This image was taken recently with a Graflex 4×5 RB Series B and 7 1/2 Inch Kodak Anastigmat on Arista EDU 400.
I’m still testing this camera for operations. The one thing I did differently on this shot is that I developed it using stand development.
I’ve done stand development before but not often. It all goes back to first impressions and the first time I did it, I remember ruining that roll of film, thus I was not inclined to do it again.
But this experimental image inspires me to do more of it! Why? Because even though the image is not the greatest, it made me realize that stand development is perfect for someone like me.
Over the years, I have gotten really lazy and dread being in the darkroom even for an hour or less. The stand development process frees up that hour but I want you to understand, it’s not just for the lazy man, but there’s actually a science and reasons why people like the process.
Without getting too long, just search for stand development to see what I mean. Some people find more acuity in their images, some people claim there’s better development for shadow areas.
I find it all fascinating and I’m looking to do more of it! I’m no stand development expert but I want to learn and I enjoy experimenting.
The Panasonic DMC-LC1 is a digital Camera Legend from 2004.
On the digital front, I’ve just completed my video review of the Panasonic Lumix DMC-LC1 aka Leica Digilux 2.
It should be up on YouTube by this time tomorrow night. If you search my blog you will find a review of this camera from years back so you guys know I’m not just riding the digicam wave. I will share everything I know about this camera and its Leica sibling. Is it just another old digicam? Or is it one of the greats? Stay tuned to find out!
Thanks for reading and have a great day you guys! πππ
In an effort to stay connected with this great community, I will start posting more stuff. Sometimes it might be long, sometimes it might be a short “Photo Of The Day” like this one π
This image was taken with a Leica M6 & 50mm f/2 Summicron-M and CineStill BWXX film, developed in HC-110. I like the look of this film! I have to shoot it more to get a real feel for it, but so far I like it a lot. Have a great weekend you guys and happy shooting! πβ€οΈπ
Hello and good morning you awesome war torn camera geeks! It’s been a helluva while hasn’t it? Well, I had a little time so I figured I’d write to keep you guys posted on recent events and what we’re currently doing. I’m going to delve into several topics so forgive me if it sounds like I’m rambling. I will divide the topics into titles for easier digestion π
“Coffee Art” π 2024. We’re still here! π
The Passage Of Time
Last year I took a trip overseas to the Philippines and Thailand. It still feels like I just came back to the States yesterday. But it’s already been ten months! What the?!
Cafe. Tha Sala, Thailand 2023.Beach. Wildwoods, NJ. 2015Camera fun with baby girl and the Panasonic Lumix DMC-LC1 β€οΈ 2009.“I Love L.A.” π Los Angeles, California, 1988. Minolta X-700 & 50mm f/1.7 MD lens. Photo taken by my brother I think!“Sam Fam” β€οΈ 2024. Google Pixel 7 Pro
I don’t want to just talk about myself so if you’re of a certain age, please let me know if you can relate to this…
It seemed not too long ago I was a teenager. Then I became a young man trying to find my way in my twenties. Then I got settled down in my thirties. Then the forties came and went. Now into my fifties, I still feel I haven’t accomplished much of anything. And I wonder how much time do I have left.
Listen, I hate to say this, but at the rate these years have been flying by, we’ll be done before we know it! Fifty years sounds like a long time but when you realize how fast one year goes by, is fifty, eighty, or a hundred even that long in reality?
People say grow old gracefully. I’m trying to do that but I don’t know how to. I mean, I still feel like 35 and sometimes even younger but I know I’m not.
People say the fifties are still young. Maybe in today’s world it is but as a younger man, I remember thinking 50, 60, 70, etc, that’s old! Now I’m in that first spot.
I know I sound like a Debbie Downer but on the positive side, I feel as if I can do almost anything I did at thirty but better β€οΈ I’m more sure, I’m not as awkward.
But one profound difference I can see is the people who are younger than me, people in their 20s, 30s, and 40s see me as someone older or maybe even “old” in their eyes.
And it doesn’t help that physically more fine lines have appeared on my face. The skin sags a little more. The hairline is receding. This is aging.
My Mom once said you’ve got two choices. Either you grow old or you’re dead. Wise words! Yet somehow it doesn’t make me any more comfortable with the thought of aging.
To me as one ages, not only are changes in physical appearance inevitable but there’s also a very real, increased chances of some dreaded illness or disease coming your way. In the past four years, we have lost four beloved family members. That’s one a year!
