Monday Mystery Camera…Solved! πŸ˜€

If you’ve been through as many cameras as I have, chances are you’re going to forget some of them! I know some of you folks have been through this!

Here’s a shot from a few years back. I’m going to say maybe 2010 or 2011?

Because it was out of focus, I never posted it and in a moment of brain fog I had a hard time figuring out which camera it was.

I originally thought it was a Yashica GSN or Olympus SP or maybe even a Nikon S series rangefinder, but I quickly figured it wasn’t one of those.

I posted this a couple of months ago on my Instagram account to see if other camera lovers would chime in and help me figure it out.

I think everyone who chimed in made an educated guess and I was impressed with their answers. I came to the conclusion that it was probably a Leica M3 based on a guess of what I was shooting with at the time.

So what is this “Mystery Camera” in the blurry photo? As it turns it really is the Leica M3! The M3 and 50mm f/2 Summicron-M.

As it turns out, I had another frame that I scanned and hadn’t seen in years. I cannot locate the original negative but I’m willing to bet this photo was sequential to the above photo. The hair might look different but sometimes I part my hair out of my eyes πŸ™‚

I’m not sure if you can see it here but the “M” can be partially seen above my right middle finger. And the lens says “Leitz Wetzlar” very clearly.

The smaller rangefinder windows in the blurry photo is just an optical effect, an optical illusion.

I always tell people, even though I doubt they believe me, but my camera selfies are not a narcissistic love fest! πŸ™‚

Firstly, I’ve done them for years as a way of checking critical focus. Secondly, as in the case here, they help me remember the camera and lens I used! And the fact that people like looking at photos of cameras? Well, that’s just an added benefit!

Happy Monday folks!

The Best Camera I Never Knew: The Super Ricohflex

Hello everyone! Looking back on my writings, it seems we haven’t had one of these “Best Camera I Never Knew” postings in a while! Over a year in fact!

So today we’re back with a camera that may not be well known to the masses, but is quite popular on photo sharing sites like Flickr and elsewhere. And you guys, my dear readers, are NOT the masses! It is a cult favorite, the Super Ricohflex.

THE SUPER RICOHFLEX

The Super Ricohflex was introduced in 1956 by Ricoh of Japan. It is a Medium Format twin lens reflex camera that takes 6×6 images on 120 film.

At its heart is the taking lens which is an 80mm f/3.5 Ricoh Anastigmat. It uses a geared focusing system much like the Kodak Reflex of 1946.

The camera has a shutter speed range of 1/10-1/200 secs plus Bulb in a Riken shutter. I have read of other models with higher shutter speeds, but I have had three of them at different points in my life, from different random sellers and they all had up to 1/200. If you have a model with a higher shutter speed range, I’d love to hear about it!

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“Super Ricoh Man” 2009. Super Ricohflex, Ilford HP5 Plus in T-Max Developer. More than a narcissistic selfie, I hope you can see that stopped down a little, the Super Ricohflex is capable of nicely sharp images πŸ™‚

WHAT I LIKE ABOUT THE SUPER RICOHFLEX

When in working condition, the Super Ricohflex is capable of giving images with “character” especially wide open at f/3.5. That is the best way I can describe it.

The 80mm f/3.5 Ricoh Anastigmat is one of those lenses capable of giving you that ever popular on Flickr “swirly bokeh” look.

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“Escape To Reality” 2009. Super Ricohflex, Ilford HP5 Plus in T-Max Developer. An example of the swirly “dreamy” image that the Super Ricohflex can make.

In my opinion, this usually comes from a lens that is optically not at its technical best, and the swirly bokeh is somewhat overplayed by bokeh fanatics, but that said, if used judiciously it can produce “dreamy” memorable images.

Stopped down, the images can be very sharp at f/5.6-f/8 as are most decent lenses.

