PhotoPlus 2018 Quick Observations

I attended the annual PDN PhotoPlus Expo at the Jacob Javits Convention center in New York City last week.

Just to get it out of the way so you’re not disappointed, I am NOT doing a full throttle report on everything I saw.

It may be bad for some but it’s good for me because I simply was not all that excited by the latest and greatest gear!

Ok, I’ll admit, I enjoyed trying out the new. Nikon Z and Canon R series full frame mirrorless cameras. But unlike in 2013 when I saw the Sony A7R for the first time, I did not feel the need to want to have them. Wow, am I free? 🙂

Ok again, lenses such as the HUGE 58mm f/0.95 Noct Nikkor (above) for the new Z Mirrorless system was exciting to see but now I say…Samster, even if you could afford it (which you can’t!) would you ever carry that thing out in the real world 😊

I thought mirrorless was about making things smaller and more compact. Perhaps it’s not possible to make a full frame lens that fast and make it smaller but I just think the big two Camera Legends Canon and Nikon are still obsessed with BIG as ever.

Anyway back to everything. I mean, I’m not going to lie. I loved it all, but now I feel it’s all for YOU to try. Not me. I think I, and perhaps some of you too, I’m at the point of gear exhaustion.

And I’m thinking realistically. What, really, is the Nikon Z or Canon R going to do for me that I couldn’t do with my “old” A7R?

By far, my favorite moment was catching up with my good man, the great Louis Mendes. If you don’t know, Lou is famous for shooting and selling portraits in the streets of NYC with a Speed Graphic large format camera.

In the past he used packfilm such as the discontinued Fuji FP series, but as a sign of the times (and because you know I’m interested in this stuff!) I found out that Mr. Mendes is now shooting with Instax Wide!! I can now say packfilm is officially DEAD if Lou stopped shooting it!

No he hasn’t given up his Speed Graphic for one of those horrible Instax monsters. He had his modified to take the Instax Wide film. It appears to me to be one of those hard to find, discontinued Belair Instax Wide backs.

It also seems he had a couple of acolytes with him learning the craft from the master.

The last shot is for all of you to see what you missed out on! Everybody loves a beautiful model! Is it ok if I call her “Sweet Sexy?” If not I’ll take it back 😊

Anyway that’s it for today. If any of you were there I’d love to hear from you, leave a comment!

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Photo Of The Day: “The Apple Tree” Lomo ‘Instant Wide Camera And “Film Is Cheap”

Well it’s that time of the year. You’ve probably seen a bit of this recently but here’s one more.

It’s apple picking time! And if you haven’t picked your apples yet, maybe it’s time to go before the season is over.

They say the apple is a perfect fruit in many ways. Nutrients, fiber, etc. However, I’ve always thought…isn’t this the fruit that God tried to forbid Adam & Eve from eating? If so, is there something God knows about it that us mere mortals don’t? Is there magic in it? Is it a sin today to eat apples? Don’t mind me, just food for thought!

I used a Lomography ‘Instant Wide with the standard 90mm f/8 and Fuji Instax Wide for this shot.

Here’s more food for thought. It may be a “sin” for me to say this, but even though I love instant photography, especially for its organic nature, it has always been a “supplemental” form of photography for me.

The images usually don’t deliver the same technical quality as 35mm, medium format or heck even modern digital. And that’s part of the charm I guess, but does it have to be this way?

And don’t get me started on the cost of Instant film! Back in the day I always heard people say something like “Keep shooting. Film is cheap!”

And my answer always was (and still is)…Film’s cheap but it ain’t THAT cheap! 😀

When you factor in the cost of development, the time required to process the images, the possibility of having to do reshoots…No, it ain’t that cheap!

However, as many of you will agree results from film is usually most satisfying in a way that’s hard to duplicate digitally.

As for that old “Film is cheap” slogan, I know they were mostly referring to standard 35mm or 120 film and not really instant film. As you know, Instant Film is NOT a financially cheap form of photography!

That said, I don’t always find instant prints all that satisfying. Even when sharp, the details are not all that apparent unless you’re using a loupe to look for them. A lot has to do with the cameras and lenses themselves I guess. Many are cheap, plastic cameras with cheap, plastic lenses.

Many instant cameras such as the Lomo I used here rely on guesstimating focus and that’s part of the reason why the lenses are so slow like f/8 it f/12, so that the majority of the time images could be decently sharp. The slow lenses also help keep costs down but also forces you to use flash or a tripod in low lighting conditions.