Of course I try to eat healthy, try to get more rest, try not to stress too much. I need to exercise more. But honestly, there’s only so much one can do. When it’s your time it’s your time. But yes, I want to be around to see what my kids do with their lives, to help them whenever I can.
To me aging is like falling into a whirlpool that keeps pulling you towards that center and you can’t escape it.
How do you guys deal with it? I’d love to hear your thoughts! Perhaps it would help me deal with aging better. Thanks in advance ππ
One thing that’s been with me through all the decades is my love for cameras, lenses, and photography. That is the one singular constant I can think of ππ
THE YOUTUBE DILEMMA
As I mentioned to you guys a few years ago, I was writing less here in order to focus on building my YouTube channel. That was in 2018.
I can tell you right now, unless you can commit to doing it consistently, I wouldn’t recommend it.
I’m still not monetized but I’m close to meeting their requirements. I’d probably have gotten there sooner if I were posting more consistently but as a family man who has two growing kids and a day job, I just can’t. Instead, I just post whenever I can put something together. That’s not the formula for YouTube success.
A recent and seemingly popular video about the cameras of Daido Moriyama.
So here’s what I’ve learned from my six years on YouTube. First you need a topic or subject. In this case, I have many! The channel is about cameras, lenses, and photography. I got this covered!
A recent and not so popular video about my very first digital camera and the early days of film vs digital. As a smaller channel, I noticed that some videos get a lot of views and some get very little views. The most interesting part is that some videos “catch on” but much later! Some people say the dreaded “YouTube Algorithm” is responsible for what people see and what they don’t.
Second, you need good video quality. High quality video production counts on YouTube. I have the equipment to make better videos but I’m not a videographer and I’m lazy so I just use my phone most of the time. Count that as a strike against me πͺ
Third you need to spend hours editing. This is the part I hate most! As a photography and camera review channel, I have to gather the necessary photos from the cameras/lenses being reviewed. Then I have to put them together and often narrate. Then I try to find some ear pleasing music to keep it flowing. After that, I have to edit all the parts together and make it into one cohesive video.
And the worst part? Sometimes I get decent views but often times I get very little views and since YouTube is not paying me yet, I feel very little motivation to continue but I push forward. I feel I’ve just scratched the surface of all the things I’d like to share with the good camera loving folks out there π
Anyway, YouTube and other social media like Instagram and Facebook are what has kept me from this blog for so long. Even though I’m an old school guy, I kinda feel that writing is passe π I know I’m wrong, convince me that I’m wrong!
But yeah, until I can actually see the benefits I can’t really recommend doing YouTube.
RECENT PROJECTS
I’m pretty much doing the same thing I’ve been doing for years, that is I’m shooting with film and digital gear β€οΈ
I’ve been focusing a lot of my YouTube videos on digicams because that’s been a favorite of viewers of my channel and it so happens that I’ve been collecting old vintage digital cameras for a long time so it works out.
The Leica Digilux 2 of 2003.
There’s a lot of film stuff I want to cover, but I feel that the channel doesn’t have enough traction yet to make these videos worth the effort.
Here’s a recent project I’m working on. It’s the original Rolleiflex from 1929. When I got it, the camera had only one working shutter speed which is 1/500, the rest were sticking. I fixed it up to where only the slowest speeds stick and I’m able to use the camera in the range I need. But today’s posting is not about the Rolleiflex, as fascinating as it is. I’ll keep you guys posted on my progress with this legendary camera
And here’s some recent film images…
Pool Party 2023 β€οΈ Leica M6 & 50mm f/2 Summicron on CineStill BWXX ISO 250 developed in HC-110Manila Traffic 2023. Leica M6 & 50mm f/2 Summicron-M on CineStill BWXX Oldest Lady In The Village. Sa Kaeo Village, Nakhon Si Thammarat, Thailand. Leica M6 and 50mm f/2 Summicron-M on CineStill BWXX ISO 250. Image was very underexposed but I was able to recover the gist of it and I don’t mind the grit!My most recent project photo β€οΈ Test shot with a Graflex RB Series B 4×5, Kodak No. 33 f/4.5 Anastigmat and Arista EDU 400 film developed in HC-110.The nearly one hundred year old Graflex RB Series B is a “portable” 4×5 camera that can be had around $300. I think this will be a great portrait camera! π
Thank you guys so much for reading this today! If you made it this far I just wanted to thank you β€οΈπβ€οΈ The reason this post is so long is because we’ve got some catching up to do and I’m making up for lost time! Appreciate you guys, thank you!