YOUTUBE VIDEO

For those of you who prefer to watch a video, here is my first “The Best Camera I Never Knew” episode on YouTube starring the Super Ricohflex! 😎

It may seem like a shameless plug, and it is, but I am trying to expand your experience here and I’ll be tying in videos as I can so get used to it! πŸ™‚

Think of it this way? Why would I want to do double work, blog and video, when I could just do one or the other? If it weren’t for you guys, my fellow Camera Lovers, I’d not bother with the videos!

And because I had received a critical comment from a reader who did not understand what Β this series is about, I address this in the video too. Plus trying out some new theme songs haha! πŸ™‚

WHY IT DIDN’T JIVE WITH ME?

Simple. I had three of these cameras! I got my first one in 2009. I sold one and I still have two. All three of them ended up having the infamous “Frozen Focus” issue. And what is that?

In the introduction, I mentioned that these cameras use a geared type of focusing mechanism. What that means is the viewing lens and taking lens are geared together and by moving one you move the other.

That in itself shouldn’t be an issue, but whatever grease Ricoh put into these lenses have been known to notoriously seize up with time.

Out of my three copies, only one was working, and even that one was already on the outs when I got it. It was not perfectly smooth. I left it on the shelf for about, I’m gonna guess cause it’s been years, but approximately 3-5 months. The next time I picked up the camera…stiff as a rock!!

So as of today, the two copies I have are pretty much worthless as shooters. Thankfully, they did not cost me much!

REPAIR?

A competent camera technician should be able to repair these cameras. From what I have heard, it’s not a simple matter of taking the lenses off and regreasing them yourself. It’s a bit of a delicate process. Therefore it’s better to leave it up to the experts if you have no experience with camera repair.

One person I remember offhand that might do the repair is Mark Hansen out of Wisconsin. He’s a great repairman with a solid reputation for working on Zeiss and Rolleis. I believe he is still in business though I do not know if he’s willing to repair the Super Ricohflex and if he is, how much it will cost. If you contact him, tell him Sam from CameraLegend.com sent you!

PRICES & WHERE TO BUY?

If seeking one of these cult classics, and I’m not sure that’s a good idea, prices are trending at $20-60. Keep in mind, due to the possibility of the camera needing a CLA, the low price you might pay belie the true cost after the camera has received a CLA.

However, once you get a CLA from a good repairman, I can attest that the Super Ricohflex is a good and fun budget shooter.

BOTTOM LINE

As I love all cameras, it is not my goal to pick on the Super Ricohflex. Ricoh is a Camera Legend whose cameras I have used and praised often. I do totally understand that a camera this old may need a CLA as most cameras of this vintage would benefit from also.

However, as I mentioned in the video…This is no Rolleiflex. And it was not intended to be. It cost much less than a Rolleiflex or even most Rolleicords, the budget Rollei TLRs.

A Rolleiflex could be sitting there for 30 years and I’d be willing to bet, most would still be functioning. Not so with the Super Ricohflex. If you have one, use it often, keep exercising those gears! Whatever grease Ricoh used in these cameras are infamous for freezing up.

That said, when it worked, this camera gave me some memorable images that left me curious for more. That’s why I ended up with three of them only to find out that the Super Ricohflex is indeed, one of the Best Cameras I Never Knew! πŸ™‚

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Camera Collecting Part I: Two Super CHEAP Camera Legends

Here’s a topic thats very near and dear to my heart! But first, a fair warning: Collecting cameras can be ADDICTIVE and EXPENSIVE!

The former (addictive) is incurable, the latter (expensive), well it doesn’t have to be. And you couldn’t do better or cheaper than these two cameras I am profiling today.

I specifically chose these two specific cameras based on their prices, availability and their importance as Camera Legends. Especially for the beginning collector, these two are the easiest to find and buy.

The two cameras profiled today are the Minolta Maxxum 7000 and the Canon EOS 650.

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MINOLTA MAXXUM 7000

The Minolta Maxxum 7000 is the camera that launched the autofocus revolution back in 1985. And it was revolutionary!

Before it, “autofocus” cameras were clunky things such as the Nikon F3AF of 1983 which attempted to autofocus the “easy way” by using an AF motor in the special lenses designed for these cameras while retaining the classic Nikon F mount.