I’m still waiting for someone to come out with a high quality Instax Wide Camera with a decently fast lens for $500 or under. I’m thinking I’ll probably wait an eternity for that one! 😊

Even worse, I wouldn’t be surprised if Fuji discontinues Instax Wide film before that happens.

Mind you I know about the high quality Instant Cameras of yore such as the Polaroid 600se or the Polaroid 180 that I reviewed here a couple of years ago. As you might know, I loved those Camera Legends but with the end of packfilm they’re just living on borrowed time. What I’d like to see is someone come out with a great Instant Wide Camera with a great lens for the masses.

It may be a hard sell, but I’d bet if someone could make ten of them and sell them for $500 each, they’d all sell out.

I like the concept of Mint’s TL70, the TLR that takes Instax Mini film but I’m just not a big fan of those tiny card sized prints. I want BIG baby, BIG prints!!

Ah well, I’ll just keep dreaming cause I know it’s not going to happen any time soon. I know it won’t! PS: Sometimes I like tempting fate by saying this stuff so I can be proven wrong and get my dream instant camera sooner 🙂

If someone comes out with that killer Instax Wide Camera I’m all for it. I just realized I didn’t say enough about the Lomo used in this article! It’s a decent enough camera at a good price point, I’ll probably review it someday. It’s just not the instant camera I’ve been dreaming of. Ah anyway, sorry for my rambling today I thank you all for reading one man’s random thoughts 😊

Photo Of The Day: “Apples” Nikon D700

The image above was shot with a Nikon D700 and 85mm f/1.4 AF-D Nikkor. This is not a gear posting however. It’s what I call a “Life” posting 😊

Friend, it’s that time of the year again! Time to pick them apples 🍎

This is the time when the “empire” state and the “Big Apple” really live up to their names 😊

The kids enjoyed picking them apples and so did I but I wondered, considering the “fill as you can” bag cost us more than what I could get at the local store, it may be a little fresher but is it really any better? 😊

Not sure but I did enjoy the apples! If you have an apple farm near you, time to go before it’s to late guys! Happy Sunday!

Trends: Canon AE-1 & Fuji FP-100C

Just sharing with you guys a couple of postings I made to the YouTube channel but did not post them here till now.

These are segments I called “Tuesday Trends” where I look at topics that I feel are “trending” in the camera and photography world and even though they might not be mainstream news, I feel are interesting enough to put a spotlight on.

First up is the legendary Canon AE-1 from 1976, one of the most popular cameras of all time.

Just for you guys, I’ve cut to the chase in the above video. I came to the conclusion that the Canon AE-1 prices have been rising is because…YOU GUYS ARE BUYING THEM UP! 🙂

Not you my camera savvy readers, most of you guys probably have or have had the AE-1 at some point in your lives, but hipsters (you know who you are!), newbies, and anyone just getting into film photography. Part of the problem is because the AE-1 was, and is still so very popular, it almost always shows up during a search for film cameras.

Now first off, let me say I love the AE-1 for what it is. It’s a great camera that introduced millions of people to the wonderful world of photography. Yet, especially today, its specs are hardly earth shattering. Keep in mind, I’m just talking about the AE-1 original, not the latter AE-1 Program though when it comes to rising prices we can count that camera in too.

Shutter priority, manual mode, and relies on batteries. If you’ve read my pages here, you could probably read between the lines. Especially that last part about the batteries.

Now I’ve never been an anti-battery camera person. On the contrary, I have always found most modern cameras that uses batteries to be reliable enough not to worry,

That said, if you have a choice, especially the choices we have in today’s used market then I would say I would much rather buy a purely manual camera that doesn’t need batteries to operate, other than the meter of course.

I was quite disturbed to find the AE-1’s prices rising, after not checking for a long time. I used to periodically buy this camera to give away to friends or kids who wanted to learn photography. They never cost any more than $25-50 for a whole package of body, lens, filters, etc. Not any more. Now prices for a body alone averages $70.

This is not right! This should be a CHEAP CAMERA in terms of used prices! Anyway, my reasoning is all in the video, please check it out if you’re interested. I repeat myself a lot in this video but the point is clear…The AE-1 should be a CHEAP CAMERA and the prices should still be CHEAP 🙂

Second up is the Fuji FP-100C, the packfilm classic that Fujifilm discontinued in 2016.