Good morning you voracious and gracious camera geeks! A little cheap camera porn just because I havenβt posted here in a while. Hereβs a camera I gave away to a friendβ¦but I have a photo of it ππ
Itβs the Canon EOS Rebel 2000 aka EOS 300 aka EOS Kiss III. It is a 35mm film slr introduced by Canon in the year 2000. Now hereβs a great example of what happens when youβve become βcamera spoiledβ as I call it π Ok so itβs a decent camera and my friend is getting great results with it! Iβm glad itβs in good hands πππ
Me personally, I never used it and never intended to. I got it in a box with other cameras and stuff. Itβs a perfectly capable camera, but Iβd be worried using heavy lenses on it due to the plastic lens mount. Besides that, to me it just looks real cheesy and it just wouldnβt inspire me to shoot. Somehow though it looks pretty nice now when I look at this pic π
At the start of my photographic journey, Iβd probably drool to have a camera like this. Today, no. Even though the camera is technologically more advanced than my EOS 10s that I started shooting Canon with, the 10s would inspire me more with its better build quality.
Iβd put up with the 10sβ three point AF over the Rebel 2000βs seven point AF just because the former would inspire me more, despite the fact that the latter would probably make getting good shots easier.
As I said, the experience of using βbetterβ or better built cameras can spoil you! But itβs not just better build quality. Itβs cameras I find βinteresting.β They could be old or quirky. Or it could be a new camera. Just has to be interesting. I donβt find the Rebel 2000 all that interesting π’ Iβm sure many of you can relate. Donβt be like me folks, be content with what youβve got whatever it is! ππΈπ
Thatβs it for tonight! Hope to start posting more soon! Have yourselves an incredible week guys! ππΈβ€οΈπ
Good morning you awesome camera geeks! A couple of years ago I posted a video on YouTube called βBenefits Of A Cheap Camera.β
Now in that light hearted and cringe worthy video, which was filmed very badly on an old iPad, I went on to jokingly point out why using a cheap camera could be beneficial.
Before YouTube began hiding dislikes, I recalled that video get quite a fair number of dislikes although there were, fortunately, more likes than dislikes.
I chalked it up to people not βgettingβ my light hearted, comedic style of camera reviews. I truly think some of my best ad lib camera jokes are on that video! ππ
This video was one of the reasons why, for a long time, I viewed the audience on YouTube as βstiffs.β Meaning, I felt they couldnβt take a joke, they couldnβt read between the lines because if they did, they would see that I was actually offering some solid advice!
Seriously, in that review, I mentioned that the Vivitar V3800n (which was the featured camera), was a very affordable, all manual film camera that uses the very popular and iconic Pentax K mount which opened the doors to an abundance of great and affordable lenses.
The Vivitar V3800n and 50mm f/1.7 which I got as a combo for $30. Today, this outfit can still easily found for under $100 dollars.
All this started because a friend had asked about getting into film photography and was asking if he should get a Leica, Contax, or Nikon? Which led me to the thoughtβ¦why does a film beginner need to spend a lot of bucks?!
Now Iβm not here to tell anyone how to spend their money but having been down this path before I felt it wouldnβt hurt to try and help someone save some money!
Another factor is the real likelihood of someone like my friend, who has been shooting digital exclusively, will end up giving up on film and be stuck with a bunch of expensive gear that heβd have to try to eventually sell. And guess who heβd come to, to help him sell it? π
THE CHEAP CAMERA CHALLENGE
Iβve seen a bunch of βcheap camera challengesβ and although entertaining, I never thought of doing a video on it until now.
Part of the reason is that, as someone who has admittedly been spoiled by using Leica, Contax, Nikon, etc, it was very hard for me to contemplate βwastingβ a roll of film on a cheap camera. Now I know that sounds elitist but honestly with the rising prices of film these days, I really only want to use this precious commodity on something Iβm interested in.
So with that kind of thinking, I realized I had lost my roots. I started photography with a Minolta X-700 and a cheap Vivitar point and shoot in the 1980s. I have documented this fact many times here.
So considering that I had only used the Vivitar V3800n once or twice in all the years that Iβve had it, I figured this would be a good time to use it again and document the results with you guys here and on YouTube!
So I put in a roll in early January and just finished the roll near the end of last month and here are the results.
SAMPLE PICS
All photos in this set were taken with the Vivitar V3800n, 50mm f/1.7 Vivitar lens and shot on Ilford HP5 Plus and developed in Xtol.