Though I say the “easy way” maybe I should have said the “logical way.” After all, if you consider the technology at that time and the boxy, mechanical nature of cameras, it just seemed easier to put the autofocus motor in the lenses right?

Well, as is often the case, the idea was better than the execution. I don’t want to go full length into this topic right now, though I would agree it would make for a fascinating discussion!

YOUTUBE COMPANION VIDEO

For those of you who would prefer watching a video version of this topic, here’s our latest video:

MAXXUM 7000 CONTINUED

In many ways, they were on the right track because as you may or may not know, when the EOS system was released in 1987, one of the selling points was indeed lenses with AF motor in them! But Canon had to ditch their old FD mount and make a whole (then) new EOS mount to accommodate this.

Anyway, Minolta too had to create a new mount. A mount which we know today as the Alpha mount or more specifically in today’s world, the Sony Alpha mount. Not the Sony E mirrorless mount. Yes, folks your Sony Alpha cameras carry the rich legacy of the legendary Minolta Maxxum 7000! 😊

Anyway, today’s topic is camera collecting and the Minolta Maxxum 7000 is a true Camera Legend that can be had VERY cheaply these days.

As a camera the Maxxum 7000 has Program, Aperture Priority, Shutter Priority, and Manual mode. Basically all you need! AF is ok but first generation. It’s good enough to get the job done, if the subject/subjects are not moving much! The camera runs on four AAA batteries.

PRICES AND WHAT TO LOOK FOR

Although one of the most important cameras of the autofocus revolution of the 1980s, perhaps the most important, today the Maxxum 7000 is also one of the cheapest on the used market.

Prices are trending at $3.00 to $50 USD average seems to be around $25. I got mine for $3 bucks! It cost me a lot more than that in the 90s!

I believe the Maxxum 7000 prices are so low because they are plentiful and they do not age well.

The grips become white and sticky or powdery. The LCD goes bad or bleeds.

The good news is many are perfectly usable as it is. In my opinion, it is unrealistic to expect to find a Maxxum 7000 without any flaws today. If you do have one without flaws I’d love to hear from you!

THE CANON EOS 650

The Canon EOS 650 was released by Canon in 1987 and is the very first EOS camera.

Its claim to fame is the introduction of the EOS Mount. I believe the EOS 650 prices are so low simply because it’s just not the most exciting camera to look at or shoot πŸ™‚

No offense, it’s a nice looking and shooting camera. Just not super exciting compared to anything else EOS you could shoot with. But it has one very important thing on its side…It’s the first. The first EOS camera! And that has to count for something right? πŸ™‚

It has Program, Aperture Priority, Shutter Priority, and Manual mode just like the Maxxum 7000 so that means it has everything you need. It runs on one 2CR5 battery. AF is ok but first generation. Not good for running subjects but ok for static.

PRICES AND WHAT TO LOOK FOR

Just like the Maxxum 7000, the Canon EOS 650 is also dirt cheap on the used market.

Prices are trending from $10-50 with an average of $25 body only. I got my current copy for $10 bucks!

Generally these cameras have stood the test of time so your chances of a working model is pretty good.

Sometimes you’ll find one with no power, doesn’t turn on. Sometimes parts have come loose or the buttons and dials may be sticky.

Even at the highest average prices they’re cheap get the best one you can!

BOTTOM LINE

I hope with these two cameras I have shown you that collecting Camera Legends does not have to be expensive!

With these two, you have cameras with history and a story to tell about the evolution of autofocus.

And on the Used Market you can get them dirt cheap. And if that wasn’t enough, they’re actually pretty good shooters! Good luck on your journey to camera collecting nirvana!

ADDITIONAL RESOURCES

If you are interested in these two Camera Legends, there are a ton of additional resources on the internet. To cut through the bunk and junk, I recommend these two reviews by my blogging buddy and a prolific blogger Mr. Jim Grey. I can’t speak for a lot of bloggers but I unquestionably trust Jim’s reviews and opinions.