I posted somewhere on social media a couple of weeks back that I was facing REALITY and giving up on packfilm. In fact, I already have a buyer for my Polaroid Land Cameras once I deplete my last few packs of FP-100C.

Even the honorable fellows at CATLABS of JP who declared two years ago: “WE WILL MAKE PACKFILM” have given up on the process as announced this week.

As I had made my decision and prepared this video before their announcement I thought it was very timely! That’s what I mean by trends!

Basically, to cut to the chase, and if you DON’T want or have time to watch the video, I’m stating that if you ever wanted to try this film this might be the time because after a period of relative stability last year, the prices for the FP-100C are rising back up which may or may not indicate that the remaining stocks are close to depletion.

A sign that it is nearly gone is that B&H and Adorama no longer show this film in stock. Even a couple of months ago, it was.

Anyway, I hope this is helpful to somebody out there. Oh please forgive me when I get into “character” lol. As I said, you kinda need “personality” when you’re doing this YouTube thing 🙂

Catch you guys next time!

Sam

Flashback Friday: Olympus OM-D EM5 Images

The Olympus OM-D EM5 (right) next to the Olympus M-1 (original OM-1).

The original 16mp Olympus OM-D EM5 was introduced by Olympus in 2012 and quickly became a favorite of mirrorless camera fans.

Its retro styling brought back memories of the classic Olympus OM cameras of yore such as the OM-1 film camera.

When I first saw it in the flesh, I knew I had to have one. So in late 2012 or early 2013, I did something I don’t normally do. I bought the camera new!

Right away I was impressed with the OM-D’s performance and image quality. It was the first mirrorless camera that I felt gave me images as good as what I was getting from my full frame DSLR cameras. And I’d used many of the highly rated mirrorless cameras before it, ie, Olympus E-P1, E-P2, Panasonic GF1, GH1, GH2 and a few others.

“Twins” 2013. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital lens. The EM5 captured these “twins” with beautiful color and depth of tones.

I loved the fast touch shutter, it was great for quick and rapid street work.

Indeed, the Olympus OM-D EM5 became one of my favorite cameras to use and you know that’s not easy considering all the cameras I’ve tried 😊

I had originally planned to do a review on this camera but it was not to be. Why?

Because last year the shutter started to conk out on me. It started taking blank images. Checking further it seems the shutter curtain is no longer opening.

A little research on the internet shows that many other people have the same issue with this first generation of the OM-D.

This is indeed disappointing as I bought the camera new, it has probably less than 5k on the shutter, and never been dropped or abused.

It’s out of warranty and I hear Olympus will charge around $175 to fix it. To me, that’s pretty unacceptable for a camera with such low shutter count. I have a Nikon D700 bought USED with over 200k that still takes great pictures!

Of course you can say that the D700 is a more pro oriented body. But 200k and still shooting vs 5k and dead? Come on now Olympus!

So Olympus, if you come across this and you want to do right please contact me! 😊

Sounds like I’m joking but I’m not. I’m seriously disappointed as I loved the camera. I know cameras can give out at any time but I think there must be more to these EM5 shutter issues. Just do a search.

Anyway sorry for my rant, here’s a few OM-D EM5 images during better days. Have a great weekend folks!

“The Mean Lady” 2013. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital lens. Nakhon Si Thammarat, Thailand. The kids called this lady “the mean lady” but to me she was always nice! The EM5 performed admirably on black and white images too.

“The Human Touch” 2013. Olympus OM-D EM5. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital. Samut Prakan, Thailand. As Rick Springfield once said, we all need the “human touch” 🙂

“Smoker” 2013. Olympus OM-D EM5. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital. Samut Prakan, Thailand. A charming fellow who enjoyed his smokes 🙂

“Thai Miyagi” 2013. Olympus OM-D EM5. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital. Samut Prakan, Thailand. Maybe I’m nuts, but this man reminded me a lot of “Miyagi-San” Pat Morita.

“Asiatique” 2013. Olympus OM-D EM5. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital. Bangkok, Thailand. The EM5 was superb at capturing night and low light images.

“Gator Riders” 2013. Olympus OM-D EM5. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital. Pattaya, Thailand.

“Big Hair” 2015. Olympus OM-D EM5. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital. Did Baby Zay have big hair or what?! 🙂

“Blue Pool” 2016. Olympus OM-D EM5. Olympus OM-D EM5, 45mm f/1.8 Zuiko Digital. Manila, Philippines. Kids in a portable “baby” pool. It works! 🙂

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Three Years Of Zay

“The Wild Child” 2015. Olympus OM-D EM-5, 45mm f/1.8 Zuiko lens. This photo was shot when the baby was around six months of age. Zay was blessed with a head full of hair as an infant! 🙂

Howdy folks, how have you been? Hope everyone is doing great!