Snow DayIce ColdMochi CakeMochi Cake Closer CropDelicious Tempura β€οΈTaxiGraffiti Bronx StreetChurch At NightCloser CropBucket Of CrabsAvailable Light @ Night
PRICE & AVAILABILITY
The Vivitar V3800n is cheap and still easily found on the used market. Prices can range anywhere from $10-40 USD for the body only and same for the Vivitar 50mm f/1.7 MC lens. Sometimes you might even be able to find them for free! π
If you canβt find the V3800n, any of the V series bodies will do for basic shooting.
The V3800n was made by Cosina and uses a Pentax K mount so lenses are plentiful and can be very cheap. You donβt need to use a Vivitar branded lens if you do not want to.
CONCLUSION
The Vivitar V3800n and 50mm f/1.7 Vivitar lens were the most fun Iβve had with a film slr in a while!
Itβs not perfect, Iβm not going to lie. It feels cheap and there are some issues that might be detrimental to beginners. I explain all that in the video.
But once you learn how to use the camera you will see that itβs capable of taking good pictures. And thereβs just a βcheap thrillβ (pun intended) to getting satisfying results on cheap equipment, like you got more than your moneyβs worth!
Iβll even go out of my way to say that itβs perfectly capable of taking pictures as good as any equivalent combo. By that I mean, for example, a Pentax K1000 with 50mm f/1.8 or Canon AE-1 with 50mm f/1.8 FD lens or Minolta X-700 with 50mm f/1.7 MD lens. These are just some examples but you could add your own and as long as youβre being fair, I can say the Vivitar will match up to it! No it will not beat a $5000 Leica or Zeiss π
In conclusion, my main point of doing this cheap camera challenge is to show, especially beginners, intermediates, or anyone wanting to get into film photography that it doesnβt have to be expensive. You can have a lot of fun with film photography without paying a lot!
Good morning you awesome war torn camera geeks! For your Flashback Friday here is a camera I was surprised to find out recently that some people consider βone of the most important cameras in film camera history.β Itβs the Lomo LCA from 1984.
Iβve had this camera for about five years and you guys know I do my research before buying any camera. Iβve never heard anyone call it one of the βmost important camerasβ until recently when I came across this in Dpreview and from reading the forums there, it seems that other people were surprised too!
Now itβs a cool, funky little Soviet era camera that takes decent pics, at best, but one of the most important cameras? Am I missing something guys? I respect the people who wrote the original article and as Iβve said, I donβt claim to know everything so Iβm looking to you guys to fill in the blanks! ππ
This camera is based off the Cosina CX-1 which I donβt think is considered one of the most important cameras in history. Iβm guessing maybe itβs because the LCA might have started the Lomography thing? This is really a curiosity for me! You tell me guys!! Iβd be very grateful to learn what made this camera so important! Thanks! πππ»ππ»
PS: For you hardcore camera geeks, I got the wide angle adapter on it! πππ»
BONUS
For Flashback Friday, Travis is back! And today he gives you the dish on government cheese and GE digital cameras! πππ»
Over the past few months, and indeed over the years some of you have reached out to me here, on Facebook, Instagram, and YouTube asking me basically something that sounds like this:
βSam I really want a Contax T2, or a Konica Hexar, or a Nikon 35ti, or a Ricoh GR1 but the prices on those cameras are insanely high. Can you recommend a low cost alternative that delivers the goods?β
Now if youβre one of those people who asked, or if you echo those same sentiments then I would ask youβ¦why do you want those cameras?
For some, itβs most likely because those premium cameras are among the most wanted on the YouTube playlist. In fact, the YouTube reviews by young millennials might be the driving force to why these cameras have skyrocketed in price. Kendall Jenner was just a catalyst with the T2 but the YouTube reviews thereafter took the prices into the stratosphere!
Now for you guys who are really into photography, you may have wanted one of those premium cameras for street photography. By and large, the premiums like the T2, Hexar, 35ti and of course the Ricoh GR1 have a deservedly good reputation as street cameras.
But the insanity of the high prices on those cameras keeps the thinking man from jumping in. Can you really get comparable quality from cheaper cameras?
Today I have an alternative for you that I believe is an excellent choice, and at perhaps at 1/10th the price of most premiums.
And that camera is the Yashica 35CC. It is a camera I believe to be Yashicaβs hidden gem.
INTRODUCTION
The Yashica 35CC/CCN is a compact, 35mm rangefinder with a 35mm f/1.8 Color-Yashinon fixed lens.