His Maxxum 7000 review is HERE

And his Canon EOS 650 Review is HERE

Plus I also recommend you check out Mike Eckman’s blog…

This is the best new review I have seen on the Maxxum 7000 in years, written by Mike Eckman, a passionate photographer and camera reviewer whose passion for photography and film cameras is contagious and whose dedication I admire. I’ve enjoyed his work for years and his Maxxum 7000 review is much more thorough and much better than mine, I happily admit that! πŸ™‚

Mike’s review is HERE and as I said, if you love film cameras his whole site is worth checking out. I guarantee it will keep your reading for hours!

Tell them Sam sent you! πŸ™‚

***MODERN EQUIVALENTS***

It’s been said that the new Canon EOS-R Mirrorless is the incarnate of the EOS 650. In a way, many things from its looks to its use for the introduction of the EOS-R mount, I’d say they might be right! Anyway, the EOS-R can do things the 650 could’ve only dreamed of in 1987! If you decide to buy one, please do so from our trusted affiliates simply by clicking on the photos or links. You will pay nothing extra other than what you’re buying, and help support Camera Legend at the same time. Putting these articles, reviews, and videos take time and work. We do appreciate all you support, thank you very much!

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Photo Of The Day: “Saturday In The Park” Mamiya 6 75mm 3.5 G Lens

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“Saturday In The Park” 2016. Mamiya 6, 75mm f/3.5 Mamiya G lens, Kodak T-Max 400 in D76 developer.

In my effort to be more active for you good people, here’s a shot and short article for today. Shot with a Mamiya 6 and 75mm f/3.5 Sekor. I actually shot this a couple of years ago before I sold the camera. It was in Central Park.

Speaking of “Saturday In The Park” I recently saw a CNN documentary which I think is a couple of years old, on one of America’s oldest and greatest pop/rock bands, Chicago. I loved their stuff from the 70s and 80s although admittedly they went into the “soft rock” category with the rise of (then) lead singer Peter Cetera, not that it’s a bad thing mind you.

I always thought the band broke up because of Cetera and his ever growing star in the 80s. But now I’m not so sure it was really a case of someone getting a big head or whether he and the band could just no longer get along.

Just like another great 80s band Journey, I’ll always associate Cetera’s voice with Chicago just as I associate Steve Perry with Journey.

Anyway, I’m drifting off course! Music just happens to be my other passion. I especially like rock and popular music from the 50s through the 90s. Not much for music after that πŸ˜€

The Mamiya 6 is a Camera Legend. I had a complete outfit in 2009 including the body, 75mm f/3.5, 50mm f/4, and 150mm f/4.5 telephoto. I started selling off the lenses first, then the camera and 75mm because I wasn’t using it enough and needed funds for other things. You know the deal 😊

I’ve always thought of giving the Mamiya 6 a formal write-up on these pages and I’m sure I’ll get to it one of these days, but I’m not sure I could write enough to do it justice. It’s a fantastic medium format rangefinder. In fact, if I had the funds I could easily talk myself into it again!

If you look at the photo, you’ll notice some blotches, most notably on the bottom right, a result of my imperfect developing. Not making any excuses, but many people actually do not mind, and some even “want” these imperfectons these days! Don’t believe me? You should see what people are liking on Instagram! I guess it’s part of what people today consider a part of that “film look.”

Back in the day, I don’t remember people loving imperfect pictures all that much, but since this shot is imperfect…ok, I’m cool with it! πŸ™‚

I’ve always said and it’s worth repeating that T-Max 400 is a beautiful film that develops best in T-Max Developer. As I did not have any T-Max Developer on hand, I decided to take my chances with D76.

I’ve noticed that when in D76, the T-Max will have a tendency to produce streaks and blotches. Sometimes I get lucky and get a clean set, but T-Max 400 seems more finicky than other films and results with T-Max Developer are consistently smooth.

Well, that’s it for this morning. Oh one more thing, these are not all my kids! πŸ˜€

September Morn…And a couple Canon 1DIII Images

Ah can you believe that September is here once again? I know it’s played out but the title of that old Neil Diamond track just fits.