I’ve always felt that as fast as life moves, it moves even faster when you have children. As they get older, you get older and all of a sudden you begin to feel your age creeping in more and more! Is it just me? 😊

Well, my baby daughter Zayda just turned three this week and even though I try not to make family specific postings, please allow me to indulge for today 😊

Now, in looking over Zay’s pics over the past three years, I noticed most of the photos of her are overwhelmingly digital using either digital cameras or cell phone cameras.

Ten years ago when my first daughter Zoe was born there was a more ecclectic mix of 35mm, medium format, and digital images.

“As In A Dream” 2015. Kodak Retina IIIC with 50mm f/2 Schneider Xenon lens, T-Max 400 developed in D76. Zayda was around two or three months in this photo. Due to the camera having issues with overlapping frames, you can see a framed photo of big sister Zoe on Zoe’s right shoulder. I actually loved the effect here, hence the title 🙂

Why such a big difference? No I don’t love one daughter more than the other! I don’t favor one more than the other, at least I try not to.

Upon self reflection I would say I’m getting older and now I’m just a product of the times we live in.

“Love Is In The Air” 2015. Canon EOS-1D 4.1mp, 50mm f/1.8 Yongnuo lens. Zayda was around five months of age in this photo. I was testing a Yongnuo 50mm f/1.8 lens, which is a clone of the cheap but capable Canon EF 50mm f/1.8 lens. The Yongnuo is even cheaper but quite a capable lens as well!

What I mean is that ten years ago, the birth of my first child was something I’ve never experienced before and I was eager to take as many shots of her early years as I could.

I was also ten years younger and had the patience to keep up with a baby and wait for the right moment to capture the images. I was also very eager to perfect my craft on film.

“Cheeri-O” 2016. Fuji Instax Mini 90 Neo Classic.

Flash forward to today. I don’t quite have the same endurance, mentally or physically, to wait for that right moment to capture that pose or expression. As most of you may know, photographing children requires a lot of patience. It will test your patience for sure!

“Smile For Me” 2018. Nikon D1 2.7mp, 50mm f/1.8 AF-D Nikkor.

One must also take into account that the cell phone cameras are much better today and their convenience has made me a lazier person. I’m openly admitting this!

“Bright Eyes” 2015. Canon EOS-1Ds 11.1mp DSLR, 50mm f/1.4 Contax Zeiss Planar MM.

But I’ve made a pledge to myself that in the next few months I will strive to capture the baby more often with my film cameras now that she is at an age where she’s more cooperative with posing or standing still for pictures.

If you’ll note the equipment used in these images, they are all made from cameras I’ve reviewed or spoken about.

“Softees” 2015. Ricoh GR1, Ilford Delta 400 in D76.

As for Baby Zayda herself, she doesn’t care if I photograph her with a film camera or digital camera or phone camera 😀

“The Baby” 2015. Nikon V1, 18.5mm f/1.8 Nikkor 1 lens.

In closing I just want to say Zayda, I love you very much! Perhaps one day you’ll read this and have a smile from it 😘

“Chicka-Dee” 2015. Nokia Lumia 1020.

“Eye Spy” 2016. iPhone 6s Plus.

The Incredible New Fuji X-H1

It’s A Thin Line…Between Black & White!

“I, Angry” 2017. iPhone 6s Plus with Lightroom mobile app b&w “High Contrast” preset.

In keeping with my pledge/attempt to be more active, here’s a posting for today.

Cell phone digital black and white photography has arrived. Actually it’s been here for a while, but I’ve just never completely accepted it. Until now. Maybe 😊

“Kid” 2010. iPhone 3G 2mp and Hipstamtic app. I’ve been experimenting with cell phone photography for quite some time, going back to around 2001. It started out as a novelty, the early phone cameras were horrible but today the cell phone cameras are good enough for prime time.

In the days of film we had no choice but to shoot…film! 😊

But then in the mid to late 1990s a little thing called “digital” happened. Suddenly we got instant gratification and especially for photographers, things never looked better. Or so we thought 😊

In those early days of digital, color photography was already somewhat lacking so digital black and white was nothing more than novelty.