The camera has a shutter speed range of 8 seconds to 1/250 and a flash synch of 1/30th of a second. The camera runs on one 6 volt 544 or equivalent battery.
YOUTUBE VIDEO
For those who are interested in this camera, this video review may have the answers to your questions. Itβs a pretty deep dive into this camera!
IMPRESSIONS OF THE ELECTRO 35CC AND IN USE
While Iβve used several Yashica Electro models over the years, the 35CC was a late addition to my collection and I got it around 2018-2019.
My first impression is that the camera is much smaller than more well known models like the Yashica Electro GS/GSN.
According to the Camera-Wiki, the Yashica Electro 35CC is βwronglyβ thought by some to be part of the Yashica Electro family. However as I show on my YouTube video, you canβt blame people for βwronglyβ thinking that when it actually says βElectro 35CCβ on the top of the camera! π
But the thing that stands out right away and the thing that is indeed the star feature of the Electro 35CC/CCN. It is that bright 35mm f/1.8 lens!
Traditionally, rangefinders from this era have fixed lenses in the 40-45mm range. Think the Olympus SP, the Canonets, or even the aforementioned Yashica Electro GSN.
And even premium compacts like the Contax T2 has a 38mm f/2.8 lens. So the lens on the Electro 35CC at f/1.8 is a stop faster than the 2.8 on the Contax T2, Nikon 35ti, Leica Minilux, and marginally faster than the Konica Hexarβs 35mm f/2.
What does that extra speed buy you? The ability to shoot in lower light conditions and hopefully getting a good shot. And even though the 35mm focal length has never been known as a bokeh monster, the extra fast f/1.8 might help coax out that extra bit of bokeh.
What doesnβt it have that the premium compacts mentioned above does? It doesnβt have autofocus for one thing. It doesnβt have a Carl Zeiss lens or a Ricoh GR lens but without those brand labels, the prices can be kept low. Thatβs a positive thing!
IN USE
The Yashica Electro 35CC is small and compact and feels good in the hand. Itβs a little on the thick side so itβs not exactly pocketable for the usual pant pockets.
The rangefinder patch on my copy is nice and contrasty making it easy to focus. There are dual focus tabs on the lens which is a nice touch.
The controls are sparse. The camera is basically aperture priority. You select the aperture via the markings on the lens and the camera selects the shutter speed. The shutter speed range is a whopping 8 seconds to 1/250th for the top speed.
The camera gives no indication of what speed it chooses. The only indication is a + or – for over or underexposure.
On my particular camera that indicator no longer works. I canβt see anything indicating over or underexposure. The battery check on my camera is also not working. However, that did not stop the camera from producing mostly well exposed images.
If you run out of batteries there is a default mechanical speed. Some sites say itβs 1/250th but others say itβs 1/30th. In my opinion, based on usage, it seems the default shutter speed without a battery is 1/30th.
SAMPLE PICS
All images below were taken with the Yashica Electro 35CC and Kentmere 400 film developed in Xtol.
Please refer to video for more details.
Based on my own tests, I believe the 35mm f/1.8 Color-Yashinon DX lens to be excellent.
In the above images, I can see that the lens is really only held back by the film (Kentmere 400) and/or my developer Xtol.
At f/1.8 there is a touch of softness (as are most lenses wide open) but itβs actually sharper at f/1.8 than I expected so Iβm perfectly fine with its performance.
From f/4 to f/11 you can expect excellent sharpness and good contrast, assuming the camera chooses a fast enough shutter speed.
PRICES, AVAILABILITY & WHERE TO BUY
The prices for the Yashica Electro 35CC are trending from $80-130 USD.
Iβve read that this camera is hard to find but I donβt think itβs that hard to find. I got mine from KEH in 2018 or 2019 for around $100.
In fact, while working on this article I saw one last week, again at KEH for $133 in EX condition.
It is true that you donβt see them too often from USA dealers. However they are plentiful on eBay, from sellers in Japan.
As mentioned before, I have bought many times from Japan without issues. However, you must do your research on the seller, as always, no matter what country it comes from.
BOTTOM LINE
The Yashica Electro 35CC is a hidden gem! It may not be as well known or as desirable as say a Contax T2 or Nikon 35ti, but especially for street photography I find the images it produces just as satisfying.
And the fact that you can find these cameras for about $100 USD on average, well, that adds incredible value and enjoyment to using this camera!