To me, and I guess many folks, September and this Labor Day weekend represents the bittersweet end of Summer.

So here this September morn, I have a couple images from my current camera of the week and that camera is the Canon EOS-1D Mark III.

“Happy Labor Day” 2015 that is! Shot with a Canon EOS-1D MKIII and Yongnuo 50mm f/1.8 lens. The Yongnuo is a pretty good copy of the Canon EF 50mm f/1.8 II lens.

The Canon EOS-1D Mark III was released in 2006 and at that time, it was supposed to be the ultimate Canon sports and photojournalists camera.

However, that was not to be due to one fatal flaw…Unreliable AF. Reports from users and reviewers at that time revealed a camera with a seriously flawed AF system that was apparently getting a lower hit rate than the previous 1DMKIIN. Note this was mostly in AF Servo mode.

Disappointment was apparent when reading the forum postings of that time. Not just because the AF was bad, but because the image quality was so good! Such bittersweetness!

Don’t forget guys, I was on those forums just like you! Except, I stayed silent and just digested all the information πŸ™‚

To their credit, Canon offered to fix any 1DIII cameras with these issues at that time, once they acknowledged the problem. The fixed cameras are often called the “blue dot” versions.

However, even after the fix, some people felt the camera was still having autofocus issues. And the 1DIII never quite got the accolades or respect that Canon sought. And so went down one of the potentially most amazing high speed cameras ever released.

I got my first one in 2015. I had it for a short time, but I did feel it was giving me random off focus images so I sold it quick. It may or may not have just been all in my mind! The problem with this camera is once the seed of doubt has been planted, it’s hard to get it out of your head.

Reecently, I found another one very cheap and decided to try it again. I would never make judgement on just one copy of a camera. I was very surprised when taking a series of my eldest child on her Razor, that the 1DIII kept up even as she picked up speed! It was probably too easy for this camera! I will probably put those sequences up should I do a future review on this camera.

But in case I don’t, just know that if you buy one, try to get it cheap or from a reliable dealer because there’s always a risk with this camera. However, it’s also possible that any 1DIII’s with serious issues should have been fixed by now

“Razor’s Edge” 2018. Canon EOS-1D MKIII, EF 135mm f/2L lens. I took this last week. Testing out the 1DIII. It’s a camera I’ve always wondered about, but stayed away from it due to its reputation for AF issues. I got rid of my first one due to those issues, but this one seems a keeper!

“Smile” 2018. Canon EOS-1D MKIII, EF 135mm f/2L. Zay now knows, somehow, when to give me the pose πŸ™‚

“September Morn” 2009. Rolleiflex SL66, 80mm f/2.8 Rollei HFT Planar, Tmax 400 in Tmax Developer. Yes folks, I had one of these cameras too! Didn’t hold on to it long, but I do miss the silky smooth yet sharp images from that Planar lens!

That’s it for this morning, see you soon! 😊

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Manila In B&W With The Ricoh GR-1 Film Camera

“Hotel City” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. There are so many hotels in this city! And so many beautiful hotels at that. This one is the Rizal Hotel near Manila Bay. I was very close to the building and despite having the GR-1 with its 28mm lens, I wish I had a wider lens. Yes, there is such a thing as not wide enough! πŸ™‚

Manila, the bustling capital of the Philippines, is a fascinating, lively, and colorful place that in my opinion is better suited to color photography than it is for black and white photography.

“Mall Town” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. Mall culture is alive and well in the Philippines. They love their malls! I hate to admit it, but I frequented many malls during my visit and they were all great. They take their malls seriously in Manila! 😊[[[[[[[[[[[[

However, as a B&W fanatic, you and I both know that everything looks good in B&W anyway πŸ˜€

With that in mind, I couldn’t help but take my Ricoh GR1 along for this recent trip.

Now you may or may not recall, but in the last post I mentioned bringing along two of the greatest point and shoot film cameras along for this trip.