As the nineties turned into the 2000s, better and more capable cameras appeared and those of us experimenting with digital b&w were saying hey, this digital b&w thing might work!

“Little Girl With The Pink Balloon” 2011. Ricoh GR Digital 8.1mp. I almost never do the novelty selective color thing, but here’s proof that I too fell for it at one time 🙂

I got my first copy of the original Ricoh GR Digital 8.1mp in 2006 and that camera (which I’ve reviewed and praised often) made me totally accept that digital b&w had arrived and was more than acceptable to me as a person who shot b&w film exclusively for years. It was finally good enough, indeed more than good enough for me.

Flash forward to today. Cell phone photography rules the world. Cell phone cameras have gotten so good I often tell people these days that they could easily do away with the traditional small sensor digital point and shoot and just use their phones instead. And indeed, that’s my recommendation.

“New York Smiles” 2013. iPhone 5.

According to reports I have read, sales of digital point and shoots have been on the decline for years now, primarily due to the popularity of cell phone cameras for general photography.

As great as all this progress is, one thing I’ve not been convinced with or have not been converted to is using the cell phone for b&w photography.

“New Year’s Day.” iPhone 6s Plus with Argentum b&w photo app. I hate to use the same U2 line that I’ve been using for almost thirty years, but “nothing changes on New Year’s Day” 🙂

But now I think we are crossing this bridge too. Most of the b&w photos in this article were taken using my “old” iPhone 6s Plus with some of the popular mobile photography apps being used by today’s photographers such as Lightroom, Snapseed, and Argentum, the last is exclusively for black and white photography.

“Cold, Cold World” 2018. iPhone 6s Plus with Snapseed b&w filter.

“Freakzilla” 2018. iPhone 6s Plus with Argentum app.

In comparison to b&w film, I don’t believe any of them can quite match the look of true monochromic film images, but then again, what digital camera really does? I’m sure some will say the Leica Monochom can, but to me, even after looking at many, many samples from the Leica MM it still looks like digital b&w images. Superb digital, heck maybe even “film-like” (at times) images to be sure, but on the whole, still quite digital. I mean, that’s not necessarily a bad thing.

There are many “crazy passionate” people (as I call them), who would probably be angry that I said Leica Monochrom images look digital, but I have the ultimate answer for that…

Is the Leica Monochrom a film camera? Or is it a digital camera? The answer is that it’s a digital camera, and there you have it 🙂

So back to the b&w cell phone apps. In many instances a lot of the popular presets appear too dramatic, too dark and contrasty. There’s apparently a lot of people that like that kind of look I guess. I do too, but not all the time. Other filters can appear too flat at times. Keep in mind, most of the popular apps offer you the option to edit the image, tweak the filter to your liking.

My workhorse film is Kodak Tri-X and in my opinion, this film does not natively produce such dark and contrasty images. There are films out right now that do offer that kind of look. I would say off the top of my head Japan Camera Hunter’s JCH 400 is one of the newer films that offer that dark and contrasty dramatic look.

Though none of the apps are perfect, overall though I’m quite impressed with them. I hate to say this, but my iPhone and these apps may replace my beloved GRD!! No, the camera’s not for sale, not yet anyway 😀

“Cool Car” 2018. iPhone 6s Plus with Argentum b&w photo app.

Another amazing thing to consider is back in the mid 2000s, before Lightroom came out, many photographers including myself were using Photoshop to tweak every picture to our liking. If you’ve been posting photos online since the early 2000s, you know what I’m talking about.

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“Dreamtime” 2010. Canon 7 Rangefinder, 50mm f/0.95 Canon “Dream Lens.” In the days of film, people “dreamed” of the day when they could have something easy like digital black and white on their cameras. They got it. They probably never dreamed of having it so easy on their phones. They got that too. But now that the dream has come true, do we really want it? 🙂

Flash forward to today. The cell phone camera and all the apps and filters available for them can virtually do all the work for you! And most offer some level of control, allowing the user to tweak the levels to their liking.

This is nuts!! I used to spend hours trying to get images to my liking and now we have filters that produces almost the same end result immediately? As I said, nuts!

I have friends who still think they need a little digital point and shoot which they see as a “real” or proper camera. Coming from a traditionalist mindset, I can understand this. But in all honesty, for most of your point and shoot needs, I think your phone might be all you need. Most phones today shoot fast, and they are really perfect for street photography.