The Yashica Electro 35CC/CCN may never go down on its own as a true Camera Legend (but it might!), but there is no doubt that the Yashica Electro series as a whole are Camera Legends that have made memories for people for decades.
In my opinion, the Yashica Electro 35CC is one of the best that you can get from this series, even if Camera-Wiki doesnβt consider it part of the Electro family π
If you see one at the prices I mentioned, buy it! And tell βem Sam sent you ππΈππ»
Just a quick photo to start your Sunday. This was shot with a Yashica 35CC. Film was Kentmere 400 and developed with Kodak Xtol.
The Yashica 35CC is a 35mm rangefinder from the 1970s and has an impressively fast 35mm f/1.8 lens as opposed to the 45mm f/1.7 lens on many Yashicas from that era.
Work, family, the 2020 and beyond COVID 19 pandemic, my scanner dying, concentrating on building the YouTube channel…all these factors contributed to me being behind.
Recently I heard an old song by Don Henley called βThe Last Worthless Eveningβ and thereβs a line in which he sang βThereβs just so many summers babe and just so many springsβ π
I said Samster you war torn sumbitch you ainβt getting no younger so you better get moving! Hopefully Iβll be here more frequently. Happy Sunday good peeps! ππΈππ»
Good morning everybody. It seems as if I closed my eyes only for a short time and we’re back here in yet another October once again! Man, I can’t shake off this feeling of getting older! And I have to remind myself that I’m not THAT old yet!
Well anyway, I just went through three rolls of new images to review and some were good and some not so good. Hmm, kinda like the good old film days! π
In this set, only the bottom image “What A Rush!” is from the Contax T3. The B&W set is from another “mystery” camera π
The Contax T3 was, in its time considered “The Best Point & Shoot Camera In The World” and it’s got a tremendous, and yes, even legendary cult following even today.
Does it still deliver the goods? It sure does! It always delivered the goods, but it’s not without its faults as I’ll explain in future postings. Can it still hold on to its “top dog” title? I’m not so sure just yet!
Please do not think I’m jumping on the T3 bandwagon! I certainly could NOT get one at today’s prices. However, I’ve had mine since 2006 when they were MUCH more affordable. Though I may not like getting older, there are some perks to be a “veteran” camera freak I guess π
Had it all these years, somehow I never rushed to do a review on it. So you see friends, I’m not in this for any kind of blogging glory π
I just want to get out good information for you. Sorry if it takes a little longer than most bloggers. I’m just SLOW haha π
I got my images back from the Darkroom out in California and they did a mighty fine job. There’s a reason why people recommend them!
Though I wished their prices would be lower, I will say they can be recommended for film developing yes.
Anyway, it looks to be a busy month with lots to look at. Let’s hope I don’t burn out by the end of the first new review lol. Have a great week folks!
Ah friends, nothing quite as thrilling as working through another dusty, blurry roll of film ain’t it? π
“The Fountain” 2013. Hasselblad X-Pan, 45mm f/4 Hasselblad lens. Film was probably Fuji Superia but will update for accuracy if I can find the information.
Hello folks! Still here, still standing, better than I ever did, looking like a true survivor feeling like a little kid!
Ah, is that me or is it Elton John? π
Here’s the honest truth about my inactivity as I hate to say sorry all the time! I run about four or five different streams other than this blog so I’m spreading myself way too thin! Not just photography but music, etc. This is my baby of course and I really should just be completely on it! My apologies for not being able to give you my best at all times!
So today’s posting is really a test. I’m working on a review of the Hasselblad X-Pan, the panoramic Camera Legend. I am wanting to see if these images appear good on your screen. I feel X-Pan images are best viewed on a computer and not a phone. X-Pan images are large and long and they simply don’t have the same impact when viewed small.
I don’t mind telling you about doing an X-Pan review before it’s published because there are some very fine reviews out on this camera already as it’s been around for some time. I don’t see myself bettering any of these reviews, just adding to them.
At the same time, I would like to make a complementary YouTube video for it. But in all honesty, making a few cents if I make it to thousands of views is not inspiring so I’m not making it for that reason. I’m going to make it for you, my fellow camera lovers!
To have used a Camera Legend like the X-Pan is a blessing that should be shared, don’t you think? Have a great day camera freaks and see you soon! ππ·βπ»
UPDATE: I have checked it out myself and to me the image is way too small on the computer! Have to find a work around to show you larger images!
***DEAL ALERT***
Some great lighting deals from our affiliates, please check it out! Substantial savings!