I used those cameras with color film so that means the GR-1 was NOT one of those two cameras, despite the fact that it could easily be in that same list of “greatest.” So what does this mean? It means I hope you’ll stay tuned as I have more goodies and surprises coming your way!

This article will show some photos taken with the GR-1 and Kentmere 400 B&W film. I developed this roll in D76.

Looking back on the photos, I wished I had shot more than one roll with the GR-1. That’s the problem with taking too many cameras 😊 In fact, I could’ve easily used it as my only film camera and I would’ve been happy with that.

Here are just some photos from the trip. Not meant to be an artistic showcase, just the things I saw in Manila and some thoughts on them. Where I can, I will try to give you some commentary.

“Intramuros” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. This is the famous walled city at the heart of old historic Manila. I shot this through a dirty window using both the iPhone X and the Ricoh GR1. I was surprised at how much detail came through from both! The detail here is really limited mostly due to the film grain when compared to the iPhone photos.

“SALE” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. I love fashion photography but mannequins are as close as I usually get to fashion models πŸ™‚

“BGC” 2018.Β Ricoh GR1, Kentmere 400 developed in D76 Developer. A scene from Manila’s vibrant “BGC” district, a hip financial and social center.

“Manila Floods” 2018.Β Ricoh GR1, Kentmere 400 developed in D76 Developer. It rained nearly every day of the two and a half weeks I spent there. They don’t call it the “rainy season” for nothing.

“OOMA Sushi” 2018. Ricoh GR1, Kentmere 400 developed in D76 Developer. Had a good meal here. Not sure why the man is smiling, but I certainly don’t know him! I just took a quick grab shot πŸ™‚

“Lucban Church” 2018.Β Ricoh GR1, Kentmere 400 developed in D76 Developer. Heading out a couple of hours southeast from Manila, I visited the small municipality of Lucban in the province of Quezon where I saw this beautiful and historic church that dates back hundreds of years. This is theΒ San Luis Obispo de Tolosa Parish Church otherwise know as “Lucban Church.”

“Free Fall” 2018. Ricoh GR1, Kentmere 400 developed in D76. Youngsters having fun at this man made waterfall at the Vila Escudero, a resort about an hour away from Metro Manila.

“Night Lights” 2018. Ricoh GR1, Kentmere 400 developed in D76 developer. The lights on the open air rooftop at the SM Aura mall in Manila. Considering this is ISO 400 film, I think the Ricoh GR1 did pretty good with this shot.

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Recent (And Not So Recent) Images

Once in a while I like to upload photos, if only to remind myself that I love the art of photography as much as the gear. Though it might not seem like it, I do really love photography as much as I do the gear! πŸ˜€

Just like most of you, I don’t just take photos for reviews or posting. I take photos FOR LIFE! I document life first, then if I can use some of the photos in a review, why not?

The vast majority of the photos I take on a daily basis just doesn’t make it in. Oh friend! Why bore you with my life? 😊 I want to know about YOUR life, Brothers and Sisters 😘

So these are some shots taken recently, and some not so recently. Nothing artistic. Just random shots. Sometimes, it’s a snap, sometimes it’s a test. Sometimes it’s deliberate. Sometimes it’s by luck or chance. Like I said, ya never know. I’m sure this is the way it is for most of us photographers, us mere mortals 😊

One thing that I’m sure is that most of these images have not been posted on these pages. I try to include technical info and tidbits for you camera nerds out there cause that’s how I would like it too 😊

I also find it interesting to see what camera and lenses I was using then as opposed to what I am using now. It’s a way of seeing how one’s tastes may or may not have changed. Sometimes I find there’s not a lot of changes!

I think theses images may give you a glimpse as to what I am pondering on doing articles and reviews on. At the same time, you may see why I’m flustered deciding what to publish 😫

Not to sweat it though. Most of you regular readers know by now that this is how I roll. Sometimes it comes in waves. Then I need a mental break haha! I can’t do it daily man, I just can’t.

Definitely got some more interesting stuff to profile for you all, and also on YouTube too. Oh yes, don’t think your “Brother from another lover” has forgotten about YouTube!

