because the AF was bad, but because the image quality was so good! Such bittersweetness!

Don’t forget guys, I was on those forums just like you! Except, I stayed silent and just digested all the information πŸ™‚

To their credit, Canon offered to fix any 1DIII cameras with these issues at that time, once they acknowledged the problem. The fixed cameras are often called the “blue dot” versions.

However, even after the fix, some people felt the camera was still having autofocus issues. And the 1DIII never quite got the accolades or respect that Canon sought. And so went down one of the potentially most amazing high speed cameras ever released.

I got my first one in 2015. I had it for a short time, but I did feel it was giving me random off focus images so I sold it quick. It may or may not have just been all in my mind! The problem with this camera is once the seed of doubt has been planted, it’s hard to get it out of your head.

Reecently, I found another one very cheap and decided to try it again. I would never make judgement on just one copy of a camera. I was very surprised when taking a series of my eldest child on her Razor, that the 1DIII kept up even as she picked up speed! It was probably too easy for this camera! I will probably put those sequences up should I do a future review on this camera.

But in case I don’t, just know that if you buy one, try to get it cheap or from a reliable dealer because there’s always a risk with this camera. However, it’s also possible that any 1DIII’s with serious issues should have been fixed by now

“Razor’s Edge” 2018. Canon EOS-1D MKIII, EF 135mm f/2L lens. I took this last week. Testing out the 1DIII. It’s a camera I’ve always wondered about, but stayed away from it due to its reputation for AF issues. I got rid of my first one due to those issues, but this one seems a keeper!

“Smile” 2018. Canon EOS-1D MKIII, EF 135mm f/2L. Zay now knows, somehow, when to give me the pose πŸ™‚

“September Morn” 2009. Rolleiflex SL66, 80mm f/2.8 Rollei HFT Planar, Tmax 400 in Tmax Developer. Yes folks, I had one of these cameras too! Didn’t hold on to it long, but I do miss the silky smooth yet sharp images from that Planar lens!

That’s it for this morning, see you soon! 😊

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Manila In B&W With The Ricoh GR-1 Film Camera

“Hotel City” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. There are so many hotels in this city! And so many beautiful hotels at that. This one is the Rizal Hotel near Manila Bay. I was very close to the building and despite having the GR-1 with its 28mm lens, I wish I had a wider lens. Yes, there is such a thing as not wide enough! πŸ™‚

Manila, the bustling capital of the Philippines, is a fascinating, lively, and colorful place that in my opinion is better suited to color photography than it is for black and white photography.

“Mall Town” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. Mall culture is alive and well in the Philippines. They love their malls! I hate to admit it, but I frequented many malls during my visit and they were all great. They take their malls seriously in Manila! 😊[[[[[[[[[[[[

However, as a B&W fanatic, you and I both know that everything looks good in B&W anyway πŸ˜€

With that in mind, I couldn’t help but take my Ricoh GR1 along for this recent trip.

Now you may or may not recall, but in the last post I mentioned bringing along two of the greatest point and shoot film cameras along for this trip.

I used those cameras with color film so that means the GR-1 was NOT one of those two cameras, despite the fact that it could easily be in that same list of “greatest.” So what does this mean? It means I hope you’ll stay tuned as I have more goodies and surprises coming your way!

This article will show some photos taken with the GR-1 and Kentmere 400 B&W film. I developed this roll in D76.

Looking back on the photos, I wished I had shot more than one roll with the GR-1. That’s the problem with taking too many cameras 😊 In fact, I could’ve easily used it as my only film camera and I would’ve been happy with that.

Here are just some photos from the trip. Not meant to be an artistic showcase, just the things I saw in Manila and some thoughts on them. Where I can, I will try to give you some commentary.

“Intramuros” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. This is the famous walled city at the heart of old historic Manila. I shot this through a dirty window using both the iPhone X and the Ricoh GR1. I was surprised at how much detail came through from both! The detail here is really limited mostly due to the film grain when compared to the iPhone photos.

“SALE” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. I love fashion photography but mannequins are as close as I usually get to fashion models πŸ™‚

“BGC” 2018.Β Ricoh GR1, Kentmere 400 developed in D76 Developer. A scene from Manila’s vibrant “BGC” district, a hip financial and social center.

“Manila Floods” 2018.Β Ricoh GR1, Kentmere 400 developed in D76 Developer. It rained nearly every day of the two and a half weeks I spent there. They don’t call it the “rainy season” for nothing.

“OOMA Sushi” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. Had a good meal here. Not sure why the man is smiling, but I certainly don’t know him! I just took a quick grab shot πŸ™‚

“Lucban Church” 2018.Β Ricoh GR1, Kentmere 400 developed in D76 Developer. Heading out a couple of hours southeast from Manila, I visited the small municipality of Lucban in the province of Quezon where I saw this beautiful and historic church that dates back hundreds of years. This is theΒ San Luis Obispo de Tolosa Parish Church otherwise know as “Lucban Church.”

“Free Fall” 2018. Ricoh GR1, Kentmere 400 developed in D76. Youngsters having fun at this man made waterfall at the Vila Escudero, a resort about an hour away from Metro Manila.

“Night Lights” 2018. Ricoh GR1, Kentmere 400 developed in D76 developer. The lights on the open air rooftop at the SM Aura mall in Manila. Considering this is ISO 400 film, I think the Ricoh GR1 did pretty good with this shot.

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