To be honest, the cell phone cameras are getting good at almost every kind of photography! They are in constant use by everyone, nearly everywhere. Ironically, by being so “in your face” all the time, the cell phone cameras are perhaps the most stealthy, inconspicuous cameras you can use. Plus you have nearly endless editing options with the apps available. And let’s not forget to mention, the ease of uploading photos and videos for sharing to friends, social media or what have you.

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“Strike A Pose” 2015. Nokia Lumia 1020, manually tweaked in Photoshop.

As great as all that sounds, one thing you won’t get just yet is any props for your phone shots. I’ve said it here before, everybody knows how easy it is to get a shot with your phone and probably the most uncool thing to say to another photographer is…Hey, I shot this with my phone! 🙂

But just because it’s easier to shoot with a phone, does that necessarily mean it’s no good? I’ve said it before, it’s in human nature to want things the opposite of what you have. If it’s too easy, we want it hard. If it’s too hard, we want it easy. You can’t win with human beings 🙂

But with an open mind, you can begin to appreciate that a cell phone camera can be used like any other camera. Sure, the phone makes getting the shots easier but the actual photography, ie, the subject, the light, the composition still remains exclusively in the eyes of the photographer.

Some people worry that they won’t have the same level of control on their phone cameras. With today’s phones, depending on your phone and/or the apps installed in it, you can have almost complete photographic control on the camera in your phone. In most instances though, most of today’s phone cameras can deliver consistently excellent results. So much so that you needn’t really worry about fiddling around with the settings, as much as you’d want to. Cell phone photography is all about getting the picture, and in that way, it ironically stays truer to the original goal we all have of getting the shot than most cameras do.

“Brother Fro’s Ramen” 2017. iPhone 6s Plus and Argentum app. Brother Fro mentally debates whether he wants that ramen or not 🙂

“Empty” 2017. iPhone 6s Plus with Argentum b&w photo app.

“Calm Before The Storm” 2017. iPhone 6s Plus with Argentum b&w photo app.

And yes, should we finally get to the cell phones Achille’s heel, a thing we like to call “Bokeh?” We all know that’s a weak point for cell phone cameras. But with the recent “portrait mode” fad with the fake bokeh, heck the cell phone cameras are heading into DSLR territory! I’ve seen some really bad results but I’ve also seen some impressive results. I’m no fan of fake bokeh, but in some instances it’s getting scary good.

I know you truly traditional photographers out there, I’m not moving you one inch. You’re not convinced! Hey, it’s ok 😊

But for me, I see it. Cell phone has taken the world by storm and it’s been here for a while now, but I finally think I have to accept that cell phone b&w photography has arrived and it’s only going to get better. Keep in mind, the photos in this article only shows results from an iPhone and some modern apps. There are other phones and other apps out now that shoot b&w just as well or better. There’s also cell phones out there right now such as the Huawei P9 or Mate 9 that have a Leica Monochrome sensor in them. I haven’t even tried these yet, but I’m going to try to procure one for review.

“Playland” 2017. Rye, New York. iPhone 6s Plus with Argentum b&w photo app.

So am I going all cell phone for photography? No. I won’t be giving up my digital point and shoots or DSLR for black and white just yet. I certainly won’t be giving up shooting black and white film.

As much as I have grown to hate developing and scanning it, I’m going have to chuck it up and do more of it. Film is the last organic thing left in photography.

“Morning Stretch” 2009. Zorki rangefinder (I forgot which model) and Jupiter-8 50mm f/2, Kodak Tri-X developed in T-Max developer.

Why bother shooting film if it’s such a chore? I don’t know about you, but I love the art! To paraphrase someone famous, I shoot film not because it’s easy, I shoot film because it’s hard (compared to digital). I love torturing myself 😊

Aside from the art, I do love the tactile feel of working a fine piece of machinery and manually controlling it. Many of our readers here, I know you do too.

But, if I want easy digital b&w (and I do sometimes want EASY) then I think I can do it with my phone! But it’s a love/hate thing. Just as the song said, “It’s a thin line between love and hate.” I love it because the results look pretty good. I hate it because something that used to give me a lot of pride, because it took a lot of work, is now too easy.

“Z Ten” 2017. iPhone 6s Plus with native iPhone b&w filter.

“Nap-Kin” 2017. iPhone 6s Plus with Argentum b&w photo app. Buenos Noches!

In closing friends, today, there really is a thin like between black and white. As the famous wrestler Ric Flair once said, “Whether you like it or not, learn to love it” I may not love it yet, but I might end up following his advice on this 🙂

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