I really don’t mind starting out slow there because I don’t want to upload videos just for the heck of it. Just like here on the blog, I realize what you post may be on for a long time so let’s make it count!

Anyway I thank you all for having a look! Appreciate your patience and support over the years. I think you guys are the best readers anywhere. And those of you who also blog are some of the most prolific bloggers around! I certainly can’t do what you do, but thanks for the inspiration! Have yourselves a great weekend!

“Night Buddy” 2018. Nikon D700, 50mm f/1.2 AIS Nikkor. My late night buddy! Try writing an article with this one hanging around. At least tonight, she’s quiet…somewhat πŸ™‚

“Noon” 2017. Nikon D700, 50mm f/1.2 AIS Nikkor. Be forewarned friend. For when the clock strikes “Noon” your heart may be broken πŸ™‚ Actually yes, her name really is Noon! Thanks for being a good and patient model, appreciate you!

“American Girl” 2018. Sony A7r (original) with Mamiya 55mm f/1.4 lens. This is a crop from a larger image. I was just testing this lens when I saw Baby sitting there, lazy and then the spirit of the late great Tom Petty hit me and I heard him sing…”She is…an American girl” πŸ™‚ This is a great lens by the way!

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“Vogue” 2011. Bronica RF645, 65mm f/4 Zenzanon lens on T-Max 400. Every time I look back on a shot from my time with the Bronica RF, I miss it!

“Text” 2017. Agfa Ambiflex, 55mm f/2 Solagon. Kentmere 400 film. Talk about great lenses, wait till I tell you about this one! πŸ™‚

“Sunglass” 2015. Leica M4-P, 50mm f/2 Summicron-M, Tri-X 400. This was actually a night shot near Times Square. Considering that, the sharpness and clarity is pretty good I think. Can never go wrong with a Summicron lens! Β You can see the smoke or vape coming out of the man’s nostrils πŸ™‚

“Purple Rain” 2012. Ricoh GRD 8.1mp. “An ocean of violets in bloom” as the Purple One once said! The original GRD remains one of my favorites πŸ™‚

“Smoke ‘n Java” 2007. Ricoh GRD 8.1mp. The brutal art of coffee and smoke. Over ten years later and the GRD is still on rotation in my camera bag these days!

“Baloon Man” 2006. Nikon D70s, 50mm f/1.8 AF-D Nikkor. Cebu, Philippines. In my opinion, the Nikon D70s was one of the best cameras of its era, capable of crisp detail and rich colors. I plan to write an article on this Nikon gem.

“Baby It’s You” 2017. Sony A7r with Canon 35mm f/2 SSC. New York City. Though the focus may be slightly soft in this image, the vintage Canon 35mm f/2 SSC is a great lens capable of sharp images. And if you’re reading Camera Legend, then you know this isn’t just ANY Canon 35mm f/2 lens! Of course, it’s the one with the concave front element and radioactive thorium πŸ™‚

“Chase” 2017. Sony A7r with Canon 35mm f/2 SSC lens. The original image was dark due to underexposure. Lift the darkness in post processing and the A7r shows its legendary dynamic range. Four years later, the original 36mp A7r still delivers the goods!

“Feed Me” 2011. Contax T3, T-Max 400 film in HC110 developer. The T3 is an amazing camera! I’m sure you wouldn’t mind another review, now would you? πŸ™‚

“Times Square” 2017. Sony A7r with Canon 35mm f/2 SSC lens. The Baby don’t care if it’s Times Square or home. She naps when nature calls πŸ™‚

“Buenas Noches” 2017. Nikon D700, 50mm f/1.2 AIS. Yes that means…Good night! πŸ™‚

***NIKON REBATES MAY 2018***

If you’re a Nikon shooter, this is the best time of the year for HUGE savings!! Please buy from our trusted affiliates and support Camera Legend at the same time. It will cost you nothing extra and help us fund more reviews of the Camera Legends you want to see. Thank you!

Nikon Rebates start on 05/06.Β Expires 06/02

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